04-02 YPC:Layout 1 3/18/11 11:57 AM Page 1

YOUNG PEOPLE’S CONCERT The Ages of : Modern

Saturday, April 2, 2011, 2:00 p.m. 15,167th Concert

Global Sponsor

Daniel Boico, Conductor Alan Gilbert, Music Director, holds Theodore Wiprud, Host, The Yoko Nagae Ceschina Chair . The Sue B. Mercy Chair Major support provided by the William Randolph Hearst Anna Lee, Violin Foundation , with additional support ( debut) from The Theodore H. Barth Adam Alexander, Baritone Foundation . Tom Dulack, Scriptwriter and Director MetLife Foundation is the Lead Corporate Underwriter for the New York Philharmonic’s Education Programs. Guest artist appearances are made possible through the Hedwig van Ameringen Guest Artists Endowment Fund . Kidzone Live! is made possible by the Mercy family in memory of Sue B. Mercy . Classical 105.9 FM WQXR is the Radio Station of the New York Philharmonic. Programs are supported, in part, by public funds from the Department of Cultural This concert will last approximately Affairs , New York State Council on the Arts , one hour , with no intermission . and the National Endowment for the Arts . It is preceded by Kidzone Live!, Instruments made possible, in part, by The Richard S. which begins at 12:45 p.m. on the and Karen LeFrak Endowment Fund . Grand Promenade and upper Tiers Steinway is the Official of the New York of Avery Fisher Hall . Philharmonic and Avery Fisher Hall.

Avery Fisher Hall at Home of the New York Philharmonic Exclusive Timepiece of the New York Philharmonic

April 2011 04-02 YPC:Layout 1 3/18/11 11:57 AM Page 2

New York Philharmonic

Daniel Boico, Conductor Theodore Wiprud, Host, The Sue B. Mercy Chair Anna Lee, Violin (New York Philharmonic debut) Adam Alexander, Baritone Tom Dulack, Scriptwriter and Director

STRAVINSKY “The Shrovetide Fair,” from Petrushka (1882–1971) (1911; revised 1947)* STRAVINSKY Overture, from Pulcinella (1919 –20)* SCHOENBERG Peripetie, from Five Pieces for , (1874–1951) Op. 16 (1909; revised 1949)

GERSHWIN “I Got Rhythm,” from Girl Crazy (1930) (1898–1937) SHOSTAKOVICH Burleske, from Violin No. 1 (1947–48)* (1906–75) ANNA LEE John ADAMS Selection from The Chairman Dances (1985) (b. 1947 ) Three Works by Very Young Sae-Young KIM Happy Cat (Korea, 2010) Amina DURAKOVIC Relative… (U .S., 2010) Shuono ASHIMINE Rock ‘n’ Roll (Japan, 2009) BARTÓK Finale, from Concerto for Orchestra (1943)* (1881–1945)

THIS CONCERT WILL BE PERFORMED WITHOUT AN INTERMISSION .

*Recorded by the New York Philharmonic and The New York Philharmonic This Week, nationally currently available syndicated on the WFMT Radio Network, is broadcast 52 weeks per year. Radio schedule The New York Philharmonic’s recording series, subject to change; for updated information visit Alan Gilbert: The Inaugural Season, is available nyphil.org. through iTunes via an iTunes Pass. For more information, visit nyphil.org/itunes. In consideration of both the artists and the audi - ence, please be sure that your cell phones and Other New York Philharmonic recordings are paging devices have been set to remain silent. available on all major online music stores as well as on major labels and the New York The photography, sound recording, or videotaping Philharmonic’s own series. of these performances is prohibited.

New York Philharmonic 04-02 YPC:Layout 1 3/18/11 11:57 AM Page 3

New York Philharmonic

2010 –2011 SEASON ALAN GILBERT Music Director, The Yoko Nagae Ceschina Chair Daniel Boico, Assistant Conductor , Laureate Conductor, 1943–1990 Kurt Masur, Music Director Emeritus

