Annual Report 2013
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Artists' Lives
National Life Stories The British Library 96 Euston Road London NW1 2DB Tel: 020 7412 7404 Email: [email protected] Artists’ Lives C466: Interviews complete and in-progress (at January 2019) Please note: access to each recording is determined by a signed Recording Agreement, agreed by the artist and National Life Stories at the British Library. Some of the recordings are closed – either in full or in part – for a number of years at the request of the artist. For full information on the access to each recording, and to review a detailed summary of a recording’s content, see each individual catalogue entry on the Sound and Moving Image catalogue: http://sami.bl.uk . EILEEN AGAR PATRICK BOURNE ELISABETH COLLINS IVOR ABRAHAMS DENIS BOWEN MICHAEL COMPTON NORMAN ACKROYD FRANK BOWLING ANGELA CONNER NORMAN ADAMS ALAN BOWNESS MILEIN COSMAN ANNA ADAMS SARAH BOWNESS STEPHEN COX CRAIGIE AITCHISON IAN BREAKWELL TONY CRAGG EDWARD ALLINGTON GUY BRETT MICHAEL CRAIG-MARTIN ALEXANDER ANTRIM STUART BRISLEY JOHN CRAXTON RASHEED ARAEEN RALPH BROWN DENNIS CREFFIELD EDWARD ARDIZZONE ANNE BUCHANAN CROSBY KEITH CRITCHLOW DIANA ARMFIELD STEPHEN BUCKLEY VICTORIA CROWE KENNETH ARMITAGE ROD BUGG KEN CURRIE MARIT ASCHAN LAURENCE BURT PENELOPE CURTIS ROY ASCOTT ROSEMARY BUTLER SIMON CUTTS FRANK AVRAY WILSON JOHN BYRNE ALAN DAVIE GILLIAN AYRES SHIRLEY CAMERON DINORA DAVIES-REES WILLIAM BAILLIE KEN CAMPBELL AILIAN DAY PHYLLIDA BARLOW STEVEN CAMPBELL PETER DE FRANCIA WILHELMINA BARNS- CHARLES CAREY ROGER DE GREY GRAHAM NANCY CARLINE JOSEFINA DE WENDY BARON ANTHONY CARO VASCONCELLOS -
Annual Report and Accounts 2018
ANNUAL REPORT AND ACCOUNTS 2018 1 TABLE OF CONTENTS Message from the Chairman .................................................................................................... 4 Nature of the Report ................................................................................................................ 7 i. Metropolitano de Lisboa Group ........................................................................................ 8 1. Organization’s profile ...................................................................................................................... 8 2. Mission, Vision and Values ............................................................................................................ 10 3. Corporate Bodies ........................................................................................................................... 12 4. Management Policies and Mechanisms ........................................................................................ 14 ii. The Metropolitano de Lisboa’s Activity ........................................................................... 17 1. Macroeconomic Framework ......................................................................................................... 17 2. Passenger Transport Service ......................................................................................................... 27 3. Other activities .............................................................................................................................. 33 4. ML’s -
Tate Report 2010-11: List of Tate Archive Accessions
Tate Report 10–11 Tate Tate Report 10 –11 It is the exceptional generosity and vision If you would like to find out more about Published 2011 by of individuals, corporations and numerous how you can become involved and help order of the Tate Trustees by Tate private foundations and public-sector bodies support Tate, please contact us at: Publishing, a division of Tate Enterprises that has helped Tate to become what it is Ltd, Millbank, London SW1P 4RG today and enabled us to: Development Office www.tate.org.uk/publishing Tate Offer innovative, landmark exhibitions Millbank © Tate 2011 and Collection displays London SW1P 4RG ISBN 978-1-84976-044-7 Tel +44 (0)20 7887 4900 Develop imaginative learning programmes Fax +44 (0)20 7887 8738 A catalogue record for this book is available from the British Library