Spinello Suspected Successor with 500 Absentee Ballots Still to Be Tallied Suozzi Yet to Concede by Kevin C
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TV Club Newsletter; April 4-10, 1953
COVERING THE TV BEAT: GOVERNMENT RESTRICTIONS ON COLOR TV ARE BEING LIFTED. How- ever, this doesn't bring color on your screen any closer. Color TV will arrive after extensive four-month field tests of the system recently developed through the pooled research of major set manufacturers; after the FCC studies and ap- proves the new method ; and after the many more months it will take to organize factory production of sets and to in- stall color telecasting equipment. TED MACK AND THE ORIGINAL AMATEUR HOUR RETURN to your TV screen April 25 to be seen each Saturday from 8:30 - 9 p.m. It will replace the second half of THE ALL-STAR REVUE, which goes off. WHAM-TV and WBEN-TV have indicated that they will carry the show. THREE DIMENSIONAL TV is old stuff to the Atomic Energy Commission. Since 1950, a 3D TV system, developed in coop- eration with DuMont, has been in daily use at the AEC's Argonne National Laboratories near Chicago. It allows technicians to watch atomic doings closely without danger from radiation. TV WRESTLERS ARE PACKING THEM IN AT PHILADELPHIA'S MOVIE houses where they are billed as added stage attractions with simulated TV bouts. SET-MAKERS PREDICT that by the end of the year 24-inch sets will constitute 25% of production. FOREIGN INTRIGUE is being released for European TV distri- bution with one version in French and the other with Ger- man subtitles. "I LOVE LUCY", WILL PRESENT "RICKY JR.", the most celebrat- ed TV baby, in its forthcoming series now being filmed in Hollywood. -
THE WHISTLER: Notes on Murder Simpson, Tom Brown, Britt Wood, Jeanne Bates, Lawrence Dobkin
Project1:8 Page Booklet 4/30/08 2:24 PM Page 1 Julie from the plan but his actions set his plan spinning out of control. With Bill Forman, Lamont Johnson, Gloria Ann THE WHISTLER: Notes on Murder Simpson, Tom Brown, Britt Wood, Jeanne Bates, Lawrence Dobkin. Program Guide by Jim Widner CD 10A - “Final Papers” – 8/24/1952 – Anna Craig, a European immigrant with a shady past, has gotten the news On May 16th, 1942 a new mystery that she will soon become a citizen. Immigration lawyer, program called The Whistler aired over Stanley Craig is Anna’s husband and knows nothing of her the Columbia Broadcasting System’s past. Lisa Felder, another immigrant with a shady past, West Coast network. The stories for the threatens to reveal Anna’s past unless she convinces her husband to take on her case. Fearful, Anna poisons Lisa rather series were anthologized morality plays than succumb to the threat. When Stanley tells Anna he has to about everyday individuals caught in a go to Europe to investigate Lisa’s past, Anna decides to kill her web of their own making, and tripped up husband to avoid his discovering her own past but her methods by a twist of fate in the end. Heard soon reveal her crimes. With Bill Forman, Gail Bonney, throughout each radio play, as the events William Conrad Gladys Holland, Joseph Kearns, John Stevenson. became a tangled web of crime, was a shadowy voice-of-fate. Dripping with CD 10B - “The Secret of Chalk Point” – 9/7/1952 – Kay Fowler, staying at the Yaeger House at sarcasm, it preached to listeners about the Chalk Point meets a young man on the beach during a heavy fog who says he is the husband of old futility of the criminal act they’d just Mrs. -
Jack Benny to Howard Stern
An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKIUN THE ENCYCLOPEDIA Of AMERICAN RADIO llizdated Edition NELLIE McCLUNG OCT - 4 2001 GRESTE":.. PLI3LIC LIBRARY L 1 tc5914-833 Updated Edition TAE EN(Y(LOPEDIA Of AKER! RAD' An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKMANN NEL UF- McCLUNG C T- 4 2001 CREATE? PJ3LIL LARK'. Checkmark Books An imprint of Facts On File, Inc. The Encyclopedia of American Radio, Updated Edition Copyright © 1996, 2000 by Ron Lackmann All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Checkmark Books An imprint of Facts On File, Inc. 11 Penn Plaza New York, NY 10001 Library of Congress Cataloging -in -Publication Data Lackmann, Ronald W. The encyclopedia of American radio : an a -z guide to radio from Jack Benny to Howard Stem / Ron Lackmann-Updated ed. p.cm. Rev. ed. of: Same time, same station. c1996. Includes bibliographical references and index. ISBN 0-8160-4137-7.-ISBN 0-8160-4077-X (pbk. : alk. paper) 1. Radio prograins-United States Encyclopedias.2. Radio programs-Canada Encyclopedias.3. Radio broadcasters-United States Encyclopedias.4. Radio broadcasters-Canada-Encyclopedias. I. Lackmann, Ronald W. Same time, same station.II. Title. PN1991.3.U6L321999 791.44'75'0973-dc21 99-35263 Checkmark Books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. -
