JazzWeek with airplay data powered by jazzweek.com • December 10, 2004 Volume 1, Number 5 • $7.95 In This Issue: Lundvall Feted TURRE’S TRIBUTE TO by MIDEM . . . 7 Botti Tours with RAHSAAN Groban . . . . . 7 Interview: Steve Turre’s Cole Estate The Spirits Up Above Saves the p10 Music ...... 8 Brown Inaugurated At Berklee . . . . . 9 Reviews and Picks...... 14 Soweto Kinch Live ...... 14 Radio . 17 47th GRAMMY Smooth Jazz Radio...... 22 NOMINATIONS

Radio Jazz,Contemporary Jazz, Panels. . . . 26 Latin Jazz,Arranging, Q&A with Sunnyside’s More News . . 4 Vocals and more ... p4 Garrett Shelton p12 Charts: #1 Jazz Album – Dr. Lonnie Smith #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR Ed Trefzger It’s almost the end of the year, and we’re getting ready to look back on CONTRIBUTING EDITORS 2004. We’d like all our subscribers to put together a Top 10 list from this Keith Zimmerman year. Details about it are on page 15. Tad Hendrickson will be compil- Kent Zimmerman ing the infomation for our year-end double issue, which comes out Dec. 31. Tad Hendrickson (There will be no issue on Dec. 24; that Dec. 31 issue will have charts for CONTRIBUTING WRITER both weeks.) We’ll also have our Top 100’s for 2004 in that issue. Tom Mallison PHOTOGRAPHY I don’t know how I’m going to pare down my list – my Top 10 has at Barry Solof least 25 CDs on it – but one that’s in contention is the new Steve Turre al- bum on HighNote, The Sprits Up Above. Tad talks with Steve about the PUBLISHER disc, and its inspiration, Rahsaan Roland Kirk. Tony Gasparre Also chatting it up with Tad is Sunnyside Records’ Garrett Shelton. ADVERTISING: Contact Tony Gasparre Never one to pull punches, Garrett has some frank things to say about jazz (585) 235-4685 x3 or radio and the industry. In just a few short years, Garrett has become a sea- email: [email protected] soned, and wizened, veteran. Just a few months after he started at Verve, I first met him at IAJE in Long Beach. It’s hard to believe it was only three SUBSCRIPTIONS: Prices in US Dollars: Charter Rate: $199.00 per year, years ago that he was just a little bit wide-eyed when he met jazz and indus- JazzWeek w/ Industry Access -- Charter try legends with whom he’s now on a first-name basis. Rate: $249.00 per year Speaking of legends, congratulations to Bruce Lundvall, who’s being Introductory Rates effective until 12/31/04 To subscribe using Visa/MC/Discover/ honored next month for career achievement by MIDEM in Cannes. And AMEX/PayPal go to: congratulations also to all the Grammy nominees – most of those would be http://www.jazzweek.com/account/ a good place to start when assembling a Top 10. subscribe.html And speaking of Long Beach, IAJE 2005 isn’t that far away; if you’re on the fence, this year promises to have more radio and industry-specific AIRPLAY MONITORING BY sessions than ever. Check out the IAJE ad on page 27 for info. A guy who’s carving out his own niche on the jazz scene is Soweto Kinch. He made his U.S. debut this past week, and Tad Hendrickson was Mediaguide there to review it. 1000 Chesterbrook Blvd. Suite 150 Please pass the word about this publication to your friends and col- Berwyn, PA 19312 leagues. We’re just getting started, and we’ve got lots that we wish to ac- complish. Published weekly by Once again, please let us know what’s on your mind. We’ll start pub- lishing letters when we start receiving them. And if you’re a writer who’d like to contribute, drop us a line, too. Reach me at [email protected]. – Ed Trefzger, Editor

2117 Buffalo Road Suite 317 Rochester, NY 14624 phone: (585) 235-4685 fax: (585) 235-4685 [email protected] Copyright ©2004 Yellow Dog Communications Inc. jazzweek.com • December 10, 2004 JazzWeek 2 Contents December 10, 2004

News ...... 4 Nominations for 47th Annual Grammy Awards Announced ...... 4 2004 Grammy Nominations in Selected Categories ...... 4 Lundvall Feted by MIDEM ...... 7 Joins Josh Groban Tour ...... 7 Passings ...... 7 10 Cole Estate Raises Money for VH1 Save The Music Foundation...... 8 Berklee Inaugurates Brown ...... 9 Birthdays ...... 9 Features Steve Turre’s The Spirits Up Above Artist Q&A ...... 10 Industry Q&A: Garrett Shelton of Sunnyside Records ...... 12 Reviews and Picks ...... 14 Live Review: Soweto Kinch at Jazz Gallery in New York City ...... 14 12 Count Basie and His Orchestra Good Time Blues ...... 15 Tell Us Your Top Ten for 2004...... 15 Editors’ Picks ...... 16 Jazz Charts ...... 17 Jazz Album Chart ...... 18 Jazz Add Dates ...... 19 Jazz Current CDs ...... 20 Jazz Radio Panel ...... 26 17 Smooth Jazz Charts ...... 22 Smooth Album Chart ...... 23 Smooth Singles Chart...... 24 Smooth Current CDs ...... 25 Smooth Radio Panel ...... 26

22 Cover Photo of Steve Turre: Gary Firstenberg JazzWeek Volume 1 Issue 5 jazzweek.com • December 10, 2004 JazzWeek 3 News Nominations for 47th Annual Grammy Awards Announced SANTA MONICA, Calif. — Nominations for the 47th Annual Grammy 2004 Grammy Nominations Awards were announced Tuesday. The awards will be held on Sunday, Feb. 13, in Selected Categories 2005 at the Staples Center in Los Angeles and will be broadcast live in High GENERAL FIELD Category 1 – Record Of The Year Definition TV and 5.1 Surround Sound on CBS from 8:00 – 11:30 p.m. Here We Go Again & , the final recording from Ray Charles, was nominat- John Burk, producer; Terry Howard & , engineers/ mixers ed for 10 awards. Track from: Genius Loves Company [Concord Records/Hear Music] Nominees for Best Con- temporary Jazz Album were: Category 2 – Album Of The Year Genius Loves Company Journey, Fourplay (Bluebird); Ray Charles & Various Artists John Burk, Terry Howard, Don Mizell, Phil Ramone & Herbert Unspeakable, Bill Frisell, Waltl, producers; Robert Fernandez, John Harris, Terry (Nonesuch Records); In Howard, Pete Karam, Joel Moss, Al Schmitt & Ed Thacker, engineers/mixers; Robert Hadley & Doug Sax, mastering Praise Of Dreams, Jan Gar- engineers barek (ECM); The Hang, Don [Concord Records/Hear Music] The Diary Of Alicia Keys Grusin (Sovereign Artists); Alicia Keys Kerry “Krucial” Brothers, Vidal Davis, Easy Mo Bee, Andre and Strength, Roy Hargrove Harris, Alicia Keys, Kumasi, Timbaland, & Dwayne (The RH Factor) (Verve). “D. Wigg” Wiggins, producers; Tony Black, Kerry “Krucial” Brothers, Vincent Dilorenzo, Russ Elevado, Manny Marroquin, Walter Millsap III, Ann Mincieli & Pat Viala, For Best Jazz Vocal Al- engineers/mixers; Herb Powers, Jr., mastering engineer bum: American Song, Andy [J Records] Bey (Savoy Jazz); Twentysome- Category 3 – Song Of The Year thing, Jamie Cullum (Verve/ Ray Charles’ Genius Loves Company was nomi- If I Ain’t Got You Alicia Keys, songwriter (Alicia Keys) Universal); Accentuate The Pos- nated for 10 Grammys. More than 350,000 cop- Track from: The Diary Of Alicia Keys [J Records; Publishers: Lellow Productions/EMI Music itive, (Verve Re- ies of the multi-platinum Concord/Hear Music Publishing.] CD have been sold at Starbucks locations. cords); The Dana Owens - Al Category 5 – Best Female Pop Vocal Performance bum, Queen Latifah (Vector Sunrise Records); R.S.V.P. (Rare Songs, Very Personal), Nancy Wilson (MCG Jazz). Norah Jones Track from: Feels Like Home For Best Jazz Instrumental Album, Individual or Group: Somewhere, Bill [Blue Note Records] FIELD 1 – POP Charlap Trio (Blue Note); Fountain Of Youth, Roy Haynes (Dreyfus Jazz); The Category 8 – Best Pop Collaboration With Vocals Out–Of –Towners, , Gary Peacock & Jack DeJohnette Trio (ECM); Sorry Seems To Be The Hardest Word Eternal, Quartet (/Rounder); Illuminations, Ray Charles & Elton John Track from: Genius Loves Company McCoy Tyner With Gary Bartz, Terence Blanchard, Christian McBride & [Concord Records]

Lewis Nash (Telarc Jazz). Here We Go Again Ray Charles & Norah Jones For Best Large Jazz Ensemble Album: Get Well Soon, Bob Brookmeyer New Track from: Genius Loves Company [Concord Records] Art Orchestra (Challenge Records); On The Wild Side, John La Barbera Big Moon River Band (Jazz Compass); Coral, David Sánchez (Columbia); Concert In The Garden, & Take 6 Track from: Ultimate Mancini Maria Schneider Orchestra (ArtistShare); The Way: Music Of Slide Hampton, [Concord Records] The Vanguard Jazz Orchestra (Planet Arts Recordings). A listing of nominees in selected categories accompanies this article. continued jazzweek.com • December 10, 2004 JazzWeek 4 News Category 9 – Best Pop Instrumental Performance New Day Track from: With All My Heart (Harvey Mason) Patti LaBelle [Bluebird] Chasing Shadows Track from: Timeless Journey , Russ Freeman, James Genus, Gene Lake And [Def Soul Classics] Bulerìa, Soleá y Rumba Jason Miles Donny McCaslin, soloist Track from: Maximum Grooves: Coast To Coast (Various Category 29 – Best R&B Album Track from: Concert In The Garden (Maria Schneider Artists) (For albums containing 51% or more playing time of VOCAL Orchestra) [Telarc] tracks.) [ArtistShare]

