RVSA Appoints East Rutherford Mayor to Newly
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Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Study Abroad Fee Implemented Class of 1999 Will P Ay the Price
Study abroad fee implemented Class of 1999 will p ay the price will be subject to the fee. "This BY ALISON BORNSTEIN only has an effect on people who News Editor start Colby this year ," said Champ lin. Beginnin g this fall, any stu- There are two types of off- dent enrolling at Colby for the campus stud y programs avail- first time who wishes to transfer able at Colb y: approved , non- credit to Colby from ah approved Colb y off-campus stud y and international or domestic non- Colby off-campus programs. Colb y program will pay an addi- According to the catalogue , tional fee of $1,000 per semester students who are involved in ap- to Colby, according to the Colby proved , non-Colby off-campus foreign or do- Echop hoto by Merritt Duff College cata- Tony Callander '99 (left) relaxes with Big Sib Chuck Costanzo '98 on the steps of Lovejoy. logue. mestic stu dy 'This extra programs pay fee is only for all fees directl y Big Sibs ease first year transition students par- to the host insti- tici pating in tuti on. For During the summer, upperclass one of four informational training non-Colb y Colbyprograms BY ALYSSA GIACOBBE volunteers received information in sessions which focus mainly upon programs ," abroad and do- Asst. News Editor the mail outlining the details of the academic advising, but also include said Professor mestic ex- program, according to Kruppa. In- general advice to relay to students of Biosciences changes , a com- The transition between high cluded were the names and ad- away from home for the first time. -
WWJW: What Would Jesus Wear?
THE MASSACHUSEttS DAILY COLLEGIAN TUESDAY, MAY 3, 2011ARTS“Good luck exploring& the infinite abyss.”L - AndrewIVING Laregman, “Garden State” [email protected] WWJW: What would Jesus wear? S. P. SULLIVAN/COLLEGIAN The Collegian’s own Andrew Sheridan models the “I love Jesus” boxer briefs from New York Designer Jason Sutherland, founder of the company “Piss & Vinegar.” Their line of “I Love...” underwear also includes “Buddah,” “Girls ” and “Boys,” with a style to suit any wearer. The iconic undies are all about humor and self expression. BY ANDREW SHERIDAN thing you can to find the energy needed to be some- Upon arriving at my church, I was informed that Undeterred, I continued my trek and headed to COLLEGIAN STAFF thing and more,” said Sutherland in a recent interview. the children’s message I had been roped into partici- Chinatown to meet up with a girl who staunchly Sutherland is a pioneer in the industry, doing to boxers pating in had been called off. Someone lost the script, claimed that her middle name was, in fact, “danger.” (Editor’s note: This story was originally published and briefs what Hot Topic has done for t-shirts. so I didn’t have to do a thing. I chalked that up to a My omnipotent shorts must have known my inten- on January 17, 2010.) While he does see the humor in his over-the-top win for the man with God in his pants, and sat back tions with this young lady were impious, because These days, symbols of faith seem to be in high fash- designs, Sutherland uses iconic figures for a pur- and listened to the day’s sermon. -
2017 High Sierra Music Festival Program
WELCOME! Festivarians, music lovers, friends old and new... WELCOME to the 27th version of our annual get-together! This year, we can’t help but look back 50 years to the Summer of Love, the summer of 1967, a year that brought us the Monterey Pop Festival (with such performers as Jimi Hendrix, The Who, Otis Redding, Janis Joplin and The Grateful Dead) which became an inspiration and template for future music festivals like the one you find yourself at right now. But the hippies of that era would likely refer to what’s going on in the political climate of these United States now as a “bad trip” with the old adage “the more things change, the more they stay the same” coming back into play. Here we are in 2017 with so many