American Art Museum Resources
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hut Among Trees Perpetual Ray of Sunshine
little of the types and character of seventeenth-cen 8. A case in point is The Travelers and The Old Oak (dis tury landscape pendants that his assertion cannot be cussed in the entry on The Travelers, 1942.9.31), which are 8 apparently companion pieces, but whose commonality, other totally discounted. than dimensions and date, is essentially that the compositions were both derived from Jacob van Ruisdael. Notes 1. Information found in the draft catalogue of Knoedler References paintings in the Mellon Collection at the National Gallery of 1829-1842 Smith, 6(1835): 149, no. 100; 9 (1842): 724- Art, written c. 1940 by G. H. McCall for Duveen Brothers. 725, no. 18. Other sources also state that the picture was owned by the 1854-1857 Waagen, 2: 202-203. younger Cobbe and that it was owned during the eighteenth 1854 Jervis, 2: 225, 344. century by one of his ancestors, but there is no other specific 1857 Thore (Burger): 291. mention of Charles Cobbe, archbishop of Dublin. 1859 Thore (Burger): 28-44. 2. Holford Collection 1927, 2: ix, produced by the executors 1860 Waagen, 2: 444. of Sir G. L. Holford's estate, says that the Hobbema that had 1861 Blanc, 2: 12. belonged to "Mr." (i.e. R. S.) Holford was sold to help pay his 1864 Scheltema: 214-226. death duties. Holford also owned another painting that came 1865 Thore (Burger): 291. to the National Gallery of Art by way of The Andrew W. 1890b Michel: 18, 50, 52. Mellon Collection, Anthony van Dyck's portrait of Marchesa 1891 Cundall: 56-58, 157. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/02/2011 to 11/08/2011 Last Period (TP) = 10/25/2011 to 11/01/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Jeff McLaughlin Quartet Blocks Owl Studios 2011 11 12 -1 2 27 Christian McBride Big The Good Feeling Mack Avenue 2011 9 3 6 Band 3 308 Pat Martino Undeniable: Live At Blues HighNote 2011 8 0 8 Alley 4 4 Dr. Michael White Adventures In New Basin Street 2011 7 9 -2 Orleans Jazz Pt. 1 4 8 Stefon Harris, David Ninety Miles Concord Picante 2011 7 8 -1 Sanchez, Christian Scott 4 14 Warren Wolf Warren Wolf Mack Avenue 2011 7 6 1 4 308 Houston Person So Nice HighNote 2011 7 0 7 8 4 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 6 9 -3 8 10 Orrin Evans Freedom Posi-Tone 2011 6 7 -1 10 1 Roy Haynes Roy-Alty Dreyfus 2011 5 13 -8 10 3 Cedar Walton The Bouncer High Note 2011 5 10 -5 10 8 Afro Bop Alliance Una Mas OA2 2011 5 8 -3 10 20 Alan Leatherman Detour Ahead AJL 2011 5 4 1 10 20 Dave Valentin Pure Imagination HighNote 2011 5 4 1 10 43 Sir Roland Hanna Colors From A Giant's Kit IPO 2011 5 2 3 10 43 Denise Donatelli What Lies Within Savant 2008 5 2 3 17 4 Bill O'Connell Triple Play Plus Three Zoho 2011 4 9 -5 17 10 John Stein Hi Fly Whaling City Sound 2011 4 7 -3 17 18 Gerald Beckett Standard Flute Summit 2011 4 5 -1 17 20 Denise Donatelli When Lights Are Low Savant 2010 4 4 0 17 27 Sammy Figueroa Urban Nature -
The Feast of the Annunciation
1 Pope Shenouda III series 5 THE FEAST OF THE ANNUNCIATION BY HIS HOLINESS AMBA SHENOUDA III, POPE AND PATRIARCH OF ALEXANDRIA AND OF THE APOSTOLIC SEE OF ALL THE PREDICATION OF SAINT MARK Translated from the Arabic first edition of April 1997 Available from: http://www.copticchurch.net 2 All rights are reserved to the author His Holiness Pope Shenouda III Pope and Patriarch of the See of Alexandria and of all the Predication of the Evangelist St. Mark Name of the book: The Feast of the Annunciation Author: His Holiness Pope Shenouda III Editor: Orthodox Coptic Clerical College, Cairo First Edition: April 1997 Press: Amba Rueiss, (Offset) - The Cathedral - Abbassia Deposition number at "The Library": 97 / 475 977 - 5345 - 38 In the Name of the Father, the Son, and the Holy Spirit, the One God, Amen. You will read in this pamphlet about the Annunciation of the