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"Patria É Intereses": Reflections on the Origins and Changing Meanings of Ilustrado
3DWULD«LQWHUHVHV5HIOHFWLRQVRQWKH2ULJLQVDQG &KDQJLQJ0HDQLQJVRI,OXVWUDGR Caroline Sy Hau Philippine Studies, Volume 59, Number 1, March 2011, pp. 3-54 (Article) Published by Ateneo de Manila University DOI: 10.1353/phs.2011.0005 For additional information about this article http://muse.jhu.edu/journals/phs/summary/v059/59.1.hau.html Access provided by University of Warwick (5 Oct 2014 14:43 GMT) CAROLINE SY Hau “Patria é intereses” 1 Reflections on the Origins and Changing Meanings of Ilustrado Miguel Syjuco’s acclaimed novel Ilustrado (2010) was written not just for an international readership, but also for a Filipino audience. Through an analysis of the historical origins and changing meanings of “ilustrado” in Philippine literary and nationalist discourse, this article looks at the politics of reading and writing that have shaped international and domestic reception of the novel. While the novel seeks to resignify the hitherto class- bound concept of “ilustrado” to include Overseas Filipino Workers (OFWs), historical and contemporary usages of the term present conceptual and practical difficulties and challenges that require a new intellectual paradigm for understanding Philippine society. Keywords: rizal • novel • ofw • ilustrado • nationalism PHILIPPINE STUDIES 59, NO. 1 (2011) 3–54 © Ateneo de Manila University iguel Syjuco’s Ilustrado (2010) is arguably the first contemporary novel by a Filipino to have a global presence and impact (fig. 1). Published in America by Farrar, Straus and Giroux and in Great Britain by Picador, the novel has garnered rave reviews across Mthe Atlantic and received press coverage in the Commonwealth nations of Australia and Canada (where Syjuco is currently based). -
Adelaidean Volume 17 Number 10 December 2008
FREE Publication December 2008 | Volume 17 | Number 10 inside this issue 8 Cricket ball Family unit set in Stone Age quality takes a knock 10 South Australian Engineering of the Year Awards A study by a University of Adelaide sports engineer shows that not all cricket balls are consistently manufactured, causing quality issues and potentially having major 15 implications for cricket matches. Creative writing student The research, conducted by wins literary prize the coordinator of the Sports Engineering degree program at the University of Adelaide, Associate Professor Franz Konstantin Fuss, studied fi ve models of cricket balls manufactured in Australia, India and 17 Pakistan. The study looked at the methods Penguins’ not-so-happy of construction, stiffness, viscous ending discovered in DNA and elastic properties, and included changes to the balls’ performance under compression and stress relaxation tests. Dr Fuss found that the model manufactured in Australia – the Kookaburra Special Test – was the only cricket ball manufactured consistently. The other four models were found to have inconsistent “stiffness”, which can play an important part in how a ball reacts when struck by the bat. “In contrast to other sport balls, most cricket balls are still hand-made, which may affect the consistency of manufacturing and thus the properties of a ball,” Dr Fuss said. story continued on page 18 Adelaidean Adelaidean is the offi cial newspaper of the University of Adelaide. It provides news and information about the University to the general public, with a focus on Life Impact. Circulation: 11,000 per month From the Vice-Chancellor (March to December) Online readership: 90,000 hits per month (on average) www.adelaide.edu.au/adelaidean Editor: The world is defi nitely getting smaller. -
Fantasy Illustration As an Expression of Postmodern 'Primitivism': the Green Man and the Forest Emily Tolson
