September-October 2018 from the Editor: Welcome to the September/October Edition of the 2018 AAA Newsletter
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Various the Womeximizer 09 Mp3, Flac, Wma
Various The Womeximizer 09 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Womeximizer 09 Country: Germany Released: 2009 Style: Folk, Neofolk, African MP3 version RAR size: 1434 mb FLAC version RAR size: 1489 mb WMA version RAR size: 1790 mb Rating: 4.7 Votes: 631 Other Formats: VOC AAC TTA DXD AC3 MMF VOX Tracklist 1 –Staff Benda Bilili Je T'aime 5:00 2 –Ale Möller Band Bail 4:41 3 –Ahilea Cafe Svetlana 4:00 4 –Boris Malkovsky Introduction 2:55 5 –Watcha Clan Balkan Quolou 3:49 6 –Chet Nuneta Ayazin 3:09 7 –Oreka TX Lauhazka 4:11 8 –Kayhan Kalhor & Brooklyn Rider Parvaz 4:32 9 –Hasna El Becharia Smaa Smaa 4:43 10 –Gilzene & The Blue Light Mento Band Wings Of A Dove 4:03 11 –Victor Démé Djon' Maya 4:09 12 –Deolinda Fado Toninho 2:06 13 –Lepistö & Lehti Vainajalan Tango 4:25 14 –Mógil Litla Prump 3:32 15 –Hanggai Wuji 2:35 16 –Dulsori Drum Sinawi 4:33 17 –Parno Graszt Rávágok A Zongorára 2:44 18 –Cedric Watson Cedric Zydeco 2:55 19 –Orchestra Popolare Italiana Sia Beneduttu Chi Fichi Lu Munnu 2:29 20 –Yves Lambert Et Le Bébert Orchestra La Fille Du Vigneron/Qui Aurait Cru 4:10 Companies, etc. Phonographic Copyright (p) – Piranha WOMEX AG Copyright (c) – Piranha WOMEX AG Mastered At – Traumton Studios Credits Artwork – www.elephant-castle.de* Barcode and Other Identifiers Label Code: LC 07717 Related Music albums to The Womeximizer 09 by Various Pompeo Stillo - Li Cose Do Munnu Blue Glaze Mento Band - We Will Wait Eugen Cicero, Munich Philharmonic Orchestra, Cedric Dumont - Love's Dream Cedric Phillips - Calypsos Queen Ida And Her Zydeco Band - Caught In The Act! Sonic Options - BB Suite Chet Baker - Big Band Ahilea - Cafe Svetlana Zydeco Party Band - Dancin' On The Levee T-Lou And His Los Angeles Zydeco Band - T-Lou And His Los Angeles Zydeco Band. -
98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city. -
Nick Gaitan Interviewer's Name: Mary Manning Date
Interviewee: Nick Gaitan Interviewer’s Name: Mary Manning Date: August 9, 2015 Length of Interview: 1:23:48 Transcription Conventions: “ . ” after a phrase that is not completed. Repeated words/short phrases and fillers such as “uh”, “um,” and “ah” are usually not transcribed. Pauses and laughter are not noted or transcribed. [0:01] Mary: These numbers will start moving, and they're moving. Today is August 9th 2015, and I'm Mary Manning with the Houston Arts Alliances, Folk Life, and Traditional Arts program. I'm at the home of bass player Nick Gaitan of Umbrella Man, who has kindly agreed to share his knowledge and expertise about different genres of music he performs. Now, did I say your last name right? [0:22] Nick: Yes. [0:26] Mary: Alright, so first question. Describe your first memory of hearing music. [0:32] Nick: My first memory of hearing music, growing up in my house there was a lot of music. There was what would be soul music. Motown. There was country because growing up as a kid in the 80s, we still had a lot of the great 70s country players and some from before that were still around, but you had Willie, you had Waylon, you had George Jones, you still had Emmett. Everybody was there, and then you had these huge ... Not only country music, but the pop music of the time because I was also growing up in the MTV generation. We got to see things like Michael Jackson's stardom after Jackson 5. We got to see all the 80s music be created. -
"World Music" and "World Beat" Designations Brad Klump
Document généré le 26 sept. 2021 17:23 Canadian University Music Review Revue de musique des universités canadiennes Origins and Distinctions of the "World Music" and "World Beat" Designations Brad Klump Canadian Perspectives in Ethnomusicology Résumé de l'article Perspectives canadiennes en ethnomusicologie This article traces the origins and uses of the musical classifications "world Volume 19, numéro 2, 1999 music" and "world beat." The term "world beat" was first used by the musician and DJ Dan Del Santo in 1983 for his syncretic hybrids of American R&B, URI : https://id.erudit.org/iderudit/1014442ar Afrobeat, and Latin popular styles. In contrast, the term "world music" was DOI : https://doi.org/10.7202/1014442ar coined independently by at least three different groups: European jazz critics (ca. 1963), American ethnomusicologists (1965), and British record companies (1987). Applications range from the musical fusions between jazz and Aller au sommaire du numéro non-Western musics to a marketing category used to sell almost any music outside the Western mainstream. Éditeur(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer cet article Klump, B. (1999). Origins and Distinctions of the "World Music" and "World Beat" Designations. Canadian University Music Review / Revue de musique des universités canadiennes, 19(2), 5–15. https://doi.org/10.7202/1014442ar All Rights Reserved © Canadian University Music Society / Société de musique Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des des universités canadiennes, 1999 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. -
Northwest Accordion News
NORTHWEST ACCORDION NEWS Alpenfest! Holiday Polka Washington State Fair Bringing Structure to Abstract Chaos Accordion Social Reports from the Northwest Groups VOL. 23 NO. 4 Northwest Accordion Society Winter Quarter 2013 Northwest Accordion News NWAS News Deadlines NORTHWEST ACCORDION SOCIETY February 1, May 1, August 1, November 1 The Northwest Accordion News is a quarterly newsletter published by the Northwest Accordion Inquiries, questions, suggestions, etc. Society for and by its members. The purpose of Contact Doris Osgood, 3224 B St., the NWAS News is to unite the membership by Forest Grove, OR 97116. (503) 357-0417. providing news of its members, and articles that E-mail: [email protected] instruct, encourage, and promote the playing of the accordion. NWAS PUBLICATION PRIORITIES ♦ Advertising Mail letters & articles to: ♦ Original Compositions Northwest Accordion Society ♦ News from Our Members 5102 NE 121st Ave. #12, ♦ Instructive/Technical Articles Vancouver, WA 98682 ♦ Summaries from Regional Socials and Or e-mail to: [email protected] Events ♦ Coming Events ADVERTISING Articles will be printed if received prior to Full page $110.00 the publishing deadline. Should space be an Half page $55.00 issue, articles will be printed in the order in which Quarter $30.00 they are submitted. All decisions regarding Business card $10.00 publication will be made by the editors of the Prices are PER ISSUE. US Funds NWAS News. To submit articles for publication, mail Photo-ready Advertising (with accompanying check) them to the Vancouver, WA address listed. It is for this publication may be sent to: preferred that articles be submitted via e-mail as Northwest Accordion Society attached WORD documents or on a disc. -
Here's What's Happening at AAA in 2013
AMERICAN ACCORDIONISTS’ ASSOCIATION Newsletter A bi-monthly publication of the American Accordionists’ Association JANUARY 2013 From the Editor Here’s What’s Welcome to the January 2013 edition of the AAA Newsletter. As we begin the New Year, it is already shaping up to be an exciting 12 months, full of spectacular accordion events anchored by our own organization’s 75th An- Happening at niversary to be celebrated in New York City in August. My sincere thanks go to our AAA President Linda Reed for her kind assistance in AAA in 2013 the production of this bi-monthly Newsletter which is now celebrating its first an- niversary! I would also like to extend a special thank you to my fellow Board of Director Rita David- son for helping gather and research the News articles, and to all the members who have been able to MARCH 16, 2013 submit items for publication. Coupe Mondiale Items for the March Newsletter can be sent to me at [email protected]. Please include qualifying categories. ‘AAA Newsletter’ in the subject box, so that none of the items are missed when they come in. Text See article on this page should be sent within the e-mail or as a Word .doc (not docx) attachment. Pictures should be sent as a high quality .jpg or similar image file, and the larger the file size the better. We can always MARCH 17, 2013 reduce/crop the picture if necessary, however we are unable to increase the quality from smaller pic- 2:00 pm tures. The deadline for the March 2013 edition will be the 15th of February. -
The Brooklyn Delegation of the New York City Council for Its Vital Toric Visit to New York Gty
