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Noble Rot Meets Ecstatic Synth- Poppers Hot Chip Words by Dan Keeling Photographs by Benjamin Mcmahon
Words by Dan Keeling Noble Rot Photographs by meets ecstatic synth- SHOOT FROM THE CHIP SHOOT Benjamin McMahon poppers Hot Chip “Gordon Ramsay used to cook here a long time ago,” says Hot Chip’s Joe Goddard, reading the menu at Chez Bruce in Wandsworth. “When I last ate here, a friend from uni was working in the kitchen and I absolutely loved it.” To Joe’s left, fellow band member Al Doyle is enjoying his first drink of the evening – Vouette & Sorbée ‘Saignée de Sorbée’ Champagne – after a day rehearsing in a nearby studio for the band’s imminent support headline slot at Hackney’s All Points East festival. With their new album heralding a high point in their long career (it’s their seventh), the aptly titled A Bath Full of Ecstasy has a blend Dan Keeling: Do you cook at home? Joe Goddard: I cook all the time. I’ve got a Green of synth melodies, bouncing house basslines Egg barbecue and cook a lot of seafood, as well as buying a lot of nice wines from Bottle Apostle to try and soulful vocals that makes it one of our to pair with it. I’m interested in the weirder side of wine. This Vouette & Sorbée reminds me of a records of the year at Rotter Towers. Imagine delicious sparkling red from near Barcelona that I’ve been drinking recently called La Rosita by Pamela Geddes. It’s dry and fruity: it tastes like sparkling Erasure jamming with Daft Punk, Laid Back and Ribena to me, and I’m into that! Frankie Knuckles in a lift, and you might be Al Doyle: It’s delicious and quite unusual – it almost tastes like Pét-Nat rather than Champagne. -
CHIP SEAL DESIGN and SPECIFICATIONS Final Report
CHIP SEAL DESIGN AND SPECIFICATIONS Final Report SPR 777 CHIP SEAL DESIGN AND SPECIFICATIONS Final Report SPR 777 by Ashley Buss Minas Guriguis Benjamin Claypool Doug Gransberg R. Christopher Williams for Oregon Department of Transportation Research Section 555 13th Street NE, Suite 1 Salem OR 97301 and Federal Highway Administration 400 Seventh Street, SW Washington, DC 20590-0003 December 2016 Technical Report Documentation Page 1. Report No. 2. Government Accession No. 3. Recipient’s Catalog No. FHWA-OR-RD-17-03 4. Title and Subtitle 5. Report Date Chip Seal Design and Specifications December 2016 6. Performing Organization Code 7. Author(s) 8. Performing Organization Ashley Buss, Minas Guriguis, Benjamin Claypool, Doug Report No. Gransberg, and R. Christopher Williams SPR 777 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) Oregon Department of Transportation Research Section 11. Contract or Grant No. 555 13th Street NE, Suite 1 Salem, OR 97301 12. Sponsoring Agency Name and Address 13. Type of Report and Period Oregon Dept. of Transportation Covered Research Section and Federal Highway Admin. Final Report 555 13th Street NE, Suite 1 400 Seventh Street, SW 14. Sponsoring Agency Code Salem, OR 97301 Washington, DC 20590-0003 15. Supplementary Notes 16. Abstract Chip seals or seal coats, are a pavement preservation method constructed using a layer of asphalt binder that is covered by a uniformly graded aggregate. The benefits of chip seal include: sealing surface cracks, keeping water from penetrating the surface, provides an anti-glare surface, minimizes the effect of aging as it seals the pavement surface, provides a highly skid-resistant surface and is cost effective. -
THE TUFTS DAILY Est
Where You Read It First Snow 36/26 THE TUFTS DAILY Est. 1980 VOLUME LIX, NUMBER 12 TUESDAY, FEBRUARY 16, 2010 TUFTSDAILY.COM Dartmouth policies Universities’ endowments saw tackle rise in drinking major losses last year, report shows BY MICHAEL DEL MORO BY SAUMYA VAISHAMPAYAN about underage drinking. Daily Editorial Board Daily Editorial Board “The town shares with the College the goal of reducing This article is the first in a Tufts students are no lon- the risks to student health and two-part series examining college ger alone in facing harsher safety posed by excessive alco- endowments. Today’s installment measures targeting alcohol hol consumption,” Giaccone focuses on the findings of a report abuse, as Dartmouth College’s said in the Feb. 10 press release. detailing major endowment losses. local police department has “From the statements made in The second article, to appear in unveiled a new enforcement recent days, it is clear that tomorrow’s Daily, will look at the strategy to combat a per- the Greek Leadership Council possible reasons for these losses. ceived rise in underage drink- and other involved student University endowments ing on campus. groups also share this goal across the country, includ- In a Feb. 4 meeting with and are committed to working ing that of Tufts, suffered huge Dartmouth’s Greek life com- energetically to achieve harm losses in the past fiscal year, munity leaders in Hanover, reduction.” according to a Jan. 28 National New Hampshire, Hanover Zachary Gottlieb, president Association of College and Police Chief Nicholas of the Interfraternity Council University Business Officers Giaccone announced a new at Dartmouth, highlighted the (NACUBO)-Commonfund Study strategy of instating compli- proactive approach taken by of Endowments (NCSE) report. -