Fantasy Illustration as an Expression of Postmodern 'Primitivism': The Green Man and the Forest Emily Tolson , Thesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at the University of Stellenbosch. Supervisor: Lize Van Robbroeck Co-Supervisor: Paddy Bouma April 2006 Stellenbosch University https://scholar.sun.ac.za Dedaratfton:n I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any Date o~/o?,}01> 11 Stellenbosch University https://scholar.sun.ac.za Albs tract This study demonstrates that Fantasy in general, and the Green Man in particular, is a postmodern manifestation of a long tradition of modernity critique. The first chapter focuses on outlining the history of 'primitivist' thought in the West, while Chapter Two discusses the implications of Fantasy as postmodern 'primitivism', with a brief discussion of examples. Chapter Three provides an in-depth look at the Green Man as an example of Fantasy as postmodern 'primitivism'. The fmal chapter further explores the invented tradition of the Green Man within the context of New Age spirituality and religion. The study aims to demonstrate that, like the Romantic counterculture that preceded it, Fantasy is a revolt against increased secularisation, industrialisation and nihilism. The discussion argues that in postmodernism the Wilderness (in the form of the forest) is embraced through the iconography of the Green Man. The Green Man is a pre-Christian symbol found carved in wood and stone, in temples and churches and on graves throughout Europe, but his origins and original meaning are unknown, and remain a controversial topic. -
List of Books S.N
LIST OF BOOKS S.N. Book Author Edition Publisher Place 10 Minute Guide to Microsoft Exchange. 1st Ed. Prentic-Hall of India Private Limited. M/s English Book Depot 1 2 100 Great Books. 1st Ed. Rupa & Co M/s Modern Book Depote, 3 100 Great Lives of Antiquity. 1st Ed. Rupa & Co M/s. Sabdaloka, Ranihat, Cuttack 4 100 Great Nineteenth Century Lives. 1st Ed. Rupa & Co M/s. Sabdaloka, Ranihat, Cuttack 5 100 Pretentious Nursery Rhymes. 1st Ed. Rupa & Co M/s Sabnam Books, Badambadi, 6 100 Pretentious Proverbs. 1st Ed. Rupa & Co M/s Sabnam Books, Badambadi, 7 100 Stories. 1st Ed. Better Yourself Books 8 100 Years with Nobel Laureates. 1st Ed. I K International Pvt Ltd 9 1000 Animal Quiz. 7th Ed. Rupa & Co M/s. Sabdaloka, Ranihat, Cuttack 10 1000 Chemistery Quiz. C Dube 3rd Ed. Rupa & Co M/s. Sabdaloka, Ranihat, Cuttack 11 1000 Economics Quiz. 1st Ed. Rupa & Co M/s. Sabdaloka, Ranihat, Cuttack 12 1000 Economics Quiz. 4th Ed. Rupa & Co M/s Sabnam Books, Badambadi, 13 1000 Great Events. 6th Ed. The Hamlyn Publishing Group Ltd. M/s Dreamland, 14 1000 Great Lives. 7th Ed. The Hamlyn Publishing Group Ltd. M/s Dreamland, 15 1000 Literature Quiz. 4th Ed. Rupa & Co M/s. Sabdaloka, Ranihat, Cuttack 16 1000 Orissa Quiz. 1st Ed. Rupa & Co M/s. Sabdaloka, Ranihat, Cuttack 17 1000 Wordpower Quiz. 1st Ed. Rupa & Co M/s. Sabdaloka, Ranihat, Cuttack 18 101 Grandma's Tales for Children. 1st Ed. Dhingra Publishing House 19 101 Moral Stories of Grandpa. -
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (Eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES The series is attached to Philosophy at Sder- trn University. Published in the series are es- says as well as anthologies, with a particular em- phasis on the continental tradition, understood in its broadest sense, from German idealism to phenomenology, hermeneutics, critical theory and contemporary French philosophy. The com- mission of the series is to provide a platform for the promotion of timely and innovative phil- osophical research. Contributions to the series are published in English or Swedish. Cover image: Kristofer Nilson, System (Portrait of a Swedish Tax Form), 2020, Lead pencil drawing on chalk paint, on mdf 59.2 x 42 cm. Photo: Jesper Petersen. Te Swedish tax form is one of many systems designed to handle and present information. Mapped onto the surface of an artwork, it opens a free space; an untouched surface where everything can exist at the same time. Kristofer Nilson Critical Theory Past, Present, Future Edited by Anders Bartonek & Sven-Olov Wallenstein Sdertrns hgskola Sdertrns University Library SE-141 89 Huddinge www.sh.se/publications © the Authors Published under Creative Commons Attribution 3.0 Unported License Cover layout: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2021 Sdertrn Philosophical Studies 28 ISSN 1651-6834 Sdertrn Academic Studies 83 ISSN 1650-433X ISBN 978-91-89109-35-3 (print) ISBN 978-91-89109-36-0 (digital) Contents Introduction -
