Study Abroad Fee Implemented Class of 1999 Will P Ay the Price
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September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Elektra's Phish Back in the Water Improv Rock Act Has New Album, Tour by CATHERINE APPLEFELD OLSON Venable Says
Artists & Music Elektra's Phish Back In The Water Improv Rock Act Has New Album, Tour BY CATHERINE APPLEFELD OLSON Venable says. "They have all the other pieces of the puzzle, but their airplay WASHINGTON, D.C. -"Billy Breathes" has been inconsistent. This is the one is an appropriate title for the latest that's going to change that." project from improvisational rock act On Sept. 3, Elektra will ship "Free" Phish. The album, due Oct. 15 from to triple -A, rock, alternative, and col- Elektra Entertainment, represents a lege radio. College campuses will play well- earned exhale for the tour- inten- a much larger role in the label's over- sive band. all marketing this time around, ac- After embarking 10 years ago on a cording to Venable, who notes that seemingly endless road trip that cul- PHISH Elektra hired an outside company to minated last year with the audio trav- blanket campuses and surrounding Universal Appeal. Nusrat Fateh Ali Khan relaxes following his celebrity- studded elog "A Live One," comrades Trey areas with posters. The label also concert at Los Angeles' Universal Amphitheater. Shown, from left, are Melissa Anastasio, Jon Fishman, Page McCon- "After we had laid down some of the engaged a 35- member field staff to Miller, VP of talent, MCA Concerts; Khan; Alex Hodges, senior VP of talent, MCA nell, and Mike Gordon returned to tracks, we decided it was time to get work with local record outlets on in- Concerts; and Red Hot Chili Peppers' Flea. their Vermont homes downright an outside perspective," he continues. -
WWJW: What Would Jesus Wear?
THE MASSACHUSEttS DAILY COLLEGIAN TUESDAY, MAY 3, 2011ARTS“Good luck exploring& the infinite abyss.”L - AndrewIVING Laregman, “Garden State” [email protected] WWJW: What would Jesus wear? S. P. SULLIVAN/COLLEGIAN The Collegian’s own Andrew Sheridan models the “I love Jesus” boxer briefs from New York Designer Jason Sutherland, founder of the company “Piss & Vinegar.” Their line of “I Love...” underwear also includes “Buddah,” “Girls ” and “Boys,” with a style to suit any wearer. The iconic undies are all about humor and self expression. BY ANDREW SHERIDAN thing you can to find the energy needed to be some- Upon arriving at my church, I was informed that Undeterred, I continued my trek and headed to COLLEGIAN STAFF thing and more,” said Sutherland in a recent interview. the children’s message I had been roped into partici- Chinatown to meet up with a girl who staunchly Sutherland is a pioneer in the industry, doing to boxers pating in had been called off. Someone lost the script, claimed that her middle name was, in fact, “danger.” (Editor’s note: This story was originally published and briefs what Hot Topic has done for t-shirts. so I didn’t have to do a thing. I chalked that up to a My omnipotent shorts must have known my inten- on January 17, 2010.) While he does see the humor in his over-the-top win for the man with God in his pants, and sat back tions with this young lady were impious, because These days, symbols of faith seem to be in high fash- designs, Sutherland uses iconic figures for a pur- and listened to the day’s sermon. -
NEW ORLEANS RELIEF Anastasio 11 Reba (11:09) Anastasio Services to the Cause
