Adelaidean Volume 17 Number 10 December 2008
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"Patria É Intereses": Reflections on the Origins and Changing Meanings of Ilustrado
3DWULD«LQWHUHVHV5HIOHFWLRQVRQWKH2ULJLQVDQG &KDQJLQJ0HDQLQJVRI,OXVWUDGR Caroline Sy Hau Philippine Studies, Volume 59, Number 1, March 2011, pp. 3-54 (Article) Published by Ateneo de Manila University DOI: 10.1353/phs.2011.0005 For additional information about this article http://muse.jhu.edu/journals/phs/summary/v059/59.1.hau.html Access provided by University of Warwick (5 Oct 2014 14:43 GMT) CAROLINE SY Hau “Patria é intereses” 1 Reflections on the Origins and Changing Meanings of Ilustrado Miguel Syjuco’s acclaimed novel Ilustrado (2010) was written not just for an international readership, but also for a Filipino audience. Through an analysis of the historical origins and changing meanings of “ilustrado” in Philippine literary and nationalist discourse, this article looks at the politics of reading and writing that have shaped international and domestic reception of the novel. While the novel seeks to resignify the hitherto class- bound concept of “ilustrado” to include Overseas Filipino Workers (OFWs), historical and contemporary usages of the term present conceptual and practical difficulties and challenges that require a new intellectual paradigm for understanding Philippine society. Keywords: rizal • novel • ofw • ilustrado • nationalism PHILIPPINE STUDIES 59, NO. 1 (2011) 3–54 © Ateneo de Manila University iguel Syjuco’s Ilustrado (2010) is arguably the first contemporary novel by a Filipino to have a global presence and impact (fig. 1). Published in America by Farrar, Straus and Giroux and in Great Britain by Picador, the novel has garnered rave reviews across Mthe Atlantic and received press coverage in the Commonwealth nations of Australia and Canada (where Syjuco is currently based). -
Loyalty Programs Krasdale Foods, Ken Krasne, CEO Phillip A
Communication Partners Worldwide, Inc. 12/9/17 Krasdale Foods: CTOWN Supermarkets Marketing & Loyalty Programs Krasdale Foods, Ken Krasne, CEO Phillip A. Schein, President CONFIDENTIAL 2005 Confidential Page 1 Communication Partners Worldwide, Inc. 12/9/17 Market Segment and Demographics: “Asians and Hispanics are wealthier than expected and underserved. Children also made the news – good and bad. The good news is their buying power is substantial and their influencing role as well. The bad news is they are obese…so selling to them more may not contribute to their longevity as customers”. [1] “Seniors and single-person households were also recognized as viable target groups because of their spending power, fueling interest among manufacturers for smaller sizes”. [1] Advertising to Growing Hispanic Market: “According to the 2000 Census Report, Hispanic Americans constitute a bigger, more dispersed, and more affluent market than previously predicted. The number of US Hispanics grew by 58% in the past decade to 35.3 million…buying power increased 118% to $452 billion (dramatically exceeding the the 68% growth in non- Hispanic buying power).” [1] Convenience and Price Critical: Brand loyalty varied significantly by category and their convenience and price drive store selections: • 37% - 24 hour operations a reason to shop a particular store • 21% - FSP • 52% - sale items and coupons “The challenges for retailers is to keep prices low while maintaining a high-value image and differentiating themselves from each other…and Wal-Mart.” [1] How Shoppers Really Feel About Advertising Inserts and Circulars: “According to Consumer Focus 2002…advertising inserts are effective marketing. Specifically 86% say trhey read inserts…” [1] 1. -
Arquitectura Para Crawling Dirigido De Información Contenida En La Web Oculta
Arquitectura para Crawling Dirigido de Información Contenida en la Web Oculta Manuel Álvarez Díaz TESIS DOCTORAL Directores: Dr. Carlos Alberto Pan Bermúdez Dr. Fidel Cacheda Seijo Departamento de Tecnoloxías da Información e as Comunicacións UNIVERSIDADE DA CORUÑA A Coruña, Diciembre 2007 A mis padres, Estrella y Amador, porque a ellos les debo todo y se merecen todo A MI hermana, Hortensia, por ayudarme a creérmelo AGRADECIMIENTOS Todavía recuerdo el primer día. Mucho tiempo ha pasado desde entonces. Multitud de ideas pasaron por nuestras mentes y muchos fueron los escarceos investigadores necesarios hasta la definición concreta de los objetivos que han dado lugar a este trabajo. Un buen día, la sabiduría escondida tras una profunda capa de timidez vio la luz. Allí estaba, dormitando, la inmensidad oculta de la Web, esperando su oportunidad. Así fue como surgió la idea y me embarqué en esta apasionante aventura. Por ella comienzo mis agradecimientos, porque sin ella, todo habría sido diferente. Pero no menos diferente habría sido sin el inestimable apoyo y colaboración de aquellas personas que me han acompañado en este viaje, que han vivido y compartido mis inquietudes y temores en los momentos más complicados. A ellos quiero dedicar mis agradecimientos. En primer lugar, a mis codirectores, Alberto Pan y Fidel Cacheda. A Alberto, por su valiosa ayuda diaria, de principio a fin, por haber sabido enfocar la línea de trabajo en los momentos de duda y por proporcionarme los medios y las ideas iniciales en las que he basado el esfuerzo posterior. A Fidel, por su ayuda en la realización de este trabajo, sus importantes comentarios y su apoyo. -
