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Susan Hurley-Glowa, Ph.D

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Susan Hurley-Glowa, Ph.D Susan Hurley-Glowa, Ph.D. Associate Professor of Music (Ethnomusicology) College of Fine Arts School of Music University of Texas Rio Grande Valley Eidman 202, One West University Boulevard Brownsville, TX 78520 Office Tel. (956) 882-5787 Website: http://www.hurleyglowa.com Email: [email protected] Education Ph.D. Brown University, Providence, RI. Music (Ethnomusicology). Dissertation title: "Batuko and Funana: Musical Traditions of Santiago, Republic of Cape Verde." Dissertation Director: Dr. Jeff Titon. M.A. Brown University, Providence, RI. Music (Ethnomusicology). Master thesis title: "Cape Verdean Funana: Voice of the Badius." M.M. University of Louisville, Louisville, KY. Performance (Horn). Horn Professor –– Jerry Ball. Hochschulabschlussprüfung (Advanced Performance Diploma). Hochschule für Musik, Freiburg, Germany. Horn Professor –– Ifor James. B.M. Potsdam College, State University of New York. The Crane School of Music, Potsdam, NY. Performance (Horn). Horn Professor –– Roy Schaberg. Graduated Summa Cum Laude. Minor in Anthropology. Employment History Associate Professor of Music. UTRGV, College of Fine Arts, School of Music. Courses: MUSI-6335/MASC- 6390 Music of Greater Mexico; MUSI-1309 World Music Cultures; MUSI-1306 Music Appreciation; MUSI 1178: High Brass Techniques. August 2015-. Associate Professor of Music (Ethnomusicology and Horn), University of Texas Brownsville. Department of Music. Courses 2011-2015: MUSI-1306 Music Appreciation: Bach to the Beatles and Music Appreciation: History of Rock; MUAP: Applied Horn- all levels; MUSI-6389 Advanced Studies in Performance; MUSI- 5302 Research in Music Education; MUSI 6301 Hispanic Art Music; MUSI 1168: High Brass Techniques, MUSI 2168: Low Brass Techniques, MUSI 1308 Music History & Literature I, Assistant Professor of Ethnomusicology and Horn, Department of Music, University of Texas Brownsville. August 2011-2014. Adjunct Lecturer in Music, Department of Music, University of Texas Pan American. Taught Applied Horn. Spring 2014. Adjunct Instructor of Music, Department of Music, University of Alaska Fairbanks. Courses 2007-2011: MUS 124: Music in World Cultures; MUS 103: Music Fundamentals; MUS 233: Advanced Ear Training; MUS 2 421: Music Before 1620; MUS 422: Music of the Seventeenth and Eighteenth Centuries; MUS 423: Nineteenth Century Music; MUS 424: Music After 1900; MUS 601: Introduction to Graduate Studies; MUS 625: Topics in Music History; MUS 697: Directed Graduate Studies in Ethnomusicology; Studio French Horn (long term substitute) Assistant Professor of Music, Music Department, Franklin & Marshall College. Began tenure track position in Fall 2004. Resigned Fall 2007. Courses: Introduction to World Music (MUS 102), Introduction to Western Art Music (MUS 101), Music and Culture (CCS 105), Music of the African Diaspora (MUS 270), Luso- African Music Cultures: Focus on Brazil and Cape Verde (MUS 260), Music History 1 (MUS 230), Music History 2 (MUS 231), and Music in Cultural Perspective (MUS 229). Visiting Assistant Professor, Music Department, Franklin & Marshall College, Lancaster, PA. Three year position. Courses 2001-2003: Introduction to World Music (MUS 102), American Music (MUS 112), Introduction to Western Art Music (MUS 101), Music and Culture (CCS 105), and Music of the African Diaspora (MUS 270) Visiting Instructor, The Crane School of Music, SUNY at Potsdam, 2000-2001. Courses: Music Literature and Style 1, 2 and 3, Aural Skills 1 & 2, Crane Live! (General Music course), and Musical Communities of the Americas (French-Canadian, Cape Verdean-American, Cajun, French-Caribbean, and Anglo-American) New York State Council on the Arts (NYSCA) Decentralization Coordinator for Arts Grants. Administered through the North Country Library System (NCLS). January-July 2000. Studio Brass Instructor, St. Lawrence University, Canton, NY. Responsible for studio instruction of all brass students. 1999-2000. Adjunct Instructor, Gannon University, Erie, PA. Taught World Thought, Liberal Studies 112, a freshman critical reading and writing course. Spring 1999. Adjunct Instructor, D'Angelo School of Music, Mercyhurst College, Erie, PA and Mercyhurst Northeast Campus. Taught six sections of Music Appreciation and Brass Techniques, as well as Ethnomusicology as an independent study course. 1996-1999. Adjunct Instructor, Rhode Island College, Providence, RI Anthropology & Music Department, Spring Semester 1994. Taught Anthropology 200: The Non-Western Experience--Cape Verde and Music 208/Anthropology 208: Music in Non-Western Cultures. Teaching Assistant Brown University, 1990-92. Professional Musician, Employed as the solo hornist of the Polizeiorchester Schleswig-Holstein in Kiel, Germany. My performing duties included recording sessions, live radio broadcasts, and many solo appearances. First woman in Germany to be hired for a position of this nature. 