PAT HOFFIE: Skatebowl in a Gallery, Ipswich Essay by Julianne Schultz
PAT HOFFIE: Skatebowl in a Gallery, Ipswich essay by Julianne Schultz MONA – the Museum of Old and New Art – is a glamorous curiosity box on the banks of the Derwent River at Glenorchy in working class Hobart. In just a few years it has been the catalyst of and economic and social transformation – crystallising the cultural essence of early twenty-first century Tasmania, and changing notions of productive work. In the process it has put the state on the global tourism agenda, providing opportunities for artists, craftspeople, performers and thinkers to find like minded souls and develop new businesses and to stretch the horizons and possibilities for countless others. Similar interventions are occurring around the world, as artists, entrepreneurs, local administrators and communities stretch the boundaries of engagement, creativity and art. Skatebowl in a Gallery, Ipswich is the most recent move into this space by the important Brisbane artist, Pat Hoffie. That this work, titled Immaterial Labour: Skatebowl Prounspace has found a home at the Ipswich Art Gallery is itself important – it is the juxtapostion of works like this in unexpected places, and with people who may not routinely visit a gallery, that adds to their power and impact. MONA is a great example. It is itself arguably as much a work of art – of genius – as some of the works assembled in its subterranean galleries and inspiring spaces. It is a product of vision and skill of one man, David Walsh, executed with unstinting precision using the proceeds of a form of work (gambling), which is more often thought of as play. -
1 Matt Phillips, 'French Studies: Literature, 2000 to the Present Day
1 Matt Phillips, ‘French Studies: Literature, 2000 to the Present Day’, Year’s Work in Modern Language Studies, 80 (2020), 209–260 DOI for published version: https://doi.org/10.1163/22224297-08001010 [TT] Literature, 2000 to the Present Day [A] Matt Phillips, Royal Holloway, University of London This survey covers the years 2017 and 2018 [H2]1. General Alexandre Gefen, Réparer le monde: la littérature française face au XXIe siècle, Corti, 2017, 392 pp., argues that contemporary French literature has undergone a therapeutic turn, with both writing and reading now conceived in terms of healing, helping, and doing good. G. defends this thesis with extraordinary thoroughness as he examines the turn’s various guises: as objects of literature’s care here feature the self and its fractures; trauma, both individual and collective; illness, mental and physical; mourning and forgetfulness, personal and historical; and endangered bonds, with humans and beyond, on local and global scales. This amounts to what G. calls a new ‘paradigme clinique’ and, like any paradigm shift, this one appears replete with contradictions, tensions, and opponents, not least owing to the residual influence of preceding paradigms; G.’s analysis is especially impressive when unpicking the ways in which contemporary writers negotiate their sustained attachments to a formal, intransitive conception of literature, and/or more overtly revolutionary political projects. His thesis is supported by an enviable breadth of reference: G. lays out the diverse intellectual, technological, and socioeconomic histories at work in this development, and touches on close to 200 contemporary writers. Given the broad, synthetic nature of the work’s endeavour, individual writers/works are rarely discussed for longer than a page, and though G.’s commentary is always insightful, specialists on particular authors or social/historical trends will surely find much to work with and against here. -
Shuggie Bain : Shortlisted for the Booker Prize 2020 Download Free