VIOLINS Marilyn Dubow Glenn Dicterow The Sue and Eugene The Shirley and Jon Liang Wang Concertmaster Mercy, Jr. Chair Brodsky Foundation Chair Principal The Charles E. Culpeper Martin Eshelman Evangeline Benedetti The Alice Tully Chair Chair Quan Ge Sherry Sylar* Sheryl Staples Judith Ginsberg Eric Bartlett Robert Botti Principal Associate Stephanie Jeong The Mr. and Mrs. James E. The Lizabeth and Frank Concertmaster The Gary W. Parr Chair Buckman Chair Newman Chair The Elizabeth G. Beinecke Elizabeth Dyson Chair Hanna Lachert Maria Kitsopoulos ENGLISH HORN Michelle Kim Hyunju Lee Assistant Concertmaster Joo Young Oh Sumire Kudo Qiang Tu The Joan and Joel Smilow The William Petschek Daniel Reed Chair Family Chair Mark Schmoockler Ru-Pei Yeh Enrico Di Cecco The Credit Suisse Chair Na Sun in honor of Paul Calello Carol Webb Vladimir Tsypin Mark Nuccio Yoko Takebe Wei Yu Wilhelmina Smith++ Acting Principal Minyoung Chang+ VIOLAS The Edna and W. Van Alan Cynthia Phelps Clark Chair Hae-Young Ham BASSES Pascual Martinez The Mr. and Mrs. Timothy Principal Eugene Levinson M. George Chair The Mr. and Mrs. Frederick Forteza P. Rose Chair Principal Acting Associate Principal Lisa GiHae Kim The Redfield D. Beckwith Rebecca Young* The Honey M. Kurtz Family Kuan-Cheng Lu Chair Chair Irene Breslaw** Orin O’Brien Newton Mansfield The Norma and Lloyd Alucia Scalzo++ The Edward and Priscilla Acting Associate Principal Chazen Chair Pilcher Chair The Herbert M. Citrin Chair Amy Zoloto++ Kerry McDermott+ Dorian Rence William Blossom E-F LAT Anna Rabinova Katherine Greene The Ludmila S. and Carl B. Pascual Martinez Charles Rex The Mr. and Mrs. William J. Hess Chair The Shirley Bacot Shamel McDonough Chair Randall Butler Forteza Chair Dawn Hannay David J. Grossman Fiona Simon Vivek Kamath Satoshi Okamoto Sharon Yamada Peter Kenote Amy Zoloto++ Elizabeth Zeltser Kenneth Mirkin FLUTES The William and Elfriede Judith Nelson Ulrich Chair Robert Langevin Robert Rinehart Principal Judith LeClair Yulia Ziskel The Mr. and Mrs. G. Chris The Lila Acheson Wallace Principal Andersen Chair Chair The Pels Family Chair Marc Ginsberg Kim Laskowski* Principal Sandra Church* Lisa Kim* CELLOS Mindy Kaufman Roger Nye In Memory of Laura Mitchell Carter Brey Arlen Fast Soohyun Kwon Principal PICCOLO The Joan and Joel I. Picket The Fan Fox and Leslie R. Mindy Kaufman Chair Samuels Chair Arlen Fast Duoming Ba Eileen Moon* The Paul and Diane Guenther Chair

April 2011 04-02 YPC:Layout 1 3/18/11 11:57 AM Page 4

HORNS PERCUSSION STAGE REPRESENTATIVE Philip Myers Christopher S. Lamb Louis J. Patalano Principal Principal The Ruth F. and Alan J. Broder Chair The Constance R. Hoguet Friends of AUDIO DIRECTOR Stewart Rose++* the Philharmonic Chair Lawrence Rock Acting Associate Principal Daniel Druckman* Cara Kizer Aneff** The Mr. and Mrs. Ronald J. Ulrich * Associate Principal R. Allen Spanjer Chair ** Assistant Principal Erik Ralske+ Kyle Zerna + On Leave Howard Wall ++ Replacement/Extra David Smith++ HARP Nancy Allen Principal The New York Philharmonic uses The Mr. and Mrs. William T. Knight III the revolving seating method for Philip Smith Chair Principal section string players who are The Paula Levin Chair listed alphabetically in the roster. KEYBOARD Matthew Muckey* In Memory of Paul Jacobs Ethan Bensdorf HONORARY MEMBERS OF THE Thomas V. Smith HARPSICHORD SOCIETY Lionel Party Pierre Boulez Stanley Drucker Joseph Alessi PIANO Principal The Karen and Richard S. LeFrak The Gurnee F. and Marjorie L. Hart Zubin Mehta Chair Carlos Moseley Chair Harriet Wingreen Amanda Davidson* Jonathan Feldman David Finlayson The Donna and Benjamin M. Rosen Chair ORGAN Kent Tritle BASS James Markey LIBRARIANS The Daria L. and William C. Foster Lawrence Tarlow Chair Principal Sandra Pearson** Sara Griffin** Alan Baer Principal ORCHESTRA PERSONNEL MANAGER TIMPANI Carl R. Schiebler Markus Rhoten Principal The Carlos Moseley Chair Kyle Zerna **

