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TV Club Newsletter; April 4-10, 1953
COVERING THE TV BEAT: GOVERNMENT RESTRICTIONS ON COLOR TV ARE BEING LIFTED. How- ever, this doesn't bring color on your screen any closer. Color TV will arrive after extensive four-month field tests of the system recently developed through the pooled research of major set manufacturers; after the FCC studies and ap- proves the new method ; and after the many more months it will take to organize factory production of sets and to in- stall color telecasting equipment. TED MACK AND THE ORIGINAL AMATEUR HOUR RETURN to your TV screen April 25 to be seen each Saturday from 8:30 - 9 p.m. It will replace the second half of THE ALL-STAR REVUE, which goes off. WHAM-TV and WBEN-TV have indicated that they will carry the show. THREE DIMENSIONAL TV is old stuff to the Atomic Energy Commission. Since 1950, a 3D TV system, developed in coop- eration with DuMont, has been in daily use at the AEC's Argonne National Laboratories near Chicago. It allows technicians to watch atomic doings closely without danger from radiation. TV WRESTLERS ARE PACKING THEM IN AT PHILADELPHIA'S MOVIE houses where they are billed as added stage attractions with simulated TV bouts. SET-MAKERS PREDICT that by the end of the year 24-inch sets will constitute 25% of production. FOREIGN INTRIGUE is being released for European TV distri- bution with one version in French and the other with Ger- man subtitles. "I LOVE LUCY", WILL PRESENT "RICKY JR.", the most celebrat- ed TV baby, in its forthcoming series now being filmed in Hollywood. -
Spinello Suspected Successor with 500 Absentee Ballots Still to Be Tallied Suozzi Yet to Concede by Kevin C
Volume XXIII No. 10 Hometown Newspaper for Glen Cove, Sea Cliff, Glen Head, Glenwood, Locust Valley and Brookville Week of 11/7/13 75C Spinello Suspected Successor With 500 Absentee Ballots Still to Be Tallied Suozzi Yet to Concede by Kevin C. Horton Although numbers aren’t official, with a reported over 500 absentee ballots still to be tallied, results are showing Reginald Spinello (Rep) is beating out incumbent Mayor Ralph V. Suozzi (Dem) for Mayor of Glen Cove in the November 5, 2013 election. As the numbers were posted on a screen on the wall of Spinello’s headquarters located on Glen Street the packed crowd of people cheered the results. A cautious Glen Cove Republi- can Party Chairman Paul Meli said, There are over 500 absentee ballots to be counted and in 2011 the final decision wasn’t official until December, “But based on our findings tonight I’d like to introduce you to your next Mayor... Reggie Spinello!” Spinello, who will be the first Republi- can Mayor since 1993 said, “I am aware of the many challenges that our city faces . Sta- bilizing our taxes is always first in the minds of taxpayers. There will be accountability by all department heads to manage their depart- ments in an efficient and cost effective man- ner. Bringing new business into our city , re- vitalizing our downtown and ridding our city of illegal housing are critical components to the success of my administration. Glen Cove voters have asked for change and I intend to deliver it.” As of last reports Spinello leads Suozzi by 115 votes with a margin of 50.9 percent to 49.1 percent, accouting to unofficial results. -
Henrietta Porter in the Television Series Trackdown
A Woman with Influence: Henrietta Porter in the Television Series Trackdown WILLIAM HAMPES In the 1950’s women on television tended to be relegated to traditional domestic roles as contented housewives: Father Knows Best (1954-1963), Leave it to Beaver (1957-1963), The Donna Reed Show (1959-1966), etc. This emphasis on domesticity was found throughout the culture at the time because although “the actual lived experience of domesticity was fraught with problems, the family ideal still promised material benefits and personal stability in a confusing world.” (Spigel 34). Even when women were single, self-supporting and competent in their chosen profession, they conformed to the traditional feminine role as, for example, in Our Miss Brooks (1952-1956) (Dow xvii). Conflicts that occurred tended to center around the normal growing pains that the couple’s children were having rather than any fundamental disagreements between husband and wife. Female resistance against gender roles was mainly confined to wives disobeying or disagreeing with their husbands, typically in shows about childless couples where conflict could not focus on the children, such as I Married Joan (1952-1955), The Honeymooners (1955-1956), and I Love Lucy (1951-1957).1 In regards to Joan and Lucy their rebellion against their respective husbands consisted of their wacky, unrealistic and unsuccessful attempts to seek employment outside of their marriage (Spigel 174- 177). Alice Kramden of the Honeymooners was different. As the long-suffering wife of her often-irresponsible husband, Ralph, she did not pull any verbal punches when she was angry and frustrated with Ralph’s inconsiderate schemes and ridiculous 1 It is true that Lucy and Ricky gave birth to little Ricky, but he was not born until the second season and appeared in only eight episodes in the first four years of the series. -