SHUGGIE BAIN : SHORTLISTED FOR THE BOOKER PRIZE 2020 Author: Douglas Stuart Number of Pages: 448 pages Published Date: 15 Apr 2021 Publisher: Pan MacMillan Publication Country: London, United Kingdom Language: English ISBN: 9781529064414 DOWNLOAD: SHUGGIE BAIN : SHORTLISTED FOR THE BOOKER PRIZE 2020 Shuggie Bain : Shortlisted for the Booker Prize 2020 PDF Book One page led to another and soon we realised we had created over 100 recipes and written 100 pages of nutrition advice. Have you already achieved professional and personal success but secretly fear that you have accomplished everything that you ever will. Translated from the French by Sir Homer Gordon, Bart. Bubbles in the SkyHave fun and learn to read and write English words the fun way. 56 street maps focussed on town centres showing places of interest, car park locations and one-way streets. These approaches only go so far. Hartsock situates narrative literary journalism within the broader histories of the American tradition of "objective" journalism and the standard novel. Margaret Jane Radin examines attempts to justify the use of boilerplate provisions by claiming either that recipients freely consent to them or that economic efficiency demands them, and she finds these justifications wanting. " -The New York Times Book Review "Empire of Liberty will rightly take its place among the authoritative volumes in this important and influential series. ) Of critical importance to the approach found in these pages is the systematic arranging of characters in an order best suited to memorization. Shuggie Bain : Shortlisted for the Booker Prize 2020 Writer About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. -
2020 Summer Publishing Institute (SPI)
NOW OPEN TO RISING COLLEGE SENIORS! June 1–July 10 SUMMER 2020 PUBLISHING INSTITUTE (SPI) BOOKS AND DIGITAL/MAGAZINE MEDIA Center for Publishing: Digital and Print Media OVERVIEW NYU SPI students meeting with Grace Bastidas (third from left), Editor of Parents Latina, at a reception at the Meredith Corporation. Our best advocates are our alumni, as their comments on these pages show. At the 2020 NYU Summer Publishing “SPI taught me more than I Institute, we look forward to welcoming a new class of ever could have imagined, but aspiring publishing leaders and helping them to achieve their I’m most thankful for the dreams. Located in New York City, the media capital of the community the program world, SPI also is at the center of the constantly evolving helped me to create. Between publishing landscape. Media is changing—and so are we. fellow students, alumni, and With a focus on book, digital, and magazine media, we professional contacts, I left SPI emphasize the learning of new skills and strategies to equip with an army of support that our students to tackle the challenges facing publishing and to helped me narrow my focus prepare them for careers in the industry. Workshops and and ultimately break into the sessions on career preparation with leading HR recruiters book publishing industry.” provide students what they need to succeed in the workforce. Courtney Smith, Digital By combining the study of publishing fundamentals with Marketing Associate, Simon & sessions on vital industry trends and digital strategies, SPI Schuster and SPI 2019 graduate provides firsthand, inside knowledge of what’s happening right now and what’s on the horizon in the publishing industry. -
The Public Humanities
The Public Humanities 10-11-12 November 2016 Hosted by the ARC Centre for the History of Emotions, the ACHRC, and Flinders University in Adelaide, South Australia The ACHRC conference on the Public Humanities focuses on a core aspect of humanities research that is particularly germane to research centres in universities and collecting institutions: the integral role of engagement with publics. This is really how the impact of our sector needs to be understood: in the long and dynamic threads of dialogue between researchers and publics on issues such as justice, creativity, decolonization, and heritage. The capacity of the humanities to deal with qualitative emotion as well as the quantitative facts of history and culture is crucial here. Any understanding of a cultures past, present, and future requires an articulation of feelings as well as of facts. Our aim is to