DOCSLIB.ORG

Pink Floyd Feirer Jubileum Med Nytt Vinylslipp

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pink Floyd Feirer Jubileum Med Nytt Vinylslipp Pink Floyd - Division Bell 11-04-2019 15:00 CEST Pink Floyd feirer jubileum med nytt vinylslipp Pink Floyd Records feirer 25-års jubileet til The Division Bell, albumet fra 1994 som har solgt for mange millioner og inneholder den Grammy-vinnende låta "Marooned", med å gi ut en ny versjon. Den vil bli utgitt 7. juni som gjennomsiktig blå vinyl (lik den originale utgivelsen) fra 1994. The Division Bell var det siste studioalbumet som ble spilt inn med bandet: David Gilmour, Nick Mason og Richard Wright. Albumet gikk rett inn på 1. plass Storbritannia, USA, Australia og New Zealand, lå som nr. 1 i fire uker på den amerikanske Billboard-listen og har i dag solgt over 12 millioner eksemplarer. The Division Bell ble spilt inn i Astoria og Britannia Row Studios og majoriteten av tekstene ble skrevet av Polly Samson og David Gilmour. David Gilmour uttalte følgende: “The three of us went into Britannia Row studios, and improvised for two weeks. Playing together and starting from scratch was interesting and exciting, it kick-started the album and the process was very good, it was collaborative and felt more cohesive.” The Division Bell inneholder 11 låter inkludert "A Great Day For Freedom", "Keep Talking" (featuring a sampled Stephen Hawking), "High Hopes", og Pink Floyd’s eneste Grammy-vinnende låt, instrumental-låta "Marooned". En video for "Marooned"ble laget for 20-årsjubileet da man slapp Immersion- utgivelsen av albumet, og har nå blitt sett av over 25 millioner. Denne høyt anerkjente videoen ble produsert Aubrey Powell fra Hipgnosis, filmet i Chernobyl og inneholdt også utrolige bilder fra verdensrommet filmet av NASA. Forfatteren Douglas Adams foreslo albumtittelen, basert på en linje fra Polly Samson’s tekst i låta "High Hopes" som refererer til ringeklokken i det engelske parlamentet, som det ringes med når representantene må finne sine plasser der. The Division Bell sitt front cover var det første Pink Floyd bildet som ble brukt som et Royal Mail frimerke i en serie kalt "Classic Album Covers". Dette ikoniske coveret med de to store metall-hodene som snakker med hverandre ( og som blir til et tredje hode) ble laget av Storm Thorgersen som laget de fleste coverne til Pink Floyd via sitt firma Hipgnosis. To til tre meter store metal hoder som veide over 1500 kilogram ble plassert ute på et jorde i Cambridgeshire, og fotografert gjennom en to ukers periode i alle slags typer vær. Den vakre Ely Cathedral kan sees i bakgrunnen gjennom skulpturenes munn. Disse skulpturene er det for øyeblikket mulig å se som en del av "The Pink Floyd Exhibition: Their Mortal Remains" som nå turnerer verden rundt. Disse bildene har ført til mange diskusjoner blant fans om hva budskapet kan være. Den eneste forklaringen som har kommet er fra Thorgerson: "It was intended that the viewer should not see both at the same time. One saw the single face, or the two profiles which meant that they were then communicating with the image.” Dette refererer igjen til det som er albumets tema; kommunikasjon for å snakke om problemer og finne løsninger. Dette albumet ble remastret for utgivelse i 2014 av James Guthrie, Joel Plante og Doug Sax i The Mastering Lab direkte fra de originale analoge master tapene. Bob Ezrin og David Gilmour produserte det originale albumet, og orkester arrangement sto den nå avdøde Michael Kamen for. Track Listing: Disc 1 Side 1 Cluster One (Richard Wright, David Gilmour) What Do You Want From Me (Music: David Gilmour, Richard Wright - Lyrics: Polly Samson, David Gilmour) Poles Apart (Music: David Gilmour- Lyrics: Polly Samson, David Gilmour, Nick Laird-Clowes) Disc 1 Side 2 Marooned (Richard Wright, David Gilmour) A Great Day For Freedom (Music: David Gilmour - Lyrics: Polly Samson , David Gilmour) Wearing The Inside Out (Music: Richard Wright - Lyrics: Anthony Moore) Disc 2 Side 1 Take It Back (Music: David Gilmour, Bob Ezrin - Lyrics: Polly Samson, David Gilmour, Nick Laird-Clowes) Coming Back To Life (David Gilmour) Keep Talking (Music: David Gilmour, Richard Wright - Lyrics: Polly Samson, David Gilmour) Disc 2 Side 2 Lost For Words (Music: David Gilmour - Lyrics: Polly Samson, David Gilmour) High Hopes (Music: David Gilmour - Lyrics: Polly Samson, David Gilmour) Warner Music Norway - et Warner Music Group selskap. Vi gir ut musikk fra Atlantic Records, Warner Bros, Big Beat, Rhino, Parlophone, Fueled by Ramen, Elektra, Roadrunner Records, Because Music og mange flere. Følg Warner Music Norway på Facebook, Instagram og Twitter, og besøk vår hjemmeside her. Kontaktpersoner Matea Grøvik Pressekontakt Prosjektleder [email protected] + 47 478 65 722 Mona Olsen Pressekontakt Senior Project Manager Domestic [email protected] +47 95 82 54 20 Yordana Jakobsen Pressekontakt International Project Manager [email protected] +47 47 30 64 73.