For best results, print this page out on: Supplies available from Note: Make sure to print actual size NEATO Glossy CD Labels, Booklet, and Tray liners (ink-jet printers), or http://www.phish.com/drygoods (do not choose 'Shrink to fit oversize page' option) NEATO Economatte Cd Labels, Booklet, and Tray liners (laser printers) OUTSIDE BACK OUTSIDE FRONT DISC 1 (Encore) 08 Rocky Top (4:11) 04.26.96 New Orleans Jazz & Heritage Bryant/Bryant^** Festival, New Orleans, LA 06 Hello My Baby (2:06) Howard/Singer/Emerson**** (Encore 2) 01 Ya Mar (7:56) Ferguson* 07 Cavern (5:12) 09 Lawnboy (2:50) Anastasio/Marshall/Herman Anastasio/Marshall 02 AC/DC Bag (7:08) Anastasio Filler: 10 Fire (4:46) 11.07.91 Set II, Tipitina’s, New Orleans, LA Hendrix# 03 Sparkle (3:50) Anastasio/Marshall 08 Brother (5:34) Anastasio/Fishman/Gordon/McConnell All proceeds from “New Orleans 04 Stash (10:35) Relief” will be donated directly to the Anastasio/Marshall 09 Bouncing Around The Room (3:40) Anastasio/Marshall Tipitina's Foundation and New 05 Cars Trucks Buses* (5:11) Orleans Jazz & Heritage Festival. McConnell 10 My Sweet One (2:18) Fishman All artists and vendors involved in 06 You Enjoy Myself (16:49) this project donated their time and NEW ORLEANS RELIEF Anastasio 11 Reba (11:09) Anastasio services to the cause. 07 Wolfman's Brother (3:52) Jazzfest & Anastasio/Fishman/Gordon/ DISC 3 & Tipitina’s McConnell/Marshall PHISH: Trey Anastasio, Jon Fishman 04.26.96 11.07.91 01 Tube (3:18) Mike Gordon, Page McConnell 08 Scent Of A Mule (11:17) Anastasio/Fishman Gordon * with Michael Ray on Trumpet, ** with Col. -
Moskovitz Research Paper
!1" Moskovitz:"Phish"Fan"Research"Paper/Spring"2015" Birds of a Feather: Phish Fans as an Information Community Submitted by Amy S. Moskovitz LIBR 200-12: Information Communities Dr. Michael Stevens April 29, 2015 Abstract Fans of the band Phish are a large and unique community requiring information and social connectedness to thrive. By examining and evaluating scholarly literature on information communities, music fans, Phish and Phish fans, as well as popular, fan-generated sources and informal conversations with fans, this research paper serves to create a comprehensive overview of this community. It focuses on their information needs, practices and preferences and their !2" Moskovitz:"Phish"Fan"Research"Paper/Spring"2015" information seeking behavior. The author finds that Phish fans seek information on a variety of topics related to their fandom and do so mostly via internet-based and user-generated websites and social networking. The research reveals that this information community values social interaction as well as technology and often exploits both to reinforce and satisfy their information goals and social bonds. The author also critically analyzes the findings and resources available to the Phish fan community and provides suggestions for information professionals on how to better assist this community with their information needs." Introduction “Birds of a feather are flocking outside.” –Phish Birds of a Feather (Phish, 1998) The phrase “birds of a feather flock together” is a fitting metaphor for music fans and information communities. Fisher and Durrance (2003) define an information community as a group that forms around a specific need for information. Music fans are not a new type of information community. -
Nils Lofgren Still Faces the Music Almost 50 Years On. by Rush Evans
HARD AS NILS Nils Lofgren still faces the music almost 50 years on. By Rush Evans IT’S HARD TO IMAGINE a better job for a musician than being in Bruce Springsteen’s E Street Band. But in order to get there, you have to be good. Really good. And players that good must have drive, stamina and ambition. That’s why these musicians do other creative projects between E Street tours, everything from session work and producing records to hosting a radio show and fronting a band on late night television. And in the case of Nils Lofgren, you make Nils Lofgren music, writing and performing your own songs in the same parallel career that led Springsteen to hire you in the fi rst place. Springsteen had