bring together speakers with practical experience of programs that work so that our discussions are grounded in the pragmatics of public humanities. In Australia and New Zealand, government-led discussions of innovation and impact are mired in metrics that traduce the real public values of the sciences almost as completely as they ignore the HASS disciplines as a whole. We know about public value – its impact over time and in the lives of individuals – so this conference will be an opportunity build our case as a sector. Keynotes from: Professor Julianne Schulz, ‘Culture in the Age of Innovation’ Professor Thomas Dixon, ‘Unfriending and Weeping in Public’ 1 PROGRAMME Thursday -
THE ANNUAL FICTION EDITION Edited by Julianne Schultz Griffithreview34
Griffith 34 A quARTeRly oF wRiT inG & ideAs The AnnuAl GriffithReview34 The annual Fiction edition FicTion Claire aMan Mrs Dogwether’s bird moment ediTion roMy asH underwater e •the Re z ri g p r Tony BirCH The lovers ’ i s f f r i t GeorGia Blain enlarged + heart + child e h t i r KaTHleen BleaKley islands r v e w v i g e sally Breen sunny lodge w n i g e r m BarBara BrooKs searching for Monty ie e W H CHonG an abstract art CraiG CliFF offshore service w Dianne D’alpoiM archipelago Georgia Blain aMy espeseTH Free lunch 34 Craig Cliff asHley Hay elsie’s house ashley Hay Xavier HenneKinne The new capital Xavier Hennekinne KaTe laHey The big one-eyed dork Annual Fiction The Benjamin law BenJaMin laW post-nuclear Melissa lucashenko Maya linDen Forgetting Favel parrett niColas loW octopus Melissa luCasHenKo Friday night at the nudgel Chris Womersley MarGareT Merrilees sighting rottnest and more raCHael s MorGan Tryst Favel parreTT no man is an island JosepHine roWe The tank Julianne sCHulTz Time to don the bat wings THoMas sHapCoTT His grandfather Cory Taylor Continental drift elena WilliaMs Finding a florist in lidcombe Jane WilliaMs a matter of instinct CHris WoMersley The middle of nowhere e dition picTuRe GAlleRy MirDiDinGKinGaTHi JuWarnDa sally GaBori Girt by water www.griffithreview.com online-only essays from laurie Brinklow, Barbara Brooks, Jay Griffiths, pat Hoffie, ournal Mette Jakobsen and Miriam zolin J erly erly T ‘as engaging as it is prescient.’ Weekend Australian Cover image by Jennifer Mills. -
Resume of Verena
VERENA TAY ~ FULL RESUME ~ [email protected] | http://verenatay.com | +65 91263835 [email protected] | http://www.moonshadowstories.com MA in English Literature (National University of Singapore, 1993) MA in Voice Studies (Central School of Speech and Drama, London, 2005) MFA in Creative Writing (Fiction) (City University of Hong Kong, 2015) —————————————————————————————————— For more than 25 years, Verena Tay acted, directed and written for local English-language theatre in Singapore. To date, three collections of her plays have been published: In the Company of Women (SNP Editions, 2004), In the Company of Heroes and Victimology (both by Math Paper Press, 2011). An Honorary Fellow at the International Writing Program, University of Iowa (Aug–Nov 2007), she now writes and edits fiction and conducts the occasional creative writing workshop. Spectre: Stories from Dark to Light (Math Paper Press, 2012) is her first collection of short stories. During 2012 and 2013, she also compiled and edited four other short story anthologies: Balik Kampung, Balik Kampung 2A: People and Places and Balik Kampung 2B: Contemplations (Math Paper Press) and A Monsoon Feast (DFP Productions/Monsoon Books). In addition, Verena brings stories vocally and physically alive in her unique fashion. She chooses her storytelling repertoire carefully, adapting folktales with strong characters or creating original tales with a twist. Where possible, she invests her quirky brand of humour, especially in her stories for adults, to delight and encourage her audience to appreciate a different perspective on life. Together with Kamini Ramachandran with whom she founded MoonShadow Stories in November 2004, Verena has been telling stories at various community venues across Singapore, much to the delight and enjoyment of adults and children.