Take You Out My Everything Wee , soloist Track from: Irreplaceable [Blue Note Records] Track from: EnRoute [GRP] [Verve] The Diary Of Alicia Keys Category 10 – Best Pop Instrumental Album Alicia Keys Category 48 – Best Jazz Instrumental Album, Individual (For albums containing 51% or more playing time of [J Records] or Group INSTRUMENTAL tracks.) (For albums containing 51% or more playing time of Beautifully Human: Words & Sounds Vol. 2 INSTRUMENTAL tracks.) Pure Boney James [Hidden Beach Recordings] Somewhere [Warner Bros.] Bill Charlap Trio FIELD 10 – JAZZ [Blue Note] Saxophonic Category 45 – Best Contemporary Jazz Album Dave Koz (For albums containing 51% or more playing time of Fountain Of Youth [Capitol Records] INSTRUMENTAL tracks.) Roy Haynes [Dreyfus Jazz] Forever, For Always, For Luther Journey Various Artists Fourplay The Out-Of-Towners Bud Harner & Rex Rideout, producers [Bluebird] Keith Jarrett, Gary Peacock & Jack DeJohnette Trio [GRP] [ECM] Unspeakable Category 11 – Best Pop Vocal Album Bill Frisell Eternal (For albums containing 51% or more playing time of VOCAL [Nonesuch Records] Branford Marsalis Quartet tracks.) [Marsalis Music/Rounder] In Praise Of Dreams Genius Loves Company Jan Garbarek Illuminations Ray Charles & Various Artists [ECM] McCoy Tyner With Gary Bartz, Terence Blanchard, [Concord Records] Christian McBride & Lewis Nash The Hang [Telarc Jazz] Feels Like Home Don Grusin Norah Jones [Sovereign Artists] Category 49 – Best Large Jazz Ensemble Album [Blue Note Records] (For large jazz ensembles, including big band sounds. Albums Strength must contain 51% or more INSTRUMENTAL tracks.) FIELD 3 – TRADITIONAL POP Roy Hargrove (The RH Factor) Category 14 – Best Traditional Pop Vocal Album [Verve] Get Well Soon (For albums containing 51% or more playing time of VOCAL Bob Brookmeyer New Art Orchestra tracks.) Category 46 – Best Jazz Vocal Album [Challenge Records] (For albums containing 51% or more playing time of VOCAL Only You tracks.) On The Wild Side Harry Connick, Jr. John La Barbera Big Band [Columbia] American Song [Jazz Compass] Andy Bey Ultimate Mancini [Savoy Jazz] Coral Monica Mancini David Sánchez [Concord Records] Twentysomething [Columbia] Jamie Cullum FIELD 6 – R&B [Verve/Universal] Concert In The Garden Category 23 – Best Female R&B Vocal Performance Maria Schneider Orchestra (For a solo vocal performance. Singles or Tracks only.) Accentuate The Positive [ArtistShare] Al Jarreau If I Ain’t Got You [Verve Records] The Way: Music Of Slide Hampton Alicia Keys The Vanguard Jazz Orchestra Track from: The Diary Of Alicia Keys The Dana Owens Album [Planet Arts Recordings] [J Records] Queen Latifah [Vector Records] Category 50 – Best Latin Jazz Album Whatever (Vocal or Instrumental.) Jill Scott R.S.V.P. (Rare Songs, Very Personal) Track from: Beautifully Human: Words & Sounds Vol. 2 Nancy Wilson Bebop Timba [Hidden Beach Recordings] [MCG Jazz] Raphael Cruz [RC Music] Category 26 – Best Traditional R&B Vocal Performance Category 47 – Best Jazz Instrumental Solo (For solo, duo, group or collaborative performances, with (For an instrumental jazz solo performance. Two equal Jerry González y Los Piratas Del Flamenco vocals. Singles or Tracks only.) performers on one recording may be eligible as one entry. Jerry González y Los Piratas Del Flamenco If the soloist listed appears on a recording billed to another [Sunnyside Records] You’re My Everything artist, the latter’s name is in parenthesis for identification. Anita Baker Singles or Tracks only.) Land Of The Sun Track from: My Everything Charlie Haden [Blue Note Records] What’s New [Verve International] Alan Broadbent, soloist Sinner’s Prayer Track from: You And The Night And The Music Another Kind Of Blue: The Latin Side Of Ray Charles & B.B. King [A440 Music Group] Conrad Herwig Nonet Track from: Genius Loves Company [Half Note Records] [Concord Records] I Want To Be Happy Don Byron, soloist Soundances I Can’t Stop Track from: Ivey-Divey Diego Urcola Al Green [Blue Note Records] [Sunnyside Records] Track from: I Can’t Stop [Blue Note] Speak Like A Child , soloist continued jazzweek.com • December 10, 2004 JazzWeek 5 News FIELD 24 – PACKAGE FIELD 11 – GOSPEL FIELD 22 – FILM/TV/VISUAL MEDIA Category 86 – Best Boxed Or Special Limited Edition Category 51 – Best Gospel Performance Category 79 – Best Compilation Soundtrack Album For A Package Motion Picture, Television Or Other Visual Media Heaven Help Us All (Award to the Artist(s) and/or Producer(s) of a majority of the The Complete Verve Master Takes Ray Charles & Gladys Knight tracks on the album, or to the individual(s) actively Hollis King, art director (Charlie Parker) Track from: Genius Loves Company responsible for the concept and musical direction and for the [Verve Music Group] [Concord Records] selection of artists, songs and producers, as applicable.) FIELD 25 – ALBUM NOTES Lay My Burden Down De-Lovely Category 87 – Best Album Notes Dr. John & Various Artists Track from: N’awlinz Dis Dat Or D’udda [Columbia/ Soundtrax] The Complete Columbia Recordings Of Woody Herman [EMI/Blue Note] And His Orchestra & Woodchoppers (1945–1947) FIELD 23 – COMPOSING/ARRANGING Loren Schoenberg, album notes writer (Woody Herman & FIELD 13 – BLUES Category 82 – Best Instrumental Composition His Orchestra) Category 64 – Best Traditional Blues Album (A Composer’s Award for an original composition (not an [Mosaic Records] (Vocal or Instrumental.) adaptation) first released during the Eligibility Year. Singles or Tracks only.) FIELD 26 – HISTORICAL Me And Mr Johnson Category 88 – Best Historical Album Bulerìa, Soleá Y Rumba [Reprise] Maria Schneider, composer (Maria Schneider Orchestra) The Complete Columbia Recordings Of Woody Herman Track from: Concert In The Garden And His Orchestra & Woodchoppers (1945–1947) Baby, Don’t You Tear My Clothes [ArtistShare; Publisher: MSF Music.] Scott Wenzel, compilation producer; Malcolm Addey, James Cotton Michael Brooks, Matt Cavaluzzo & Ken Robertson, [Telarc] Merengue mastering engineers (Woody Herman & His Orchestra) Paquito D’Rivera, composer (Yo–Yo Ma) [Mosaic Records] Blues With A Vengeance Track from: Obrigado Brazil – Live In Concert John Lee Hooker, Jr. [Sony Classical] FIELD 27 – PRODUCTION, NON–CLASSICAL [Kent Records] Category 89 – Best Engineered Album, Non–Classical Past Present & Future (An Engineer’s Award. (Artists names appear in parenthesis.)) Blues To The Bone Slide Hampton, composer (The Vanguard Jazz Orchestra) Track from: The Way – Music Of Slide Hampton Feels Like Home [RCA Victor] [Planet Arts Recordings; Publisher: Slide Hampton Music.] Jay Newland, engineer (Norah Jones) [Blue Note Records] Ladies Man Three Romances Pinetop Perkins Maria Schneider, composer (University Of Miami Concert Genius Loves Company [M.C. Records] Jazz Band) Robert Fernandez, John Harris, Terry Howard, Pete Karam, [Summit Records (Summit Education); Publisher: Summit Joel Moss, Al Schmitt & Ed Thacker, engineers (Ray Category 65 – Best Contemporary Blues Album Records.] Charles & Various Artists) (Vocal or Instrumental.) [Concord Records/Hear Music] Category 83 – Best Instrumental Arrangement N’awlinz Dis Dat Or D’udda (An Arranger’s Award. (Artist names appear in parenthesis.) The Girl In The Other Room Dr. John Singles or Tracks only.) Al Schmitt, engineer () [Blue Note] [Verve] Bella Luce Keep It Simple Phil Kelly, arranger (Phil Kelly & The NW Prevailing Winds) Give Keb’ Mo’ Track from: Convergence Zone Tchad Blake, engineer (The Bad Plus) [Epic/Okeh] [Origin Records] [Columbia Records]

What’s Wrong With This Picture? Libertango FIELD 27 – PRODUCTION, NON–CLASSICAL Van Morrison Jorge Calandrelli, arranger (Yo–Yo Ma) Category 90 – Producer Of The Year, Non–Classical [Blue Note Records] Track from: Obrigado Brazil – Live In Concert (A Producer’s Award. (Artists names appear in parenthesis.)) [Sony Classical] Sanctuary Tommy LiPuma Charlie Musselwhite The Long Passage • Accentuate The Positive (Al Jarreau) [Real World] Chick Corea, arranger (Chick Corea Elektric Band) • The Girl In The Other Room (Diana Krall) Track from: To The Stars I’m A Bluesman [Stretch Records] FIELD 28 – SURROUND SOUND Johnny Winter Category 92 – Best Surround Sound Album [Virgin] Past Present & Future (For vocal or instrumental albums. Albums only.) Slide Hampton, arranger (The Vanguard Jazz Orchestra) FIELD 16 – WORLD MUSIC Track from: The Way – Music Of Slide Hampton Genius Loves Company Category 71 – Best Traditional World Music Album [Planet Arts Recordings] Al Schmitt, surround mix engineer; Robert Hadley & (Vocal or Instrumental.) Doug Sax, surround mastering engineers; John Burk, Phil Sing, Sing, Sing Ramone & Herbert Waltl, surround producers (Ray Sí, Soy Llanero – Joropo Music From The Orinoco Plains Jim McNeely, arranger (David Liebman Big Band) Charles & Various Artists) Of Colombia Track from: Beyond The Line [Concord Records/Hear Music] El Grupo Cimarrón [OmniTone] [Smithsonian Folkways Recordings] Raise Your Spirit Higher Category 84 – Best Instrumental Arrangement Accompa- Matin Walters, surround mix engineer; Paul Blakemore, Raise Your Spirit Higher nying Vocalist(s) surround mastering engineer; Matin Walters, surround Ladysmith Black Mambazo (An Arranger’s Award. (Artist names appear in parenthesis.) producer (Ladysmith Black Mambazo) [Heads Up International] Singles or Tracks only.) [Heads Up International]

Tango Varón Dancing In The Dark FIELD 31 – MUSIC VIDEO Sandra Luna Vince Mendoza, arranger (Jane Monheit) Category 107 – Best Long Form Music Video [Times Square Records] Track from: Taking A Chance On Love (For video album packages consisting of more than one song [Sony Classical] or track. Award to the Artist and to the Video Director/Producer Jolgorio of at least 51% of the total playing time.) Perú Negro Over The Rainbow Martin Scorsese Presents: The Blues – A Musical Journey [Times Square Records] Victor Vanacore, arranger (Ray Charles & Johnny Mathis) Various Artists Track from: Genius Loves Company Margaret Bodde, Alex Gibney, Richard Hutton & Martin Abayudaya – Music From The Jewish People Of Uganda [Concord Records/Hear Music] Scorsese, video producers Various Artists [Columbia/Legacy] Jeffrey A. Summit, producer Summertime [Smithsonian Folkways Recordings] John Clayton & David Foster, arrangers (Renee Olstead) Track from: Renee Olstead [143/Reprise Records] jazzweek.com • December 10, 2004 JazzWeek 6 News

Lundvall Feted by MIDEM Chris Botti Joins Josh Groban Tour MIDEM announced this week that it will honor Bruce Lundvall, president of Trumpeter Chris Botti has been invited to EMI Music’s Jazz & Classics division, with the MIDEM Personality of the open for Josh Groban on the bestselling Year Award. Lundvall, who oversees the Angel, Blue Note and Manhattan la- pop vocalist’s upcoming tour. The tour bels in the U.S., will receive the accolade during a gala dinner for industry VIP opens in Tampa on Tuesday, Jan. 25 executives at MIDEM in Cannes, France, on Monday, Jan. 24, 2005. and winds up in Las Vegas on Saturday, March 19. “Bruce Lundvall has been a major fig- ure in the recording business for the past Botti, who opened a series of shows four decades. He is a man of artistic vision on the North and has always shown an undivided dedi- American leg of cation to music,” said Reed MIDEM CEO ’s “Sacred Paul Zilk. “We are very proud to honor him Love” tour in at MIDEM 2005, in recognition of his out- January-March, standing personal career and talent. Under 2004, recently his leadership, Blue Note Records has gone headlined his own from strength to strength. Bruce Lundvall stateside gigs in proves that you can have a flare for identi- support of When I Fall In Love fying and nurturing musical talent and be a Fabrizio Ferri before once again Botti great businessman.” opening for Sting “It’s an honor to accept such a presti- on a European gious award that has been conferred on so tour. many great music business people,” said Botti’s association with Sting dates back Lundvall. “The key to success for any record EMI Group to 1999, when the trumpeter joined the label in today’s environment revolves around Lundvall pop legend’s band as featured soloist on putting the music first. I’m very happy to re- the “Brand New Day” tour, which lasted ceive this trophy at MIDEM, the world’s leading music market.” two-and-a-half years. Veteran of both the contemporary jazz world and mainstream In a career spanning 43 years, Bruce Lundvall has signed an incredible ar- pop studio scene, Botti has worked with ray of artists, including Herbie Hancock, Dexter Gordon, , Wynton Joni Mitchell, Natalie Merchant, and Marsalis, , , Cassandra Wilson, Anita Baker and renowned film composer John Barry, Norah Jones. among others. Botti joined ’s band in 1990, where he remained for the After graduating from Bucknell University, Lundvall began his music ca- next five years. reer in marketing at Columbia Records where he remained for 21 years, becom- Film critic Rex Reed has called Botti “the ing president of the domestic division of CBS Records in 1976. In the course of sexiest trumpeter since Chet Baker.” his tenure, he built Columbia’s jazz roster into the largest of any major label. Lundvall moved to Elektra in 1982, where he became President of Elektra Passings Records and the newly created Elektra/Musician Jazz label. Frank Haggerty, a guitarist who In 1984, he was approached with an offer to create Manhattan, a pop music accompanied and other label based on the East Coast, for EMI, as well as to revive Blue Note. singers, including Jimmy Durante, Mel Torme and Andy Williams during a 70- Lundvall has served as chairman of the Recording Industry Association of year career in music, died in California America (RIAA), chairman of the Country Music Association (CMA) and di- on Thanksgiving, a day after his 86th rector of the National Association of Recording Arts and Sciences (NARAS). birthday. He began his career at age 15, The MIDEM Personality of the Year Award was created in 1989 to pay tribute filling in for Jimmy Dorsey’s guitarist, who to exceptional careers and contributions to the international music industry. was ill for a gig in Reno, Nev. jazzweek.com • December 10, 2004 JazzWeek 7 News Cole Estate Raises Money for VH1 Save The Music Foundation