New York Philharmonic 04-02 YPC:Layout 1 3/18/11 11:58 AM Page 5

The Artists

he made the world premiere recording of Nino Rota’s cello with cellist Dim - itry Yablonsky and I Virtuosi Italiani for the Chandos label. Born in Israel and raised in Paris and the United States, Daniel Boico studied with Russian professor Ilya Musin at the St. Petersburg Conservatory, and also assisted him in performance projects. Mr. Boico later was a prizewinner at the Prokofiev and Pedrotti conducting competitions. He was music director of the Skokie Valley (Illinois) Daniel Boico became the New York Philhar - Symphony Orchestra; assistant to the music monic Assistant Conductor in the 2009–10 director of the Civic Orchestra of Chicago; a season. He made his Philharmonic debut on visiting professor and director of January 23, 2009, and in December 2009 at Grand Valley State University, Michigan; he led the Orchestra in Rotary International’s and an apprentice conductor with the Concert to End Polio, featuring violinist Itzhak Chicago Symphony Orchestra, where he Perlman. He conducted all of the Philhar - worked with music director Daniel Baren - monic’s Young People’s Concerts in the boim, principal guest conductor Pierre 2009–10 season, and is doing so again this Boulez, and Zubin Mehta. season, in addition to working with Music Di - rector Alan Gilbert and guest conductors. Mr. Boico has collaborated with numerous international soloists, including pianists Daniel Barenboim and Shai Wosner, and violinists Gil Shaham and Shlomo Mintz. He recently led London’s Royal Philharmonic Orchestra at the Gabala International Music Festival in Gabala, Azerbaijan, and returned to Mexico City to conduct the Orquesta Sinfónica Nacional de México. Past engagements have included the Moscow Philharmonic, Moscow State Symphony, Novosibirsk Philharmonic, Perm Opera and Ballet, Berlin Radio Symphony and educator Theodore Wiprud Orchestra, Taipei Symphony Orchestra, Israel has been Director of Education, The Sue B. Philharmonic Orchestra, and La Orquesta Mercy Chair, at the New York Philharmonic Filarmónica de la UNAM. In August 2000 since 2004. He began his teaching career in

April 2011 04-02 YPC:Layout 1 3/18/11 11:58 AM Page 6

the 1980s at Walnut Hill School, near series, and was a recipient of its Jack Kent Boston. After directing national grant- Cooke Young Artist Award. She received the making programs at Meet The Composer Aspen New Horizon Fellowship, and made from 1990 to 1997, he returned to the class - her conducting debut with the Peoria Sym - room as a Teaching Artist in New York City phony Orchestra in November 2010. Ms. Lee schools, working for the Orchestra of St. began violin studies at age four with Alexan - Luke’s. He went on to create education and der Souptel and made her debut as a soloist community engagement programs for the performing the Paganini No. Philharmonic and the American 1 with the Singapore Symphony Orchestra Composers Orchestra. under the baton of music director Lan Shui. At the New York Philharmonic, Mr. Wiprud At age six she was accepted into The Juil - oversees a wide array of programs ranging liard School under the tutelage of Masao from the historic Young People’s Concerts and Kawasaki. She is currently a sophomore at the Very Young People’s Concerts, to the the Dalton School. This year she is continuing School Partnership Program (among the her studies with Masao Kawasaki and Cho- largest such programs in the country) and adult Liang Lin at Juilliard. education programs. He has hosted the Phil - harmonic’s School Day Concerts since 2005 and the Young People’s Concerts since 2009.

Adam Alexander holds a bachelor’s degree in vocal performance from Boston University, and earned his master’s degree from the Violinist Anna Lee has appeared on the Manhattan School of Music. Recent credits in - stages of Weill Recital, Wigmore, and Avery clude Inconnu at The Public Theater with Fisher halls. She has claimed top prizes in the Michael Greif; L’Étoile at New York City Opera; 2010 Menuhin Competition (Junior Division), and Fanny at New York’s City Center’s E n- Aspen Music Festival (American Academy of cores ! He performs regularly as a chorister Conducting at Aspen) Competition, Long Is - and soloist with various choirs in New York, in - land Competition, Blount-Slawson Young cluding Musica Viva, the Trinity Choir, and the Artist Competition, and New York Music Com - New York Choral Artists. Mr. Alexander has petition. She has been featured on the NPR also become an advanced actor combatant radio show From the Top, as well as on its re - with the Society of American Fight Directors, lated Emmy Award –winning PBS tele vision and has helped develop choreography and