When James Ford and Jas Shaw Met at Manchester University in the Late 1990S, They Never Imagined They'd End up Creating a Human Synthesiser
When James Ford and Jas Shaw met at Manchester University in the late 1990s, they never imagined they'd end up creating a human synthesiser. But in their very earliest musical experiments together, something was set in motion which would lead to one of the most unusual careers in British music: one which has seen their creative mission transform again and again, inventing entirely new formats for music-making along the way. So perhaps the weaving of rich layers of human vocal tonalities sung by The Deep Throat Choir into the techno framework of their fifth studio album Murmurations isn't quite such an unexpected turn of events. In fact, they've been connecting the human voice with electronic sound since they first founded the band Simian with Simon Lord and Alex McNaughten. Simian was, in Jas's words, about “trying to show you could make band music with songs and harmonies but be into Autechre too". Named after "Simeon", the home-made early synth rig of early electronic experimentalists The Silver Apples, the band combined Crosby, Stills & Nash harmonies with hypnotic Krautrock rhythms, cosmic analogue synthesiser swooshes and an unmistakeable clubber's sense of groove - and somehow in the middle of all that managed to find something extraordinarily accessible. They were signed to a major label subsidiary in 2000, and made two albums that stand up in their own right now. But, Jas continues, it was "just at the moment the world was into the Strokes and White Stripes and straight-ahead rock music," and their rich, baroque tapestries of song and sound didn't reach the audience their ambition and beauty deserved. -
Sandbox SEPTEMBER 18 2019 MUSIC MARKETING for the DIGITAL ERA ISSUE 236
BROUGHT TO YOU COURTESY OF 06-07 Tools CompanionLabs 08-09 Campaigns Björk, X Ambassadors, Mabel 10–15 Behind The Campaign- Hot Chip IN ASSOCIATION WITH sandbox SEPTEMBER 18 2019 MUSIC MARKETING FOR THE DIGITAL ERA ISSUE 236 THE NEXT STEP FOR PLAYLISTS BEHIND THE CAMPAIGN HOT CHIP BEHIND THE CAMPAIGNHOT CHIP A Bath Full Of Ecstasy is Hot Chip’s seventh album and was released in June – their first new album since Why Make Sense? in 2015. COREY ZALOOM (senior manager, digital marketing) and BROOKE SALISBURY (head of marketing) of Domino Recording Company explain how they set up the album by getting their catalogue streaming in order after the label acquired three of their previous albums from EMI/Parlophone, where live was used to reawaken interest in the band, how the video for ‘Hungry Child’ reached far beyond their core audience and why both Instagram and TikTok were key new platforms in the band’s marketing arsenal. Getting the band’s catalogue streaming Domino acquired the band’s EMI/ CZ: We had a few goals going into the change in three or four years, so in order before the new album Parlophone catalogue in early 2018 album in spring 2019 and one was things like Instagram were a new BS: This is only our third album with [covering three albums between 2006 and to reactivate their catalogue. Some priority for the band. We were the band [after 2012’s In Our Heads and 2010] and that was a key part of the set up of that included re-uploading high- looking at how to integrate things 2015’s Why Make Sense?]. -
The Water Tower Vol. 7 Issue 5
volume 7 - issue 5 - tuesday, february 23, 2010 - uvm, burlington, vt uvm.edu/~watertwr lauryn schrom by drewdiemar artying isn’t easy. Sure, you tipsy. Fuckin’ Kyle/Kelsey/Mike/Emma So we heard about something on back to my place, minus Mike, cause he usually only do it on put on Party in the USA/Don’t Stop Be- Isham/Loomis/East Ave/Hungerford. This apparently hooked up with some bitty/got weekends. So long as you lievin’/Poker Face and everyone was sing- place was mad chill/shitty/ragin’ /sketchy. locked in the boiler room/passed out in the can sleep in as long as you ing along. I was like, if we’re all jamming It was a highlighter/whiteout/toga party, proccess of takin’ a dump at the party. I want, you’re usually ready to to that shit, it’s time to get moving. and they had a DJ/band/tiger/stripper. I felt about ready to pass out, but first we pile on the alcohol until Sun- We walked down/up to Fiji/Pike/Sig started dancing with this bitty/fratboy/ called in some Wings/Domino’s/Chinese/ day, when you can relax all day and begin Ep/Lambda Iota. We didn’t know if we creature/stool, and was gonna make a headies. We jammed out/freestyled/chat the preparation for next weekend. were gonna get in, but Kyle’s sister is dat- move but they hadta get a ride home. Af- rouletted with some guy’s dick till the shit But there are always those nights ing one of the guys/Emma flirted a bunch ter I danced, we were sitting on a couch, got here. -
University of Huddersfield Repository
University of Huddersfield Repository Adams, Thomas James Free associative composition: Practice led research into composition techniques that help enable free association. Original Citation Adams, Thomas James (2014) Free associative composition: Practice led research into composition techniques that help enable free association. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/23664/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ [ Tom Adams ] Free associative composition: Practice led research into composition techniques that help enable free association. [ Tom Adams ] Free associative composition: Practice led research into composition techniques that help enable free association. Table Of Contents Preface - Disclaimer, Portfolio List, Acknowledgements, Abstract. Chapter 1 - Introduction to free association and stream form. Chapter 2 - Techniques for free associative composition. 2a) Implementing a free associative composition technique; stream form. -