Nativity of Christ, glory be to Him, and the annunciations which preceded and succeeded it. It is the annunciation of salvation for the world. It is the first feast of the Lord. It is an annunciation of love, because the reason of the Incarnation and Redemption is the love of God for the world. The Lord Christ has offered to us rejoicing annunciations and has presented God to us as a loving Father. What shall we then announce to people? Let there be in your mouths, all of you, a rejoicing annunciation for everybody. Pope Shenouda III 3 The feast of the Annunciation comes every year on the 29th of Baramhat. -
The Marian Philatelist, Whole No. 45
University of Dayton eCommons The Marian Philatelist Marian Library Special Collections 11-1-1969 The Marian Philatelist, Whole No. 45 A. S. Horn W. J. Hoffman Follow this and additional works at: https://ecommons.udayton.edu/imri_marian_philatelist Recommended Citation Horn, A. S. and Hoffman, W. J., "The Marian Philatelist, Whole No. 45" (1969). The Marian Philatelist. 45. https://ecommons.udayton.edu/imri_marian_philatelist/45 This Book is brought to you for free and open access by the Marian Library Special Collections at eCommons. It has been accepted for inclusion in The Marian Philatelist by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. ‘dhe Marian Philatelist PUBLISHED BY THE MARIAN PHILATELIC STUDY GROUP Business Address: Rev. A. S. Horn Chairman 224 Wsst Crystal View Aeeuee W. J. Hoffman Editor Canne, . Califrrnia '92667 , U.S.A. Vol. 7 No. 6 Whole No. 45 NOVEMBER 1, 1969 All data available to the time we went to 12C - (Class 2), ADORATION OF THE KINGS by press Vs listed even though stamps were not Gerard David (0.1460-1523). Almost entire available for illustration. painting reproduced. Original is wood, 23 1/2 x 23 inches, in the London National Gall NEW ISSUES ery. ANGUILLA: A 4-stamp Christmas issue released October 15, 1969. Designed by Victor Whitley 15C - (Class 2), ADORATION OF THE KINGS by based on stained glass windows ^Victoria and Vincenzo Foppa (c.1427-c.1515). Almost entire Albert Museum, London: painting seen on stamp. Original is wood, 6c,35c - (Class 2) ADORATION OF THE MAGI, by 94 x 83 inches, in the London National Gallery Guglieme de Marc^lat, with the arms of Pope Leo X, from the Cathedral of St. -
Hör Bar November – Januar 2004/2005 Ausgabe 05/04 Daniel Müller-Schott Kommt Mit Dem Warschauer Nationalorchester Warschauer Kommt Mit Dem Daniel Müller-Schott
08KHD01_09_04_LA 05.10.2004 15:32 Uhr Seite 1 Das Magazin für das Konzerthaus Dortmund hör_bar November – Januar 2004/2005 Ausgabe 05/04 Daniel Müller-Schott kommt mit dem Warschauer Nationalorchester Warschauer kommt mit dem Daniel Müller-Schott Wochenende der Stimmen Ben Heppner und Edita Gruberova Christmas-Show 2004 mit Ireen Sheer und Johannes Heesters Jahreswechsel 2004/05 Drei Konzerte im Konzerthaus Dortmund Flexibilität und Stilsicherheit Symphonieorchester des Bayerischen Rundfunks Poeten und Tastenlöwen Daniel Harding Klavier-Virtuose Arcadi Volodos Conductor in Residence 08KHD01_09_04_LA 05.10.2004 15:32 Uhr Seite 2 Dortmund – City Centre „Römischer Kaiser“ Tradition verpflichtet! 125 komfortable Zimmer, inkl. 18 Suiten, z.T. mit Whirpool und Klimaanlage, lassen keine Wünsche offen. 9 Konferenz- und Banketräume für Ihre Tagung, Seminar oder Feierlichkeit stehen für Sie bereit. Unsere Küche verwöhnt Sie mit regionalen und internatio- nalen Speisen der Saison. Genießen Sie gepflegte Biere, leckere Cocktails und internationale Spezialitäten in unserer Bar „Fortune“. Reinigung .Hausdienste Wir freuen uns auf Sie! Hauswirtschaft .Hygiene Holiday Inn Dortmund – City Centre „Römischer Kaiser“ Olpe 2 · 44135 Dortmund Tel.: 0231-5432-00 · Fax.: 0231-574354 Gebäudemanagement e-mail: [email protected] · www.roemischerkaiser.com Sicherheit Hörder Straße 276 58454 Witten www.guelich-gruppe.de 24-Stunden-Service: 02302/94 700 VAN HAM Kunstauktionen Unsere Herbst-Auktionen: Photographie Historische, klassische 29. Oktober 2004, 18h und zeitgenössische Photographien · Vintages Teppiche Ca. 300 alte und antike 3. November 2004 Sammlerteppiche große dekorative Teppiche Tapisserien und Textilien Alte Kunst Möbel · Silber · Porzellan 18. – 20. November 2004 Juwelen · Skulpturen Gemälde des 16.–19. Jh. Moderne und Gemälde · Aquarelle Zeitgenöss. Kunst Zeichnungen · Skulpturen 2. -
