061797-Sem News
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 Literaturliste Für „Einführung in Die Moderne Afrikanische Musik“
Literaturliste für „Einführung in die moderne afrikanische Musik“ Dozent: Dr. Wolfgang Bender Inhaltsverzeichnis: 1. Allgemeiner Teil: 1. Theorie S. 2 2. Produktion, Distribution & Archivwissenschaften S. 3 3. Afrikanische Musik allgemein S. 3 4. Moderne afrikanische Musik allgemein S. 5 5. Traditionelle afrikanische Musik allgemein S. 7 6. Weltmusik S. 8 7. Musik aus der Diaspora S. 9 8. Bibliographie S. 11 9. Zeitschriften S. 11 2. Länderspezifischer Teil: 10. Nordafrika S. 13 11. Westafrika S. 14 12. Frankophones Westafrika S. 14 13. Anglophones Westafrika S. 17 14. Zentralafrika S. 22 15. Horn von Afrika S. 25 16. Ostafrika S. 26 17. Süd-Zentralafrika S. 28 18. Südafrika S. 29 19. Lusophones Afrika S. 31 20. Inseln S. 32 1 1. Theorie: Agawu, Kofi: Representing African Music: Postcolonial notes, 2003 queries, positions. New York & London: Routledge Bröcker, Marianne (Hg.): Musik und Religion. 1992 Reihe: Bericht über die Jahrestagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music; Universitätsbibliothek Bamberg, ICTM Bröcker, Marianne (Hg.): Musik und Symbol. Musik und Region. 1998 Reihe: Berichte über die Jahrestagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music, Universitätsbibliothek Bamberg, ICTM Bröcker, Marianne (Hg.): Traditionelle Musik und ihre Funktion. 2001 Reihe: Berichte über die Jahrestagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music, Universitätsbibliothek Bamberg, ICTM Nettl, Bruno: The Concept of Preservation in 1985 Ethnomusicology. In: Jackson, Irene V. (Hg.): More than Drumming. Essays on African and Afro-Latin American Music and Musicians. Westport: Greenwood Press Simon, Arthur: Ethnomusikologie: Aspekte, Methoden und 2008 Ziele. Berlin: Simon Verlag 2 2. -
Cape Verdean Theatre: Enacting Political Theory and Reclaiming Roots for Crioulo Performance Eunice S
Journal of Cape Verdean Studies Manuscript 1023 Cape Verdean Theatre: Enacting Political Theory and Reclaiming Roots for Crioulo Performance Eunice S. Ferreira Follow this and additional works at: https://vc.bridgew.edu/jcvs Part of the Critical and Cultural Studies Commons, and the International and Area Studies Commons This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. © 2019 Eunice S. Ferreira Cape Verdean Theatre: Enacting Political Theory and Reclaiming Roots for Crioulo Performance by Eunice S. Ferreira Abstract Shining a spotlight on the Cape Verde Islands illuminates the rich diversity of theatre of the African diaspora and places its unique crioulo identity and creole identities in general, center stage. This article focuses on the post-independence theatre movement in Cape Verde where the re-Africanization theories of Amílcar Cabral (assassinated PAIGC leader in Cape Verde’s liberation struggle) shaped national identity and guided the pioneering work of theatre troupe Korda Kaoberdi (Wake up, Cape Verde). Under the dynamic leadership of Francisco Gomes Fragoso, a medical doctor who adopted the artistic name of Kwame Kondé, the troupe Korda Kaoberdi sought to create “a genuinely Cape Verdean and authentically African theatre.” Armed with the tenets of Cabral’s political theory, Fragoso reclaimed performance traditions that had been suppressed during Portuguese colonialism in order to train actors as combatants in cultural warfare. In doing so, Fragoso positioned the fledgling theatre artists of Korda Kaoberdi alongside the freedom fighters, asserting as Cabral did that culture is a weapon and sign of liberation. The author offers first-ever reconstructions of their historical productions based on archival research, Fragoso’s own writings, festival participant-observations, and personal interviews. -
IAS Program on Frontiers of Soft Matter Physics: from Non-Equilibrium Dynamics to Active Matter