HOLLYWOOD, Calif. – In con- event at her home, at- junction with upcoming CD and tended by some of VH1 Save The documentary DVD releases titled Music’s top supporters. The World Of Nat King Cole, the On Jan. 25, marking the 40th Nat King Cole Estate and Capi- Anniversary of Cole’s passing in - tol/EMI Music Catalog Market February 1965, Capitol/EMI will ing have partnered with the VH1 release The World Of Nat King Cole, Save The Music Foundation. a career-spanning single-CD col- Donations in Cole’s name lection of 28 remastered Cole clas- have been made to the nonprof- sics. On March 1, Capitol/EMI will it organization, dedicated to im- release a DVD of Double Jab Pro- proving the quality of education ductions’ documentary of the same At the VH1 Save The Music Foundation and The in America’s public schools by re- name and a deluxe, limited edition World Of Nat King Cole event at Natalie Cole’s storing music programs in cit- CD/DVD set. Los Angeles home, are: Herb Agner, VP, Catalog ies across the country, and raising Said Natalie Cole, “We are Marketing, EMI Music Marketing; Paul Cothran, awareness about the importance of thrilled to join with the VH1 Save Executive Director, VH1 Save The Music Founda- music participation for our nation’s The Music Foundation to ensure that tion; Natalie Cole; Phil Quartararo, Executive VP, youth. On Thursday, Dec. 2, Nat EMI Music North America and President, EMI Mu- - in-school music programs are avail- alie Cole hosted a private World Of sic Marketing; and Ronn Werre, Senior VP, Sales able to children everywhere.” and Catalog Marketing, EMI Music Marketing. ������������

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jazzweek.com • December 10, 2004 JazzWeek 8 News Birthdays December 10 Berklee Inaugurates Brown Ray Nance (1913) Bob Cranshaw (1932) BOSTON – inaugurated its third president, Roger Franco Ambrosetti (1941) Dianne Schuur (1953) H. Brown, who revealed an ambitious set of goals for the Berklee of 2015. Last Ole Amund Gjersvik (1963) Friday, before a packed Hynes Convention Center auditorium full of higher ed- December 11 ucation, business, and music industry leaders, as well as the Berklee communi- McCoy Tyner (1938) ty, Brown vowed to build more state-of-the-art facilities, create access to music December 12 education for underprivileged students, and produce future leaders in the global Eddie Barefield (1909) music community to help re-imagine and rebuild the industry. Frank Sinatra (1915) In his in- Dodo Marmarosa (1925) Joe Williams (1928) augural address, Toshiko Akiyoshi (1929) Brown noted Grover Washington, Jr. (1943) the college’s long Alex Acuña (1944) tradition of at- Michael Carvin (1944) tracting students (1945) from around the December 13 Sonny Greer (1895) world, a group Reggie Johnson Born (1940) that has includ- Mark Elf (1949) ed jazz pianist December 14 Toshiko Akiy- Budd Johnson (1910) oshi, Grammy- Ted Buckner (1913) winning produc- Clark Terry (1920) er Arif Mardin, Cecil Payne (1922) Berklee College of Music Phineas Newborn (1931) Latin music su- From Berklee College of Music President Roger H. Brown, Honor- Jerome Cooper (1946) perstar Juan Luis ary Doctorate Recipients Chaka Khan and Dennis Chambers, Linda Dan Barrett (1955) Guerra, among Mason, wife of Roger Brown. December 15 many others. Stan Kenton (1911) Brown emphasized Berklee’s role on a global level: “We must become the best Billy Butler (1925) we can be not only because the music we teach and create is such a powerful Gene Quill (1927) Barry Harris (1929) force in changing the world ... but because the world needs music and its abil- Curtis Fuller (1934) ity to connect across culture and ethnicity more today than perhaps ever in our Dannie Richmond (1935) lifetimes.” Eddie Palmieri (1936) Roger Brown assumed the Berklee presidency on June 1, 2004, succeeding December 16 Lee Eliot Berk. He is the first non-member of the Berk family in the college’s Andy Razaf (1895) 60-year history to take the helm at Berklee. Turk Murphy (1915) Sam Most (1930) At the ceremony, vocal icon Chaka Khan and master drummer Dennis Johnny “Hammond” Smith (1933) Chambers received honorary doctor of music degrees. Best known for her 1984 Joe Farrell (1937) Grammy-winning cover of Prince’s “I Feel for You,” r&b singer Khan also en- John Abercrombie (1944) joyed success as a member of the group Rufus before going solo in 1978. She has Rene McLean (1946) since recorded or performed with Freddie Hubbard, Chick Corea, and Stevie December 17 Wonder, among others. In 1990, she won a Grammy Award for “I’ll Be Good Ray Noble (1903) Sy Oliver (1910) to You,” a duet with Ray Charles. Khan has won eight Grammys, and has been Sonny Red (1932) nominated 18 times. Walter Booker (1933) Dennis Chambers, who started playing the drums at age four, received all December 18 his musical training by playing nightclubs. In 1978, he went straight from high Fletcher Henderson (1897) school to play with the legendary Parliament and Funkadelic, then in 1985, he Eddie “Cleanhead” Vinson (1917) joined the group Special EFX. Since then, Chambers has played with Bill Ev- Harold Land (1928) ans, George Duke, the Brecker Brothers Band, and many others. Leo Smith (1941)

jazzweek.com • December 10, 2004 JazzWeek 9 Steve Turre’s The Spirits Up Above Artist Q&A

by Tad Hendrickson rombonist Steve Turre got his start out in the Bay Area sit- ting in with Rahsaan Roland Kirk in 1966. Turre has gone on Tto cover a lot of ground in his storied career, but the life lessons and music of his friend and mentor are still with him. This is nev- er clearer than on his recently released The Spirits Up Above (High Note), where he’s joined by an all-star combo for a romp through the Kirk catalog. JazzWeek caught up with Turre at his home.

Jazzweek: What was it like to play with Rahsaan? Turre: Man what a blessing. It was like going to school and getting paid for it. He didn’t pay me a lot, but he did give me something. And it didn’t matter, he was wonderful. What did you take away from the experience, not as a musician but as a human being? To me the two are interconnected. Aside from the musicianship, the sharing was very touching. That’s not a normal thing, especially in this country now. How hard was it to come up with a list of tunes to play? He wrote a lot of music. What I did was try and pick things that would work good with the instrumenta- tion [I had]. A lot of the stuff he had was so personal that I thought it best to just leave it alone. I saw him play two saxophones and a high-hat at the same time. And he played different songs on each saxophone at the same time. If you witnessed it, it was so uncanny; so rather than trying copy that, I was more interest- ed in trying to capture the spirit of his music, and the Steve Turre’s first CD on HighNote, The Spirits Up Above, was reviewed fire. in the Nov. 19, 2004 issue of JazzWeek. The CD debuted at #23 and is at #3 this week. You also seem to focus more on the music and less on the persona. continued jazzweek.com • December 10, 2004 JazzWeek 10 Steve Turre Artist Q&A (continued)

His tunes stand the test of time. Also, the blues are up underneath everything and personally I like that. How did this group come together? Willard Jenkins had put together this concert series downtown called the “Lost Jazz Shrines,” and one year they did one on the Five Spot. They had ones on Eric Dolphy, and Monk, and Ornette. And Willard asked me to put one together on Rahsaan. So this is part of the music we did for that concert. It’s the same people too. We’ve also played San Francisco Jazz Festival and the Midwest (Chicago, , Minneapolis), and that playing together has made us even more spontaneous. Dave Valentin makes a nice guest spot on flute too. What Rahsaan did with the flute was very innovative. He’s had an influence on flute players in jazz ever since. And Dave is one of the prime exponents of that school. He wasn’t copping Rahsaan’s licks; he was doing his own thing. He tore it up. How did the recording sessions go? It was tough to find a hole in everyone’s schedule, let me tell you. Gary Firstenberg We did it all in one afternoon. Boom. Done. But these guys are all professionals; they know what they are doing. The hardest part was getting through everything – I had to keep us moving because ev- erybody would start cutting up and laughing and shit. Time was ticking, you know? There were actually a few more songs I wanted to do that we had prepared, but we didn’t get to them: “Black and Crazy Blues” was to feature James Carter on flute, and another blues called “One Ton” that would JW have had me on shells. Those are for another time.

jazzweek.com • December 10, 2004 JazzWeek 11 Industry Q&A: Garrett Shelton of Sunnyside Records by Tad Hendrickson

JazzWeek: Is there a problem with Jazz radio? Shelton: I’m not, nor have I ever been a radio professional, so I’m not qualified to tell PDs and MDs how to program their stations. However, the general lack of radio and other regular media outlets for jazz is certainly affecting labels, artists, record sales and touring. It is a serious problem, but it has been that way for some time. I’m confident, based on the successes of certain jazz radio stations in growing their audience that there is a way forward, and there’s hope that things will change, on the whole, for the better. I’d also say the promise of satellite radio and streaming offers the possibility of substantial audience growth for traditional jazz that we, as a commu- nity, desperately need. Going from Verve to Sunnyside, that’s a big change. Any revelations you’d care to share with us? Moving from a major to a small independent required a bit of an adjust- ment, primarily because I’m now involved in many different aspects of the release of a record, and well, there is less money. I guess the revela- tion I have, if it even qualifies as one, is “Wow, this is hard work.” (I kinda sound like Bush here, I know.) All the variables that you have to manage and (hopefully) control are extremely difficult. My hat is off to François Zalacain, the owner of Sunnyside, and all the independent re- After starting his career with Verve Music Group in cord label veterans reading this. I’ve been humbled on more than one 2001, Garrett Shelton was caught in Universal Mu- occasion this year and I’m still trying to figure out which way is up. sic Group’s widespread 2003 cutbacks. He joined Sunnyside Records at the beginning of this year. This is not to say that working at a major label was easy by any stretch of the imagination. Both have their unique challenges and goals. I know how hard the folks at Verve work, and how dedicated they are to their jobs. To take a project like Jamie Cullum or Lizz Wright from start to finish is an impressive thing to watch and an exciting thing to be a part of. We also don’t have free bagels on Friday at Sunnyside – that was definitely a revelation. In your newer role as jack-of-all-trades jazz guy, have you been able to make connections between jazz radio, the jazz community and the wider world? Um, er. Yes, no, maybe. Some days I think jazz radio is out to lunch. Some days I think the jazz community is out to lunch. I usually think that popu- lar culture is out to lunch. More often that not, I am out to lunch. Speaking of which, I just realized I haven’t eaten lunch yet. What’s your take on Mediaguide software? Do you trust it? I have been using the software from Mediaguide since I was still at Verve back in the fall of 2003. I’ve been a huge supporter of them. First, they are in this for the right reasons – they are die-hard music fans, and want to see indepen- dent labels have access to the same quality, accurate information that the ma- jors do with BDS and Mediabase. Secondly, artists and labels deserve to have continued ... jazzweek.com • December 10, 2004 JazzWeek 12 Industry Q&A: Garrett Shelton of Sunnyside Records (continued)

an accurate accounting of where their records are being played, and what kind of exposure their money is going to buy them. Are there going to be inaccura- cies here and there? Sure. But then again, the number 1 records on the charts last year were getting 800 spins. Would you like to see adds in our charts? Yes, but an “add” needs to be explicitly defined to the panel. To me, if I am going to take an add seriously, it can’t be a record that a station is going to play twice and then use as a coaster for a coffee cup in the music office. It’s a record that has to fit the core sound of a station, or in the case of DJ programmed sta- tions, will be extremely popular with the entire staff and be played consistently over long period of time. An add under any other definition just isn’t an add. I went to a AAA panel at this year’s South By Southwest conference just to hear how DJs in that format programmed their stations. The moderator had crunched some numbers and found that out of all the records that went for adds in 2003 at AAA, only 10% of them were actually added by the AAA panel. [This is] something for jazz programmers to think about. Jazz is moving into the online realm in many ways. What are the positives- and negatives of this new arena? Digital distribution is rapidly changing the music business. Download stores like iTunes and eMusic are already an important part of the life of a project. And they are only going to become more important. We’ve got the ability to reach the new, the casual, and the die-hard jazz fan in a very powerful, direct way. Negatives? The subject of the internet’s impact on art and culture is obviously one of great importance. There are serious implications about transferring such a large and important part of culture into a new format and distribution chan- nel. I’m mildly obsessed with this subject, and admittedly still very confused about a lot of issues. But in the short term, I have been really surprised at the impact in terms of presence we have had online in such a short time. What’s hot right now that other people might not know about? Manganaro’s Italian Delicatessen around the corner from the Sunnyside offic- es. Come and visit, we’ll have lunch. But we’ll have to go Dutch. Selling re- cords is expensive. Other things that are hot for me right now – www.creativecommons.org, www.soundexchange.com, my new Harmon Kardon Soundsticks, and my seemingly unending quest for a girlfriend. JW