Strengthen and extend the range of our American Patrons of Tate Collection, and conserve and care for it Every effort has been made to locate the 520 West 27 Street Unit 404 copyright owners of images included in New York, NY 10001 Advance innovative scholarship and research this report and to meet their requirements. USA The publishers apologise for any Tel +1 212 643 2818 Ensure that our galleries are accessible and omissions, which they will be pleased Fax +1 212 643 1001 continue to meet the needs of our visitors. to rectify at the earliest opportunity. Or visit us at Produced, written and edited by www.tate.org.uk/support Helen Beeckmans, Oliver Bennett, Lee Cheshire, Ruth Findlay, Masina Frost, Tate Directors serving in 2010-11 Celeste -
1 Literaturliste Für „Einführung in Die Moderne Afrikanische Musik“
Literaturliste für „Einführung in die moderne afrikanische Musik“ Dozent: Dr. Wolfgang Bender Inhaltsverzeichnis: 1. Allgemeiner Teil: 1. Theorie S. 2 2. Produktion, Distribution & Archivwissenschaften S. 3 3. Afrikanische Musik allgemein S. 3 4. Moderne afrikanische Musik allgemein S. 5 5. Traditionelle afrikanische Musik allgemein S. 7 6. Weltmusik S. 8 7. Musik aus der Diaspora S. 9 8. Bibliographie S. 11 9. Zeitschriften S. 11 2. Länderspezifischer Teil: 10. Nordafrika S. 13 11. Westafrika S. 14 12. Frankophones Westafrika S. 14 13. Anglophones Westafrika S. 17 14. Zentralafrika S. 22 15. Horn von Afrika S. 25 16. Ostafrika S. 26 17. Süd-Zentralafrika S. 28 18. Südafrika S. 29 19. Lusophones Afrika S. 31 20. Inseln S. 32 1 1. Theorie: Agawu, Kofi: Representing African Music: Postcolonial notes, 2003 queries, positions. New York & London: Routledge Bröcker, Marianne (Hg.): Musik und Religion. 1992 Reihe: Bericht über die Jahrestagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music; Universitätsbibliothek Bamberg, ICTM Bröcker, Marianne (Hg.): Musik und Symbol. Musik und Region. 1998 Reihe: Berichte über die Jahrestagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music, Universitätsbibliothek Bamberg, ICTM Bröcker, Marianne (Hg.): Traditionelle Musik und ihre Funktion. 2001 Reihe: Berichte über die Jahrestagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music, Universitätsbibliothek Bamberg, ICTM Nettl, Bruno: The Concept of Preservation in 1985 Ethnomusicology. In: Jackson, Irene V. (Hg.): More than Drumming. Essays on African and Afro-Latin American Music and Musicians. Westport: Greenwood Press Simon, Arthur: Ethnomusikologie: Aspekte, Methoden und 2008 Ziele. Berlin: Simon Verlag 2 2. -
Contradictions of the Estado Novo in the Modernisation of Portugal: Design and Designers in the 1940'S and 50'S
“Design Policies: Between Dictatorship and Resistance” | December 2015 Edition CONTRADICTIONS OF THE ESTADO NOVO IN THE MODERNISATION OF PORTUGAL: DESIGN AND DESIGNERS IN THE 1940'S AND 50'S Helena Barbosa, Universidade de Aveiro ABSTRACT The period of Portuguese history known as the Estado Novo (1933-1974) presents a series of contradictions as regards the directives issued, possibly resulting from a lack of political cohesion. Considering the dichotomy between modernization and tradition that existed between the 1940s and ‘50s, and the obvious validity of the government’s actions, this paper aims to demonstrate the contradictory attitudes towards the modernization of the country via different routes, highlighting the role of ‘designers’ as silent interlocutors and agents of change in this process. Various documents are analysed, some published under the auspices of the Estado Novo, others in the public sphere, in order to reveal the various partnerships that were in operation and the contrasting attitudes towards the government at the time. Other activities taking place in the period are also analysed, both those arising from state initiatives and others that were antithetical to it. The paper reveals the need to break with the political power in order to promote artistic and cultural interests, and describes initiatives designed to promote industry in the country, some launched by the Estado Novo, others by companies. It focuses upon the teaching of art, which later gave rise to the teaching of design, and on the presence of other institutions and organizations that contributed to the modernization of Portugal, in some cases by mounting exhibitions in Portugal and abroad, as well as other artistic activities such as graphic design, product design and interior decoration, referring to the respective designers, artefacts and spaces. -