Load more

Recommended publications
  • Today by Charles
    This script was freely downloaded from the (re)making project, (charlesmee.org). We hope you'll consider supporting the project by making a donation so that we can keep it free. Please click here to make a donation. Today by C H A R L E S L . M E E Music. A guy brings out a wooden box and puts it down and throws 15 or 20 wine bottles into it throws them so hard they all shatter and then he sticks his head down into the box and does a head stand and he gets a guy to stand on his neck or the back of his head to shove his head down hard into the box and then he stands up and his head and his face are covered with blood and it wasn’t a trick he didn’t have a trick he just cut himself up all over his head. Music. Music. Music. Music. Music. Music. Music. Music. Music. Music. Music. 1 People come through from one side to the other, in and out: The five year old girl, eating an ice cream cone, smiling, sitting in a red wagon pulled by her father. A golf cart, driven like crazy by a caddy, while, in the back, a couple embraces passionately. A couple being pulled along on a picnic blanket with food and a champagne bottle in a bucket, and she is drinking and drinking and drinking the champagne. An electric wheelchair— a man driving, a woman sitting on the handlebars, she running her fingers through his hair over and over and over.
    [Show full text]
  • The 2019 Programme
    Shenington with Alkerton’s Music & Literature Festival The 2019 Programme Shenington with Alkerton’s Music & Literature Festival Welcome to Shenfest 2019 We are again pleased to welcome our community together, with their family and friends, to have fun, to enjoy quality music and literature events and to help raise money for great local causes. Help and encouragement has come from many sources but we would particularly like to thank our sponsors and advertisers. Their kindness and generosity has allowed our costs to be covered and thus we are able again to make entry to all events FREE. We would like to encourage everyone attending to make donations at each event to help maintain our two beautiful Norman churches and to support the inspiring work of the Banbury Young Homelessness Project (BYHP). The programme summary for Shenfest 2019, complete with timing and location details, is on the back page of this brochure. The festival begins with an evening of jazz and swing from the Great Central Big Band, followed by more contemporary music in The Bell. Little Shenfest has a Narnia theme at lunchtime on Saturday and is followed by a talk in Alkerton church by Jacqui Furneaux about her extended trip through Asia and South America on a Royal Enfield Bullet motorbike. We are then very fortunate to have a quintet from the London Mozart Players as our main musical event on Saturday evening. In contrast, The Bell will then host The Popes until late into the evening. On Sunday afternoon the Sloggers again take on The Authors at the cricket ground in Wroxton.
