UPT Perpustakaan Isiyogyakarta 114
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Perempuan Korea Dalam Film Serial Drama Korea “Jewel in the Palace”
Perempuan Korea dalam Film Serial Drama Korea “Jewel in The Palace” SKRIPSI Diajukan sebagai Salah Satu Syarat untuk Mendapatkan Gelar Sarjana Ilmu Sosial dalam Bidang Antropologi Oleh : Indri Khairani 130905027 DEPARTEMEN ANTROPOLOGI SOSIAL FAKULTAS ILMU SOSIAL ILMU POLITIK UNIVERSITAS SUMATERA UTARA MEDAN 2018 1 Universitas Sumatera Utara UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK PERNYATAAN ORIGINALITAS Perempuan Korea dalam Film Serial Drama Korea“Jewel in The Palace” SKRIPSI Dengan ini saya menyatakan bahwa dalam skripsi ini tidak terdapat karya yang pernah diajukan untuk memperoleh gelar kesarjanaan di suatu perguruan tinggi, dan sepanjang pengetahuan saya tidak terdapat karya atau pendapat yang pernah ditulis atau diterbitkan oleh orang lain, kecuali yang secara tertulis diacu dalam naskah ini dan disebut dalam daftar pustaka. Apabila dikemudian hari ditemukan adanya kecurangan atau tidak seperti yang saya nyatakan di sini, saya bersedia menerima sanksi sesuai dengan peraturan yang berlaku. Medan, Januari 2018 Penulis Indri Khairani i Universitas Sumatera Utara ABSTRAK Indri Khairani, 2018. Judul skripsi: Perempuan Korea dalam Film Serial Drama Korea “Jewel in The Palace”. Skripsi ini terdiri dari 5 BAB, 113 halaman, 18 daftar gambar, 57 daftar pustaka Tulisan ini berjudul Perempuan Korea dalam Film Serial Drama ―Jewel in The Palace”, yang bertujuan untuk mengetahui bagaimana perjuangan sosok seorang perempuan Korea yang tinggal di dalam istana “Gungnyeo” pada masa Dinasti Joseon di anad 15 dalam sebuah drama seri Jewel in The Palace Penelitian ini bersifat kualitatif. Metode yang digunakan adalah analisis wacana, dan model analisis yang digunakan adalalah analisis wacana dari Sara Mills yang merupakan model analisis wacana yang menaruh titik perhatian utama pada wacana mengenai feminisme. -
2011 International Conference on Fashion Design and Apparel
2013 SFTI International Conference & The 18th International Invited Fashion Exhibition Proceeding July 07 - 15, 2013 Korean Cultural Center, Berlin, Germany Re-Union in Fashion The Society of Fashion and Textile Industry 2013 SFTI International Conference & The 18th International Invited Fashion Exhibition Proceeding “Re-Union in Fashion” July07-15, 2013 Korean Cultural Center, Berlin, Germany Organized by The Society of Fashion & Textile Industry (SFTI), Korea Korea Research Institute for Fashion Industry (KRIFI), Korea Eco Design Center, Dong-A University, Korea Sponsored by Ministry of Foreign Affairs, Korea Korean Cultural Center, Berlin, Germany German Fashion Industrie Foundation, Germany Willy Bogner GmbH & CO. KGaA Fashion Group Hyungji, Korea 1 Committee of 2013 SFTI International Conference and Exhibition President Yang Suk Ku (Kyungpook National Univ., Korea) Vice President EunJoo Park (Dong-A Univ., Korea) Sung Hye Jung (Inha Univ., Korea) Hye Kyung Kim (Wonkwang Univ., Korea) Chil Soon Kim (Kyung Hee Univ., Korea) Moon Young Kim (Keimyung Univ. Korea) Gilsoo Cho (YonseiUniv.,Korea) Byung Oh Choi (Fashion Group Hyungji Co.Ltd, Korea) Yong-Bin Jung (DaeguGyeongbukDesign Center, Korea) Choong-Hwan Kim (Korea Research Institute for Fashion Industry, Korea) Sangbae Yoon (Shinpung Textile Co.Ltd, Korea) Conference Chair Jin Hwa Lee (Pusan National Univ., Korea) Exhibition Chair Sung Hye Jung (Inha Univ., Korea) Field Trip Chair Hye Kyung Kim (Wonkwang Univ., Korea) Program Committee Chil Soon Kim (Kyung Hee Univ., Korea) DaeGeun Jeon (Andong Univ., Korea) Eun A Yeoh(Keimyung Univ., Korea) Eun Jung Kim(Mongolia International Univ., Mongolia) Eunjoo Cho (Honam Univ., Korea) Ho Jung Choo(Seoul National Univ., Korea) Hsueh Chin Ko(National Pingtung Univ. -
Perbandingan Songpa Sandaenori Dengan Yangju Byeolsandaenori