1987-88. Beginning Brass Teacher, Part Time. Kolleg St. Blasien, Germany. 1984. PUBLICATIONS Articles Published in Peer Reviewed Journals Pending Publication: “Walking Between the Lines: Cape Verdean Musical Communities in North America.” Full journal length article in a special edition of Worlds of Music (Journal of the Department of Ethnomusicology, Otto-Friedrich-University of Bamberg, Germany), focusing on African immigrant 3 communities in US cities. Dr. Austin Okigbo, Special Edition Editor. Fall 2015. Pending Publication: “Cape Verdeans in the Atlantic: The Historical Formation of Kriolu Music and Dance Styles on Ship and in Port.” Full journal length article in the African Music: Journal of the International Library of African Music, Rhodes University in South Africa, 2015-16. “Funana with a Drum Machine Beat?: Cape Verdean Identity in a Globalized World” in the International Journal of Africana Studies, the Official Journal of the National Council of Black Studies. Special Issue: Globalization and the African World: Continuity and Change. Volume 12, Number 1 Spring/Summer (2006): 80-92. “The Survival of Blackface Minstrel Shows In An Adirondack Foothills Town” in Voices: Journal of the New York Folklore Society 30.3-4 (2004): 22-27. "Batuko Makes The Whole World Shake:" A Narrative Description Of A Batuko Performance." in Cimboa: A Cape Verdean Journal of Letters, Arts and Studies, No.1 Year 2, Boston: Consulate General of the Republic of Cape Verde. 1997. Invited Essays/ Book Chapters (Peer-Reviewed) Article Abstract Submitted. Invited to contribute a chapter to a new volume of essays relating to cultural sustainability, inspired by the work of Jeff Todd Titon, Professor Emeritus at Brown University (June 2015). Dr. Timothy Cooley and Dr. Gregory Barz, collection editors. Submitted initial 300-word abstract in late August, 2015. Proposed Chapter Title: “Fossil Fuels, Climate Change, and the Sustenance of Musical Communities in Fairbanks, Alaska.” Essays will be peer-reviewed, and are due in Spring 2016. "Cape Verdean-American Communities in Southern New England" in American Musical Traditions. Jeff Titon, Editor. New York: Schirmer/Macmillan Reference. 2001, pp.19-23. "An Overview of Cape Verdean Music in Southern New England" in Cape Verdeans in Connecticut: A Community History. Lynne Williamson, Editor. Hartford, CT: Institute for Community Research and the Cape Verdean Women's Social Club. June 1999. Encyclopedia/Dictionary Entries (Peer-Reviewed) “Music of the Republic of Cape Verde” for Grove Music/Oxford Music Online, Oxford University Press, Inc. Expanded previously written article 2000 from 1716 to 4762 words. Completed. Pending 2014. “Music of the Republic of Guinea Bissau” for Grove Music/Oxford Music Online, Oxford University Press, Inc. Expanded previously written article in 2000 from 1804 to 2203 words. Completed. Pending 2014. Articles on North County Musical Traditions for the TAUNY website (Traditional Arts in Upstate New York) focusing on musical traditions of Native Americans, French-Canadians and Irish-Americans. 2008 (http://woods.tauny.org/index.php). “Cape Verdean-American Communities” in The Encyclopedia of American Folklife, Simon Bronner, editor. M.E. Sharpe Press: Armonk, NY. 2006. "Music of Guinea Bissau," in New Grove Dictionary of Music and Musicians, 2nd Edition. Stanley Sadie, Editor. London, New York: MacMillan Press. 2000. Also published on Grove Music Online, 2006. 4 "Music of the Republic of Cape Verde," in New Grove Dictionary of Music and Musicians, 2nd Edition. Stanley Sadie, Editor. London, New York: MacMillan Press. 2000. Also published on Grove Music Online, 2006. Author of entries on music in Historical Dictionary of Guinea-Bissau, Third edition. Richard Lobban, Editor, African Historical Dictionaries. Scarecrow Press: Metuchen, NJ. 1997. Author of entries on music & culture in Historical Dictionary of the Republic of Cape Verde, Fourth Edition. Richard Lobban and Paul Khalil Saucier, authors. Expanded entries on Cape Verdean music and culture from 3rd edition. Wrote short articles on Amandio Cabral p. 45. Catchupa p. 51, Coladera, p. 60; Finason p. 104; Adriano Gonçalves “Bana” p. 118; Morna p. 156; Music 162-166; Tabanka, 219-222; Cesaria Évora 101-102; Funana pp. 113-115; Norberto Tavares p 223; and T.V. Da Silva p. 79-80. African Historical Dictionaries. Scarecrow Press: Metuchen, NJ. 2007. Articles were edited and expanded from versions in the third edition. Author of entries on music & culture in Historical Dictionary of the Republic of Cape Verde, Third Edition. Richard Lobban and Marlene Lopes, authors. On Cape Verdean music and culture (music,
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