Resume of Verena
VERENA TAY ~ FULL RESUME ~ [email protected] | http://verenatay.com | +65 91263835 [email protected] | http://www.moonshadowstories.com MA in English Literature (National University of Singapore, 1993) MA in Voice Studies (Central School of Speech and Drama, London, 2005) MFA in Creative Writing (Fiction) (City University of Hong Kong, 2015) —————————————————————————————————— For more than 25 years, Verena Tay acted, directed and written for local English-language theatre in Singapore. To date, three collections of her plays have been published: In the Company of Women (SNP Editions, 2004), In the Company of Heroes and Victimology (both by Math Paper Press, 2011). An Honorary Fellow at the International Writing Program, University of Iowa (Aug–Nov 2007), she now writes and edits fiction and conducts the occasional creative writing workshop. Spectre: Stories from Dark to Light (Math Paper Press, 2012) is her first collection of short stories. During 2012 and 2013, she also compiled and edited four other short story anthologies: Balik Kampung, Balik Kampung 2A: People and Places and Balik Kampung 2B: Contemplations (Math Paper Press) and A Monsoon Feast (DFP Productions/Monsoon Books). In addition, Verena brings stories vocally and physically alive in her unique fashion. She chooses her storytelling repertoire carefully, adapting folktales with strong characters or creating original tales with a twist. Where possible, she invests her quirky brand of humour, especially in her stories for adults, to delight and encourage her audience to appreciate a different perspective on life. Together with Kamini Ramachandran with whom she founded MoonShadow Stories in November 2004, Verena has been telling stories at various community venues across Singapore, much to the delight and enjoyment of adults and children. -
Condiciones Y Posibilidades De Internacionalización Del Libro Chileno
ESTUDIO SOBRE LAS CONDICIONES Y POSIBILIDADES DE INTERNACIONALIZACIÓN DEL LIBRO CHILENO Agosto, 2012 ÍNDICE 1. INTRODUCCIÓN ......................................................................................................................... 3 2. MARCO CONCEPTUAL DEL ESTUDIO .................................................................................... 5 2.1. Industria del libro, sector del libro y mercado del libro ........................................................ 5 2.2. El libro y el libro chileno ....................................................................................................... 6 2.2.1. Tipología de libros: por contenidos o materias ........................................................... 8 2.2.2. Tipología de libros: soporte impreso y digital .............................................................. 8 2.3. Autores y autores chilenos .................................................................................................. 8 2.4. Globalización e internacionalización ................................................................................... 8 3. METODOLOGÍA DEL ESTUDIO ............................................................................................... 11 3.1. Levantamiento de la información ...................................................................................... 11 3.2. Análisis de los Datos ......................................................................................................... 13 3.2.1. Análisis Comparado ................................................................................................. -
ONIX for Books Codelists Issue 40
ONIX for Books Codelists Issue 40 23 January 2018 DOI: 10.4400/akjh All ONIX standards and documentation – including this document – are copyright materials, made available free of charge for general use. A full license agreement (DOI: 10.4400/nwgj) that governs their use is available on the EDItEUR website. All ONIX users should note that this is the fourth issue of the ONIX codelists that does not include support for codelists used only with ONIX version 2.1. Of course, ONIX 2.1 remains fully usable, using Issue 36 of the codelists or earlier. Issue 36 continues to be available via the archive section of the EDItEUR website (http://www.editeur.org/15/Archived-Previous-Releases). These codelists are also available within a multilingual online browser at https://ns.editeur.org/onix. Codelists are revised quarterly. Go to latest Issue Layout of codelists This document contains ONIX for Books codelists Issue 40, intended primarily for use with ONIX 3.0. The codelists are arranged in a single table for reference and printing. They may also be used as controlled vocabularies, independent of ONIX. This document does not differentiate explicitly between codelists for ONIX 3.0 and those that are used with earlier releases, but lists used only with earlier releases have been removed. For details of which code list to use with which data element in each version of ONIX, please consult the main Specification for the appropriate release. Occasionally, a handful of codes within a particular list are defined as either deprecated, or not valid for use in a particular version of ONIX or with a particular data element. -