New York Philharmonic 04-02 YPC:Layout 1 3/18/11 11:58 AM Page 7

has taught at many theaters and universities, This is his sixth season writing and staging such as New York City Opera, American the Young People’s Concerts for the New Repertory Theater, The Pearl, Des Moines York Philharmonic. His plays have been pre - Metro Opera, American Musical and Dramatic sented in Broadway and Off-Broadway Academy, Ohio State University, Zurich Inter - houses, and in leading regional theaters national School in Switzerland, and the Zurich- around the country, and have been translated based theater company CommunicArt. into foreign languages around the world. They include Solomon’s Child, Diminished Capacity, York Beach, Just Deserts, 1348, Shooting Craps, and Friends Like These. No - table directors with whom he has collabo - rated are Jack O’Brien , Alan Ayckbourn, and John Tillinger. His five books include the novel The Stigmata of Dr. Constantine, and the theater memoir In Love With Shake - speare . He has also authored the libretto for a new one -act opera based on Robert Browning’s poem “My Last Duchess.” He is currently writing a symphonic drama about Vi - valdi. A member of the Dramatists Guild and Tom Dulack is an award-winning playwright The Writers Guild of America, he is also pro - and director best known for his comedy Break - fessor of English at the University of Con - ing Legs, and the tragic study of American necticut, where he teaches Shakespeare and poet Ezra Pound in captivity, Incommu nicado. playwriting on the Waterbury campus.

April 2011 04-02 YPC:Layout 1 3/18/11 11:58 AM Page 8

New York Philharmonic

The New York Philharmonic , founded in 1842 Tennstedt, George Szell (Music Advisor, 1969–70), by a group of local musicians led by American-born and Erich Leinsdorf. Ureli Corelli Hill, is by far the oldest symphony Long a leader in American musical life, the Philhar - orchestra in the United States, and one of the monic has become renowned around the globe, and oldest in the world. It currently plays some 180 has appeared in 430 cities in 63 countries on five con - concerts a year, and on May 5, 2010, gave its tinents. In February 2008 the Orchestra, led by then- 15,000th concert — a milestone unmatched by any Music Director Lorin Maazel, gave a historic performance other symphony orchestra in the world. in Pyongyang, Democratic People’s Republic of Korea — Music Director Alan Gilbert, The Yoko Nagae the first visit there by an American orchestra. In Octo - Ceschina Chair, began his tenure in September 2009, ber 2009 the Orchestra, conducted by Music Director the latest in a distinguished line of 20th-century Alan Gilbert, made its debut in Hanoi, Vietnam. The musical giants that has included Lorin Maazel Philharmonic subsequently received the 2008 Com - (2002–09); Kurt Masur (Music Director from 1991 mon Ground Award for Cultural Diplomacy for its his - to the summer of 2002; named Music Director toric performance in Pyongyang, and on November Emeritus in 2002); Zubin Mehta (1978–91); Pierre 16, 2010, received the Asia Society’s Cultural Am - Boulez (1971–77); and Leonard Bernstein, who was bassador Award for its concerts in Pyongyang and appointed Music Director in 1958 and given the Hanoi. Other historic tours have included the 1930 lifetime title of Laureate Conductor in 1969. Tour to Europe, with Toscanini; the first South Ameri - Since its inception the Orchestra has champi - can Tour, in 1951; the first Tour to the U.S.S.R., in 1959; oned the new music of its time, commissioning or the 1984 Asia Tour, including the first tour of India; the premiering many important works, such as Dv oˇrák’s 1998 Asia Tour with Kurt Masur, with the first per - Symphony No. 9, From the New World; Rachmani - formances in mainland China; and the 75th Anniver - noff’s No. 3; Gershwin’s Piano sary European Tour, in 2005, with Lorin Maazel. Concerto in F; and Copland’s Connotations . The A media pioneer, the Philharmonic began radio Philharmonic has also given the U.S. premieres of such broadcasts in 1922 , and is currently represented by The works as Beethoven’s Symphonies Nos. 8 and 9 and New York Philharmonic This Week — syndicated na - Brahms’s Symphony No. 4. This pioneering tradition tionally 52 weeks per year, and available on nyphil.org. has continued to the present day, with works of major On television, in the 1950s and 1960s, the Philhar - contemporary composers regularly scheduled each monic inspired a generation through Bernstein’s Young season, including John Adams’s Pulitzer Prize– and People’s Concerts on CBS. Its television presence has Grammy Award–winning On the Transmigration of continued with annual appearances on Live From Lin - Souls; Stephen Hartke’s Symphony No. 3; Augusta coln Center on PBS, and in 2003 it made history as the Read Thomas’s Gathering Paradise, Emily Dickinson first Orchestra ever to perform live on the Grammy Settings for Soprano and Orchestra; Esa-Pekka Awards, one of the most-watched television events Salonen’s Piano Concerto; ’s worldwide. In 2004 the Philharmonic became the first and Al Largo; and Christopher Rouse’s Odna Zhizn . major American orchestra to offer downloadable con - The roster of composers and conductors who certs, recorded live. The most recent initiative is Alan have led the Philharmonic includes such historic Gilbert and the New York Philharmonic: 2010–11 — figures as Theodore Thomas, Antonín Dv oˇrák, Gustav downloadable concerts, recorded live, available either Mahler (Music Director, 1909–11), Otto Klemperer, as a subscription or as 12 individual releases. Since Richard Strauss, Willem Mengelberg (Music Director, 1917 the Philharmonic has made nearly 2,000 record - 1922–30), Wilhelm Furtwängler, Arturo Toscanini ings, with more than 500 currently available. (Music Director, 1928–36), , Aaron On June 4, 2007, the New York Philharmonic Copland, Bruno Walter (Music Advisor, 1947–49), proudly announced a new partnership with Credit Dimitri Mitropoulos (Music Director, 1949–58), Klaus Suisse, its first-ever and exclusive Global Sponsor.