already been a longtime fan of Nils before bringing him into the E Street fold in 1984, and there’s a reason for that. Lofgren was a seasoned musical pro long before E Street, working with Neil Young during the “After the Gold Rush” era, fronting his legendary band Grin and recording a number of stellar solo records. And getting on E Street has not taken him off every other musical road, as he’s still pursuing that magical solo career. Nils has long been known for his soaring guitar solos and soulful voice, but his acrobatics on stage have drawn a lot of attention, too – his gymnastic abilities lending a celebratory enthusiasm to the musical proceedings at both solo and Bruce shows. And now, at 64, he has two metal hips, which have slowed down this renaissance rocker not one bit, as he has begun incorporating tap dance and harp (not harmonica, but the real deal, like Harpo Marx played) into his solo and duo shows. -
Phish (From the 1988 Album JUNTA) Transcribed by Words and Music by Trey Anastasio [email protected] Arranged by Chris Amelar
YOU ENJOY MYSELF As recorded by Phish (From the 1988 Album JUNTA) Transcribed by Words and Music by Trey Anastasio [email protected] Arranged by Chris Amelar Em7 Am9 Fmaj7 5 Fmaj7 Fadd9 B7+9 C C 7+9 D7+9 D 7+9 xx 12 fr. xx 10 fr. xx ` 12 fr. xx 12 fr. xx 13 fr. xx 8 fr. xx 9 fr. xxb 10 fr. xx 11 fr. xxb 12 fr. E7+9 F7+9 F 7+9 G7+9 G 7+9 A7+9 A 7+9 B7+9 XX Gm C9 xx 13 fr. xx 14 fr. xxb 15 fr. xx 16 fr. xxb 17 fr. xx 18 fr. xxb 19 fr. xx 20 fr. xxx 15 fr. xx x 14 fr. C7 C7+9 C7sus4 C7 (type 2) AXIV AII Gm7 (type 2) D F m E x xx 2 fr. xx x 14 fr. x x 3 fr. x x 3 fr. xx x 14 fr. xx x 2 fr. xx 15 fr. xxx 10 fr. xxxb 9 fr. xxx 12 fr. A (0:00) = 80 BP` V V V V V V V 1 e V V V V V V V V V V V V Ie 4 V V V l V V V V l V V V V Gtr I 10 10 10 13 10 13 10 T 11 11 11 11 11 11 10 10 10 10 10 10 A 12 12 12 12 12 B 13 13 13 13 13 13 V V V V V V V V 3 e V V V V V V V V V V V V V Ie V V V V V V V V V V V V j 10 13 10 10 13 10 10 13 T 11 11 11 11 11 10 10 10 10 10 10 10 10 A 12 12 12 12 12 B 13 13 13 13 13 13 13 B (0:13) Gm C F C E` Gm V 6 V V V V V V e 6 V V V V V V V V V V V V V V V V Ie 8 V V V V V V V V V V V V V 6 10 8 5 8 6 6 T 8 8 6 8 5 4 8 8 7 9 5 5 5 7 7 A 8 10 7 5 5 8 8 5 B 10 10 7 8 7 6 1988 by Who Is She? Music (BMI) Generated using the Power Tab Editor by Brad Larsen. -
Album Review
Undermind PHISH, 2004 Elektra 62969-2 Phish called it quits in the summer of 2004, disappointing legions of their ‘‘phans’’ with a decision that was ultimately an interesting exercise in artistic integrity. Put succinctly, they were not feeling it any more. Three-quarters of the band felt that they had run their course; that they had had a great ride—one marked by phenomenal successes, most of which were hardly noticed by mainstream media and culture—but knew or felt, somehow, that enough was enough. No acrimonious fights and no bitter rifts. They wanted, quite simply, to go out on top. Chief among their concerns was a fear of becoming a nostalgia act, of turning into caricatures, of rehashing themselves and their songs beyond the point of healthy return. It was a fascinating decision by a fascinating band. The band built up a loyal and dedicated following due, in large part, to the nature of their concerts. Both set lists and song duration were ever changing. The band fashioned a sound that drew from a wide array of influences and musical styles or genres, evident not only in their own songs, but in their choice of cover material (one of a few key elements of the Phish experience). As with 1960s icons the Grateful Dead (a facile and often misguided comparison), no two Phish performances were ever alike. And it was this element of surprise and discovery that kept phans positively hooked. Followers of Phish formed and maintained a bona fide, full-blown (sub)culture and they provide a rich and fascinating case study indeed. -