    [Show full text]
  • Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017
    Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017 Quelle: http://www.videodiskothek.com The Orb + David Gilmour - Metallic Spheres (audio only) Alan Parsons + David Gilmour - Return To Tunguska (audio only) Pink Floyd - The Dark Side Of The Moon (full album) Roger Waters - Wait For Her David Gilmour - Rattle That Lock Pink Floyd - Another Brick In The Wall Pink Floyd - Marooned Pink Floyd - On The Turning Away Pink Floyd - Wish You Were Here (live) Pink Floyd - The Gunners Dream Pink Floyd - The Final Cut Pink Floyd - Not Now John Pink Floyd - The Fletcher Memorial Home Pink Floyd - Set The Controls For The Heart Of The Sun Pink Floyd - High Hopes Pink Floyd - The Endless River (full album) [LASERSHOW] Pink Floyd - Cluster One Pink Floyd - What Do You Want From Me Pink Floyd - Astronomy Domine Pink Floyd - Childhood's End Pink Floyd - Goodbye Blue Sky Pink Floyd - One Slip Pink Floyd - Take It Back Pink Floyd - Welcome To The Machine Pink Floyd - Pigs On The Wing Roger Waters - Dogs (live) David Gilmour - Faces Of Stone Richard Wright + David Gilmour - Breakthrough (live) Pink Floyd - A Great Day For Freedom Pink Floyd - Arnold Lane Pink Floyd - Mother Pink Floyd - Anisina Pink Floyd - Keep Talking (live) Pink Floyd - Hey You Pink Floyd - Run Like Hell (live) Pink Floyd - One Of These Days Pink Floyd - Echoes (quad mix) [LASERSHOW] Pink Floyd - Shine On You Crazy Diamond Pink Floyd - Wish You Were Here Pink Floyd - Signs Of Life Pink Floyd - Learning To Fly David Gilmour - In Any Tongue Roger Waters - Perfect Sense (live) David Gilmour - Murder Roger Waters - The Last Refugee Pink Floyd - Coming Back To Life (live) Pink Floyd - See Emily Play Pink Floyd - Sorrow (live) Roger Waters - Amused To Death (live) Pink Floyd - Wearing The Inside Out Pink Floyd - Comfortably Numb.
    [Show full text]
  • Interview with LINCOLN MAYORGA Was Conducted by the Library of Congress on July 14, 2015
    This interview with LINCOLN MAYORGA was conducted by the Library of Congress on July 14, 2015. Lincoln Mayorga LOC: In an online narrative you wrote about the creation of Sheffield Lab, you mention that “one afternoon in 1959” you and Doug Sax went to Electrovox studios. Had you done research and scoped out that facility prior to your visit? LM: I had been there before in 1955 with a singer for some demos so I was aware of the place. It looked like an old-time radio studio—which is what it was. Equipment from the 1930s and 40s. It had had the same ownership since 1931. We [LM and Doug Sax] had been speculating about what went on with tape recording. It occurred to us that if one went direct to disc we could bypass the negative qualities of tape. And that dawned on me one day when we were in the neighborhood. The studio had not changed in decades. We went in, they were not busy, they were delighted to to talk to us. We asked them if they would let us cut a demo disc but NOT the way they normally would, but record directly to their cutting system. Their equipment was amazingly well preserved, though antique. The microphones were RCA ribbon microphones, one-time broadcast standard. Their lathe was from the age of early talking pictures, around 1929. So, without much ado, we cut a disc. When we were done, I didn’t want to play it on their equipment. I thought their tone arm was too heavy and I didn’t want to do damage to the disc.
    [Show full text]
  • “WISH YOU WERE HERE” RECORDING SESSIONS ROGER WATERS Di Jill Furmanovsky
    “WISH YOU WERE HERE” RECORDING SESSIONS ROGER WATERS di Jill Furmanovsky Luogo: Abbey Road Studios, Londra. Data: 1975. ll racconto: “Erano passati solo alcuni mesi dal tour di Dark Side of the Moon e Storm mi contattò chiedendomi di andare negli studi di registrazione di Abbey Road per fotografare i Pink Floyd al lavoro. Mi chiese anche di fotografare usando la massima discrezione. Iniziò così la mia esperienza quotidiana al fianco della band che stava per creare uno dei capolavori della musica contemporanea.” Edizione: Edizione 30. Qualità di stampa: stampa Fine Art digitale d’archivio su carta Hahnemuhle. Catalogo: PINKFLOYD001JF “WISH YOU WERE HERE” RECORDING SESSIONS DAVID GILMOUR di Jill Furmanovsky Luogo: Abbey Road Studios, Londra. Data: 1975. Il racconto: “Sfortunatamente non mi trovavo in studio durante la leggendaria visita di Syd Barrett, il 9 giugno del 1975. Syd, grande amico e membro della band fino al 1968, lasciò i Pink Floyd per problemi psichici legati all’abuso di LSD. Syd apparve senza preavviso nel mezzo di una sessione di registrazione e venne riconosciuto a fatica dagli altri. Era molto ingrassato ed aveva la testa e le sopracciglia rasate. Dopo attimi di sconcerto generale, Gilmour lo invitò al suo ricevimento di nozze presso gli uffici della EMI, che si svolgeva proprio quel giorno. Syd accettò di seguire i compagni ma poi scomparve così come era apparso e nessun membro della band lo vide più fino al giorno della sua morte, nel 2006. “Shine on you crazy diamond” è dedicata a lui.” Edizione: Edizione 30. Qualità di stampa: stampa Fine Art digitale d’archivio su carta Hahnemuhle.