jazzweek.com • December 10, 2004 JazzWeek 13 Reviews and Picks

Live Review: Soweto Kinch at Jazz Gallery in New York City

THERE’S A CERTAIN complacency that permeates the New York City jazz scene. The rule is if it’s not happening in New York (the jazz capital of the world), it’s simply not happen- ing. Of course this isn’t the case. The music has strongholds across the globe, and sometimes musicians simply emerge from wherever because they have something to say. Making his U.S. de- but as a leader with a sold- out show at the Jazz Gal- lery on Dec. 7, London-born saxophonist Soweto Kinch showed us that he had some- thing to say, both literally and figuratively. The first set opened ap- Conversations With The propriately enough with “In- Unseen (Dune). tro,” a song where Kinch raps. Kinch opens his im- pressive debut, Conversations With The Unseen, with the same track, but in true jazz and freestyle hip-hop fashion, he ad-libbed the lyrics to fit the moment. From there the quartet jumped into bebop with “Spokes And Pedels.” The saxophonist played long free- flowing lines that recalled Charlie Parker and Giant Steps- era Coltrane. The band pulsed as tempos shifted, holding steady for much of Kinch’s lengthy solo before shifting and turning it over to the other soloists. The one quibble with the performance was the way the solo sections typically unfolded. Kinch took the first solo and then Karim Merchant chimed in on piano and then the rhythm section. It’s an all-too-common format in live jazz performance that often illustrates how formulaic the music Janine Irons can be. “Snakehips” unfolded this way as well, although the Soweto Kinch makes his U.S. debut at NYC’s Jazz Gallery Dec. 7. mix of dramatic tango rhythms and blues voicings kept the song skipping along. and audience chanted the title, Kinch riffed on one scenario The send half of set opened up the arrangements. after another. (One snippet went: “What if jazz could solve Trumpeter Abram Wilson joined the band for “Jazz Plan- world war/ And swingin’ the two and the four was a gov- et” – a funny what-if story about what it would be like if ernment law.”) jazz ruled the world. As the band provided a funky vamp The new song “Adrian” alternated Kinch’s rapping jazzweek.com • December 10, 2004 JazzWeek 14 Reviews and Picks

with Olatuja’s bass riffs, and the trio playing counterpoint Good Time Blues captures the Basie Orchestra in top in a bebop piano trio fashion. The set closed out with a dy- form, reuinting the band with trumpeter Harry “Sweets” namic version of “Doxology” that recalled the instrumental Edison. The impeccable recording includes a swinging Nat demands of “Chasin’ The Trane,” with Kinch and drum- Pierce arrangement of “Frankie and Johnnie”, a rollicking, uptempo “Summertime”, and a swaggering “ANight in Tu- nisia” – both charts by Eric Dixon – which features Edi- son’s soaring trumpet. Only with the band seven months at the time of this recording, and only with the band through 1971, is a young Mary Stallings, who sounds superb on “Four or Five Times” and “The Party’s Over.” The disc ends with one of Basie’s signature tunes, with Eddie “Lockjaw” Davis ripping it up on “Jumpin’ at the Woodside”. A must for Basie fans, this recording is another a great Janine Irons discovery from the massive Pablo vault. – Ed Trefzger Abram Wilson joins Kinch for “Jazz Planet” in the second set. Contact: John Rogers, Fantasy Records [email protected] mer Troy Miller effortlessly charging through the tangle (510) 486-2067 lines for an extended period of time before the piano trio Release date: Out now stepped in. A mix of De La Soul, Courtney Pine, Joe Harriet and Tell Us Your Top Ten for 2004 the above giants, Kinch manages to sound wholly unique t’s that time of year: where you dazzle us all with your among this storied confluence. Perhaps it helps because the impeccable musical taste. That’s right! JazzWeek will leader is running point in both styles, but rarely, if ever, has Ipublish a subscriber Top 10 Jazz Records of the Year in the fusion of jazz and hip-hop been so startling and natu- its special year-end double issue on Dec. 31. ral. Kinch knew his history, but wasn’t enslaved to it, and that is truly the difference here. – Tad Hendrickson Please send us your list (either ordered 1-10 or non- ranked 10 favorites in alphabetical order – please tell us Editor’s Note: trumpeter Abram Wilson will have a new which way you are submitting them) to Tad Hendrickson album out Jan. 11, 2005 (radio add date Jan. 18) entitled Jazz at [email protected]. Warrior (Dune). The deadline is no later than the morning of Decem- Count Basie and His Orchestra ber 20. If your artist, title or label is incorrectly listed or in- correctly spelled, we’ll ridicule you mercilessly in front of Good Time Blues (Pablo) your peers. BY 1970, NEW recordings Please follow the format below. from the Count Basie Or- Ranking – Artist – Title – Label chestra were rare. And of- 1. Great Jazz Trio – Someday My Prince Will Come – ten, the material was any- Eighty-Eights-Columbia thing but classic Basie; the 2. Dr. Lonnie Smith – Too Damn Hot! – Palmetto latest album before this concert in Budapest on etc. the orchestra’s 15th tour of Europe was a collection of We look forward to your responses. Thanks from all of Beatles tunes. us at JazzWeek!

jazzweek.com • December 10, 2004 JazzWeek 15 Reviews and Picks Editors’ Picks Gabriella Anders Last Tango In Rio (Narada) This Argentinean jazz chanteuse strikes gold with this release. We can see where both jazz and smooth jazz stations would want to call Buddy Rich No Funny Hats (Lightyear/Lobitos Ranch) this recording their own. Comprised of mostly original material (6 Are you looking for something a little historical and new at the same out of 10), it has just enough covers to make any programmer take time? We think we have the answer for you. This live performance notice. You can also see her in an Internet mini-movie called “The goes back to the spring of 1978 in Sacramento, Calif. Buddy called Porter.” She appears in this movie as a sexy lounge singer, in which this band “Killer Force.” After hearing this performance, you will Brian Ferry also stars and sings: (www.the-porter.com). understand why. In an effort to make you feel a little older, Bob Various Artists Justin Time For Christmas Four (Justin Time) Mintzer was a composer and arranger on two of these numbers. In case you are still looking under the tree for some new takes of Spyro Gyra The Deep End (Heads Up) Christmas music, here is Volume Four from our jazz brothers and We have a trivia question for you. How did the band get its name? sisters from north of the border. What is different? “Sainte Nuit” While you Google, the band has not let anyone down with their performed by Johanne Blouin, and a terrific Christmas Medley from sound, writing, and performances. You know what you are getting, the Rob McConnell Tenet. but they do throw in those surprises to show their jazz roots. Time Michael James Turre Compositions (Illusory) to get back into the pool and head for ... Michael is one of three musical Turre brothers. Can you name the Here is the answer: The name “Spyro Gyra” is a misspelling of other two? All seven original tracks feature the likes of Marvin spirogyra, a kind of algae which Jay Beckenstein had written a “Smitty” Smith, Ralph Moore, and . Michael’s ability college biology paper on years earlier. However, that is not the to play jazz and Afro-Cuban makes him a huge threat on the jazz answer. Jay recalls: “Before a gig in a Buffalo club that was called chart. We recommend you either give this a listen for a first time or “Jack Daniels”, the owner twisted my arm for a band name. As a go back for seconds! Watch out for the “Odd Guacamole”! Michael’s joke, I remembered the paper and said, ‘Spirogyra’. He misspelled brothers are Steve – yes the one on our cover – and Peter, who it ‘Spyro Gyra,’ advertised it that way, and it stuck.” drummed for Ray Charles for many years.

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jazzweek.com • December 10, 2004 JazzWeek 16 Jazz Radio

Dr. Lonnie Smith No. 1 – Again

Dianne Reeves’ Christmastime Is Here is Most Added or a third week in a row, Doctor Lonnie Smith is in the No. 1 spot on the JazzWeek FJazz Album Chart with his Palmetto Records CD Too Damn Hot! The album picked up 16 spins in its fourth week on the chart, breaking the 300- spin mark with 303. Close behind, Eric Alexander’s Dead Center (HighNote) stayed in the No. 2 spot with 298 spins. Christmas Time Is Here (Blue Note) from Dianne Reeves was the most added CD of the week with 19 adds. Dianne also debuted on the chart at number 21 and had the biggest increase in spins for the week with 120 spins. Doctor Lonnie Smith stays Too Damn Hot! (Pal- metto), picking up 16 spins in its 3rd week at #1. With an additional 40 spins, Paradigm Shift’s Shifting Times made the second biggest move on the chart from No. 29 to No. 10. Josh Workman’s Jumpin’ At The Border (Tetrachord) makes its debut on the chart at No. 50.