Sitcoms and Suburbia: the Role of Network Television in the De-Urbanization of the U.S., 1949-1991
SITCOMS AND SUBURBIA: THE ROLE OF NETWORK TELEVISION IN THE DE-URBANIZATION OF THE U.S., 1949-1991 By MICHAEL RAY FITZGERALD A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MASS COMMUNICATIONS UNIVERSITY OF FLORIDA 2007 1 © 2007 Michael Ray Fitzgerald 2 To my wife, Susan, whose support and encouragement made this work possible. 3 ACKNOWLEDGMENTS I would like to thank my adviser and chair, Bernell Tripp, for walking me through the minefield, so to speak. I am so grateful that she introduced me to historical methods, because I was beginning to become dissatisfied with the limitations of quantitative research. What is more, she was fun to work with, and her offhand knowledge of television is astounding. I am especially grateful to my other committee members, Johanna Cleary and Julian Williams, for being more concerned with helping me improve my work than simply making me follow the rules. Dr. Cleary encouraged me to clarify my theoretical basis (even though historical studies are generally non theory-driven), and the result may be the most important section of my study. I also wish to thank Lynda Lee Kaid, who taught me the basics of content analysis and made the very valuable suggestion that a time shift be imposed on my data, which turned out to be the equivalent of shining a light on my findings. I would most of all like to thank my wife, Susan Allen, for lending moral and material support while I concentrated on graduate school and my mother, for her television expertise and for teaching me to be skeptical. -
Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources December 2019 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS PREFACE 1 CONTRIBUTORS 1 INTRODUCTION 1 HISTORIC CONTEXT INDUSTRIAL PROPERTIES ASSOCIATED WITH THE ENTERTAINMENT INDUSTRY, 1908-1980 3 Origins of the Entertainment Industry in Southern California 3 Entertainment Industry Development in the 1920s and 1930s 13 Entertainment Industry Development During World War II 59 Entertainment Industry Development in the Postwar Era 63 SUB-THEME: ORIGINS OF THE MOTION PICTURE INDUSTRY, 1908-1919 72 Development of Industrial Districts and “Motion Picture Zones” 72 Development of Early Motion Picture Production Facilities 73 SUB-THEME: MOTION PICTURE INDUSTRY: MAJOR STUDIO ERA – “THE BIG EIGHT,” 1919-1949 76 Development of Major Motion Picture Production Facilities 76 SUB-THEME: MOTION PICTURE INDUSTRY: INDEPENDENT STUDIOS AND RENTAL PLANTS, 1919-1980 80 Development of Independent Motion Picture Production Facilities 80 SUB-THEME: RADIO BROADCASTING INDUSTRY, 1922-1945 84 Development of Radio Broadcasting Facilities 84 SUB-THEME: TELEVISION BROADCASTING INDUSTRY, 1931-1980 88 Development of Television Broadcasting Facilities 88 SUB-THEME: RECORDING INDUSTRY, 1925-1980 -
Civic Participation Within Postwar Suburban Sitcoms, 1952-1972
Sitcom Citizenship: Civic Participation within Postwar Suburban Sitcoms, 1952-1972 A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Michael Cheyne IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kevin Murphy and Laurie Ouellette May 2014 © Michael Cheyne 2014 i Acknowledgements This project would not have been possible without the invaluable assistance of my advisers at the University of Minnesota, Kevin Murphy and Laurie Ouellette, as well as the other members of my thesis committee, Tracey Deutsch and Elaine Tyler May. Through the years of researching and writing, they gave me feedback, guidance, and above all, encouragement. In particular, I thank Kevin, who, as my initial graduate adviser, helped shepherd me through life as a doctoral candidate. I also acknowledge the very helpful feedback provided by my peers in the dissertation writing group led by Kevin Murphy and Regina Kunzel during the 2011- 2013 academic years. Their varied suggestions, praise, and criticism were especially helpful during the formative years of turning years of research into a workable thesis. My fellow graduate students within the American Studies program were unfailing in their personal and professional support. My colleagues at the University of Minnesota-Morris, particularly within the history discipline, were extremely supportive to me during my final two years working on this project. They provided time and funding to assist my research and the presentation of my work. I am particularly thankful for their cheerful willingness to support a colleague during a year of teaching and writing. Finally, I thank my family, friends, and church family, who provided years of love and support while I finished this project. -