Cape Verdean Theatre: Enacting Political Theory and Reclaiming Roots for Crioulo Performance Eunice S
Journal of Cape Verdean Studies Manuscript 1023 Cape Verdean Theatre: Enacting Political Theory and Reclaiming Roots for Crioulo Performance Eunice S. Ferreira Follow this and additional works at: https://vc.bridgew.edu/jcvs Part of the Critical and Cultural Studies Commons, and the International and Area Studies Commons This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. © 2019 Eunice S. Ferreira Cape Verdean Theatre: Enacting Political Theory and Reclaiming Roots for Crioulo Performance by Eunice S. Ferreira Abstract Shining a spotlight on the Cape Verde Islands illuminates the rich diversity of theatre of the African diaspora and places its unique crioulo identity and creole identities in general, center stage. This article focuses on the post-independence theatre movement in Cape Verde where the re-Africanization theories of Amílcar Cabral (assassinated PAIGC leader in Cape Verde’s liberation struggle) shaped national identity and guided the pioneering work of theatre troupe Korda Kaoberdi (Wake up, Cape Verde). Under the dynamic leadership of Francisco Gomes Fragoso, a medical doctor who adopted the artistic name of Kwame Kondé, the troupe Korda Kaoberdi sought to create “a genuinely Cape Verdean and authentically African theatre.” Armed with the tenets of Cabral’s political theory, Fragoso reclaimed performance traditions that had been suppressed during Portuguese colonialism in order to train actors as combatants in cultural warfare. In doing so, Fragoso positioned the fledgling theatre artists of Korda Kaoberdi alongside the freedom fighters, asserting as Cabral did that culture is a weapon and sign of liberation. The author offers first-ever reconstructions of their historical productions based on archival research, Fragoso’s own writings, festival participant-observations, and personal interviews. -
View the 2021 Project Dossier
www.durbanfilmmart.com Project Dossier Contents Message from the Chair 3 Combat de Nègre et de Chiens (Black Battle with Dogs) 50 introduction and Come Sunrise, We Shall Rule 52 welcome 4 Conversations with my Mother 54 Drummies 56 Partners and Sponsors 6 Forget Me Not 58 MENTORS 8 Frontier Mistress 60 Hamlet from the Slums 62 DFM Mentors 8 Professional Mourners 64 Talents Durban Mentors 10 Requiem of Ravel’s Boléro 66 Jumpstart Mentors 13 Sakan Lelmoghtrebat (A House For Expats) 68 OFFICAL DFM PROJECTS The Day and Night of Brahma 70 Documentaries 14 The Killing of A Beast 72 Defying Ashes 15 The Mailman, The Mantis, and The Moon 74 Doxandem, les chasseurs de rêves Pretty Hustle 76 (Dream Chasers) 17 Dusty & Stones 19 DFM Access 78 Eat Bitter 21 DFM Access Mentors 79 Ethel 23 PARTNER PROJECTS IN My Plastic Hair 25 FINANCE FORUM 80 Nzonzing 27 Hot Docs-Blue Ice Docs Part of the Pack 29 Fund Fellows 81 The Possessed Painter: In the Footsteps The Mother of All Lies 82 of Abbès Saladi 31 The Wall of Death 84 The Woman Who Poked The Leopard 33 What’s Eating My Mind 86 Time of Pandemics 35 Unfinished Journey 37 Talents Durban 88 Untitled: Miss Africa South 39 Feature Fiction: Bosryer (Bushrider) 89 Wataalat Loughatou él Kalami (Such a Silent Cry) 41 Rosa Baila! (Dance Rosa) 90 Windward 43 Kinafo 91 L’Aurore Boréale (The Northern Lights) 92 Fiction 45 The Path of Ruganzu Part 2 93 2065 46 Yvette 94 Akashinga 48 DURBAN FILMMART 1 PROJECT DOSSIER 2021 CONTENTS Short Fiction: Bedrock 129 Crisis 95 God’s Work 131 Mob Passion 96 Soweto on Fire 133 -
Annual Report Cape Verde 2011 One Un Programme Annual Report