Jazz Album Chart p. 18 Jazz Add Dates p. 19 Jazz Current CDs p. 20 Dianne Reeves Christmas Time Is Here was the Jazz Radio Panel p. 26 week’s most added, picking up 19 stations. jazzweek.com • December 10, 2004 JazzWeek 17 airplay data JazzWeek Jazz Album Chart Dec. 10, 2004 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 1 1 Doctor Lonnie Smith Too Damn Hot Palmetto 303 287 16 4 55 1 2 2 3 1 Eric Alexander Dead Center HighNote 298 284 14 5 50 0 3 4 6 3 Steve Turre The Spirits Up Above HighNote 265 229 36 4 55 3 4 3 2 2 Houston Person To Etta With Love HighNote 244 244 0 5 52 0 5 5 4 2 Phil Woods This Is How I Feel About Quincy Jazzed Media 192 196 -4 9 38 1 6 6 8 6 Clark Terry Porgy & Bess Americana Music/A440 161 188 -27 12 33 0 Music Group 7 10 9 7 Mike Longo and the New York State of the Oasis CAP 146 144 2 8 36 0 Art Jazz Ensemble 7 9 13 7 New Stories Hope Is the Air: Music of Elmo Hope Origin 146 146 0 6 33 1 9 7 7 1 Matt Wilson’s Arts & Crafts Wake Up! (to what’s happening) Palmetto 145 172 -27 12 37 0 10 29 38 10 Paradigm Shift Shifting Times Nagel Heyer 144 104 40 4 40 2 11 8 5 5 Royce Campbell Six By Six Moon Cycle Records 143 170 -27 11 32 0 12 27 12 12 Ken Peplowski Easy To Remember Nagel Heyer 139 109 30 5 33 3 13 15 11 5 Madeleine Peyroux Careless Love Rounder 136 130 6 11 38 0 14 28 31 14 Wallace Roney Prototype HighNote 135 106 29 3 42 3 14 11 29 11 Jim Snidero Close Up Milestone 135 142 -7 6 42 4 16 12 9 2 Nancy Wilson R.S.V.P. MCG Jazz 127 140 -13 14 26 2 16 17 13 13 Soul Shadows Verve Music Group 127 127 0 7 30 0 18 25 21 18 Deep Blue Organ Trio Deep Blue Bruise Delmark 126 112 14 6 26 2 19 22 29 19 Rene Marie Serene Renegade MAXJAZZ 125 119 6 8 38 1 20 18 16 9 Patricia Barber Live: A Fortnight In France Blue Note 124 124 0 12 32 0 21 NR NR 21 Dianne Reeves Christmas Time Is Here Blue Note 123 3 120 1 32 19 22 13 15 9 The Great Jazz Trio Someday My Prince Will Come Eighty-Eights/Columbia 120 132 -12 11 28 0 23 23 23 1 The Life Of A Song Telarc Jazz 116 116 0 15 36 0 24 32 34 23 Maurice Brown Hip To Bop Brown Records 114 97 17 7 27 1 24 31 36 24 Pucho & His Latin Soul Brothers The Hideout Milestone 114 99 15 3 24 0 26 16 25 16 Tony Monaco Firey Blues Summit 113 128 -15 6 32 0 27 18 21 14 Norman Simmons In Private Savant 111 124 -13 9 27 0 27 23 26 23 Elvin Jones Jazz Machine The Truth Half Note Records 111 116 -5 6 32 0 29 20 17 6 Ray Mantilla Man-Ti-Ya Savant 110 123 -13 8 28 0 30 34 38 30 Michael Wolff Dangerous Vision Artimas 106 93 13 3 30 3 31 50 50 31 Chaka Khan Classikhan AGU Sanctuary Records 98 74 24 3 23 4 32 20 27 20 Martijn van Iterson Quartet The Whole Bunch Munich Records 96 123 -27 5 29 2 33 33 37 21 Alice Coltrane Translinear Light Impulse 94 94 0 9 29 0 33 26 18 3 Jane Monheit Taking A Chance On Love Sony Classical 94 111 -17 14 28 0 33 49 41 6 Ray Charles Genius Loves Company Concord 94 75 19 17 26 0 36 39 38 28 Ian Hendrickson-Smith Still Smokin’ Sharp Nine 93 84 9 6 26 1 37 NR 45 37 Sai Ghose Trio E-Motion Summit 87 68 19 3 26 2 38 45 49 38 Michael James Turre Compositions Illusory 86 79 7 3 28 1 38 14 18 7 Peter Leitch Autobiography Reservoir 86 131 -45 10 22 0 40 30 18 11 Papa John DeFrancesco Walking Uptown Savant 85 100 -15 9 23 1 41 NR 46 34 Trio Mundo Rides Again Zoho Music 82 69 13 8 17 0 42 NR 50 42 Bob Dorough Sunday At Iridium Arbors 81 70 11 3 31 3 42 43 33 5 Lynne Arriale Come Together Motema 81 81 0 12 28 0 44 44 NR 44 Denise Perrier Live At Yoshi’s Chez Perrier Records 80 80 0 2 20 1 45 48 NR 39 Queen Latifah The Dana Owens Album Qwest 78 76 2 5 17 3 45 36 24 20 Don Byron ivey-divey Blue Note 78 91 -13 10 26 3 47 NR 43 38 Manuel Valera Forma Nueva MAVO Records 77 60 17 6 23 3 48 41 42 38 Rob Schneiderman Back In Town Reservoir 76 83 -7 6 22 0 49 38 34 15 Manhattan Transfer Vibrate Telarc 74 85 -11 9 24 2 50 NR NR 24 Josh Workman Jumpin’ At The Border Tetrachord 72 65 7 9 20 3 Most Added Increased Airplay Chartbound Dianne Reeves Christmas Time Is Here (Blue Note) 19 Dianne Reeves Christmas Time Is Here Leslie Pintchik So Glad To Be Here (Ambient) Vic Juris Blue Horizon (Zoho Music) Leslie Pintchik So Glad To Be Here (Ambient) 9 (Blue Note) +120 Richie Hart Blues In The Alley (Zoho Music) Richie Hart Blues In The Alley (Zoho Music) 5 Paradigm Shift Shifting Times (Nagel Heyer) +40 Bruce A. Henry Connections (BAHLOVE Productions) Jim Snidero Close Up (Milestone) 4 Steve Turre The Spirits Up Above (HighNote) +36 Tom Dempsey/Tim Ferguson Quartet Perspectives (Imaginary Records) Don Grusin The Hang (Sovereign Records) Chaka Khan ClassiKhan (AGU Sanctuary Records) 4 Ken Peplowski Easy To Remember (Nagel Heyer) +30 Tom Collier Mallet Jazz (Origin Records) Wallace Roney Prototype (HighNote) +29 Dom Minasi Quick Response (CDM) Count Basie Good Time Blues (Pablo) The Dynamic Les DeMerle Band Hittin’ the Blue Notes - Vol. Two (Origin Records) jazzweek.com • December 10, 2004 JazzWeek 18 Jazz Radio Adds Here are upcoming add dates for new releases, and add dates that have passed during the last 30 days. This listing was current as of press time. November 11, 2004 Larry McDonough – Tuscarora: Short Stories For Jazz Piano (Self-produced) Steve Turre – The Spirits Up Above (HighNote) Wallace Roney – Prototype (HighNote) November 12, 2004 Carol Mennie – I’m Not A Sometime Thing (CDM 1004) November 16, 2004 Corey Christiansen — Awakening (Mel Bay Records) Jimmy Bruno — Solo (Mel Bay Records) November 18, 2004 Ann Austin – Lost In Your Eyes (Whaling City Sound) Anton Schwartz – Holiday Time (AntonJazz) November 29, 2004 Larry Chernicoff – October (Windy Planet Music) Sasha Dobson w/ The Chris Byers Octet – The Darkling Thrush (Smalls) November 30, 2004 Count Basie – Good Times Blues (Pablo) Ladd McIntosh Big Band – Ride the Beast (L.E.M. Productions) December 1, 2004 Bruno Raberg Nonet — Chrysalis (Orbis Music) December 2, 2004 Sasha Dobson w/ The Chris Byers Octet – The Darkling Thrush (Smalls) December 3, 2004 Betty Bryant – Weathervane (Bry-Mar Music) December 5, 2004 Global Village Orchestra – Globalistics (Random Chance) December 7, 2004 Jane Bunnett – Red Dragonfly (aka Tombo) (Narada Jazz) December 8, 2004 Various Artists — Justin Time For Christmas Four (Justin Time Records) January 1, 2005 Lenore Raphael — A Beautiful Friendship (Swingin’ Fox) January 11, 2005 Lincoln Center Jazz Orchestra w/ — A Love Supreme (Palmetto) January 15, 2005 Donald Harrison – Free Style (Nagel Heyer)