of the rights and freedoms that were fought long and hard for over the past 50 years being challenged, reinterpreted or revoked seemingly at warp speed. It’s high time to embrace the two basic tenets of the counterculture movement. First is PEACE. PEACE for your fellow human, PEACE within and PEACE for our planet. The second tenet brings a song to mind - and while the Beatles Sgt. Pepper’s Lonely Hearts Club Band gets all the attention on its 50th anniversary, it’s the final track on their Magical Mystery Tour album (which came out later the same year) that contains the most apropos song for these times. ALL YOU NEED IS LOVE. LOVE more, fear less. LOVE is always our answer. Come back to LOVE. -
NEW ORLEANS RELIEF Anastasio 11 Reba (11:09) Anastasio Services to the Cause
For best results, print this page out on: Supplies available from Note: Make sure to print actual size NEATO Glossy CD Labels, Booklet, and Tray liners (ink-jet printers), or http://www.phish.com/drygoods (do not choose 'Shrink to fit oversize page' option) NEATO Economatte Cd Labels, Booklet, and Tray liners (laser printers) OUTSIDE BACK OUTSIDE FRONT DISC 1 (Encore) 08 Rocky Top (4:11) 04.26.96 New Orleans Jazz & Heritage Bryant/Bryant^** Festival, New Orleans, LA 06 Hello My Baby (2:06) Howard/Singer/Emerson**** (Encore 2) 01 Ya Mar (7:56) Ferguson* 07 Cavern (5:12) 09 Lawnboy (2:50) Anastasio/Marshall/Herman Anastasio/Marshall 02 AC/DC Bag (7:08) Anastasio Filler: 10 Fire (4:46) 11.07.91 Set II, Tipitina’s, New Orleans, LA Hendrix# 03 Sparkle (3:50) Anastasio/Marshall 08 Brother (5:34) Anastasio/Fishman/Gordon/McConnell All proceeds from “New Orleans 04 Stash (10:35) Relief” will be donated directly to the Anastasio/Marshall 09 Bouncing Around The Room (3:40) Anastasio/Marshall Tipitina's Foundation and New 05 Cars Trucks Buses* (5:11) Orleans Jazz & Heritage Festival. McConnell 10 My Sweet One (2:18) Fishman All artists and vendors involved in 06 You Enjoy Myself (16:49) this project donated their time and NEW ORLEANS RELIEF Anastasio 11 Reba (11:09) Anastasio services to the cause. 07 Wolfman's Brother (3:52) Jazzfest & Anastasio/Fishman/Gordon/ DISC 3 & Tipitina’s McConnell/Marshall PHISH: Trey Anastasio, Jon Fishman 04.26.96 11.07.91 01 Tube (3:18) Mike Gordon, Page McConnell 08 Scent Of A Mule (11:17) Anastasio/Fishman Gordon * with Michael Ray on Trumpet, ** with Col. -
Phish (From the 1988 Album JUNTA) Transcribed by Words and Music by Trey Anastasio [email protected] Arranged by Chris Amelar
YOU ENJOY MYSELF As recorded by Phish (From the 1988 Album JUNTA) Transcribed by Words and Music by Trey Anastasio [email protected] Arranged by Chris Amelar Em7 Am9 Fmaj7 5 Fmaj7 Fadd9 B7+9 C C 7+9 D7+9 D 7+9 xx 12 fr. xx 10 fr. xx ` 12 fr. xx 12 fr. xx 13 fr. xx 8 fr. xx 9 fr. xxb 10 fr. xx 11 fr. xxb 12 fr. E7+9 F7+9 F 7+9 G7+9 G 7+9 A7+9 A 7+9 B7+9 XX Gm C9 xx 13 fr. xx 14 fr. xxb 15 fr. xx 16 fr. xxb 17 fr. xx 18 fr. xxb 19 fr. xx 20 fr. xxx 15 fr. xx x 14 fr. C7 C7+9 C7sus4 C7 (type 2) AXIV AII Gm7 (type 2) D F m E x xx 2 fr. xx x 14 fr. x x 3 fr. x x 3 fr. xx x 14 fr. xx x 2 fr. xx 15 fr. xxx 10 fr. xxxb 9 fr. xxx 12 fr. A (0:00) = 80 BP` V V V V V V V 1 e V V V V V V V V V V V V Ie 4 V V V l V V V V l V V V V Gtr I 10 10 10 13 10 13 10 T 11 11 11 11 11 11 10 10 10 10 10 10 A 12 12 12 12 12 B 13 13 13 13 13 13 V V V V V V V V 3 e V V V V V V V V V V V V V Ie V V V V V V V V V V V V j 10 13 10 10 13 10 10 13 T 11 11 11 11 11 10 10 10 10 10 10 10 10 A 12 12 12 12 12 B 13 13 13 13 13 13 13 B (0:13) Gm C F C E` Gm V 6 V V V V V V e 6 V V V V V V V V V V V V V V V V Ie 8 V V V V V V V V V V V V V 6 10 8 5 8 6 6 T 8 8 6 8 5 4 8 8 7 9 5 5 5 7 7 A 8 10 7 5 5 8 8 5 B 10 10 7 8 7 6 1988 by Who Is She? Music (BMI) Generated using the Power Tab Editor by Brad Larsen. -
Album Review