The Nativity of Our Lord Jesus Christ Festival Holy Eucharist Dear Friends, Merry Christmas! We’Re So Glad You’Ve Joined Us Here for a Cathedral Christmas
The Nativity of our Lord Jesus Christ festival holy eucharist Dear friends, Merry Christmas! We’re so glad you’ve joined us here for a Cathedral Christmas. Please know that the doors of this Cathedral are always open to you, and that everyone has a home here in this house of prayer for all people. During this busy time of year, I sometimes wonder what draws people to church, especially for those who rarely or never go to church for the rest of the year. There are so many demands on our time, and the places we go or the people we visit say something about what’s important. So why do churches tug on our heartstrings at this time of year? The Christmas story, at its core, is about that moment in time when God chose to dwell among us. In the church, we call it the Incarnation. Christmas is about that moment when God came closest to us, when the veil between heaven and earth slipped away and we could see and touch the very face of God. I think churches are the same way, or at least we try to be. In this glorious Cathedral, where the majestic space draws our eyes toward Heaven, we get a glimpse of that moment when God comes close. If you pause for a moment, you can feel the same sense of the incarnate God, Emmanuel, God with us. This is a place where God feels close. Maybe that’s why you’re here, in this Cathedral, this Christmas. However you got here or whatever drew you here, thank you for letting us share that experience with you, and for joining us to encounter God anew at Christmas. -
December 12, 2018, Feast of Our Lady of Guadalupe
Volume 23, Issue 4 — December 12, 2018 Your witness is alsoDec importantember 12to ,your 2018 bishop Feast and of his Our presbyterate Lady of as Guadalupe they seek renewal in their response To the Members of the United States Association of Consecrated Virgins, At the recent gathering of the United States Conference of Catholic Bishops most of our conversation was about the abuse crisis and the failure of the bishops to act or to hold one another accountable. The candor among the bishops was quite amazing and healthy. When I have explained the situation to folks in the diocese, I often phrase it this way, in three categories. First of all, regarding the abuse of minors the dioceses have done a good job of creating the 2002 Charter and all that followed from that, such that our environments are quite safe. The vast majority of reports coming after 2002, including the Pennsylvania report, deal with matters which happened prior to 2002. That does not mean that there will not be sin in the future, but our safe environments have hopefully reduced that possibility greatly. Now the graphic descriptions of what happened prior to 2002 are awful as is any abuse of a minor and the wounds in the lives of those folks are permanent, especially the spiritual wounds. Secondly, we have the Archbishop McCarrick situation. Bishops were not included in the 2002 Charter, as I understand it, due to an intervention by Rome, since Bishops could only be corrected or removed by Rome. The USCCB meeting was meant to address that situation, but as you Inside this Issue Page know, decisions regarding those documents have been delayed until after the February meeting in Rome with the Something Ancient- Pope and the presidents of the various Conferences of Something New 2 Bishops from around the world. -