Note: JazzWeek industry subscribers may update this information online at jazzweek.com. Add dates may also be submitted via email to [email protected]. jazzweek.com • December 10, 2004 JazzWeek 19 Jazz Radio Currents Bob Acri w/Lew Soloff/Frank Wess/Ed Blujazz Herb Gibson Blue Vibes Silverado Records Thigpen/George Mraz/Diane Delin Global Village Orchestra Globalistics Random Chance Eric Alexander Dead Center HighNote Benny Golson Terminal 1 Concord Geri Allen The Life Of A Song Telarc Jazz Jerry Gonzalez Y Los Piratas Del Flamenco Sunnyside Jackie Allen Love Is Blue A440 Music Group The Great Jazz Trio Someday My Prince Will Come Eighty-Eights/Co- Ben Allison & Medicine Wheel Buzz Palmetto lumbia Karrin Allyson Wild For You Concord Jazz Benny Green & Bluebird Telarc Gabriela Anders Last Tango In Rio Narada Jazz Now Playing GRP Ernie Andrews Jump For Joy HighNote Don Grusin The Hang Sovereign Records Lynne Arriale Arise! Charlie Haden Land Of The Sun Verve Music Group Lynne Arriale Come Together Motema Angela Hagenbach Poetry Of Love Amazon Records The Bad Plus Give Columbia Randy Halberstadt Parallel Tracks Origin Records The Sheryl Bailey 3 Bull’s Eye Pure Music Records Jeff Hall Let’s Face the Music Jeffworld Patricia Barber Live: A Fortnight In France Blue Note Jeff Hamilton The Best Things Happen Azica Records Darren Barrett The Attack Of Wren Nagel Heyer Scott Hamilton / Harry Allen Heavy Juice Concord Kenny Barron Quintet Images Sunnyside Herbie Hancock The Piano Columbia/Legacy Count Basie Good Time Blues Pablo Steve Hancoff The Single Petal Of A Rose Out Of Time Records Alan Baylock Jazz Orchestra Two Seconds To Midnight Sea Breeze Stefon Harris & Blackout Evolution Blue Note Bebo & Cigala Lai Grimas Negras Bluebird Donald Harrison Free Style Nagel Heyer Gerald Beckett Traveling West Summit Joel Harrison So Long 2nd Street Act 3 Music Group Tony Bennett The Art Of Romance Columbia Richie Hart Blues In The Alley Zoho Music David Berger and the Sultans of Marlowe Such Sweet Thunder Jeff Hedberg The Summer Knows Blujazz Swing Records Alex Heitlinger Sextet Green Light Synergy Music Erin Bode Don’t Take Your Time MAXJAZZ Ian Hendrickson-Smith Still Smokin’ Sharp Nine Joe Bonner New Beginnings Evidence Bruce A. Henry Connections BAHLOVE Productions Chris Botti When I Fall In Love Columbia Nicole Henry The Nearness Of You Banister Records Melody Breyer-Grell The Right Time Blujazz Hermann / Fontana The Jazz Trombone Sea Breeze Clarence Gatemouth Brown Timeless Hightone Records Mr. Wizard HighNote Maurice Brown Hip To Bop Brown Records Gary Hobbs Of My Times Origin Records Betty Bryant Weathervane Bry-Mar Music Stevie Holland Restless Willow 150 Music Jane Bunnett Red Dragonfly (Aka Tombo) Narada Jazz Mike Holober & The Gotham Jazz Thought Trains Sons of Sound Vicki Burns Siren Song Merrymaid Produc- Orchestra tions Arlington Houston Cool Casual LifeForcejazz Records Don Byron ivey-divey Blue Note Charlie Hunter Freinds Seen And Unseen Ropeadope/Atlantic Haiku Marsalis Music/ Dick Hyman and Tom Pletcher If Bix Played Gershwin Arbors Rounder Records Weber Iago Children of the World Adventure Music Ann Hampton Callaway Slow Shanachie Frank Jackson New York After Dark Kasis Royce Campbell Six By Six Moon Cycle Records Al Jarreau Accentuate The Positive Verve Music Group Ray Charles Genius Loves Company Concord Keith Jarrett, Gary Peacock, Jack The Out of Towners ECM Rondi Charleston Love Is The Thing LML Music DeJohnette Larry Chernicoff October Windy Planet Music Jazz Jamaica All Stars Massive Dune Records Peter Cincotti On The Moon Concord Jazz Rosco Rosco’s Place A-Train Records Tom Collier Mallet Jazz Origin Records Dr. John N‚ÄôAwlinz: Dis, Dat or D‚Äôudda Blue Note Alice Coltrane Translinear Light Impulse Jeff Johnson Near Earth Origin Chick Corea Elektric Band To the Stars Stretch Records Liz Johnson Playground Lily Records Jamie Cullum Twentysomething Verve Music Group Norah Jones Feels Like Home Blue Note Roger Davidson Trio Rogers In Rio Soundbrush Records Sean Jones Eternal Journey Mack Avenue Orbert Davis Blue Notes 3 Sixteen Quincy Jones & Bill Cosby The New Mixes Vol. 1 Concord Jazz Ernest Dawkins New Horizons Mean Ameen Delmark Quincy Jones and Bill Cosby The Original Sessions 1969 Concord Records Deep Blue Organ Trio Deep Blue Bruise Delmark Elvin Jones Jazz Machine The Truth Half Note Records Papa John DeFrancesco Walking Uptown Savant Anders Jormin In Wind, In Light ECM The Dynamic Les DeMerle Band Hittin’ the Blue Notes - Vol. Two Origin Records Vic Juris Blue Horizon Zoho Music Tom Dempsey / Tim Ferguson Perspectives Imaginary Records Mary Kadderly Lucky Me Lifelike Records Quartet George Kahn Compared To What? Playing Records Sasha Dobson w/The Chris Byars The Darkling Thrush Smalls Records Katahdin’s Edge Step Away Incline Records Octet Bob Dorough Sunday At Iridium Arbors The Bruce Katz Band A Deeper Blue Severn Dave Douglas/Sclavis/Lee/van der Bow River Falls Premonition Chaka Khan Classikhan AGU Sanctuary Schyff Records Rosanne Drago Sophisticated Jazz Now Self-Produced Soweto Kinch Conversations With The Unseen Dune Records Christiana Drapkin Songs About You IANA Records Klazz Brothers & Cuba Percussion Classic Meets Cuba Sony Classical E.S.T. Seven Days of Falling 215 Records Paul Kogut Know It? I Wrote It! Blujazz Mark Elf Glad To Be Back Jen Bay Records Lee Konitz w/ Alan Broadbent More Live-Lee Milestone Eliane Elias Dreamer Bluebird Diana Krall The Girl In The Other Room Verve Music Group Kurt Elling Man In The Air Blue Note Queen Latifah The Dana Owens Album Qwest Bobby Forrester Organic Chemistry Lollipop Recordings The Latin Giants Of Jazz The Giants Play The Music of Gigante Palladium The Frank And Joe Show 33 1/3 Hyena Records Chad Lawson Unforeseen Summit Eric Frazier Find Yourself (Then Find Me) Eric Frazier Music The Nguyen Le Trio Bakida Act 3 Music Group Jacob Fred Jazz Odyssey Walking With Giants Hyena Records Mike Ledonne Smokin’ Out Loud Savant Von Freeman The Great Divide Premonition Records/ Peter Leitch Autobiography Reservoir KOCH Records Bill Frisell Unspeakable Nonesuch Ramsey Lewis Trio Time Flies Narada The Mike Frost Project Nothing Smooth About It Blujazz Lorie Line Young At Heart Lori Line Music William Galison w/ Madeleine I Got You On My Mind Waking Up Music Arthur Lipner Modern Vibe Jazz Heads Peyroux Mike Longo and the New York State Oasis CAP Jan Garbarek In Praise of Dreams ECM of the Art Jazz Ensemble Giacomo Gates Centerpiece Origin Records Micarelli Lucia Music From A Farther Room Reprise George Gee Big Band Settin’ The Pace GJazz Records Luna Rendezvous Jetset Sai Ghose Trio E-Motion Summit Matthias Lupri Transition Sonic Summit Terry Gibbs From Me To You: A Tribute to Lionel Mack Avenue Frank Macchia Animals Cacophony Records Hampton Bruce MacLeod Parade Parhelion Records Terry Gibbs 52nd & Broadway: Songs of the Mack Avenue Miriam Makeba Reflections Heads Up Bebop Era Gui Mallon Live at Montreux Adventure Music jazzweek.com • December 10, 2004 JazzWeek 20 Jazz Radio Currents Russell Malone Playground MAXJAZZ The Sala Bros Out Of The Blue Blujazz Manhattan Transfer Vibrate Telarc Joe Sample Soul Shadows Verve Music Group Herbie Mann / Phil Woods Beyond Brooklyn MCG Jazz David Sanchez Coral Columbia Ray Mantilla Man-Ti-Ya Savant Poncho Sanchez Out Of Sight! Concord Picante Rene Marie Serene Renegade MAXJAZZ Moacir Santos Ouro Negro Adventure Music Lou Marini Lou’s Blues Chase Music Group Saxophone Summit Gathering of Spirits Telarc Jazz Maria Marquez Nature’s Princess Adventure Music Maria Schneider Orchestra Concert In The Garden Artist Share Branford Marsalis Revealed Marsalis Music/ Rob Schneiderman Back In Town Reservoir Rounder Records Dave Schnitter Sketch Sunnyside Branford Marsalis Quartet Eternal Marsalis Music/ Anton Schwartz Holiday Time Anton Jazz Rounder Records John Scofield Trio EnRoute Verve Music Group Wynton Marsalis Quartet The Magic Hour Blue Note Jill Scott Beautifully Human: Words And Hidden Beach Mike Marshall & Choro Famoso Mike Marshall & Choro Famoso Adventure Music Sounds Vol. 2 Rebecca Martin People Behave Like Ballads MAXJAZZ Marilyn Scott Nightcap Prana Entertainment Mat Marucci / Markus Burger Genesis Cadence Jazz Seattle Woman’s Jazz Orchestra Dreamcatcher OA2 Records Ensemble Sounds Marlena Shaw Looking For Love 441 Records Jeff Marx Treading Air Breathing Fire Soluna Records Cybill Shepherd At Home With Cybill River Siren Tim May Trio Mayzing Records Mark Sherman The Motive Series CAP Chris Mc Nulty I Remember You Mop Top Records Matthew Shipp Harmony & Abyss Thirsty Ear Paul McCandless / Art Lande Shapeshifter Synergy Music James Silberstein Song For Micaela CAP Larry McDonough Tuscarora: Short Stories for Jazz Self-Produced David Sills Eastern View Origin Records Piano Kate McGarry Show Me Palmetto Judi Silvano Let Yourself Go Zoho Music Ladd McIntosh Big Band Ride The Night Beast L.E.M. Productions Ricardo Silveria Live: Plays the Music of Milton Adventure Music Nascimento Tim McNamara Quartet Earth Sign Blujazz Norman Simmons In Private Savant Medeski Martin & Wood End of The World Party Blue Note Alex Skolnick Trio Transformation Magatude Records Brad Mehldau Live In Tokyo Nonesuch Charles Small Small Talk Blue Lady Carol Mennie I’m Not A Sometime Thing CDM Doctor Lonnie Smith Too Damn Hot Palmetto Milla Dream A Little Avid Diva Steve Smith and Vital Information Come On In OmniTone Live @ Yoshi’s Volume One MAXJAZZ Jim Snidero Close Up Milestone Pete Mills Art And Architecture Summit Omar Sosa Mulatos OTA Dom Minasi Quick Response CDM Johnny Souza Meet me In The City 1620 Jazz Records Bob Mintzer Big Band w Kurt Elling Live at MCG MCG Jazz Melvin Sparks It Is What It Is Savant Tony Monaco Firey Blues Summit John Stetch Exponentially Monk Justin Time Jane Monheit Taking A Chance On Love Sony Classical Robert Stewart Heaven And Earth Nagel Heyer Typhanie Monique / Neal Alger Intrinsic Blujazz George Stone Performs The Music Of Stewart Sea Breeze Frank Morgan City Nights: Live at the Jazz HighNote “Dirk” Fisher Standard Rick Stone Samba de Novembro Jazzand Maria Muldaur Love Wants To Dance Telarc Blues Steve Swallow /Ohad Talmor The Bum’s Tale Palmetto Mark Murphy Bop For Miles HighNote The Tango Group Amor por el Tango Soundbrush Records David Murray & The Gwo-Ka Gwotet Justin Time Jonas Tauber Storm Walking Singing Origin Masters feat. Pharoah Sander Michael Musillami Octet Spirits Playscape Ximo Tebar Champs Sunnyside Negroni’s Trio Piano/Drums/Bass Universal Music Clark Terry Porgy & Bess Americana Latino Music/A440 Music Steve Nelson Fuller Nelson Sunnyside Group New Stories Hope Is the Air: Music of Elmo Hope Origin Triangle 3 Sides Of A Question Synergy Music Adam Niewood Introducing Adam Niewood Native Language Trio Mundo Rides Again Zoho Music Gerry Niewood Facets Native Language Michael James Turre Compositions Illusory Bill O’Connell Latin Jazz Fantasy Random Chance Steve Turre The Spirits Up Above HighNote Noel Okimoto ‘Ohana Reservoir McCoy Tyner Illuminations Telarc Jazz Renee Olstead Renee Olstead 143 Records/Reprise Warren Vache Dream Dancing Arbors Paradigm Shift Shifting Times Nagel Heyer Manuel Valera Forma Nueva MAVO Records Rob Parton’s Jazztech Big Band Two Different days Sea Breeze Martijn van Iterson Quartet The Whole Bunch Munich Records Rosa Passos Amorosa Sony Classical The Vanguard Jazz Orchestra The Way - Music of Slide Hampton Planet Arts Mario Pavone Boom Playscape Various Artists Syncopated Energy - Jazz From The Synergy Music Synergy Music Catalog Ken Peplowski Easy To Remember Nagel Heyer Various Artists Verve Remixed 2 Verve Music Group Denise Perrier Live At Yoshi’s Chez Perrier Records Various Artists Blue Note Revisited Blue Note Houston Person To Etta With Love HighNote Fay Victor Lazy Old Sun - Live/Life in the Green Avenue Music Madeleine Peyroux Careless Love Rounder Lowlands Enrico Pieranunzi Fellini Jazz CAM Claudia Villela & Kenny Werner Dreamtales Adventure Music Jean-Michel Pilc Follow Me Dreyfus Jazz Roseanna Vitro Tropical Postcards A Records Courtney Pine Devotion Telarc Jazz Rich Walker Sextet Bar Hop Altru Music Leslie Pintchik So Glad To Be Here Ambient Bobby Watson & Horizon Horizon Reassembled Palmetto Pucho & His Latin Soul Brothers The Hideout Milestone Jeff Watts Detained At The Blue Note Half Note Records Hugh Ragin Revelation Justin Time Mort Weiss The Three of Us SMS Jazz Phil Ranelin Inspiration Wide Hive Records The Jim Widner Big Band Flying High Chase Music Group Dianne Reeves A Little Moonlight Blue Note Buster Williams Griot Liberte HighNote Dianne Reeves Christmas Time Is Here Blue Note Jessica Williams Live At Yoshi’s Volume One MAXJAZZ Irene Reid Thanks To You Savant Nancy Wilson R.S.V.P. MCG Jazz Paul Renz & Friends Hubbub Gabwalk Records Gerald Wilson Orchestra New York, New Sound Mack Avenue Buddy Rich No Funny Hats Lightyear Entertain- Matt Wilson’s Arts & Crafts Wake Up! (to what’s happening) Palmetto ment/Lobitios Creek Michael Wolff Dangerous Vision Artimas Ranch Anthony Wonsey Blues For Hiroshi Sharp Nine Kim Richmond / Clay Jenkins Crossweave Origin Phil Woods This Is How I Feel About Quincy Jazzed Media Jose Rizo’s Jazz On The Latin Side The Last Bullfighter Saungu Josh Workman Jumpin’ At The Border Tetrachord Allstars Roditi / Ignatzek / Rassinfosse Light In The Dark Nagel Heyer Jacob Young Evening Falls ECM Wallace Roney Prototype HighNote Kahil El Zabar & David Murray We Is Live At The Bop Shop Delmark Hummin’ to Myself Verve Music Group Pete Zimmer Common Man Tippin’ Records Gonzalo Rubalcaba Paseo Blue Note Glauco Sagebin When Baden Meets Trane Blue Toucan Music jazzweek.com • December 10, 2004 JazzWeek 21 Smooth Jazz Radio

Richard Elliott is #1 Album and Single Yellowjackets Most Added Album, David Lanz Most Added Single

ichard Elliot tops the JazzWeek Smooth Album and Smooth Singles charts this week with, “Your Secret Love” from the RGRP album Forever, For Always, For Luther. Dave Koz’s Saxophonic (Capitol) slipped back into second place on the album chart and Wayman Tisdale’s “Ain’t No Stop- pin’ Us Now” (Rendezvous) is No. 2 on the singles chart. David Lanz’s “The Good Life” (Decca) was the Most Added single of the week, picking up eight stations. On the Smooth Jazz Album Chart, Heads Up pushes its way in with holiday music from the Yellowjackets’ Peace Round and Hiroshima’s Spirit Of The Season. The albums were tied for most added. Before the announcement of the Grammy nominations, Con- cord’s Genius Loves Company was making its move on the singles chart. “You Don’t Know Me” (w/ Diana Krall) is on the chart Richard Elliot tops both the Singles and Albums chart at No 21. The others making their way onto Chartbound this with Forever, For Always, For Luther (GRP) week are “Fever” (w/ Natalie Cole) and “Sinners Prayer” (w/ B.B. King).