PERBANDINGAN SONGPA SANDAENORI DENGAN YANGJU BYEOLSANDAENORI HIKMAH MALIA NIM 153450200550013 PROGRAM STUDI BAHASA KOREA AKADEMI BAHASA ASING NASIONAL JAKARTA 2018 PERBANDINGAN SONGPA SANDAENORI DENGAN YANGJU BYEOLSANDAENORI Karya Tulis Akhir Ini Diajukan Untuk Melengkapi Pernyataan Kelulusan Program Diploma Tiga Akademi Bahasa Asing Nasional HIKMAH MALIA NIM 153450200550013 PROGRAM STUDI BAHASA KOREA AKADEMI BAHASA ASING NASIONAL JAKARTA 2018 PERNYATAAN KEASLIAN TUGAS AKHIR Dengan ini saya, Nama : Hikmah Malia NIM : 153450200550013 Program Studi : Bahasa Korea Tahun Akademik : 2015/2016 Menyatakan dengan sesungguhnya bahwa Karya Tulis Akhir yang berjudul Perbandingan Songpa Sandaenori dengan Yangju Byeolsandaenori merupakan hasil karya penulis dan penulis tidak melakukan tindakan plagiarisme. Jika terdapat karya tulis milik orang lain, saya akan mencantumkan sumber dengan jelas. Atas pernyataan ini penulis bersedia menerima sanksi yang dijatuhkan kepada penulis, apabila dikemudian hari ditemukan adanya pelanggaran atas etika akademik dalam pembuatan karya tulis ini. Demikian surat pernyataan ini dibuat dengan sebenar-benarnya. Jakarta, Agustus 2018 Hikmah Malia ABSTRAK Hikmah Malia, “ Perbandingan Songpa Sandaenori dengan Yangju Byeolsandaenori”. Karya tulis akhir ini membahas tentang perbandingan yang terdapat pada Songpa Sanadenori dengan Yangju Byeolsandaenori dimana keduanya merupakan cabang dari Sandaenori. Sandaenori merupakan nama lain dari tari topeng yang dikenal luas dengan nama Talchum (탈춤). Terdapat perubahan pada jenis Sandaenori. -
New Actresses and Urban Publics in Early Republican Beijing Title
Carnegie Mellon University MARIANNA BROWN DIETRICH COLLEGE OF HUMANITIES AND SOCIAL SCIENCES DISSERTATION Submitted in Partial Fulfillment of the Requirements Doctor of Philosophy For the Degree of New Actresses and Urban Publics in Early Republican Beijing Title Jiacheng Liu Presented by History Accepted by the Department of Donald S. Sutton August 1, 2015 Readers (Director of Dissertation) Date Andrea Goldman August 1, 2015 Date Paul Eiss August 1, 2015 Date Approved by the Committee on Graduate Degrees Richard Scheines August 1, 2015 Dean Date NEW ACTRESSES AND URBAN PUBLICS OF EARLY REPUBLICAN BEIJING by JIACHENG LIU, B.A., M. A. DISSERTATION Presented to the Faculty of the College of the Marianna Brown Dietrich College of Humanities and Social Sciences of Carnegie Mellon University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY CARNEGIE MELLON UNIVERSITY August 1, 2015 Acknowledgements This dissertation would not have been possible without the help from many teachers, colleages and friends. First of all, I am immensely grateful to my doctoral advisor, Prof. Donald S. Sutton, for his patience, understanding, and encouragement. Over the six years, the numerous conversations with Prof. Sutton have been an unfailing source of inspiration. His broad vision across disciplines, exacting scholarship, and attention to details has shaped this study and the way I think about history. Despite obstacle of time and space, Prof. Andrea S. Goldman at UCLA has generously offered advice and encouragement, and helped to hone my arguments and clarify my assumptions. During my six-month visit at UCLA, I was deeply affected by her passion for scholarship and devotion to students, which I aspire to emulate in my future career. -
A Study on the Items and Shapes of Korean Shrouds
IJCC, Vol. 3 No. 2, 100 ~ 123(2000) 26 A Study on the Items and Shapes of Korean Shrouds Min-Yi Nam* and Myung-Sook Han *Instructor, Joong Bu University Professor, Dept, of Clothing and Textiles, Sang Myung University Abstract The purpose of this research was to understand changes in Korean shrouds and to enhance practical usage of them by examing the items and shapes of Korean shrouds classified into two categories, traditional and current. We first examined the history of shrouds and funeral ceremonies from the prehistoric age to the Chos 6n dynasty, and second, examined the items and shapes of traditional and current shrouds. As for the items, no big changes were recognized though there had been some changes in the way of using Keum(^), Po(袍L and Kwadu(裏月j). Overall, the items had became somewhat simplified. The traditional shapes of shrouds are relatively -well-maintained despite some changes in current shrouds Aksu, Yeom이'女慨 etc, which had been made easier to put on. Key words : traditional shrouds, current shrouds, the items of shrouds, the shapes of shrouds, funeral ceremonies. and generally shown in everyday life as well as I ・ Introduction in funeral rites. Therefore, 'death' is a mournful thing but at the same time a rite that makes us Since Koreans have believed in the idea of feel reverence for the next world. the next world from ancient times, in which The rite of washing the deceased and clothing death is regarded as a departure towards a new them in ceremonial costumes is a mode of world rather than an end, they have practiced living of all times and a part of Korean culture. -