Cbail'lllln Asher B. Edelman Brooklyn Academy of Music Preside at Harvey Lichtenstein Board of Trustees Vice Ck1irmen Neil D. Chrisman Rita Hillman I. Stanley Kriegel Franklin R. Weissberg Mem~ers Francis M. Austin, Jt Jenne K. Britell SPECIA L FUNDIN G FOR T HI S ANNU AL REPORT HAS BEEN Kevin Burke PROVIDED THROUGH THE GENEROUS SU PPORT OF Joanne L. Cossullo Warren B. Coburn MANUFACT U RERS HANOVER C O RPORATION . Beth DeWoody PRINTED B Y HARD ING Be H ARD ING GRAPHICS, INC. Charles M. Diker Brendan Duggan Choim Edelstein Mallory Foetor Ronald E. Feiner Alan H. Fishman Robert L. Forbes Michael Fuchs Faith G. Golding Morton Gottlieb Stephen R. Greenwald Sidney Kantor Stanley H. Kaplan Andrew K. Klink Bettina Bancroft Klink Robert A. Krasnow lngo Kretzschmar Edgar A. Lampert Eugene H. luntey laurie Mollet Martin F. Mertz Evelyn Ortner David L. Ramsay Bruce (. Ratner Richard M. Roson Jonathon F. P. Rose Robert (. Rosenberg Pippa Scott Mikki Shepard Vaughn (. Williams Ho10r1ry Chlirmen David N. Dinkins Officers Howa rd Go Iden Harvey Lichtenstein, IIHonry Tr11tees President and Executive Producer Seth Faison Koren Brooks Hopkins, leonard Garment Executive Vice President & Managing Director Paul lepercq Douglas W. Allan, Arne Vennemo Vice President for Marfceting and Promotion Ex-officii Jacques Brunswick, Mary Schmidt Campbell Vice President for Administration During the post yeo~ public funding of the arts weathered not only Fuchs and the Recording Industry Council chaired by Elelctro Entertoin Amidst a year of uncertainty at the National Endowment lor the intense challenges, but ever declining appropriation levels in the menrs Robert Krasnow, the Golo Committee organized a roving, post Arts, and a sense of growing unease with the country's economy, face of budget reductions of all levels of government. -
The Desert Music' at the Brooklyn Academy of Music's Next Wave Festival
Swarthmore College Works English Literature Faculty Works English Literature 1984 Steve Reich's 'The Desert Music' At The Brooklyn Academy Of Music's Next Wave Festival Peter Schmidt Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Peter Schmidt. (1984). "Steve Reich's 'The Desert Music' At The Brooklyn Academy Of Music's Next Wave Festival". William Carlos Williams Review. Volume 10, Issue 2. 25-25. https://works.swarthmore.edu/fac-english-lit/211 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. 25 Steve Reich's The Desert Music at the Brooklyn Academy of Music's Next Wave Festival "For music is changing in character today as it has always done." -WCW (SE 57) On October 25-27, the 1984 Next Wave Festival at the Brooklyn Academy of Music presented the American premiere of Steve Reich's The Desert Music, a piece for chorus and orchestra setting to music excerpts from three poems by William Carlos Williams, "Asphodel, That Greeny Flower," "The Orchestra," and his translation of Theocritus' Idyl I. Michael Tilson Thomas conducted the Brooklyn Philharmonic Symphony Orchestra and chorus, and he, the musicians, and the composer received standing ovations after the performances. Steve Reich is one of this country's most promising young composers. -
Ketron A4 Fronte OOKK 2Biss
KETRON STYLES PACKAGE 2016 SD7 SD80 Midjpro For SD7 - SD80 • SD Styles / VOL.1 cod.9PDKP1 BALLAD COUNTRY DANCE 8Beat Ballad-R Piano Ballad Country Ballad On The Road 60's Revival Disco Highlife 70's Ballad Pop Ballad 6-8 Country Beat PianoMan Waltz Club Dance 1 Disco Pop Ballad 12-8 Smooth Ballad Dixie Band Scand Fox Club Dance 2 Euro Club 1 Blues Ballad-R Soft Ballad Dolly Pop Stand By Yours Club Dance 3 Euro Club 2 Folk Singer Sweet 16 Beat Fox Beat Club USA Full House Gentle 16 Beat Uptown 16 More Country Disco Beat Noche Mix Lonely Ballad Nashville Disco Funk For Midjpro • SD Styles / VOL.1 cod.9PDKP5 BALLAD COUNTRY DANCE 8Beat Ballad Lonely Ballad Country Ballad Nashville 60's Revival Disco Highlife 8Beat Ballad-R Piano Ballad Country Beat On The Road Club Dance 1 Euro Club 1 70's Ballad Pop Ballad 6-8 Dixie Band PianoMan Waltz Club Dance 2 Euro Club 2 Ballad 12-8 Smooth Ballad Dolly Pop Scand Fox Club Dance 3 Full House Blues Ballad-R Soft Ballad Fox Beat Stand By Yours Club USA Noche Mix Folk Singer Sweet 16 Beat Francaise Disco Beat Gentle 16 Beat Uptown 16 More Country Disco Funk For SD7 - SD80 • SD Styles / VOL.2 cod.9PDKP2 LATIN PARTY Batucada Gentle Bolero Normal Samba Rumba Flam Boogie Woogie1 Meneito Beguine Les Antilles North Bachata Salsita Boogie Woogie2 Schlager Bossa Argentin Mambo Hit-R Rapido Samba Brazilia Can Can Shue Fox Bossa Brazil Mambo Reggae Drop South Bachata Elvis Boogie Caliente Merenguito-R Reggae Shine Sunny Bossano Flip Beat Cha Cha-R Modern Balada Reggaeton-R Vallenato Flip Fox Cumbia-R Modern Cumbion -