Smooth Album Chart p. 23 Smooth Singles Chart p. 24 Smooth Current CDs p. 25 Smooth Radio Panel p. 26 Even before the Grammy nominations, Genius Loves Company had three singles making their move. jazzweek.com • December 10, 2004 JazzWeek 22 airplay data JazzWeek Smooth Album Chart Dec. 10, 2004 powered by TW LW 2W Peak Artist Song/Release Label TP LP +/- Weeks Stations Adds 1 3 3 1 Richard Elliot Your Secret Love [Single] GRP 675 656 19 7 35 0 2 1 2 1 Dave Koz Saxophonic Capitol 665 708 -43 7 37 0 3 2 1 1 Wayman Tisdale Hang Time Rendezvous 654 676 -22 5 35 1 4 4 5 4 Norman Brown Up ‘N’ at ‘Em [Single] Warner Bros. 582 611 -29 7 33 0 5 6 6 3 Paul Jackson, Jr. Still Small Voice Blue Note 576 578 -2 7 35 0 6 5 8 1 Gerald Albright Kickin’ It Up GRP 560 590 -30 7 38 0 7 9 4 1 Boney James Pure Warner Bros. 526 510 16 7 37 0 8 7 7 3 Chris Botti A Thousand Kisses Deep Columbia 524 541 -17 7 36 0 9 10 12 9 Soul Ballet Dream Beat Dream 215 507 503 4 6 37 0 10 11 15 3 Paul Brown Up Front GRP 499 483 16 7 38 0 11 8 11 5 Peter White Confidential Columbia 491 525 -34 7 37 0 12 14 10 3 Michael Lington Stay With Me Rendezvous 474 450 24 7 34 0 13 15 18 13 Marion Meadows Player’s Club Heads Up 450 449 1 7 32 0 14 12 13 12 Queen Latifah The Dana Owens Album Universal 449 481 -32 6 36 0 15 16 14 14 Tim Bowman This Is What I Hear Liquid 449 445 4 6 33 0 16 25 25 16 Ray Charles Genius Loves Company Concord 420 321 99 7 38 0 17 18 17 8 Anita Baker My Everything Blue Note 417 427 -10 7 35 0 18 19 19 14 Mindi Abair Come As You Are GRP 410 423 -13 7 36 0 19 17 16 1 George Benson Irreplaceable GRP 407 431 -24 7 36 0 20 13 9 8 Nick Colionne Just Come On In Will Keys 405 470 -65 7 33 0 21 20 21 5 Euge Groove Livin’ Large EMI 362 381 -19 7 36 0 22 22 22 18 Marc Antoine The Very Best Of Marc Antoine Verve 347 347 0 7 34 0 23 24 23 22 Michael McDonald Motown Two Motown 333 339 -6 6 30 0 24 21 20 19 Kim Waters In The Name Of Love Shanachie 333 373 -40 7 29 0 25 26 27 9 Joyce Cooling This Girl’s Got To Play Narada Jazz 326 303 23 7 34 0 26 23 26 1 Marc Antoine Mediterraneo Rendezvous 315 343 -28 7 34 0 27 27 24 22 Toni Braxton Ultimate Toni Braxton LaFace 280 295 -15 7 33 0 28 29 30 25 Fourplay Journey BMG 256 254 2 7 20 0 29 28 29 2 Paul Taylor Steppin’ Out Peak 249 263 -14 7 33 0 30 30 28 14 Richard Smith Soulidified A440 245 245 0 7 30 0 31 37 106 31 Seal Best: 1991-2004 Warner Bros. 222 200 22 2 23 5 32 33 32 9 Mindi Abair It Just Happens That Way GRP 215 219 -4 7 34 0 33 39 48 29 Pieces Of A Dream No Assembly Required Heads Up 208 196 12 7 23 0 34 38 38 11 Seal Seal IV Warner Bros. 208 200 8 7 36 0 35 36 40 15 Rick Braun Esperanto Warner Bros. 206 203 3 7 29 0 36 34 37 10 Praful One Day Deep Rendezvous 200 215 -15 7 34 0 37 35 39 35 Chris Botti When I Fall In Love Columbia 195 213 -18 6 24 2 38 31 33 31 Najee Classic Masters Capitol 190 233 -43 7 33 0 39 40 34 23 Daryl Hall & John Oates Our Kind Of Soul U-Watch 188 193 -5 7 17 0 40 46 46 14 Brian Culbertson Come On Up Warner Bros. 184 166 18 7 36 0 41 43 42 21 Dan Siegel Inside Out Native Language 174 178 -4 7 22 0 42 41 36 36 Richard Elliot Ricochet Verve 162 180 -18 7 29 0 43 42 41 31 Greg Adams Firefly 215 160 178 -18 7 20 0 44 54 54 42 Kenny G Ultimate Kenny G BMG Heritage 153 129 24 7 35 0 45 50 50 31 Steve Oliver 3-D Koch 147 145 2 7 23 0 46 44 49 20 Michael McDonald Motown Motown 140 176 -36 7 34 0 47 51 51 49 Everette Harp All For You A440 139 143 -4 5 14 0 48 49 52 46 The Ramsey Lewis Trio Time Flies Narada Jazz 134 147 -13 7 20 1 49 56 57 14 Diana Krall The Girl In The Other Room Verve 132 122 10 7 27 0 50 45 45 26 The Jazzmasters The Jazzmasters 4 Trippin ‘N’ Rhythm 129 166 -37 7 28 0

Most Added Increased Airplay Chartbound Yellowjackets Peace Round (Heads Up) 6 Ray Charles Genius Loves Company (Concord) +99 David Lanz The Good Life (Decca) Alicia Keys The Diary Of Alicia Keys (J) Hiroshima Spirit Of The Season (Heads Up) 6 David Lanz The Good Life (Decca) +51 Urban Knights Urban Knights V (Narada) Seal Best: 1991-2004 (Warner Bros.) 5 Yellowjackets Peace Round (Heads Up) +40 The Very Best Of Lee Ritenour (Verve) Various Artists Groove Boutique: Vol. One Hiroshima Spirit Of The Season (Heads Up) +32 Yellowjackets Peace Round: A Christmas Celebration (Heads Up) Hiroshima Spirit Of The Season (Heads Up) (Tommy Boy) 4 Michael Buble Let It Snow [EP] (Reprise) +25 The Four Tops Anthology: 50th Anniversary (Hip-O) Dave Koz December Makes Me Feel This Way Michael Lington Stay With Me (Rendezvous) +24 Dido Life For Rent (Arista) (Capitol) 4 Kenny G Ultimate Kenny G (BMG Heritage) +24 Various Artists Groove Boutique: Volume One (Tommy Boy) Michael Buble Let It Snow [EP] (Reprise) jazzweek.com • December 10, 2004 JazzWeek 23 airplay data JazzWeek Smooth Singles Chart Dec. 10, 2004 powered by TW LW 2W Peak Artist Song/Release Label TP LP +/- Weeks Stations Adds 1 2 2 1 Richard Elliot Your Secret Love GRP 675 656 19 7 69 0 2 1 1 1 Wayman Tisdale Ain’t No Stoppin’ Us Now Rendezvous 647 664 -17 5 66 0 3 3 3 3 Norman Brown Up ‘N’ At ‘Em Warner Bros. 582 611 -29 7 65 0 4 4 5 1 Gerald Albright To The Max GRP 522 551 -29 7 72 0 5 5 7 5 Soul Ballet Cream 215 507 503 4 6 74 0 6 9 9 6 Paul Jackson, Jr. Walkin’ Blue Note 456 443 13 7 61 0 7 8 8 7 Tim Bowman Summer Groove Liquid 449 445 4 6 65 0 8 6 6 5 Chris Botti Back Into My Heart Columbia 445 465 -20 7 68 0 9 11 13 8 Marion Meadows Sweet Grapes Heads Up 434 434 0 7 59 0 10 7 4 1 Boney James Here She Comes Warner Bros. 419 464 -45 7 71 0 11 10 11 10 Queen Latifah California Dreamin’ Universal 410 438 -28 6 68 0 12 12 10 9 Mindi Abair Come As You Are GRP 410 423 -13 7 72 0 13 13 12 1 George Benson Softly, As In A Morning Sunrise GRP 393 423 -30 7 69 0 14 14 14 5 Anita Baker You’re My Everything Blue Note 376 387 -11 7 66 0 15 15 18 15 Dave Koz Let It Free Capitol 337 354 -17 7 56 0 16 17 16 14 Michael McDonald Tracks Of My Tears Motown 326 331 -5 6 56 0 17 20 21 17 Paul Brown Moment By Moment GRP 323 286 37 7 63 1 18 16 15 13 Kim Waters In Deep Shanachie 305 347 -42 7 53 0 19 18 20 17 Peter White How Does It Feel Columbia 301 319 -18 7 55 0 20 19 17 2 Michael Lington Show Me Rendezvous 298 294 4 7 65 0 21 22 22 21 Ray Charles You Don’t Know Me (w/ Diana Krall) Concord 272 249 23 7 58 1 22 21 19 12 Nick Colionne It’s Been Too Long Will Keys 243 257 -14 7 51 0 23 25 23 8 Joyce Cooling Expression Narada Jazz 235 209 26 7 60 0 24 23 25 1 Dave Koz All I See Is You Capitol 228 236 -8 7 69 0 25 27 95 25 Seal Walk On By Warner Bros. 222 200 22 3 42 5 26 24 24 1 Marc Antoine Mediterraneo Rendezvous 217 223 -6 7 60 0 27 30 37 23 Pieces Of A Dream It’s Go Time Heads Up 204 194 10 7 42 0 28 29 28 28 Euge Groove XXL EMI 188 195 -7 7 45 0 29 35 34 10 Seal Love’s Divine Warner Bros. 182 174 8 7 61 0 30 31 26 3 Paul Taylor Steppin’ Out Peak 180 191 -11 7 50 0 31 28 29 2 Paul Brown 24/7 GRP 174 196 -22 7 60 0 32 33 35 11 Rick Braun Daddy-O Warner Bros. 174 175 -1 7 48 0 33 38 43 33 Michael Lington Two Of A Kind (w/ Chuck Loeb) Rendezvous 169 154 15 5 35 2 34 36 32 18 Dan Siegel In Your Eyes Native Language 164 167 -3 7 38 0 35 34 30 26 Greg Adams Firefly 215 160 174 -14 7 36 0 36 26 33 17 Nick Colionne High Flyin’ Will Keys 159 207 -48 7 58 0 37 32 36 3 Peter White Talkin’ Bout Love Columbia 158 176 -18 7 62 0 38 40 27 11 Richard Smith Sing A Song A440 156 151 5 7 44 0 39 37 39 37 Fourplay Fields Of Gold BMG 154 154 0 7 32 0 40 41 40 40 Chris Botti No Ordinary Love Columbia 143 147 -4 5 35 2 41 42 41 41 Everette Harp Can You Hear Me A440 139 143 -4 4 27 0 42 48 44 12 Brian Culbertson Come On Up (w/ Norman Brown) Warner Bros. 139 123 16 7 54 0 43 39 38 2 Euge Groove Livin’ Large EMI 136 153 -17 7 50 0 44 44 48 18 Praful Sigh Rendezvous 129 137 -8 7 60 0 45 43 42 38 The Ramsey Lewis Trio The In Crowd Narada Jazz 128 140 -12 7 33 1 46 46 46 27 Steve Oliver Chips And Salsa Koch 124 130 -6 7 32 0 47 45 49 24 Paul Jackson, Jr. It’s A Shame Blue Note 120 134 -14 7 51 0 48 54 66 48 Alicia Keys If I Ain’t Got You J 116 112 4 7 25 0 49 51 45 26 Najee Eye 2 Eye N-Coded 116 118 -2 7 38 0 50 57 52 27 Ronny Jordan At Last N-Coded 109 96 13 7 36 0

Most Added Increased Airplay Chartbound David Lanz “The Good Life” (Decca) 8 Boney James “Stone Groove” (w/ Joe Sample) Daryl Hall & John Oates “I’ll Be Around” (U-Watch) Boney James “Stone Groove” (w/ Joe Sample) (Warner Bros.) Seal “Walk On By” (Warner Bros.) 5 (Warner Bros.) +48 David Lanz “Big Sur” (Decca) Yellowjackets “Little Drummer Boy” (Heads Up) 5 Ray Charles “Fever” (w/ Natalie Cole) (Concord) +38 David Blamires Group “Deep As The Midnight Sea” (Navarre) Boney James “Stone Groove” (w/ Joe Sample) Paul Brown “Moment By Moment” (GRP) +37 Ray Charles “Fever” (w/ Natalie Cole) (Concord) (Warner Bros.) 4 Spyro Gyra “Summer Fling” (Heads Up) Ray Charles “Sinner’s Prayer” (w/ BB King) Rafe Gomez “Icy” (Tommy Boy) 4 Brian Culbertson “Get It On” (Atlantic) (Concord) +36 Dido “White Flag” (Arista) Ray Charles “Sinner’s Prayer” (w/ BB King) (Concord) 4 Rafe Gomez “Icy” (Tommy Boy) David Lanz “Big Sur” (Decca) +31 Ray Charles “Sinner’s Prayer” (w/ BB King) (Concord) jazzweek.com • December 10, 2004 JazzWeek 24 Smooth Jazz Radio Current Albums