New York Philharmonic 04-02 YPC:Layout 1 3/18/11 11:58 AM Page 9

The Music Director

EUROPE / WINTER 2010 tour in February 2010. Also in the 2009–10 season he con - ducted world, U.S., and New York premieres, as well as an acclaimed staged presentation of Ligeti’s opera, Le Grand Macabre . In January 2011 Alan Gilbert was named Director of Conducting and Orchestral Studies at The Juilliard School, a position that will begin in fall 2011. This adds to his responsibilities as the first holder of Juilliard’s William Schuman Chair in Musical Studies, establishing Mr. Gilbert as the principal teacher for all conducting majors at the school. He is also conductor laureate of the Royal Stockholm Philharmonic Music Director Alan Gilbert , The Yoko Nagae Orchestra and principal guest conductor of Ceschina Chair, began his tenure at the New Hamburg’s NDR Symphony Orchestra . He has York Philharmonic in September 2009. The conducted other leading orchestras in the U.S. first native New Yorker to hold the post , he and abroad, including the Boston, Chicago, ushered in what The New York Times called and San Francisco symphony orchestras; Los “an adventurous new era” at the Philharmonic. Angeles Philharmonic; Cleveland and Philadel - In his inaugural season he introduced a num - phia Orchestras; and the Berlin Philharmonic, ber of new initiatives: the positions of The Munich’s Bavarian Radio Symphony Orches - Marie-Josée Kravis Composer-in-Residence, tra, and Amsterdam’s Royal Concertgebouw held by Magnus Lindberg ; The Mary and Orchestra . From 2003 to 2006 he served as James G. Wallach Artist-in-Residence , held in the first music director of the Santa Fe Opera. 2010–11 by violinist Anne-Sophie Mutter; an Alan Gilbert studied at Harvard University, annual three-week festival , which in 2010–11 The Curtis Institute of Music, and The Juilliard is titled Hungarian Echoes, led by Esa-Pekka School. From 1995 to 1997 he was the as - Salonen; and CONTACT! , the New York Phil - sistant conductor of The Cleveland Orchestra. harmonic’s new-music series . In the 2010–11 In November 2008 he made his Metropolitan season Mr. Gilbert is leading the Orchestra on Opera debut conducting John Adams’s Doctor two tours of European music capitals; two Atomic. His recording of Prokofiev’s Scythian performances at , including the Suite with the Chicago Symphony Orchestra venue’s 120th Anniversary Concert; and a was nominated for a 2008 Grammy Award, and staged presentation of Jan áˇcek’s The Cunning his recording of Mahler’s Symphony No. 9 re - Little Vixen . Highlights of his inaugural sea - ceived top honors from the Chicago Tribune son included a major tour of Asia in October and Gramophone magazine. On May 15, 2010, 2009, with debuts in Hanoi and Abu Dhabi, Mr. Gilbert received an Honorary Doctor of and performances in nine cities on the Music degree from The Curtis Institute of Music.