2011 One UN Programme 1 Annual Report Cape Verde 2011 One Un Programme Annual Report Cape Verde 2011 One UN Programme Annual Report MMaannyy SSttrreennggtthhss OOnnee MMiissssiioonn 2 Cape Verde 2011 One Un Programme Annual Report Table of Contents 1 Introduction/Foreword ................................................................................................... 4 2 Main achievements..................................................................................................................7 2.1 Good Governance..............................................................................................................9 2.1.1 Economic graduation and integration in the global economy. ............................... 9 2.1.2. Strengthening of security ........................................................................................ 11 2.1.3 Consolidation of Democracy ................................................................................... 15 2.2 Promotion of Growth and Economic Opportunities......................................................19 2.2 Environment, Energy, Disasters Prevention and Response...........................................26 2.3 Human Capital and Social Protection............................................................................. 34 2.3.1 Quality of the Education System. ........................................................................... 34 2.3.2 Participation of Youth. ............................................................................................ 41 -
Risk Factors in E-Justice Information Systems☆
GOVINF-00923; No. of pages: 16; 4C: Government Information Quarterly xxx (2013) xxx–xxx Contents lists available at SciVerse ScienceDirect Government Information Quarterly journal homepage: www.elsevier.com/locate/govinf Risk factors in e-justice information systems☆ João Rosa, Cláudio Teixeira ⁎, Joaquim Sousa Pinto Department of Electronics, Telecommunications and Informatics, University of Aveiro, Aveiro, Portugal article info abstract Available online xxxx With the increase of the communication systems' bandwidth and with the dissemination of the information systems, the fields of information and communication technology application expanded in almost all directions. Keywords: E-government in general and e-justice in particular are no exception and these areas suffered strong changes in E-justice the last decades. There is no democracy without a system of swift and transparent justice. Therefore, the intro- E-government duction of information systems in the courts allows a decrease both in time and number of pending processes, Risk factors boosting the efficiency of the services provided to citizens and to the society in general. Information system Developing countries This paper analyzes and discusses different worldwide e-justice experiences. Special emphasis is addressed Cape Verde on the risk factors on the design, development and implementation of such systems. Finally, we present our own experience in the development of an e-justice information system in Cape Verde, an African devel- opment country. The scope of our system ranges from the design team until the training of the justice agents. © 2013 The Authors. Published by Elsevier Inc. All rights reserved. 1. Introduction behind Spain (ranked 25th). Over the last decades they have improved their democratic structures, developing democracy, and their efforts In the last decade e-government systems became a central concern are recognized by the international community. -
Aber Der Richtige
Richard Strauss Aber der Richtige... Violin Concerto Miniatures Arabella Steinbacher WDR Symphony Orchestra Lawrence Foster Maybe it is because of my name, which my parents gave me as great Strauss lovers, that his music touches me so much. Born into a world full of singing, as a child I used to sit under the grand piano in my "music cave" while my father rehearsed with singers. The famous duet from Arabella, which my parents engraved in our banisters, has accompanied me since I can remember. This duet was finally the impetus to record an album with only works by Richard Strauss. Of course, even if the sung lyrics are missing, I have dared to sing these songs on my violin and hope that singers will forgive me. I hope you enjoy traveling through this Romantic sound world. Yours, Richard Strauss (1864-1949) Violin Concerto in D minor op. 8 (1882) 1 Allegro 15. 