Masters in Art : a Series of Illustrated Monographs
JULY, 1908 EL GRECO PRICE, 20 CENTS IftpStajHitflrt |^M|k EL GRECO PART 103'- VOLUME 9 JJateHflDGuildQompany, Kublteljerg 42<$aunit$tRrt MASTERS I N ART A SERIES OF ILLUSTRATED MONOGRAPHS: ISSUED MONTHLY PART 103 JULY VOLUME 9 351 <£r CONTENTS Plate I. The Annunciation Owned by Durand-Ruel Plate II. Portrait du Cardinal Tavera Museum, Toledo Plate III. The Assumption Art Institute, Chicago Plate IV. Portrait of Cardinal Sforza Pallavicino Art Museum, Boston Plate V. The Nativity Plate VI. St. Basil Prado Museum, Madrid Plate VII. Portrait of a Physician Prado Museum, Madrid Plate VIII. Portrait of Cardinal Don Fernando Nino de Guevara Private Collection Plate IX. Head of a Man Prado Museum, Madrid Plate X. Christ Dead in the Arms of God Prado Museum, Madrid The Life of El Greco Page 23 The Art of El Greco Page 28 Criticisms by Justi, Stirling-Max well, Muther, Ricketts, Lafond and Geffroy The Works of El Greco: Descriptions of the Plates and a List of Paintings Page 38 El Greco Bibliography Page 42 Photo-engravings by Suffolk Engraving and Electrotyping Co.: Boston. Press-work by the Everett Press: Boston. A complete index for previous numbers will be found in the Reader's Guide to Periodical Literature, which may be consulted in any library. PUBLISHERS’ ANNOUNCEMENTS SUBSCRIPTIONS: Yearly subscription, commencing with any number of the current calendar year, $2.00, payable in advance, postpaid to any address in the United States. To Canada, $2.25 ; to foreign countries in the Pos¬ tal Union, $2.50. As each yearly volume of the magazine commences with the January number, and as indexes and bindings are prepared for complete volumes, intending subscribers are advised to date their subscriptions from Jan¬ uary. -
Dutch Art, 17Th Century
Dutch Art, 17th century The Dutch Golden Age was a period in the history of the Netherlands, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. The first section is characterized by the Thirty Years' War, which ended in 1648. The Golden Age continued in peacetime during the Dutch Republic until the end of the century. The transition by the Netherlands to the foremost maritime and economic power in the world has been called the "Dutch Miracle" by historian K. W. Swart. Adriaen van Ostade (1610 – 1685) was a Dutch Golden Age painter of genre works. He and his brother were pupils of Frans Hals and like him, spent most of their lives in Haarlem. A01 The Painter in his Workshop 1633 A02 Resting Travelers 1671 David Teniers the Younger (1610 – 1690) was a Flemish painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history, genre, landscape, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians. A03 Peasant Wedding 1650 A04 Archduke Leopold Wilhelm in his gallery in Brussels Gerrit Dou (1613 – 1675), also known as Gerard and Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. -
A One-Semester Art History Course Outline for High School Students
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1965 A One-Semester Art History Course Outline for High School Students Patricia R. Grover Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Art Education Commons, Curriculum and Instruction Commons, and the Secondary Education and Teaching Commons Recommended Citation Grover, Patricia R., "A One-Semester Art History Course Outline for High School Students" (1965). All Master's Theses. 455. https://digitalcommons.cwu.edu/etd/455 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. A ONE-SEMESTER ART HISTORY COURSE ourLINB FOR HIGH SCHOOL STUDEN.rS A Thesis Presented to the Graduate Faculty Central Washington State College In Partial Fulfillment of the Requirements for the Degree Master of Education by Patricia R. Grover July 1965 • i ". ';. i:.; ~-ccb <,...6-0J £'Tl..J.,g. G'I APPROVED FOR THE GRADUATE FACULTY ________________________________ Edward C. Haines, COMMITTEE CHAIRMAN _________________________________ Louis A. Kollmeyer _________________________________ Clifford Erickson ACKNOWLBDGMENI' I wish to express my appreciation to all the members of my committee for the assistance they have given me, Mr. Haines, Dr. Brickson and Dr. Kollmeyer. Patricia R. Grover TABLE Of CONTENTS -