April 2011 04-02 YPC:Layout 1 3/18/11 11:58 AM Page 10

LGOS

New York Philharmonic 04-02 YPC:Layout 1 3/18/11 11:58 AM Page 11

LGOS

April 2011 04-02 YPC:Layout 1 3/18/11 11:58 AM Page 12

User’s Guide to the New York Philharmonic

To Order Tickets or Subscribe New York Philharmonic Gift Kiosk Online Visit our Website, nyphil.org, to order tickets Pick up the perfect gift for anyone — or treat yourself — with a major credit card. at the Philharmonic’s Gift Kiosk located on the Grand Promenade. Open prior to concert time and during inter - By phone Call (212) 875-5656. missions, the Gift Kiosk is staffed entire ly by volunteers, In person Visit the Avery Fisher Hall Box Office at with proceeds directly benefiting the Philharmonic. Broadway and 65th Street. Hours are 10 a.m. to 6 p.m., Monday through Saturday; and noon to 6 p.m., Sunday. For Patrons with Disabilities On performance evenings, the Box Office remains open one-half hour past performance time. For information or to obtain a complimentary accessibility guide, please call the Department of Pro - Tickets for groups Groups of 20 or more can save grams and Services for People with Disabilities at (212) up to 27% by calling Group Sales at (212) 875-5672. 875-5375. For information 24 hours a day, call the Ac - cessibility Hotline at (212) 875-5380. Donate Your Concert Tickets Large type and Braille programs Available If you find you can’t attend a concert as planned, even at free of charge. Lincoln Center’s Large Type and the last minute, please call Customer Relations at (212) Braille program services are made possible by a generous 875-5656 to donate your tickets for re-sale. You not endowment established by Frederick P. Rose, Daniel Rose, only allow someone else to enjoy the concert, but your and Elihu Rose in honor of their mother, Belle B. Rose. donation benefits the Philharmonic, and you receive a Sennheiser infrared hearing systems receipt for tax purposes in return. Available at the House Manager’s Desk on the Orches - tra Level of Avery Fisher Hall. If you require a wheelchair For the Enjoyment of All to go to and from your seat please dial house phones lo - Late seating In consideration of both artists and au - cated in the lobby (extension 5005 or 5006). diences, latecomers will be seated only after the com - pletion of a work. Patrons who leave the hall will not be For Your Safety reseated during a work. Fire notice The exits indicated by a red light and the Quiet, please Please be sure to set cell phones, the sign nearest to the seat you occupy are the shortest paging devices, and other electronic devices to remain routes to the street. In the event of fire or other emer - silent throughout the performance. gency, please do not run — walk to that exit. For Your Comfort and Convenience Resuscitation masks and latex gloves are available at the house manager’s station in the center of the Rest rooms All levels except Grand Promenade, East Grand Promenade and from any of the ushers on the and West. Grand Promenade: Men’s Room on West side second tier. only. Wheelchair accessible rest rooms for women on Plaza and Orchestra Level and for men on Plaza Level. Public telephones Rest room vestibules on all levels Avery Fisher Hall Staff Coat rooms Kerry A. Madden, Vice President, Concert Halls and Plaza Level, east and west Operations Elevators One elevator east, two elevators west Gerry DeCastro, Director of Concert Hall Performance Services Escalators Southeast and southwest corners of Plaza and Grand Promenade levels Jack L. Kirkman, Associate Director of Production, Concert Halls Restaurants Espresso Bar in west lobby; Mary Sarah Baker, Associate Director, Bookings Arpeggio Food and Wine in east lobby Terence Michael Larsen, Assistant Director, Production and Maintenance Meet the Artists Pete Meyers, Box Office Treasurer After the performance, you may offer your congratula - Richard Norton, Stage Crew Head tions by visiting the Green Room, located on the First Dan Lasman , Assistant to the Vice President Tier, northwest corner.

For information about renting Avery Fisher Hall auditorium or public areas, contact the Director of Concert Halls/ Admin - istration at (212) 875-5003. For more information on the List Poster & Print Program, contact the Director at (212) 875- 5018.

New York Philharmonic