Undermind PHISH, 2004 Elektra 62969-2 Phish called it quits in the summer of 2004, disappointing legions of their ‘‘phans’’ with a decision that was ultimately an interesting exercise in artistic integrity. Put succinctly, they were not feeling it any more. Three-quarters of the band felt that they had run their course; that they had had a great ride—one marked by phenomenal successes, most of which were hardly noticed by mainstream media and culture—but knew or felt, somehow, that enough was enough. No acrimonious fights and no bitter rifts. They wanted, quite simply, to go out on top. Chief among their concerns was a fear of becoming a nostalgia act, of turning into caricatures, of rehashing themselves and their songs beyond the point of healthy return. It was a fascinating decision by a fascinating band. The band built up a loyal and dedicated following due, in large part, to the nature of their concerts. Both set lists and song duration were ever changing. The band fashioned a sound that drew from a wide array of influences and musical styles or genres, evident not only in their own songs, but in their choice of cover material (one of a few key elements of the Phish experience). As with 1960s icons the Grateful Dead (a facile and often misguided comparison), no two Phish performances were ever alike. And it was this element of surprise and discovery that kept phans positively hooked. Followers of Phish formed and maintained a bona fide, full-blown (sub)culture and they provide a rich and fascinating case study indeed. -
Understanding ‗It': Affective Authenticity, Space, and the Phish
Understanding ‗It‘: Affective Authenticity, Space, and the Phish Scene By C2010 Elizabeth Anne Yeager Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie J. Tucker ________________________________ Ben Chappell ________________________________ Henry Bial ________________________________ Eric Weisbard ________________________________ Nicole Hodges Persley Date Defended: December 14, 2010 ii The Dissertation Committee for Elizabeth Anne Yeager certifies that this is the approved version of the following dissertation: Understanding ‗It‘: Affective Authenticity, Space, and the Phish Scene ________________________________ Chairperson, Sherrie J. Tucker Date approved: April 18, 2011 iii Abstract ―Understanding It: Affective Authenticity, Space, and the Phish Scene‖ is an ethnographic study of ―scene identity‖ around the contemporary rock band Phish. Utilizing data generated from six years of ethnographic fieldwork, including over one hundred and fifty interviews with Phish scene participants, this project explores how the production of space at Phish shows works to form a Phish scene identity. I contend that the identity of the Phish scene, what the band members and fans refer to as ―it‖ and I call a spatial articulation of affective authenticity, is produced and formed by scene members themselves, drawing from the interrelations between the production of space (practices that create a specific environment) at shows and a white, middle and upper-middle class cultural memory of the Grateful Dead scene. I situate this process amidst a cultural backdrop of 1980s and 1990s identity politics and in particular, multiculturalism and suggest that Phish scene identity be analyzed as a middle class performance of resistance that achieves community and meaning without resisting class privilege. -
Rec.Music.Phish › Interview with Jon Fishman (April '92) 1 Post by 1 Author Shelly Culbertson (+Spector)
rec.music.phish › Interview with Jon Fishman (April '92) 1 post by 1 author Shelly Culbertson (+Spector) 7/19/92 This is a few months old, but Jon just returned to me his copy of this transcript with comments and corrections. This conversation took place 3-4 am after the show at the Hilton in Eugene. It's not really a conventional interview, but I think that the ideas Jon expressed were interesting enough to bear posting here, and I hope you think so too. :-) Shelly --------------------------------------------------- Interview with Jon Fishman, Eugene, Oregon 4/22/92 (When we started rolling the tape, we were talking about galaxies, since Jon had been looking at a book about them the day before -- _Galaxies_, by Timothy Ferris) JF: ...That's incredible. They had side views of our whole galaxy. Basically, from really far away, our entire galaxy is just a disk. It looks just like in