On the Value Propositioning of Royal Costume Design Management: a Case Study of the Korean Film Sanguiwon (The Royal Tailor)
pISSN 2233-9051 eISSN 2288-7490 IJCF http://dx.doi.org/10.7233/ijcf.2020.20.1.001 International Journal of Costume and Fashion Vol. 20 No. 1, June 2020, pp. 1-9 On the Value Propositioning of Royal Costume Design Management: A Case Study of the Korean Film Sanguiwon (The Royal Tailor) Seo Young Kim† · Hwang Oak Soh Lecturer, Dept. of Fashion Design, Chung-Ang University, Anseong, South Korea Professor, Dept. of Fashion Design, Chung-Ang University, Anseong, South Korea Abstract The aim of this study was to identify the core facets underlying the construction of a conceptual platform in value propositioning through exploration of the design culture in the fictional story of the film Sanguiwon (The Royal Tailor 尙衣院). The scope and area of focus of the literature were on Hanbok (韓服) via media representation as well as design issues through a case study in the film. The analysis employed a semiotic approach that was based on the key elements of the organization represented in the story. The focus of the analysis included design culture and the creation of meaning within the context of identifying areas of design management. Key findings included the following: the main ideas underlying the organizational structure based on the roles of the national costume operation; the attributes of producing royal attire as an official authority for costume production; and the contribution of sustaining heritage to defining visions and facilitating the noble fashion asset. Keywords Sanguiwon, Design culture, Heritage, Value proposition Citation Kim, S. Y., & Soh, H. O. (2020). On the value propositioning of royal costume design management: A case study of the Korean film Sanguiwon (The Royal Tailor). -
THE GLOBAL APPEAL of KOREAN TELEVISION DRAMAS a Thesis Submitted to the Faculty of the Graduate
MELODRAMATIC AND FORMULAIC: THE GLOBAL APPEAL OF KOREAN TELEVISION DRAMAS A Thesis submitted to the FAculty of the Graduate School of Arts and Sciences of Georgetown University in partiAl fulfillment of the requirements for the degree off MAster of Arts in CommunicAtion, Culture and Technology By KAthryn Grace HArtzell, B.A. WAshington, D.C. April 16, 2019 Copyright 2019 by KAthryn Grace HArtzell All Rights Reserved ii MELODRAMATIC AND FORMULAIC: THE GLOBAL APPEAL OF KOREAN TELEVISION DRAMAS KAthryn Grace HArtzell, B.A. Thesis Advisor: MAtthew Tinkcom, Ph.D. ABSTRACT International fervor for KoreAn pop culture has constituted a contra-flow against Western mediA hegemony. Since 1997, the global rise of South KoreA’s entertAinment industries has come to be known as the KoreAn WAve, or Hallyu. Contra-flows—subaltern cultural exchanges that move in opposition to Western hegemonic mediA (Thussu 2007, 11)—Are complex, under-investigated, And controversiAl in their importAnce as they exhibit what Arjun Appadurai describes as “disjunctures between economy, culture, and politics” (Appadurai 1996, 33). In contra-flow, cApitAlist power structures are insufficient to understAnd why mediA texts are disseminated across borders, cultures, or lAnguage. This study expands on the investigation of the KoreAn WAve by examining one of its central entertAinment exports—KoreAn dramAs—for their exhibition of hybridized and glocAlized genre conventions. I employ a multimethod approach to both estAblish the cinemAtic lAnguage through which KoreAn dramAs tell their stories and to test the sAlience of this framework with non-KoreAn audiences. First, I anAlyze five KoreAn dramAs populAr with English-speAking viewers—utilizing a close reAding—for their use of a melodramAtic narrative mode. -
Dress and Ideology During the Late 19