OUR MISS BROOKS B: Elephant Mascot - 11/13/1949 CD 7 Connie Vs
our_miss_brooks.qxd:8 Page Booklet 6/24/10 9:39 PM Page 1 CD 6 A: Halloween Party - 10/30/1949 OUR MISS BROOKS B: Elephant Mascot - 11/13/1949 CD 7 Connie vs. Conklin A: Thanksgiving Mix Up - 11/27/1949 B: Walter’s Wonderful Radio - 2/12/1950 Program Guide by Jim Cox CD 8 A: The Burglar - 3/11/1950 She was the teacher you always wanted. And you may have felt indisputably slighted if B: Conklin’s TV Set - 4/2/1950 she taught somebody else. Constance (Connie) Brooks, the most notable schoolmarm on the air waves during the CD 9 golden epoch of broadcasting, didn’t set American public schools back on their heels by a century. A: Rumors - 9/10/1950 Indeed, quite the opposite occurred. She elevated education to a plateau never before realized from B: Conklin’s Tuba / Contest - 12/3/1950 a transmitter, figuratively bringing it light years ahead of its ethereal portrayals in the Dark Ages. And right along with that accomplishment, actress Eve Arden—who embodied the CD 10 captivating English teacher of mythical Madison High—offered incredible impetus to women A: The Kiss (Sneaky Peekers) - 8/14/1955 Eve and the apple. everywhere. By raising awareness of their real-life performances, produced mostly in obscurity, she B: Couch Potato - 8/28/1955 initiated a public appreciation of the fact that they contributed a whole lot that was worthwhile to the fabric of society. This transpired as Miss Brooks’ zany escapades took hilarious turns, winding Jim Cox writes prolifically, with an extensive number of broadcasting volumes to his credit, toward predictable outcomes that nevertheless while contributing liberally to vintage radio media. -
Henrietta Porter in the Television Series Trackdown
A Woman with Influence: Henrietta Porter in the Television Series Trackdown WILLIAM HAMPES In the 1950’s women on television tended to be relegated to traditional domestic roles as contented housewives: Father Knows Best (1954-1963), Leave it to Beaver (1957-1963), The Donna Reed Show (1959-1966), etc. This emphasis on domesticity was found throughout the culture at the time because although “the actual lived experience of domesticity was fraught with problems, the family ideal still promised material benefits and personal stability in a confusing world.” (Spigel 34). Even when women were single, self-supporting and competent in their chosen profession, they conformed to the traditional feminine role as, for example, in Our Miss Brooks (1952-1956) (Dow xvii). Conflicts that occurred tended to center around the normal growing pains that the couple’s children were having rather than any fundamental disagreements between husband and wife. Female resistance against gender roles was mainly confined to wives disobeying or disagreeing with their husbands, typically in shows about childless couples where conflict could not focus on the children, such as I Married Joan (1952-1955), The Honeymooners (1955-1956), and I Love Lucy (1951-1957).1 In regards to Joan and Lucy their rebellion against their respective husbands consisted of their wacky, unrealistic and unsuccessful attempts to seek employment outside of their marriage (Spigel 174- 177). Alice Kramden of the Honeymooners was different. As the long-suffering wife of her often-irresponsible husband, Ralph, she did not pull any verbal punches when she was angry and frustrated with Ralph’s inconsiderate schemes and ridiculous 1 It is true that Lucy and Ricky gave birth to little Ricky, but he was not born until the second season and appeared in only eight episodes in the first four years of the series. -
Sitcoms and Suburbia: the Role of Network Television in the De-Urbanization of the U.S., 1949-1991
SITCOMS AND SUBURBIA: THE ROLE OF NETWORK TELEVISION IN THE DE-URBANIZATION OF THE U.S., 1949-1991 By MICHAEL RAY FITZGERALD A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MASS COMMUNICATIONS UNIVERSITY OF FLORIDA 2007 1 © 2007 Michael Ray Fitzgerald 2 To my wife, Susan, whose support and encouragement made this work possible. 3 ACKNOWLEDGMENTS I would like to thank my adviser and chair, Bernell Tripp, for walking me through the minefield, so to speak. I am so grateful that she introduced me to historical methods, because I was beginning to become dissatisfied with the limitations of quantitative research. What is more, she was fun to work with, and her offhand knowledge of television is astounding. I am especially grateful to my other committee members, Johanna Cleary and Julian Williams, for being more concerned with helping me improve my work than simply making me follow the rules. Dr. Cleary encouraged me to clarify my theoretical basis (even though historical studies are generally non theory-driven), and the result may be the most important section of my study. I also wish to thank Lynda Lee Kaid, who taught me the basics of content analysis and made the very valuable suggestion that a time shift be imposed on my data, which turned out to be the equivalent of shining a light on my findings. I would most of all like to thank my wife, Susan Allen, for lending moral and material support while I concentrated on graduate school and my mother, for her television expertise and for teaching me to be skeptical. -
Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources December 2019 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS PREFACE 1 CONTRIBUTORS 1 INTRODUCTION 1 HISTORIC CONTEXT INDUSTRIAL PROPERTIES ASSOCIATED WITH THE ENTERTAINMENT INDUSTRY, 1908-1980 3 Origins of the Entertainment Industry in Southern California 3 Entertainment Industry Development in the 1920s and 1930s 13 Entertainment Industry Development During World War II 59 Entertainment Industry Development in the Postwar Era 63 SUB-THEME: ORIGINS OF THE MOTION PICTURE INDUSTRY, 1908-1919 72 Development of Industrial Districts and “Motion Picture Zones” 72 Development of Early Motion Picture Production Facilities 73 SUB-THEME: MOTION PICTURE INDUSTRY: MAJOR STUDIO ERA – “THE BIG EIGHT,” 1919-1949 76 Development of Major Motion Picture Production Facilities 76 SUB-THEME: MOTION PICTURE INDUSTRY: INDEPENDENT STUDIOS AND RENTAL PLANTS, 1919-1980 80 Development of Independent Motion Picture Production Facilities 80 SUB-THEME: RADIO BROADCASTING INDUSTRY, 1922-1945 84 Development of Radio Broadcasting Facilities 84 SUB-THEME: TELEVISION BROADCASTING INDUSTRY, 1931-1980 88 Development of Television Broadcasting Facilities 88 SUB-THEME: RECORDING INDUSTRY, 1925-1980 -
Joseph Kearns - Wikipedia, the Free Encyclopedia 3/23/11 7:19 PM Joseph Kearns from Wikipedia, the Free Encyclopedia
Joseph Kearns - Wikipedia, the free encyclopedia 3/23/11 7:19 PM Joseph Kearns From Wikipedia, the free encyclopedia Joseph Kearns (February 12, 1907 – February 17, 1962) Joseph Kearns was an American actor, who is best remembered for his role Born February 12, 1907 as George Wilson ("Mr. Wilson") in the CBS television series Dennis the Menace from 1959 until his death in 1962. Salt Lake City, Utah, U.S. Died February 17, 1962 (aged 55) Born in Salt Lake City, Utah, Kearns's family moved to Los Angeles, California, U.S. California when he was very young. He went to college at the University of Utah at Salt Lake City, where he earned his Occupation Actor tuition by teaching a course in theatrical makeup. Kearns Years active 1930s–1962 started in radio and theatre as a pipe organist. Later, he built his Hollywood home around a Wurlitzer theater pipe organ. He began his acting career in radio in the 1930s (playing the Crazyquilt Dragon in the serial "The Cinnamon Bear"), becoming active during the 1940s, with appearances on the shows The Adventures of Sam Spade, Burns and Allen, My Little Margie, I Married Joan, December Bride, It's a Great Life, Walter Brennan's The Real McCoys (in the 1957 episode "You Can't Cheat an Honest Man"), and Ronald W. Reagan's General Electric Theater. On Suspense, he was almost a mainstay, heard regularly as the host "The Man in Black" in the early years, announcing many episodes in the later run, and playing supporting and occasional lead roles in hundreds of shows throughout the series' tenure in Hollywood, from judges to kindly old-timers to cowards. -
Civic Participation Within Postwar Suburban Sitcoms, 1952-1972
Sitcom Citizenship: Civic Participation within Postwar Suburban Sitcoms, 1952-1972 A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Michael Cheyne IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kevin Murphy and Laurie Ouellette May 2014 © Michael Cheyne 2014 i Acknowledgements This project would not have been possible without the invaluable assistance of my advisers at the University of Minnesota, Kevin Murphy and Laurie Ouellette, as well as the other members of my thesis committee, Tracey Deutsch and Elaine Tyler May. Through the years of researching and writing, they gave me feedback, guidance, and above all, encouragement. In particular, I thank Kevin, who, as my initial graduate adviser, helped shepherd me through life as a doctoral candidate. I also acknowledge the very helpful feedback provided by my peers in the dissertation writing group led by Kevin Murphy and Regina Kunzel during the 2011- 2013 academic years. Their varied suggestions, praise, and criticism were especially helpful during the formative years of turning years of research into a workable thesis. My fellow graduate students within the American Studies program were unfailing in their personal and professional support. My colleagues at the University of Minnesota-Morris, particularly within the history discipline, were extremely supportive to me during my final two years working on this project. They provided time and funding to assist my research and the presentation of my work. I am particularly thankful for their cheerful willingness to support a colleague during a year of teaching and writing. Finally, I thank my family, friends, and church family, who provided years of love and support while I finished this project. -