TV Club Newsletter; May 30- June 5, 1953
COVERING THE TV BEAT: CORONATI0N NOTES: One of the most festive and dramatic events of this century - The Coronation on June 2 of Queen Elizabeth II of Great Britain - will be covered in equally spectacular and dramatic manner by the KBC Company ...... Utilizing the talents of the top news and special events commentators of radio and TV, the skills of close to 200 behind-the-scenes workers, plus the speed of the fastest aircraft available, NBC expects to be first and most com- plete with its Coronation coverage ....... The commentators, engineers, executives, cameramen and production workers have been preparing for many months, both here and in England, to make Coronation Day one of the most memorable in your life . ... .. BOSTON, known throughout the world as The Hub, will indeed become a hub - a hub for the entire television network of NBC ....... It is here that NBC films of the Coronation will be projected across the nation as soon as they arrive at Logan Airport. In the administration building, right beside the runways, film projectors, several live TV cameras, a control center, film editing equipment, tape recording and editing unit and microwave relay have been installed to process the films as they arrive . ..... SIR RALPH RICHARDSON, the distinguished British actor, will narrate special films which will be integrated as part of the 90-minute television program of Coronation highlights to be presented from 10:30 p.m. until midnight. This program will feature the late films of the brilliantly color- ful ceremony. These will be sped across the Atlantic, non- stop from London to Boston, in a specially converted Pan American Super-Six Clipper ..... -
Gender in Teievision Sitcoms in the 1950S
Images of Dissent, Persistence of an Ideal: Gender in TeIevision Sitcoms in the 1950s. by Rachel S.M. Yates A thesis submitted to the Department of Kistory in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario October, 1997 copyright 8 Rachel S.M. Yates, 1997 National Library Bib!iothèque nationale (*Iof Canada du Canada Acquisitions and Acquisitions et Bibliographie Sewices services bibliographiques 395 Wellington Street 395, nie Wellington OttawaON KIAON4 Ottawa ON KIA ON4 Canada canada YœIr &? vmRifemnce Our dle Notre rEi18mUa The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfichelfihn, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT This study se& to expand the understanding of postwar gender codes through an exploration of the domestic ideal in television sitcoms of the era. Its sigdcance lies in the intersection of history with television studies and postwar social science perspectives. -
Anti-Red Violence > Rages in New York
Weather Distrib'utien Mostly fair today, tonight and BEDBANK Today tomorrow. High both days, JO. Low tonight, 5540. See weather 1 Independent Daily f 16,150 and tides page 2. (^ MONDAY THROUGH FRIDAY-EST. Wl J REGISTER 35c PER WEEK Issued Daily, Monday through Friday, entered as Second Class Matter /C By CARRiER PAGE ONE VOL. 83, NO. 57 at the Post Olllce at Red Bank, N. J,, under the Act ol March 3, 1879. RED BANK, N. J., WEDNESDAY, SEPTEMBER 21, 1960 Find Hole In Roof Anti-Red Violenc> e Of Bank Maiiasquan S&L Rages in New York Entry Attempt Apparent Failure MANASQUAN — Roof-cutting Tempers Soar As as a modus operand! for robbing Police money institutions is on the rise. Nine days ago two young men used the idea as a means of entry in the $32,336 holdup of the Battle UN Debate Starts Holmdel branch of the Merchants Trust Company. , Yesterday two holes were dis- UNITED NATIONS, N. Y. (AP)—The UniteS Na- covered in the roof of the one- Rioters tions moved toward debate today on the cold war's story Manasquan Savings and NEW YORK (AP)—Club- Loan Association, 185 Main St. deadliest issues while violence raged in New York but whether the "cutters" ever swinging police and riotous streets. entered the building isn't known. demonstrators battled into Soviet Premier Nikita S. Khrushchev was the At least nothing is missing, and POLICE GRAPPLE with Michael Kostrylca, second from left, outside the United Na- the night after yesterday's target of two fierce demonstrations. -
Gender, Genre, and “Quality” Television: the Field of Television Production in America from 1951 - 2013