International Journal of Costume and Fashion Vol. 11 No. 1, Jun 2011, pp. 15-33 th Dress and Ideology during the late 19 and Dress and Ideology during th 1) the late 19th and early 20 centuries Korea, 1876~1945 early 20th centuries Korea, Min-Jung Lee+ ․ Min-Ja Kim* 1876~1945 Costume Designer, KBS Arts Vision, Seoul, Korea+ Professor, Research Institute of Human Ecology, Seoul National University, Seoul, Korea* (Received December 14, 2010; Revised January 21, 2011; Accepted February 23, 2011) Abstract The late 19th and early 20th centuries of Korea were the times when the Confucianism (性理 學) ideology was shaken heavily under the influences of modernism and capitalism by Western and Japanese military and political-economic forces. Under such circumstances, alteration of clothing was much influenced by ideologies than changes in social structure or technological advance. In this study, an ideology was defined as "the force which drives people into a particular social order". Ideologies were postulated as an ongoing process of socialization with dialectic features rather than being a static state. Comparative analyses on conflict structures and different clothing patterns symbolizing the ideolo- gies of the Ruling (支配) and the Opposition (對抗) were conducted. Investigating dresses as representa- tions of ideologies is to reconsider the notion of dichotomous confrontation between the conservatives (守 舊派) and the progressives (開化派) and a recognition of Koreans’ passively accepting modernity during the Japanese occupation. This may also have contributed to enlightening Koreans about modernization. Here are the results. First, the theoretical review found that ideologies were represented by not only symbols of discourse, but also dresses, and that dresses embodied both physical and conceptual systems presenting differences between ideologies and their natures, Second, during the late 19th century Korea, conflict between conservatives' Hanbok (韓服) and progressives' Western suits (洋服) was found. -
Uniquely Korea
Uniquely Retaining Visual Authenticity Koreain Cultural Presentations Deanna Cannon Master of Fine Arts Thesis Project Liberty University School of Communication & the Arts Department of Studio and Digital Arts Uniquely Acknowledgments Special thanks to those whose love and support have helped this project blossom into something special. Retaining Visual Authenticity To my chair and thesis committee whose in Cultural Presentations encouragement and guidance led me to a deeper understanding of my topic and research. Korea To all my professors who challenged me to grow in my skills and gain confidence in my abilities. To my sisters for all their support, both academically and emotionally. To my parents who supported me throughout my academic career and always encouraged my interest in illustration. And especially to my mom who introduced me to Korea and has always been there to guide me as I delved deeper into my Korean heritage. Diane Xu, Chair Heather Burt, First Reader Kami Anderson, Second Reader © 2021 Deanna Cannon Written and Designed by Deanna Cannon Todd Smith, Department Chair deannabohae.art/thesis Abstract Contents As educators and creators seek to introduce students to cultures from around the world to increase cultural awareness, visual media has also become a powerful tool to disseminate the visual culture of a people. When media Chapter One: The Problem ........................................................06 misrepresents a culture, the introduction to the culture can be flawed and create more problems. How then can media creators ensure that their Chapter Two: Research Report ...................................................10 representations are accurate? This project proposes that careful research balanced with an observation of the culture’s visual presentations can help guide cultural representations toward authenticity. -
Desarrollo De Indumentaria a Partir De