IAS Program on Frontiers of Soft Matter Physics: from Non-equilibrium Dynamics to Active Matter 6 – 10 Tutorials / Lectures 13 – 17 JAN International Conference 20 – 24 2014 Junior-Scientist / Student / Postdoc Workshops HKUST Jockey Club Institute for Advanced Study, Lo Ka Chung Building, Lee Shau Kee Campus, The Hong Kong University of Science and Technology (HKUST) Invited Speakers of the International Conference & Tutorial Lecturers Jerome Bibette ESPCI Paris Tech Daniel Ou-Yang** Lehigh University Paul Chaikin* New York University Hyunggyu Park** Korea Institute for Advanced Study Elisabeth Charlaix Université Joseph Fourier de Grenoble Eric Perez École Normale Supérieure Hsuan-Yi Chen National Central University Tiezheng Qian HKUST I-Liang Chern National Taiwan University Sriram Ramaswamy Tata Institute of Fundamental Research Itai Cohen Cornell University Weiqing Ren National University of Singapore John Crocker University of Pennsylvania Masaki Sano** University of Tokyo Masao Doi* Beihang University Ping Sheng** HKUST Haiping Fang Chinese Academy of Sciences Jue Shi Hong Kong Baptist University James J. Feng University of British Columbia Anderson Shum University of Hong Kong Daan Frenkel* University of Cambridge Shuyu Sun King Abdullah University of Sci. & Tech. Local Organizing Committee Yilong Han HKUST Nico van der Vegt Technical University of Darmstadt Robert Kohn* New York University Xiaoping Wang HKUST Penger Tong Chair HKUST Ming-Chih Lai National Chiao Tung University Eric Weeks Emory University Ping Sheng Co-chair HKUST Pik-Yin Lai** National Central University David Weitz* Harvard University Xiaoping Wang Co-chair HKUST Alexander Levine University of California, Los Angeles Xiangjun Xing Shanghai Jiao Tong University Emily S. C. Ching Chinese University of Hong Kong Ming Li Chinese Academy of Sciences Lei Xu Chinese University of Hong Kong Yilong Han HKUST Chun Liu Pennsylvania State University Ning Xu University of Sci. -
Ketron A4 Fronte OOKK 2Biss
KETRON STYLES PACKAGE 2016 SD7 SD80 Midjpro For SD7 - SD80 • SD Styles / VOL.1 cod.9PDKP1 BALLAD COUNTRY DANCE 8Beat Ballad-R Piano Ballad Country Ballad On The Road 60's Revival Disco Highlife 70's Ballad Pop Ballad 6-8 Country Beat PianoMan Waltz Club Dance 1 Disco Pop Ballad 12-8 Smooth Ballad Dixie Band Scand Fox Club Dance 2 Euro Club 1 Blues Ballad-R Soft Ballad Dolly Pop Stand By Yours Club Dance 3 Euro Club 2 Folk Singer Sweet 16 Beat Fox Beat Club USA Full House Gentle 16 Beat Uptown 16 More Country Disco Beat Noche Mix Lonely Ballad Nashville Disco Funk For Midjpro • SD Styles / VOL.1 cod.9PDKP5 BALLAD COUNTRY DANCE 8Beat Ballad Lonely Ballad Country Ballad Nashville 60's Revival Disco Highlife 8Beat Ballad-R Piano Ballad Country Beat On The Road Club Dance 1 Euro Club 1 70's Ballad Pop Ballad 6-8 Dixie Band PianoMan Waltz Club Dance 2 Euro Club 2 Ballad 12-8 Smooth Ballad Dolly Pop Scand Fox Club Dance 3 Full House Blues Ballad-R Soft Ballad Fox Beat Stand By Yours Club USA Noche Mix Folk Singer Sweet 16 Beat Francaise Disco Beat Gentle 16 Beat Uptown 16 More Country Disco Funk For SD7 - SD80 • SD Styles / VOL.2 cod.9PDKP2 LATIN PARTY Batucada Gentle Bolero Normal Samba Rumba Flam Boogie Woogie1 Meneito Beguine Les Antilles North Bachata Salsita Boogie Woogie2 Schlager Bossa Argentin Mambo Hit-R Rapido Samba Brazilia Can Can Shue Fox Bossa Brazil Mambo Reggae Drop South Bachata Elvis Boogie Caliente Merenguito-R Reggae Shine Sunny Bossano Flip Beat Cha Cha-R Modern Balada Reggaeton-R Vallenato Flip Fox Cumbia-R Modern Cumbion -
Brazilian Nationalistic Elements in the Brasilianas of Osvaldo Lacerda
Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2006 Brazilian nationalistic elements in the Brasilianas of Osvaldo Lacerda Maria Jose Bernardes Di Cavalcanti Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Di Cavalcanti, Maria Jose Bernardes, "Brazilian nationalistic elements in the Brasilianas of Osvaldo Lacerda" (2006). LSU Major Papers. 39. https://digitalcommons.lsu.edu/gradschool_majorpapers/39 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. BRAZILIAN NATIONALISTIC ELEMENTS IN THE BRASILIANAS OF OSVALDO LACERDA A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the Degree of Doctor of Musical Arts in The School of Music by Maria José Bernardes Di Cavalcanti B.M., Universidade Estadual do Ceará (Brazil), 1987 M.M., Louisiana State University, 2002 December 2006 © Copyright 2006 Maria José Bernardes Di Cavalcanti All Rights Reserved ii DEDICATION This monograph is dedicated to my husband Liduino José Pitombeira de Oliveira, for being my inspiration and for encouraging me during these years -