10 2 Lento, ma non troppo 6. 09 3 Rondo 8. 30 4 Romanze (Cello-Romanze, for violin) (1883) 9. 36 5 Little Scherzino op 3. No 4 (1881) * 4. 12 6 Zueignung op 10. No. 1 (1885) 1. 34 7 Traum durch die Dämmerung op. 29 No. 1 (1895) 2. 46 8 Cäcilie op. 27 No. 2 (1894) 2. 27 9 Wiegenlied op 41. No. 1 (1900) 4. 30 10 From “Arabella” (1933): “Aber der Richtige...“ * 5. 09 * Arranged by Peter von Wienhardt Total playing time: 60. 35 Arabella Steinbacher, violin WDR Symphony Orchestra Conducted by Lawrence Foster But the right one for me Arabella Steinbacher. -
C U L T U R a , E S P a Ç O & M E M Ó R Ia
5 0 - 7 9 5 0 1 - 2 8 1 2 : N S S I a N.º 5 | 2014 i r ó m CEM e cultura, espaço & memória m Revista do CITCEM & – CENTRO DE INVESTIGAÇÃO TRANSDISCIPLINAR o CULTURA, ESPAÇO & MEMÓRIA ç « » a p s e Neste Número: , a DOSSIER TEMÁTICO r «População e Saúde» u (eds. Jorge Fernandes Alves t e Carlota Santos) l u RECENSÕES c NOTÍCIAS M E C CITCEM centro de investigação transdisciplinar CITCEM cultura, espaço e memória CEM N.º 5 cultura, espaço & memória CEM N.º 5 CULTURA, ESPAÇO & MEMÓRIA Edição: CITCEM – Centro de Investigação Transdisci- plinar «Cultura, Espaço & Memória» (Faculdade de Letras da Universidade do Porto/Universidade do Minho)/Edições Afrontamento Directora: Maria Cristina Almeida e Cunha Editores do dossier temático: Jorge Fernandes Alves | Carlota Santos Foto da capa: Paisagem minhota, 2013. Foto de Arlindo Alves. Colecção particular.. Design gráfico: www.hldesign.pt Composição, impressão e acabamento: Rainho & Neves, Lda. Distribuição: Companhia das Artes N.º de edição: 1604 Tiragem: 500 exemplares Depósito Legal: 321463/11 ISSN: 2182-1097-05 Periodicidade: Anual Esta revista tem edição online que respeita os critérios do OA (open access). Outubro de 2014 Este trabalho é financiado por Fundos Nacionais através da FCT – Fundação para a Ciência e Tecnologia no âmbito do projecto PEst-OE/HIS/UI4059/2014 EDITORIAL pág. 5 «EM PROL DO BEM COMUM»: O VARIA CONTRIBUTO DA LIGA PORTUGUESA DE SOB O OLHAR DA CONSTRUÇÃO DA APRESENTAÇÃO PROFILAXIA SOCIAL PARA A EDUCAÇÃO MEMÓRIA:RICARDO JORGE NA TRIBUNA HIGIÉNICA NO PORTO (1924-1960) DA HISTÓRIA POPULAÇÃO E SAÚDE I Ismael Cerqueira Vieira pág. -
The Portuguese Contemporary Art As an Investment
A Work Project presented as part of the requirements for the Award of a Masters Degree in Economics from the NOVA – School of Business and Economics THE PORTUGUESE CONTEMPORARY ART AS AN INVESTMENT NUNO FILIPE BORREGO ANTUNES (649) A Work Project, under the supervision of: Miguel Lebre de Freitas Luís Catela Nunes January 7, 2015 THE PORTUGUESE CONTEMPORARY ART AS AN INVESTMENT Abstract In this paper we investigate what drives the prices of Portuguese contemporary art at auction and explore the potential of art as an asset. Based on a hedonic prices model we construct an Art Price Index as a proxy for the Portuguese contemporary art market over the period of 1994 to 2014. A performance analysis suggests that art underperforms the S&P500 but overperforms the Portuguese stock market and American Government bonds. However, It does it at the cost of higher risk. Results also show that art as low correlation with financial markets, evidencing some potential in risk mitigation when added to traditional equity portfolios. Keywords: Art; Finance; Investment; Returns 2 I. Introduction On May 2013 Francis Bacon’s triptych “Three Studies of Lucian Freud” rampaged the international art market by setting a new record on the most expensive painting sold at auction. The auction, held by Christie’s in New York, last less than six minutes, time enough to hammer at the astonishing price of $142.4 million. In 2007, Sotheby’s on behalf of David Rockefeller1 sold the “White Center” (1957), an abstract and three color-based painting by Mark Rothko for $72.84 million, piece that was bought in 1960 for less than ten thousand dollars.