    [Show full text]
  • And So It Happened and Not by Chance
    And So It Happened and Not by Chance by Sister Pulcheria Sparkman, SSMO Book Two Copyright © Sisters of St. Mary of Oregon This copy was typeset by Henry Strobel from the typewritten annotated manuscript for internal use with permission by St. Boniface Archives & Museum, Sublimity, Oregon March 2008 Beaverton, Oregon, 2008 This is Book Two, continuing the order’s history from about 1899 to 1965 in Beaverton. Sister Pulcheria, Director of Studies and Historian, joined the order in 1910 and died in 1980. TABLE 0F CONTENTS, BOOK TWO Page PART III CHAPTER I - The Fourth Archbishop of Oregon City (1899-1925) .................................... 5 A New Friend for the Sisters 5 The Archbishop's Greatest Work 5 The Archbishop Sends Us Two Postulants (Sr. M. Annunciata and Sr. M. Regis) 5 Two Decades of Visible Growth 6 St. Alphonsus Academy, Tillamook 6 A Deep Well 7 The Primary Pupils Act Mother Goose 7 Georgia Vidito Makes Her First Holy Communion 7 CHAPTER II - Guests at St. Mary's Home ........................................................ 7 Father Anthony Moore 8 The Fifth Superintendent of St. Mary's Home 8 Father Murphy at St. Mary's Home (1905-190?) 8 The Archbishop and His Priest 9 The First Automobile Ride - 1906 9 State Highway Number 9 St. Louis - District 59 10 Sacred Heart School, Gervais 10 St. Stephen's - Portland Holy Cross School - Portland 10 St. Francis of Assisi School - Roy 10 St. Cecilia's School - Beaverton, and St. Matthew's School, Millsboro 11 St. Agatha's School - Sellwood 11 St. John Baptist School - Milwaukie 11 St. Andrew's School - Albina 11 St.
    [Show full text]
  • Find Your Greek Island Love Match
    6 *** Sunday 20 June 2021 The Sunday Telegraph The Sunday Telegraph Sunday 20 June 2021 *** 7 Greece Tile style: Pyrgi ciples – from Orthodox pilgrims to jet- Tinos by accident – they hopped over village in Chios is setting fashion editors – Patmos is the from Mykonos while waiting for a little known but full of character Alpha and Omega of Greek islands. delayed flight. “We’d visited lots of Patmos is an eight-hour ferry ride Aegean Islands, though Tinos, typified Find your At the helm: from Athens. The nearest international in guides as a Greek Lourdes, somehow island hop airport is five islands away. Scott got missed,” recalls Peter. “We found around the Williams (01749 812721; scottwilliams. beautiful landscapes, fields of arti - archipelago by co.uk) has a couple of handsome villas on chokes, heavenly beaches and excellent hiring a boat Patmos, from €2,900 (£2,490) per week. tavernas. In a green valley dotted with car-free villages, someone showed us an ancient, dilapidated house once the Greek island home of a bishop. It was for sale. Our life K suddenly changed – too big to restore is for Kea for just the two of us, we created a hotel set among quiet terraces.” Filled with The closest to Athens of all the Cyclades, contemporary art and design, local Kea is a game of two halves. The yacht marble, mosaics, and antiques, Xinara love match set flirt over lobster spaghetti in the bays House is one of the most exceptional of Vourkari and Koundouros, while pur- guesthouses in Greece. ists commune with nature in the oak- Prices per night (low season) from Quick fling or lengthy affair, you’ll find your ideal clad hills, where sheep huddle around €100 (£85) for 2-3 people, €375 (£320) ice-cold springs, and farmers till their for 8-10 people (xinarahouse.com).