Recordings by Artist
Recordings by Artist Aimee Mann Beck Bob Dylan 590 Ultimate Collection 699 Sessions @ W54th St. 579 Nashville Sessions w/Johnny Cash Alice in Chains Beethoven 510 Portland, OR 6-15-00 d1 670 Dirt 780 Symphonies 1&2 511 Portland00+Freiburg03 d2 Allman Brothers 781 Symphonies 3&4 56 Time out of Mind 99 Eat a Peach 782 Symphonies 5 & 6 Bob Marley 783 Symphonies 7&8 375 Natty Dread Art of Noise 784 Symphony #9 305 Claude Debussey Brian Auger 642 In No Sense? Nonsense! Bela Bartok 641 Who's Afraid of the Art of Noise? 794 Bela Bartok 715 Planet Earth Calling B52s Big Head Todd & the Monsters Brian Eno 633 Cosmic Thing 219 Sister Sweety 249 Nerve Net Bad Livers Big Joe Maher Brian Ferry 121 Bad Livers 769 Mojo 244 Mamouna 245 Taxi Band, The Bjork 90 Greatest 591 Live Berlin 6-23-03 Brian Setzer 93 Jubilee Blind Faith 738 The Dirty Boogie 505 Music from Big Pink 164 Blind Faith - Disc 1 Bruce Hornsby 91 The Last Waltz - Disc 1 165 Blind Faith - Disc 2 39 Big Swing Face 92 The Last Waltz - Disc 2 Blind Melon 38 Harbor Lights Bap Kennedy 299 Blind Melon Buena Vista Social Club 151 Domestic Blues Blondie 777 Buena Vista Social Club Barenaked Ladies 251 Best of Blondie Buffalo Springfield 721 Born on a Pirate Ship Bloomfield/Kooper/Stills 86 Again 720 Gordon 351 Super Sessions Buick McCane Maroon 187 Blue Rodeo 298 Pawn Shop Years 186 Rock Spectacle 123 Lost Together Built to Spill 185 Stunt Blues Brothers 221 Ancient Melodies of the Future BB King 356 Definitive Collection 220 Perfect from Now On 369 Riding with the King (w/Eric Clapton) Blues Traveler Butterfield Blues Band Beach Boys, The 216 Four 350 East-West 538 Fillmore East 1971 214 Live from the Fall - Disc 1 Buzzcocks 537 Pet Sounds 215 Live from the Fall - Disc 2 629 Live Belgium 2003 Beatles, The Bob Dylan Byrds, The 76 Rubber Soul/Sgt. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Understanding ‗It': Affective Authenticity, Space, and the Phish
Understanding ‗It‘: Affective Authenticity, Space, and the Phish Scene By C2010 Elizabeth Anne Yeager Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie J. Tucker ________________________________ Ben Chappell ________________________________ Henry Bial ________________________________ Eric Weisbard ________________________________ Nicole Hodges Persley Date Defended: December 14, 2010 ii The Dissertation Committee for Elizabeth Anne Yeager certifies that this is the approved version of the following dissertation: Understanding ‗It‘: Affective Authenticity, Space, and the Phish Scene ________________________________ Chairperson, Sherrie J. Tucker Date approved: April 18, 2011 iii Abstract ―Understanding It: Affective Authenticity, Space, and the Phish Scene‖ is an ethnographic study of ―scene identity‖ around the contemporary rock band Phish. Utilizing data generated from six years of ethnographic fieldwork, including over one hundred and fifty interviews with Phish scene participants, this project explores how the production of space at Phish shows works to form a Phish scene identity. I contend that the identity of the Phish scene, what the band members and fans refer to as ―it‖ and I call a spatial articulation of affective authenticity, is produced and formed by scene members themselves, drawing from the interrelations between the production of space (practices that create a specific environment) at shows and a white, middle and upper-middle class cultural memory of the Grateful Dead scene. I situate this process amidst a cultural backdrop of 1980s and 1990s identity politics and in particular, multiculturalism and suggest that Phish scene identity be analyzed as a middle class performance of resistance that achieves community and meaning without resisting class privilege.