the movies, they portray UFOs as these glowing disks that are bulging in the middle, like Saturn; that's what the galaxies look like. They're all like these little spaceships sitting there. I think the ultimate engineering project is to learn how to use light as power and then over time, through eons, learn how to engineer your galaxy into a spaceship and actually be able to move it with intention through space. Here are all these galaxies and stars in space and they're all moving along, at least that's the theory, and expanding away from each other. Things are moving and probably very few if any have any control over what direction they're moving. -
Phish to Perform Exclusive Concert for Siriusxm and Pandora Listeners
NEWS RELEASE Phish to Perform Exclusive Concert for SiriusXM and Pandora Listeners 10/24/2019 Exclusive performance at The Met in Philadelphia to air live on SiriusXM's Phish Radio channel 29 NEW YORK, Oct. 24, 2019 /PRNewswire/ -- SiriusXM announced today that Phish will perform an exclusive concert for SiriusXM and Pandora listeners on Tuesday, December 3, at The Met in Philadelphia, PA. The live performance will mark the smallest venue the band has played in nearly 20 years and will be broadcast live on Tuesday, December 3 at 7:30 p.m. ET, with the pre-show beginning at 6 p.m. ET, on SiriusXM's Phish Radio (ch. 29). In advance of the show, Trey Anastasio will unveil his own Pandora Story, oering up commentary to a playlist of meaningful tracks from throughout the band's career. "It's been fun rin' up our own satellite channel!" said Phish's Mike Gordon. "And what better way to celebrate Phish Radio than putting on a live show?" "After launching Phish Radio earlier this year, we knew we had to deliver something extra special to devoted listeners of their SiriusXM channel," says Steve Blatter, Senior Vice President and General Manager for Music Programming, SiriusXM. "We're thrilled this exclusive performance will bring the Phish community even closer to their beloved band." SiriusXM subscribers will have numerous opportunities to win a pair of tickets to this exclusive show, including on- air on Phish Radio, online at SiriusXM.com/Phish (To enter, see Ocial Rules for complete details at siriusxm.com/Phish), via e-mail invitation sent to qualied subscribers who have consented to e-mail marketing from SiriusXM and who have registered their music interests with us at siriusxm.com/perks and more to be announced! 1 Phish Radio (ch. -
PHISH: Trey Anastasio, Jon Fishman, Mike Gordon, Page Mcconnell
DISC 1 Set II 05 Fluffhead (14:48) Set I Anastasio/Pollak 02 Rock & Roll (4:59) 01 AC/DC Bag (7:06) Reed* 06 Joy (4:53) Anastasio/Marshall Anastasio 03 Miami Jam (4:47) 02 46 Days (6:57) Anastasio/Fishman/Gordon/McConnell 07 The Squirming Coil (8:24) Anastasio/Marshall Anastasio/Marshall 04 Piper (9:55) 03 Water In The Sky (2:59) Anastasio/Marshall DISC 4 Anastasio/Marshall Set III 05 Simple (8:41) 04 Bathtub Gin (10:27) Gordon 01 You Enjoy Myself (20:00) Anastasio/Goodman Anastasio 06 Theme From The Bottom (8:07) 05 Punch You In The Eye (7:49) Anastasio/Fishman/Gordon/McConnell/Marshall Encore Anastasio/Marshall 07 Shine A Light (5:19) 02 Blue Moon (3:54) 06 The Moma Dance (7:14) Jagger/Richards** Rogers/Hart*** Anastasio/Fishman/Gordon/McConnell/Marshall 08 Ghost (14:15) 03 Loving Cup (6:39) American Airlines Arena 07 Guyute (11:24) Anastasio/Marshall Jagger/Richards** Miami, Florida Anastasio/Marshall 12.31.09 09 NO2 (2:46) : 08 Swept Away (5:41) Gordon PHISH Trey Anastasio, Jon Fishman, Anastasio/Marshall Mike Gordon, Page McConnell 10 Suzy Greenberg (6:34) 09 Demand (1:54) Pollak Recorded by Timothy Powell Anastasio/Marshall Post-Production by Micah Gordon DISC 3 Phish Inc. is Beth Montuori Rowles, Kevin 10 Seven Below (8:08) Set III Shapiro, Julia Mordaunt, and Ben Collette Anastasio/Marshall Cover Illustration by Tyler Stout 11 Lawn Boy (2:56) 01 Party Time (6:26) Anastasio/Marshall Fishman DISC 2 02 Auld Lang Syne (1:13) Traditional Set I (cont’d) 03 Down With Disease (8:51) 01 Julius (8:35) All songs copyright Who Is She? Music, Inc.