Mccoy Tynerin Ja Joey Calderazzon Pianosoolojen Analysointi Kappaleesta Pursuance
McCoy Tynerin ja Joey Calderazzon pianosoolojen analysointi kappaleesta Pursuance Pop/jazzmusiikin koulutusohjelma Muusikon suntautumisvaihtoehto Opinnäytetyö 20.4.2009 Henrik Wirzenius Kulttuurialat TIIVISTELMÄSIVU Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –muusikon suuntautumisvaihtoehto Tekijä Wirzenius Henrik Työn nimi McCoy Tynerin ja Joey Calderazzon pianosoolojen analysointi kappaleesta Pursuance Työn ohjaaja/ohjaajat Jukka Väisänen & Mikael Jakobsson Työn laji Aika Numeroidut sivut + liitteiden sivut Opinnäytetyö 20.4.2009 26 + 3 TIIVISTELMÄ Opinnäytetyössäni tutkin ja analysoin pianistien McCoy Tynerin ja Joey Calderazzon improvisoituja pianosooloja John Coltranen kappaleessa Pursuance. McCoy Tynerin soolo on A Love Supreme - levyltä (John Coltrane) ja Joey Calderazzon soolo on Footsteps of Our Fathers -levyltä (Branford Marsalis). Tavoitteena on saada syvempi käsitys pianistien modaalisista soittotyyleistä, sekä tutkia mitä yhtäläisyyksiä ja eroavaisuuksia sooloissa ilmenee. Tutkimusmateriaalina käytän omia transkriptioita kyseisistä sooloista. Vaikka pelkän transkription kautta ei pysty saavuttamaan täydellistä ja kokonaisvaltaista kuvaa tutkittavasta kohteesta, olen kui- tenkin rajoittanut tutkimukseni käsittelemään pelkästään transkriptioiden luomaa nuottikuvaa pystyäk- seni pitämään mahdollisimman objektiivisen ja analyyttisen näkökulman tutkimukseeni. Tutkimuksesta huomaa että yleisellä tasolla Tyner ja Calderazzo käyttävät paljon samanlaisia ilmiöitä ja kuvioita sooloissaan. Molemmat -
Sebastiano Del Piombo and His Collaboration with Michelangelo: Distance and Proximity to the Divine in Catholic Reformation Rome
SEBASTIANO DEL PIOMBO AND HIS COLLABORATION WITH MICHELANGELO: DISTANCE AND PROXIMITY TO THE DIVINE IN CATHOLIC REFORMATION ROME by Marsha Libina A dissertation submitted to the Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland April, 2015 © 2015 Marsha Libina All Rights Reserved Abstract This dissertation is structured around seven paintings that mark decisive moments in Sebastiano del Piombo’s Roman career (1511-47) and his collaboration with Michelangelo. Scholarship on Sebastiano’s collaborative works with Michelangelo typically concentrates on the artists’ division of labor and explains the works as a reconciliation of Venetian colorito (coloring) and Tuscan disegno (design). Consequently, discourses of interregional rivalry, center and periphery, and the normativity of the Roman High Renaissance become the overriding terms in which Sebastiano’s work is discussed. What has been overlooked is Sebastiano’s own visual intelligence, his active rather than passive use of Michelangelo’s skills, and the novelty of his works, made in response to reform currents of the early sixteenth century. This study investigates the significance behind Sebastiano’s repeating, slowing down, and narrowing in on the figure of Christ in his Roman works. The dissertation begins by addressing Sebastiano’s use of Michelangelo’s drawings as catalysts for his own inventions, demonstrating his investment in collaboration and strategies of citation as tools for artistic image-making. Focusing on Sebastiano’s reinvention of his partner’s drawings, it then looks at the ways in which the artist engaged with the central debates of the Catholic Reformation – debates on the Church’s mediation of the divine, the role of the individual in the path to personal salvation, and the increasingly problematic distance between the layperson and God.