TV Club Newsletter; May 30- June 5, 1953
COVERING THE TV BEAT: CORONATI0N NOTES: One of the most festive and dramatic events of this century - The Coronation on June 2 of Queen Elizabeth II of Great Britain - will be covered in equally spectacular and dramatic manner by the KBC Company ...... Utilizing the talents of the top news and special events commentators of radio and TV, the skills of close to 200 behind-the-scenes workers, plus the speed of the fastest aircraft available, NBC expects to be first and most com- plete with its Coronation coverage ....... The commentators, engineers, executives, cameramen and production workers have been preparing for many months, both here and in England, to make Coronation Day one of the most memorable in your life . ... .. BOSTON, known throughout the world as The Hub, will indeed become a hub - a hub for the entire television network of NBC ....... It is here that NBC films of the Coronation will be projected across the nation as soon as they arrive at Logan Airport. In the administration building, right beside the runways, film projectors, several live TV cameras, a control center, film editing equipment, tape recording and editing unit and microwave relay have been installed to process the films as they arrive . ..... SIR RALPH RICHARDSON, the distinguished British actor, will narrate special films which will be integrated as part of the 90-minute television program of Coronation highlights to be presented from 10:30 p.m. until midnight. This program will feature the late films of the brilliantly color- ful ceremony. These will be sped across the Atlantic, non- stop from London to Boston, in a specially converted Pan American Super-Six Clipper ..... -
{DOWNLOAD} Sitcom: a History in 24 Episodes from I Love Lucy to Community Kindle
SITCOM: A HISTORY IN 24 EPISODES FROM I LOVE LUCY TO COMMUNITY PDF, EPUB, EBOOK Saul Austerlitz | 406 pages | 01 Mar 2014 | Chicago Review Press | 9781613743843 | English | United States I Love Lucy (TV Series –) - IMDb Episodes Seasons. Won 4 Primetime Emmys. Edit Cast Complete series cast summary: Lucille Ball Lucy Ricardo episodes, Desi Arnaz Ricky Ricardo episodes, Vivian Vance Ethel Mertz episodes, William Frawley Edit Did You Know? Trivia William Frawley , aka "Fred Mertz", had a well known and longtime issue with alcoholism. He was advised in the beginning of the series to stay sober, or be terminated. So, if you look closely, a majority of his scenes display his character having his hands deep in his pockets. This would therefore not show his hands trembling, due to his alcoholic withdrawals. Goofs The Ricardos are said to live in an apartment at East 68th Street, which in real life would be located in the East River. This is not actually a 'goof' because it was done deliberately to avoid legal issues with an actual address. Quotes Lucy Ricardo : How much do you want to bet? Fred Mertz : Ten dollars. Ethel Mertz : Well what's the matter with twenty dollars? Ricky Ricardo : What's the matter with thirty dollars? Lucy Ricardo : What's the matter with fifty dollars? Fred Mertz : What was the matter with ten dollars? Crazy Credits In some of the episodes, the guest-star's name s are voiced over, by conductor, Wilbur Hatch , in the Opening Credits or Closing Credits. Alternate Versions The famous opening credit sequence, where the names appear over a heart, was not a part of the original series run. -
Gender in Teievision Sitcoms in the 1950S
Images of Dissent, Persistence of an Ideal: Gender in TeIevision Sitcoms in the 1950s. by Rachel S.M. Yates A thesis submitted to the Department of Kistory in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario October, 1997 copyright 8 Rachel S.M. Yates, 1997 National Library Bib!iothèque nationale (*Iof Canada du Canada Acquisitions and Acquisitions et Bibliographie Sewices services bibliographiques 395 Wellington Street 395, nie Wellington OttawaON KIAON4 Ottawa ON KIA ON4 Canada canada YœIr &? vmRifemnce Our dle Notre rEi18mUa The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfichelfihn, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT This study se& to expand the understanding of postwar gender codes through an exploration of the domestic ideal in television sitcoms of the era. Its sigdcance lies in the intersection of history with television studies and postwar social science perspectives.