    [Show full text]
  • Marooned Japanese Brought from Hermes Reef
    r if if ir inr if c if if if ir if if ir if ar ir id U. S. WEATHER BU-REA- U, i r r SUGAR96 Test Jan. 16-- Last Centrifugals, 24hours'rainfall,.00. 3.7Icj Per Ton, Temperature, max.75, $74.20. 88 Analysis Beets, min. 67. Weather, 10$. I d. Per Ton, $82.-8- fair. 0. VOL. VII., NO. 316. HONOLULU, TERRITORY, SUNDAY, JANUARY --CIXTEEN PAGES. vmc. vi Wat nr uarco 1ST. TROOPERS OF FIFTH Marooned Japanese Brought PRESIDENT'S THREAT CAVALRY SETTLE DOWN From Hermes Reef OF LIBEL SUIT LIKELY ; Alone on a desert island in mid- - hooks and lines with them and thus were ocean, death ever hovering over them, able to depend on a fairly con-sta- food supply. THEIR NEW POST deprived of every comfort, often on They had also a limited supply of TO BE CARRIED OUT the verge of starvation and frequently matches, but it was soon, exhausted in tortured by thirst, beaten by wind and lighting signal fires, cooking, and mak- storm and for days and days without ing, fires for the purpose of evaporating sea was water, and then the worst of their the blessed boon of fire, such the troubles confronted them. lot of three Japanese sailors who were Military Without a Name Is Now a Busy Their supply of fresh water was ex- Camp rescued from an island of the Pearl hausted, and without matches they Newspaper Correspondents Called by Grand and Hermes Reef by the Commercial could light no fire with which to do Community Brigade Post Is Next Step Pacific Cable Company's auxiliary sup- the work of evaporating.
    [Show full text]
  • Trust Account Basics
    TRUST ACCOUNT (Also known as an IOLTA account – Interest on Lawyer’s Trust Account) Is a trust account required for all attorneys in Arizona? No, not all attorneys will require the use of a trust account. Public, corporate and indigent representation agency attorneys are a few that do not require the use of a trust account. Also, attorneys who do not accept money that belongs in the trust account do not need one. Be sure to read Rules 42 E.R. 1.5 (fees), 1.15 (safekeeping property) and Rule 43, Ariz.R.Sup.Ct. I. How to determine whether your practice requires a trust account. 1. What does your fee agreement determine? As stated in Rule 42, E.R. 1.5, written agreements are required with every client. This should include the scope of representation and how much. Therefore, does your fee agreement say earned upon receipt or advanced fees and costs. 2. Do you hold money on behalf of a client (settlement, hold for division of property, etc)? 3. If you do not accept any money in advance for work, costs (filing fees, expert witnesses etc) or from third parties (settlements, etc) you may not need a trust account. Review the rules again to be sure that you do not require the use of a trust account. Also you may call ethics counsel at 602-340-7284. 4. If you accept money in advance for fees and costs, you will need a trust account. 5. If you answered yes to question 2, you will need a trust account.
    [Show full text]
  • Book Proposal 3
    Rock and Roll has Tender Moments too... ! Photographs by Chalkie Davies 1973-1988 ! For as long as I can remember people have suggested that I write a book, citing both my exploits in Rock and Roll from 1973-1988 and my story telling abilities. After all, with my position as staff photographer on the NME and later The Face and Arena, I collected pop stars like others collected stamps, I was not happy until I had photographed everyone who interested me. However, given that the access I had to my friends and clients was often unlimited and 24/7 I did not feel it was fair to them that I should write it all down. I refused all offers. Then in 2010 I was approached by the National Museum of Wales, they wanted to put on a retrospective of my work, this gave me a special opportunity. In 1988 I gave up Rock and Roll, I no longer enjoyed the music and, quite simply, too many of my friends had died, I feared I might be next. So I put all of my negatives into storage at a friends Studio and decided that maybe 25 years later the images you see here might be of some cultural significance, that they might be seen as more than just pictures of Rock Stars, Pop Bands and Punks. That they even might be worthy of a Museum. So when the Museum approached me three years ago with the idea of a large six month Retrospective in 2015 I agreed, and thought of doing the usual thing and making a Catalogue.