1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Danielle Furman and Caitlyn EDITOR in CHIEF Burr Are Better Than You at Sports
02 19 10 | reportermag.com R.I.T Goes To Semesters Your Get Together Shit TOO Gallery Salon Shuts Doors EDITOR’S NOTE 02 19 10 | VOLUME 59 | ISSUE 20 EDITOR IN CHIEF TABLE OF CONTENTS Andy Rees | [email protected] MANAGING EDITOR Madeleine Villavicencio FEAR AND LOATHING IN HENRIETTA | [email protected] Right now, the campus is buzzing with talk of semesters and petitions and protests. Facebook groups COPY EDITOR Michael Conti bemoan 2013 as the end of RIT as we know it (this presupposes that the world will not end in 2012). Alumni | [email protected] and students alike feel betrayed by a man who, until two weeks ago, was by all accounts a well loved NEWS EDITOR Emily Bogle president. | [email protected] I find it absolutely hilarious. LEISURE EDITOR Alex Rogala It’s got everything that makes for great television. A bleak wintry college campus! An evil banjo-wielding | [email protected] president hell-bent on making children and women cry! Secret votes! Protests! Bread riots! Communism! FEATURES EDITOR John Howard The only things we’re missing is a mad Cossack monk and a balding leader of political dissidents, and | [email protected] we’re ready for an RIT Revolution. SPORTS/VIEWS EDITOR Sam McCord Now, I don’t mean to sound callous or insensitive to people’s concerns. I just happen to think this might | [email protected] ONLINE EDITOR Emily Mohlmann be the funniest way to end my college career. Never would I have imagined that a campus community so | [email protected] frustrated with itself could suddenly become so passionate about the loss of a calendar that drew so much hatred. -
Redefining Radio Art in the Light of New Media Technology Through
Title Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Type Thesis URL http://ualresearchonline.arts.ac.uk/8748/ Date 2015 Citation Hall, Margaret A. (2015) Radio After Radio: Redefining radio art in the light of new media technology through expanded practice. PhD thesis, University of the Arts London. Creators Hall, Margaret A. Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author 1 Margaret Ann Hall Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Thesis for PhD degree awarded by the University of the Arts London June 2015 2 Abstract I have been working in the field of radio art, and through creative practice have been considering how the convergence of new media technologies has redefined radio art, addressing the ways in which this has extended the boundaries of the art form. This practice- based research explores the rich history of radio as an artistic medium and the relationship between the artist and technology, emphasising the role of the artist as a mediator between broadcast institutions and a listening public. It considers how radio art might be defined in relation to sound art, music and media art, mapping its shifting parameters in the digital era and prompting a consideration of how radio appears to be moving from a dispersed „live‟ event to one consumed „on demand‟ by a segmented audience across multiple platforms. -
The Spectral Voice and 9/11
SILENCIO: THE SPECTRAL VOICE AND 9/11 Lloyd Isaac Vayo A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Ellen Berry, Advisor Eileen C. Cherry Chandler Graduate Faculty Representative Cynthia Baron Don McQuarie © 2010 Lloyd Isaac Vayo All Rights Reserved iii ABSTRACT Ellen Berry, Advisor “Silencio: The Spectral Voice and 9/11” intervenes in predominantly visual discourses of 9/11 to assert the essential nature of sound, particularly the recorded voices of the hijackers, to narratives of the event. The dissertation traces a personal journey through a selection of objects in an effort to seek a truth of the event. This truth challenges accepted narrativity, in which the U.S. is an innocent victim and the hijackers are pure evil, with extra-accepted narrativity, where the additional import of the hijacker’s voices expand and complicate existing accounts. In the first section, a trajectory is drawn from the visual to the aural, from the whole to the fragmentary, and from the professional to the amateur. The section starts with films focused on United Airlines Flight 93, The Flight That Fought Back, Flight 93, and United 93, continuing to a broader documentary about 9/11 and its context, National Geographic: Inside 9/11, and concluding with a look at two YouTube shorts portraying carjackings, “The Long Afternoon” and “Demon Ride.” Though the films and the documentary attempt to reattach the acousmatic hijacker voice to a visual referent as a means of stabilizing its meaning, that voice is not so easily fixed, and instead gains force with each iteration, exceeding the event and coming from the past to inhabit everyday scenarios like the carjackings.