September-October 2018 from the Editor: Welcome to the September/October Edition of the 2018 AAA Newsletter
AMERICAN ACCORDIONISTS’ ASSOCIATION A bi-monthly publication of the AmericanNewsletter Accordionists’ Association September-October 2018 From the Editor: Welcome to the September/October edition of the 2018 AAA Newsletter. As we reflect on the outstanding success of the 80th Anniversary Festival in Alexandria, VA, the summer draws to a close bringing with it a sense of great pride and accomplishment. The array of talent fea- tured during our gala Anniversary festival showcased the accordion at its finest, in a variety of genres and settings. A wonderful review with pictures and videos can be found online at www.ameraccord.com and serves as a lasting souvenir of the spectacular gathering. As always, I would like to offer my sincere thanks to the AAA Past- President, Linda Reed and Board of Director, Rita Davidson for their kind assistance with the AAA Newsletter. We invite you to submit your news items for publication so that your fellow members can see the incredible array of accordion activities happening throughout the country. Items for the 2018 November/December Newsletter can be sent to me at [email protected] or to the official AAA e-mail address at: [email protected]. Please include ‘AAA Newsletter’ in the subject box, so that we don’t miss any items that come in. Text should be sent within the e-mail or as a Word attach- ment. Pictures should be sent as a high quality .jpg file, and the larger the file size the better. We can always reduce/crop the picture if necessary, however we are unable to increase the quality from smaller pictures. -
Representative List of the Intangible Cultural Heritage of Humanity As Heritage Fund
ElemeNts iNsCriBed iN 2012 oN the UrGeNt saFeguarding List, the represeNtatiVe List iNTANGiBLe CULtURAL HERITAGe aNd the reGister oF Best saFeguarding praCtiCes What is it? UNESCo’s ROLe iNTANGiBLe CULtURAL SECRETARIAT Intangible cultural heritage includes practices, representations, Since its adoption by the 32nd session of the General Conference in HERITAGe FUNd oF THE CoNVeNTION expressions, knowledge and know-how that communities recognize 2003, the Convention for the Safeguarding of the Intangible Cultural The Fund for the Safeguarding of the The List of elements of intangible cultural as part of their cultural heritage. Passed down from generation to Heritage has experienced an extremely rapid ratification, with over Intangible Cultural Heritage can contribute heritage is updated every year by the generation, it is constantly recreated by communities in response to 150 States Parties in the less than 10 years of its existence. In line with financially and technically to State Intangible Cultural Heritage Section. their environment, their interaction with nature and their history, the Convention’s primary objective – to safeguard intangible cultural safeguarding measures. If you would like If you would like to receive more information to participate, please send a contribution. about the 2003 Convention for the providing them with a sense of identity and continuity. heritage – the UNESCO Secretariat has devised a global capacity- Safeguarding of the Intangible Cultural building strategy that helps states worldwide, first, to create -
UNIVERSITY of CALIFORNIA Los Angeles Between Two Worlds: a Social History of Okinawan Musical Drama a Dissertation Submitted In
UNIVERSITY OF CALIFORNIA Los Angeles Between Two Worlds: A Social History of Okinawan Musical Drama A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by James Rhys Edwards 2014 © Copyright by James Rhys Edwards 2014 ABSTRACT OF THE DISSERTATION Between Two Worlds: A Social History of Okinawan Musical Drama by James Rhys Edwards Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2014 Professor Roger Savage, Chair In 1879, Japan annexed the Ryūkyū Islands, dissolving the nominally independent Ryūkyū Kingdom and establishing Okinawa Prefecture. This inaugurated Imperial Japan’s expansion beyond the historical naichi or “inner lands.” It also set in motion a structural