Mindi Abair It Just Happens That Way GRP Alicia Keys The Diary Of Alicia Keys J Records Mindy Abair Come As You Are GRP Chaka Khan Classikhan AGU Sanctuary Acoustic Alchemy Radio Contact Higher Octave Records Greg Adams Firefly 215 Records Dave Koz Saxophonic Capitol Gerald Albright Kickin’ It Up GRP Diana Krall The Girl In The Other Room Verve Music Group Gabriela Anders Last Tango In Rio Narada Jazz Pattie LaBelle Timeless Journey Island /Def Jam Marc Antoine Mediteraneo Rendevous David Lanz The Good Life Decca Marc Antoine The Very Best of Marc Antoine Verve Music Group Queen Latifah The Dana Owens Album Qwest Lynne Arriale Arise! Ronnie Laws Everlasting Holland Group Anita Baker My Everything Blue Note Ramsey Lewis Trio Time Flies Narada Bob Baldwin Brazil Chill A440 Music Group Michael Lington Stay With Me Rendevous Walter Beasley Go With The Flow N-Coded Music Liquid Soul Evolution Shanachie Pete Belasco Deeper Compendia Chuck Loeb eBop Shanachie Regina Belle Lazy Peak Jeff Lorber Uncle Darrow Narada / Russ Freeman Benoit Freeman Project 2 Peak Torcuato Mariano Diary 215 Records George Benson Irreplaceable GRP Eric Marienthal Sweet Talk Peak Theo Bishop Newport Nights Native Language Keiko Matsui Wildflower Narada Chris Botti A Thousand Kisses Deep Columbia Michael McDonald Motown Motown Chris Botti When I Fall In Love Columbia Michael McDonald Motown Two Motown Tim Bowman This Is What I Hear Liquid 8 Marion Meadows Player’s Club Heads Up Jeff Bradshaw Bone Deep Hidden Beach Chieli Minucci Night Grooves Shanachie Rick Braun Esperanto Warner Bros. Najee Embrace N-Coded Music Toni Braxton Ultimate Toni Braxton LaFace Najee Classic Masters Capitol Braxton Brothers Rollin Peak Ken Navarro All The Way Shanachie Bridge To Havana (f. Gladys Bridge To Havana Pyramid Grady Nichols Sophistication Compendia Knight) Andrew Oh Silk Ark Music Brian Bromberg Choices A440 Music Group Steve Oliver 3-D Koch Records Norman Brown West Coast Coolin’ Warner Bros. Renee Olstead Renee Olstead 143 Records/Reprise Paul Brown Up Front GRP Joan Osborne How Sweet It Is Compendia Alex Bugnon Southern Living Narada Jazz Pieces Of A Dream No Assembly Required Heads Up Cabo Frio Island Dance Kezia Records Doc Powell 97th & Columbus Heads Up Jonathan Cain Bare Bones Reality/AAO Music Doc Powell Cool Like That Heads Up Sergio Caputo That Kind of Thing Idiosyncrasy Music Praful One Day Deep Rendezvous/N-Coded Larry Carlton Sapphire Blue Bluebird Nelson Rangell Look Again A440 Music Group Craig Chaquico Midnight Moon Higher Octave The Rippingtons Let It Ripp Peak Ray Charles Genius Loves Company Concord Linda Ronstadt Hummin’ to Myself Verve Music Group Club 1600 Ridin, High N-Coded Music Joe Sample Soul Shadows Verve Music Group Steve Cole NY LA Warner Bros. Poncho Sanchez Out Of Sight! Concord Picante Nick Colionne Just Come On In Three Keys Music Jill Scott Beautifully Human: Words And Hidden Beach Joyce Cooling This Girl’s Got to Play Narada Jazz Sounds Vol. 2 Chick Corea Elektric Band To the Stars Stretch Records Marilyn Scott Nightcap Prana Entertainment Couch Potato Allstars Jazz For Couch Potatoes Shanachie Seal IV Warner Bros. Brian Culbertson Come On Up Warner Bros. Dan Siegel Inside Out Native Language Jamie Cullum Twentysomething Verve Music Group Simply Red Home Simply Red Eric Darius Night On The Town Higher Octave Richard Smith Soulidfied A440 Music Group Will Downing Emotions GRP Jimmy Sommers Love Life Higher Octave Richard Elliot Ricochet GRP Special EFX Party Shanachie Fattburger Work To Do Shanachie Spyro Gyra The Deep End Heads Up Fourplay Journey RCA / Victor Stanley B. All For Love A. Ray Fuller The Weeper A Ray Artists Music Wonder Stevie The Definitive Collection Motown Garry Goin Goin’ Places Compendia Paul Taylor Steppin Out Peak/Concord Jeff Golub Soul Sessions GRP J. Thompson Romantic Night AMH Records Al Green The Absolute Best EMI Wayman Tisdale Hang Time Rendevous Rayford Griffin Rebirth Of The Cool Razor Edge Nester Torres Sin Palabras Heads Up Euge Groove Living Large Narada Urban Knights Urban Knights V Narada Dave Grusin Now Playing GRP Dance With My father J Records Don Grusin The Hang Sovereign Records Various Artists Forever, For Always, For Luther GRP Daryl Hall Can’t Stop Dreaming Rhythm & Groove Various Artists Wedding Songs: A Body & Soul Time Life Hall & Oates Our Kind Of Soul U-Watch Collection Paul Hardcastle The Jazzmasters 4 Trippin’ N’ Rhythm Various Artists Princess Diaries 2 : Royal Engage- Walt Disney Records ment [Original Soundtrack] Everette Harp All For You A440 Music Group Andre Ward Steppin Up Orpheus Hil St. Soul Copasetik & Cool Shanachie Kim Waters Someone To Love You Shanachie Hiroshima The Bridge Heads Up Kim Waters In The Name Of Love Shanachie Incognito Who Needs Love Narada Jazz Kirk Whalum Into My Soul Warner Bros. Paul Jackson Jr. Still Small Voice Blue Note Peter White Confidential Columbia Boney James Pure Warner Bros. Bernie Williams The Journey Within GRP Al Jarreau Accentuate The Positive Verve Music Group Pamela Williams The Perfect Love Shanachie Jazz Crusanders Soul Axess True Life Jim Wilson River Hillsboro Marcus Johnson Urban Groove Marimelj Entertainment Nancy Wilson R.S.V.P. MCG Jazz Norah Jones Feels Like Home Blue Note Steve Winwood About Time Sci Fidelity Quincy Jones & Bill Cosby The New Mixes Vol. 1 Concord Jazz Chuck Yamek Feels So Right Mopay Ronny Jordan At Last N-Coded Music Jeff Kashiwa Peace Of Mind Native Language Kem Kemistry Motown jazzweek.com • December 10, 2004 JazzWeek 25 Jazz Station Panel Smooth Station Panel Call letters Frequency Market Rank Call letters Frequency Market Rank CJRT-FM* 91.1 Toronto, ON N/A KAJZ-FM 101.7 Albuquerque, NM 71 KANU-FM 91.5 Topeka, KS 195 KBZN-FM 97.9 Salt Lake City - Ogden - Provo, UT 31 KBEM-FM 88.5 Minneapolis - St. Paul, MN 16 KEZL-FM 96.7 Fresno, CA 68 KCCK-FM* 88.3 Cedar Rapids, IA 204 KHJZ-FM 95.7 Houston - Galveston, TX 7 KCLU-FM 88.3 Los Angeles, CA 2 KIFM-FM 98.1 San Diego, CA 17 KCSM-FM 91.1 San Francisco, CA 4 KJCD-FM 104.3 Denver - Boulder, CO 22 KEWU-FM 89.5 Spokane, WA 93 KJZI-FM 100.3 Minneapolis - St. Paul, MN 16 KFSR-FM 90.7 Fresno, CA 68 KIOS-FM 91.5 Omaha, NE - Council Bluffs, IA 73 KJZY-FM 93.7 San Francisco, CA 4 KJZZ-FM 91.5 Phoenix, AZ 15 KKSF-FM 103.7 San Francisco, CA 4 KKJZ-FM 88.1 Los Angeles, CA 2 KKSJ/KTSJ-FM 105.9 Lafayette, LA 102 KLCC-FM 89.7 Eugene-Springfield, OR 171 KLJT-FM 102.3 Tyler-Longview, TX 148 KMHD-FM 89.1 Portland, OR 24 KMGQ-FM 97.5 Santa Barbara, CA 204 KMUW-FM 89.1 Wichita, KS 95 KOAI-FM 107.5 Dallas - Ft. Worth, TX 5 KNTU-FM 88.1 Dallas - Ft. Worth, TX 5 KOAS-FM 105.7 Las Vegas, NV 38 KPLU-FM 88.5 Seattle - Tacoma, WA 14 KRVR-FM 105.5 Stockton, CA 82 KRTU-FM 91.7 San Antonio, TX 30 KSKX-FM 105.5 Colorado Springs, CO 97 KSDS-FM 88.3 San Diego, CA 17 KSMJ-FM 97.7 Bakersfield, CA 83 KSJS-FM 90.5 San Jose, CA 109 KSMF-FM* 89.1 Ashland, OR 207 KSSJ-FM 94.7 Sacramento, CA 26 KSUT-FM* 91.3 Ignacio, CO N/A KTWV-FM 94.7 Los Angeles, CA 2 KTSU-FM 90.9 Houston - Galveston, TX 7 KWJZ-FM 98.9 Seattle - Tacoma, WA 14 KUAZ-FM 89.1 Tucson, AZ 63 KYOT-FM 95.5 Phoenix, AZ 15 KUNR -FM* 88.7 Reno, NV 231 WBRH-FM 90.3 Baton Rouge, LA 84 KUNV-FM 91.5 Las Vegas, NV 38 WEIB-FM 106.3 Hartford - New Britain - Middletown, CT 50 KUT-FM 90.5 Austin, TX 7 WFJZ-FM 106.7 Ft. Wayne, IN 105 KUVO-FM 89.3 Denver - Boulder, CO 22 WFSK-FM 88.1 Nashville, TN 44 KXJZ-FM 88.9 Sacramento, CA 26 WGPR-FM 107.5 Detroit, MI 10 WAER-FM* 88.3 Syracuse, NY 79 WJAB-FM 90.9 Huntsville, AL 116 WBEZ-FM 91.5 Chicago, IL 3 WBFO-FM 88.7 Buffalo - Niagara Falls, NY 52 WJJZ-FM 106.1 Philadelphia, PA 6 WBGO-FM 88.3 New York, NY 1 WJSJ/WSJF-FM 105.5 Jacksonville, FL 49 WCFJ/WSBC* 1470 AM Chicago, IL 3 WJZA/WJZK-FM 103.5 Columbus, OH 35 WCLK-FM 91.9 Atlanta, GA 11 WJZI-FM 93.3 Milwaukee - Racine, WI 32 WCPN-FM 90.3 Cleveland, OH 25 WJZL/WJZO-FM 93.1 Louisville, KY 55 WDCB-FM* 90.9 Chicago, IL 3 WJZR-FM 105.9 Rochester, NY 54 WDET-FM 101.9 Detroit, MI 10 WJZW-FM 105.9 Baltimore, MD 20 WDNA-FM 88.9 Miami - Ft. Lauderdale - Hollywood, FL 12 WJZZ-FM 107.5 Atlanta, GA 11 WDUQ-FM 90.5 Pittsburgh, PA 23 WLOQ-FM 103.1 Orlando, FL 39 WEAA-FM* 88.9 Baltimore, MD 20 WLVE-FM 93.9 Miami - Ft. Lauderdale - Hollywood, FL 12 WEMU -FM 89.1 Ypsilanti, MI 10 WFNX-FM 101.7 Boston, MA 133 WNUA-FM 95.5 Chicago, IL 3 WFSS-FM 91.9 Fayetteville, NC 128 WNWV-FM 107.3 Cleveland, OH 25 WGLT-FM 89.1 Peoria, IL 149 WPMJ-FM 94.3 Peoria, IL 149 WGMC-FM 90.1 Rochester, NY 54 WQCD-FM 101.9 New York, NY 1 WGVU-FM 88.5 Grand Rapids, MI 67 WSJT-FM 94.1 Tampa - St. Petersburg - Clearwater, FL 21 WHRV-FM 89.5 Norfolk - Virginia Beach - Newport News, VA 40 WSJW-FM 92.7 Harrisburg - Lebanon - Carlisle, PA 80 WICN-FM* 90.5 Worcester,MA 8 WSMJ-FM 104.3 Baltimore, MD 20 WJSU-FM 88.5 Jackson, MS 123 WSSM-FM 106.5 St. Louis, MO 19 WMOT-FM 89.5 Nashville, TN 44 WVAS-FM 90.7 Montgomery, AL 152 WNCU-FM 90.7 Raleigh - Durham, NC 43 WVMV-FM 98.7 Detroit, MI 10 WRTI-FM 90.1 Philadelphia, PA 6 WSHA-FM 88.9 Raleigh - Durham, NC 43 WXJZ-FM 100.9 Gainesville - Ocala, FL 87 WSIE-FM 88.7 St. Louis, MO 19 WYJZ-FM 100.9 Indianapolis, IN 41 WTEB-FM 89.3 Greenville,NC 87 WZMR-FM 104.9 Albany - Schenectady - Troy, NY 64 WUAL-FM 91.5 Tuscaloosa, AL 133 Music Choice National N/A WUCF-FM 89.9 Orlando, FL 39 WUMR-FM 91.7 Memphis, TN 48 WUSF-FM 89.7 Tampa - St. Petersburg - Clearwater, FL 21 Airplay of all stations, except as noted, is monitored by Mediaguide. WVPR-FM* 94.3 Burlington, VT-Plattsburgh, NY 220 WWOZ-FM 90.7 New Orleans, LA 46 To apply to become a member of a station panel, contact Tony WWSP-FM* 89.9 Wausau-Stevens Point, WI 198 Gasparre at (585) 235-4685, or email [email protected]. WXUT/WXTS-FM 88.3 Toledo, OH 85 Music Choice National Distribution N/A Sirius* National Distribution N/A *Denotes station not monitored by Mediaguide. Station submits a weekly airplay report. jazzweek.com • December 10, 2004 JazzWeek 26