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2016 Gender, Genre, and “Quality” Television: The Field of Television Production in America from 1951 - 2013 Joseph Andrew Hoff University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Sociology Commons Recommended Citation Hoff, Joseph Andrew, "Gender, Genre, and “Quality” Television: The Field of Television Production in America from 1951 - 2013" (2016). Electronic Theses and Dissertations. 846. https://egrove.olemiss.edu/etd/846 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. GENDER, GENRE, AND \QUALITY" TELEVISION: THE FIELD OF TELEVISION PRODUCTION IN AMERICA FROM 1951 - 2013 A Thesis presented in partial fulfillment of requirements for the degree of Masters of Sociology in the Department of Sociology and Anthropology The University of Mississippi by Andrew Hoff DEC 2016 Copyright Andrew Hoff 2016 ALL RIGHTS RESERVED ABSTRACT Gender has a major impact on how society is organized. Societal processes taking place within fields continually shape and recreate our concepts of man and woman. Within television this is no different. Although a field closely tied to capitalistic economic interests, television has been afforded a slight amount of autonomy that has allowed certain shows in certain genres to be engaged with by audiences much like literature that is rich in symbolism and open to multiple interpretations. This study addresses how gender has structured the field over three distinct time periods as it expanded and provided men with opportunities and resources to create television shows that were more film like and less overtly commercial. -
DISTINGUISHED RESIDENTS of Hillside Memorial Park 1
DISTINGUISHED RESIDENTS of Hillside Memorial Park 1 D ISTINGUISHE D R ESI D ENTS OF H ILLSI D E M E M O R IAL P A R K 2011 DISTINGUISHED RESIDENTS HILLSIDE MEMORIAL PARK AND MORTUARY DISTINGUISHED RESIDENTS BOOK For over 70 years, Hillside Memorial Park and Mortuary has been dedicated to serving the Southern California Jewish Community and to preserving the memories of those who have been laid to rest within our park. We understand that every person leaves a unique legacy and that the greatest tribute is not grief but gratitude for a life well lived. We are privileged to have been entrusted by so many families over the years. This Distinguished Residents Book features the biographies and photos of some of those individuals whose legacies have impacted our lives 2 and helped to shape our culture and our community. It has been created to honor their memory and to inspire generations by their extraordinary accomplishments, tenacity and philanthropy. There are stars whose brightness is visible on earth although they have long burned out. There are people whose brilliance continues to light the world though they are no longer among the living. These lights are particularly bright when the night is dark. They light the way for us all. Hannah Szenesh HILLSIDE MEMORIAL PARK IRVING AARONSON (1895 – 1963) From his start as an 11-year-old movie theater pianist, Irving Aaronson became a Big Band leader in the 1920s and ‘30s. His band included members Gene Krupa, Claude Thornhill and Artie Shaw. He later worked for MGM as a music coordinator for “Arrivederci Roma” (1957), “This Could Be the Night” (1957), Irving Aaronson “Meet Me in Las Vegas” (1956) and as music advisor for “The Merry Widow” (1952). -
Nov /Dec 2O15 2726 Subscribers No.82 Radio’S Straight Shooter TOM MIX Byjackfrench © 2015
The Old RadioTimes The Official Publication of the Old-TimeRadioResearchers Nov /Dec 2O15 www.otrr.org 2726 Subscribers No.82 Radio’s Straight Shooter TOM MIX byJackFrench © 2015 One of the longest running dramatic shows in the Golden Age of Radio portrayed the adven- tures of a cowboy-detective. The program was Tom Mix, sponsored by Ralston Purina of St. Louis, Missouri. The cereal that Tom Mix sold by the carload to his radio audience of yesteryear has virtually disappeared from grocery stores. But to many Tom Mix is still as firmly associated with Ralston as their famous red and white checkerboard trademark. And it all came about because of the tremendous popularity of this western radio show, night after night, week after week, over a span of seventeen years. The success of the radio program was no surprise to its creator, Charles E. Claggett, Sr., of St. Louis, Missouri. Claggett, then a spry 68 year old investment counselor when I inter- viewed him in 1976, told me "I'd done my home- work and I knew Tom Mix would be as great a hit on radio as he was in movies." In 1932 Claggett, a copywriter for Gardner in advertising and to impersonate him on radio. Advertising Company, was determined to re- The Ralston Purina people were unconvinced of cover the Ralston Purina account his agency Mix’s popularity, so Claggett created a full page had recently lost to a New York firm. He con- advertisement which ran in a Sunday newspa- ducted a survey of school age youngsters and per.