transformation of Okinawan society, marked by the end of tribute trade with China, the abolition of a centuries-old status system, and the gradual modernization of the economy. This process was painful, pitting the interests of the traditional Okinawan elite against those of Japanese administrators, with Okinawan peasants and laborers caught in the middle. The epicenter of this process was the prefectural capital of Naha – and for many Okinawans, particularly working class women, the soul of Naha was its commercial theater. This dissertation approaches prewar Okinawan commercial theater both as an institution and as a space of experience and expression. Its main focus is vernacular musical drama or kageki, which was created by classical performing artists disenfranchised by the dissolution of ii the court. Musical dramas such as A Peony of the Deep Mountains (Okuyama no botan) and Iejima Romance (Iejima Handō-gwa) draw selectively on both courtly and popular traditions, fusing the poetic sophistication of kumiodori dance-drama with the mass appeal of folk song and dance. -
"Music in Human Life: the Individual, the Community, and the Planet" Proposed As Upper Division Or Lower Division: Upper Division Faculty Name: Daniel Ferguson
SEMESTER AT SEA COURSE SYLLABUS ""MMUUSSIICC IINN HHUUMMAANN LLIIFFEE:: TTHHEE IINNDDIIVVIIDDUUAALL,,, TTHHEE CCOOMMMMUUNNIITTYY,,, AANNDD TTHHEE PPLLAANNEETT"" Spring 2013 Discipline: Music Course Title: "Music in Human Life: The Individual, the Community, and the Planet" Proposed as Upper Division or Lower Division: Upper Division Faculty Name: Daniel Ferguson Pre-requisites: none COURSE DESCRIPTION: Music in Human Life: The Individual, the Community, and the Planet Music is more fundamental to human life and to our identity as a species than most of us realize. Yet music is often treated as trivial, as non-essential, as mere 'entertainment', and countless musical traditions in our world - and the cultures of which they are a part - are endangered and dying. The global discourse on 'sustainability' rarely involves discussion of culture and the arts. But, the long-term 'health' of a community, a society, a nation involves much more than just ecological or economic concerns. In this course we will explore a number of issues and topics that highlight: (1) music's centrality and indispensability to human existence; (2) the relationship of music and the arts to the physical, spiritual, intellectual, social, cultural, economic, and organizational health of humans and human societies; (3) music's embattled and endangered status and the urgency of the work of preservation and/or revitalization of musical traditions, practices, and communities; (4) the interrelatedness of various music-related practices and the health of our earth; and (5) the place of music in the diverse and constantly morphing "soundscapes" in which we find ourselves in our day-to-day lives. TOPICS: DEFINITIONS What is 'Music'?; What is 'Sustainability'?; etc. -
The Cante Alentejano – Traditional Singing from the Alentejo, Portugal
Cooperativa Cultural C.R.L. The Cante Alentejano – Traditional singing from the Alentejo, Portugal Filomena Sousa 1 MI/IELT [email protected] www.memoriamedia.net Sousa, Filomena (2011), “The Cante Alentejano – Traditional singing from the Alentejo, Portugal ”, in Projeto Memóriamedia , Memória Imaterial/IELT, pp. 1-10. Consulted in http://www.memoriamedia.net/bd_docs/trancricao_cuba/aboutcantealentejano Abstract The cante alentejano (singing), polyphonic, executed in a group and without instruments is originally typical from the Alentejo, a Portuguese region that establishes the Northern frontier with the river Tejo, and the Southern frontier with the Algarve. With a repertoire composed by modas , the cante alentejano is sung by groups which are formed by three base voices: the Point, the High and the Second Voices. After the ratification of the UNESCO Convention for the safeguard of the intangible cultural heritage in 2008 and the recognition of fado as cultural heritage of in Humanity in 2011, several groups of cante alentejano , local authorities and cultural associations have united efforts to set a candidature of the cante alentejano to intangible cultural heritage of Humanity. This article intends to synthesize the main features of this cultural expression, enumerate the theories that exist about its origin and expose some data about its evolution. Key words: Cante Alentejano , Alentejo, polyphonic cante , modas , intangible cultural heritage. 1 Responsible Investigator in the Immaterial Memory Cultural C., CRL – Memorimedia Project; Member of the Institute of Studies of Traditional Literature (IELT) - FCSH – UNL; University teacher (2002-2010) in ISSS and ESE-IPP. Guest Investigator – INED – Paris (2006/2007). PhD in Sociology ISCTE-IUL. -