Brazilian Nationalistic Elements in the Brasilianas of Osvaldo Lacerda
Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2006 Brazilian nationalistic elements in the Brasilianas of Osvaldo Lacerda Maria Jose Bernardes Di Cavalcanti Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Di Cavalcanti, Maria Jose Bernardes, "Brazilian nationalistic elements in the Brasilianas of Osvaldo Lacerda" (2006). LSU Major Papers. 39. https://digitalcommons.lsu.edu/gradschool_majorpapers/39 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. BRAZILIAN NATIONALISTIC ELEMENTS IN THE BRASILIANAS OF OSVALDO LACERDA A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the Degree of Doctor of Musical Arts in The School of Music by Maria José Bernardes Di Cavalcanti B.M., Universidade Estadual do Ceará (Brazil), 1987 M.M., Louisiana State University, 2002 December 2006 © Copyright 2006 Maria José Bernardes Di Cavalcanti All Rights Reserved ii DEDICATION This monograph is dedicated to my husband Liduino José Pitombeira de Oliveira, for being my inspiration and for encouraging me during these years -
Summer 2017 LVAC TIMES COME JOIN US! October 23-26 the SHOW of SHOWS! Yes, the Accordion Stars Will Be Shining Brighter Than Ever This October 23, 2017
18th Annual Las Vegas International Accordion Convention Volume 18, Number 1 / Summer 2017 LVAC TIMES COME JOIN US! October 23-26 The SHOW of SHOWS! Yes, the accordion stars will be shining brighter than ever this October 23, 2017. We are so honored to have a vast and varied program this year that will include music for everyone. The lineup starts with visionary accordionist and friend to all, Cory Pesaturo, and bookends with a grand finale starring Grayson Masefield and the International Accordion Orchestra under the direction of Professor Joan Sommers. Make sure to read on and see why you ;")-%3"::'#(% !"#$%&'()*+#"% should join us for the BEST EVENT YET! Cory is an American musician from Cumberland, Rhode Island. He was accepted on the accordion at the New England Conservatory of Music in Boston, MA, where he became the second person to major in and graduate as an accordionist. Cory became the first American to win a World Accordion Championship since Peter Soave 25 years earlier. He has studied and plays a variety of musical styles including jazz, folk, and classical music. Come help us celebrate Cory’s Las Vegas debut. Grayson debuted at the Las Vegas International Accordion Convention ,#)$("-%.)('/0'12% in 2015 and was an immediate sensation. Those who were in attendance are still .)#$%<"7)#(70% talking about the amazing young man from New Zealand! In 2009 he became the first person ever to win the prestigious Coupe Mondiale Virtuoso Classical and the Coupe Mondiale Virtuoso Entertainment awards back to back in the same year. Grayson has become a sought-after musician and has performed all over the world. -
Northwest Accordion News
NORTHWEST ACCORDION NEWS Wine Festival The Great Accordion Myth Uncovered Improvising Duets: Comping for All Seasons Leavenworth International Accordion Celebration! News about Cory Pesaturo, Alicia Baker and Stas Venglevski! VOL. 21 NO. 3 Northwest Accordion Society Fall Quarter 2011 Northwest Accordion News Northwest Accordion News Staff Doris Osgood............................................(503) 357-0417 NWAS PUBLICATION PRIORITIES [email protected] Advertising Judith Ames .............................................(360) 254-5245 Original Compositions [email protected] News from Our Members Colleen Halverson (Advertising) ..............(503) 484-5064 Instructive/Technical Articles [email protected] Summaries from Regional Socials and NW Accordion Society Offi cers Events Bonnie Birch, President/Treasurer ................................. (206) 622-4786 Coming Events Doris Osgood, Vice President/Communications ............. (503) 357-0417 Articles will be printed if received prior to the Judith Ames, Secretary/Technology ............................... (360) 254-5245 publishing deadline. Should space be an issue, Advisory Board articles will be printed in the order in which they are Rick Hatley, ..................................................................... (253) 288-0442 submitted. All decisions regarding publication will be Shirlee Holmes .............................................................. (206) 282-4934 made by the editors of the NWAS News. Dick Myking ...................................................................