PROYECTO DE GRADUACION Trabajo Final de Grado Cultura coreana Hanbok: Traje tradicional coreano Fabiana No Cuerpo B del PG 01/03/2013 Diseño textil y de Indumentaria Proyecto profesional Historia y tendencia 1 Índice Lista de imágenes seleccionadas 4 Introducción 5 Capítulo 1: Traje tradicional 11 1.1. Identidad y vestido 12 1.2. El estudio del traje 14 Capítulo 2: Traje tradicional coreano, Hanbok 17 2.1. Cultura coreana 17 2.2. Historia del Hanbok 22 2.3. Hanbok, traje tradicional coreano 26 2.3.1. Accesorios 26 2.3.2 Vestimenta 39 2.3.3 Telas 46 2.3.4 Colores del Hanbok 47 Capitulo 3: La indumentaria en Argentina 48 3.1. La moda y la sociedad 48 3.2. Influencias españolas y francesas 50 3.3. Indumentaria argentina en el siglo XX 56 Capítulo 4: Contexto local: moda 64 4.1. La moda en la indumentaria 64 4.2. Análisis del mercado de la moda en Argentina 67 Capítulo 5: Proyecto de diseño 72 5.1. Diseño de autor 72 5.2. Identidad cultural 74 5.3. Elementos del diseño 75 5.4. Target 79 5.5. Vinculación de las dos culturas 82 Conclusión 85 Imágenes seleccionadas 88 2 Bibliografía de referencia 90 Bibliografía 93 3 Lista de imágenes seleccionadas Figura 1: Hanbok masculino y femenino 88 Figura 2: Hanbok femenino segun status 89 Figura 3: Hanbok masculino segun status 89 4 Introducción El presente Proyecto de Graduación encuadra en la categoría de Proyecto Profesional. Se trata de desarrollos proyectuales vinculados al campo profesional del autor. -
Apparel Production
APPAREL PRODUCTION www.eiilmuniversity.ac.in Contents Chapter:1 Origin of clothing Chapter: 2 Functions Chapter: 3 Scholarship Chapter: 4 Cultural aspects Chapter: 5 Origin and history Chapter: 6 Contemporary clothing Chapter: 7 Political issues Chapter: 8 Life cycle Chapter: 9 Gloves Chapter: 10 Fiber Plant Chapter: 11 Human Chapter: 12 Forcasting Chapter 1 Origin of Clothing There is no easy way to determine when clothing was first developed, but some information has been inferred by studying lice. The body louse specifically lives in clothing and diverged from head lice about 107,000 years ago, suggesting that clothing existed at that time. Another theory is that modern humans are the only survivors of several species of primates who may have worn clothes and that clothing may have been used as long as 650 thousand years ago. Other louse- based estimates put the introduction of clothing at around 42,000–72,000 BP. Head louse The head louse (Pediculus humanus capitis) is an obligate ectoparasite of humans. Head lice are wingless insects spending their entire life on the human scalp and feeding exclusively on human blood. Humans are the only known hosts of this specific parasite, while chimpanzees host a closely related species, Pediculus schaeffi. Other species of lice infest most orders of mammals and all orders of birds. Like all lice, head lice differ from other hematophagic ectoparasites such as the flea in that lice spend their entire life cycle on a host. Head lice cannot fly, and their short stumpy legs render them incapable of jumping, or even walking efficiently on flat surfaces. -
What Is the Best Way to Begin Learning About Fashion, Trends, and Fashion Designers?
★ What is the best way to begin learning about fashion, trends, and fashion designers? Edit I know a bit, but not much. What are some ways to educate myself when it comes to fashion? Edit Comment • Share (1) • Options Follow Question Promote Question Related Questions • Fashion and Style : Apart from attending formal classes, what are some of the ways for someone interested in fashion designing to learn it as ... (continue) • Fashion and Style : How did the fashion trend of wearing white shoes/sneakers begin? • What's the best way of learning about the business behind the fashion industry? • Fashion and Style : What are the best ways for a new fashion designer to attract customers? • What are good ways to learn more about the fashion industry? More Related Questions Share Question Twitter Facebook LinkedIn Question Stats • Latest activity 11 Mar • This question has 1 monitor with 351833 topic followers. 4627 people have viewed this question. • 39 people are following this question. • 11 Answers Ask to Answer Yolanda Paez Charneco Add Bio • Make Anonymous Add your answer, or answer later. Kathryn Finney, "Oprah of the Internet" . One of the ... (more) 4 votes by Francisco Ceruti, Marie Stein, Unsah Malik, and Natasha Kazachenko Actually celebrities are usually the sign that a trend is nearing it's end and by the time most trends hit magazine like Vogue, they're on the way out. The best way to discover and follow fashion trends is to do one of three things: 1. Order a Subscription to Women's Wear Daily. This is the industry trade paper and has a lot of details on what's happen in fashion from both a trend and business level.