Lisbon City Guide 2019.Pdf
Headline Verdana Bold Make the most out of your stay Lisbon City Guide What you should know about Portugal • Portugal is the oldest country in Europe: has had the same defined borders since 1297, making it the oldest nation-state in Europe; • Lisbon is one of the oldest cities in Europe; • Fado and Cante Alentejano are recognized as world’s intangible cultural heritage – UNESCO • Lisbon is home to the oldest bookshop in Europe. (Bertrand 1732); • Portugal is the largest cork exporter in the world; • Portugal hosts one of the oldest universities in Europe (1290 – Universidade de Coimbra); • Portuguese is one of the most spoken languages in the world; • Portuguese shoes are popular all over the world; • Port wine is named after the city of Porto, not Portugal; • The national dish of Portugal is bacalhau (over 365 different recipies in Portugal); • Portugal has some of the most beautiful award-winning beaches in Europe; • And of course, Portuguese people are cheerful and nice. They will most surely love to meet you. Enjoy your stay! © 2019. For information, please contact Deloitte Consultores SA Lisbon City Guide 2 What to do Places to visit © 2019. For information, please contact Deloitte Consultores SA Lisbon City Guide 3 Discovering Lisbon Belém Portugal's caravels sailed off to conquer the great unknown from Belém, and today this leafy riverside precinct is a giant monument to the nation's Age of Discoveries. First stop should be the Mosteiro dos Jerónimos, a Manueline masterpiece whose intricate decoration and peaceful spaces will leave you inspired. A short walk away is the Torre de Belém, the much- photographed symbol of Portugal's maritime glory. -
2007 APS March Meeting Denver, Colorado
2007 APS March Meeting Denver, Colorado http://www.aps.org/meetings/march i Monday, March 5, 2007 8:00AM - 11:12AM — Session A29 DFD: Focus Session: Colloids I Colorado Convention Center 303 8:00AM A29.00001 How confinement modifies the colloidal glass transition1 ERIC R. WEEKS, Emory University — We study concentrated colloidal suspensions, a model system which has a glass transition. These are suspensions of small solid particles in a liquid, and exhibit glassy behavior when the particle concentration is high; the particles are roughly analogous to individual molecules in a traditional glass. We view the motion of these colloidal particles in three dimensions by using an optical confocal microscope. This allows us to directly study the microscopic behavior responsible for the macroscopic viscosity divergence of glasses. In particular, we study how confinement changes the particle dynamics. We confine a colloidal suspension between two parallel walls, and find that in thin sample chambers the particle motion is greatly slowed. This suggests that confinement causes the onset of the glass transition to happen “sooner,” at particle concentrations which are not normally glassy. 1Supported by the National Science Foundation under Grant No. DMR-0239109. 8:36AM A29.00002 Periodic Stresses and Shear Thickening in an Attractive Colloidal Gel1 , CHINEDUM OSUJI, DAVID WEITZ, Applied Physics, Harvard University — We report on the observation of periodic stresses in a colloidal gel at rest and under minute shear deformation. Dilute suspensions of carbon black colloidal particles in hydrocarbon oil with an attractive Van der Waals interaction are found to shear thicken in two distinct regimes. The first, low shear rate regime is ascribed to network elongation and the high shear regime to hydrodynamic clustering, akin to that observed in concentrated hard sphere systems.