    [Show full text]
  • Album- Cover-Art
    Making Music Visible? Album-Cover-Art als Konzept der Überschreitung zwischen auditiver und visueller Kunst Storm Thorgersons Gestaltung des Plattencovers „The Division Bell“ von Pink Floyd Entwicklung des Plattencover-Designs als künstlerisches Medium Entstehung Tonträger (Edisons Walzenphonograph um 1877, Berliners Grammophon um 1887) Änderung Verkaufstechniken ab 1940er Jahre neuer Stellenwert des Plattencover-Designs neue soziale Kontexte des Musikhörens, Musik wird zur Ware zuvor Platten meist hinter Theke, Kauf-Entscheidung über Verkaufsgespräch, Wachswalzen, Edison Zylinder und späterer ‚Amberol‘-Zylinder in Boxen verstaut ‚Bücherregal-Präsentationsform‘ Cover erst sichtbar, wenn Verkäufer Platte aus Regal holt standardisierte Dekoration mit wenigen dekorativen Verzierungen und Werbespruch Hinwendung zum ‚self-service‘ ‚impulse-buying‘, visueller Anreiz ersetzt verbale zur Qualität des Produktes; Aufkleber signalisierte, welche Aufnahme in Box Kommunikation zweckmäßige Verpackung zum Schutz der Schallplatte bis 1910 Standard neue Präsentationsform galerieähnliche Inszenierung, Cover nach vorne ausgerichtet Papiertüten ohne Verzierung, wichtige Infos waren auf Label direkt auf der Platte Plattenhülle als Werbemittel Signalwert Cover-Design, Aufmerksamkeitserreger visueller später wurde durch eine Aussparung in der Mitte der Papiertüte das Label nach außen freigelegt Papierplattenhülle, Anreiz animiert Konsumenten zum Herausnehmen und Betrachten, Anhören und Kaufen dann entstanden Designs auf Papiertüten, die sich
    [Show full text]
  • The Cluster Policies Whitebook the Cluster Policies Whitebook
    THE CLUSTER POLICIES WHITEBOOK THE CLUSTER POLICIES WHITEBOOK Andersson, Schwaag Serger, Sörvik and Wise Hansson Andersson, Schwaag Serger, Thomas Andersson Sylvia Schwaag Serger Jens Sörvik Emily Wise Hansson IKED INTERNATIONAL ORGANISATION FOR KNOWLEDGE ECONOMY AND ENTERPRISE DEVELOPMENT IKED - INTERNATIONAL ORGANISATION FOR KNOWLEDGE ECONOMY AND ENTERPRISE DEVELOPMENT Stortorget 29, S-211 34 Malmö, Sweden [email protected] www.iked.org THE CLUSTER POLICIES WHITEBOOK This document is distributed by the International Organisation for Knowledge Economy and Enterprise Development (IKED) IKED is an independent, non-profit association and international organisation focusing on the emerging issues of the knowledge-based economy. IKED specialises in activities linking the primary actors forming the knowledge-based economy: government, industry, academia and civil society. The organisation engages in international networks, arranges policy forums and policy reviews, and works with partners aiming for reforms and concrete actions in support of the development and use of knowledge. _________________________________________________________________ IKED - International Organisation for Knowledge Economy and Enterprise Development Stortorget 29 Tel: +46 (0) 40 - 17 65 00 [email protected] S-211 34 Malmö Fax:+46 (0) 40 - 17 65 01 www.iked.org Sweden ISBN 91-85281-03-4 © IKED 2004 Title: The Cluster Policies Whitebook Author: Thomas Andersson, Sylvia Schwaag-Serger, Jens Sörvik, Emily Wise Hansson Illustrations: Boyan Kostadinov Published: August 2004 Publisher: IKED Printed by: Holmbergs p. ii THE CLUSTER POLICIES WHITEBOOK p. iii THE CLUSTER POLICIES WHITEBOOK THE CLUSTER POLICIES WHITEBOOK Thomas Andersson Sylvia Schwaag Serger Jens Sörvik Emily Wise Hansson p. i THE CLUSTER POLICIES WHITEBOOK p. ii THE CLUSTER POLICIES WHITEBOOK CONTENTS FOREWORD p.vii ACKNOWLEDGEMENTS p.ix EXECUTIVE SUMMARY p.1 PART I 1.
    [Show full text]