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DECONSTRUCTING POSTCOLONIAL MEMORY THROUGH FILIPINO AMERICAN LITERATURE At> 3<^ XoIf A thesis submitted to the faculty of San Francisco State University E.W&L In partial fulfillment of •ASif the requirements for the Degree Master of English In Literature by Lisa Ang San Francisco, California Fall 2015 Copyright by Lisa Ang 2015 CERTIFICATION OF APPROVAL I certify that I have read Deconstructing Postcolonial Memory Through Filipino American Literature by Lisa Ang, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of English in Literature at San Francisco State University. Gitanjali Shahani, Ph.D. Associate Professor Wai-Leung Kwok, Ph.D. Associate Professor DECONSTRUCTING POSTCOLONIAL MEMORY THROUGH FILIPINO AMERICAN LITERATURE Lisa Ang San Francisco, California 2015 This thesis argues that Filipino American literature can be viewed as postcolonial literature when viewed in relation to history and memory. It acknowledges the difficulties that lay waiting for a postcolonial analysis in general and moves past these potential complications with an understanding of the usefulness of this categorization for two unique examples of Filipino American literature today. By understanding subaltemity in Miguel Syjuco’s Ilustrado and Tess Uriza Holthe’s When the Elephants Dance, this thesis traces remnants of the past back to the simultaneously possible and impossible nature of constructing a national story of the Philippines. I certify that the Choose an item, is a correct representation of the content of this Choose an item Chair, Thesis Committee ACKNOWLEDGEMENTS Thank you to my family, especially my parents, William and Adelaida Ang, who have always encouraged and supported my growth as a learner and student. -
Straus Literary 319 Lafayette Street, Suite 220 New York, New York 10012 P 646.843.9950 ⎪ F 646.390.3320 Www
Straus Literary 319 Lafayette Street, Suite 220 New York, New York 10012 p 646.843.9950 ⎪ f 646.390.3320 www. strausliterary.com Agent: Jonah Straus [email protected] Foreign Rights on Offer – Frankfurt Book Fair 2016 FICTION Face Blind Lance Hawvermale • NORTH AMERICA– MINOTAUR BOOKS / ST. MARTIN’S PRESS (AUGUST 2016) An atmospheric and tightly wound thriller set in the otherworldly landscape of Chile's Atacama Desert, the driest and most desolate place on earth, where not a drop of rain has fallen for over four hundred years. An American astronomer posted to an observatory there with a strange condition called face blindness witnesses a murder but cannot identify the perpetrator. As a result he and three other social misfits are thrown together to face a series of chilling violent episodes and unearth dark secrets from Chile's fascist past. “Deftly written, full of appealing characters and moments that sparkle with tenderness.” —Publishers Weekly (review of Seeing Pink) “A fast-paced, witty mystery with wonderful multilayered characters and a whopper of a climax.” —Johnny Quarles, bestselling author of Fool’s Gold (Avon) Counternarratives John Keene Winner of the Whiting Award • WORLD ENGLISH – NEW DIRECTIONS PUBLISHING (MAY 2015) • FRENCH – ÉDITIONS CAMBOURAKIS • TURKISH—ALAKARGA Twenty years after his debut, John Keene returns with a brilliant novella and story collection. Conjuring slavery and witchcraft, and with bewitching powers all its own, Counternarratives continually spins history—and storytelling—on its head. Ranging from the 17th century to the present and crossing multiple continents, the novellas and stories draw upon memoirs, newspaper accounts, detective stories, interrogation transcripts, and speculative fiction to create new and strange perspectives on our past and present. -
Restrictions on the Parallel Importation of Books, Discussion Draft, Canberra
Restrictions on the Parallel Productivity Commission Importation of Books Discussion Draft March 2009 This is a discussion draft prepared for further public consultation and input. The Commission will finalise its report after these processes have taken place. © COMMONWEALTH OF AUSTRALIA 2009 This work is subject to copyright. Apart from any use as permitted under the Copyright Act 1968, the work may be reproduced in whole or in part for study or training purposes, subject to the inclusion of an acknowledgment of the source. Reproduction for commercial use or sale requires prior written permission from the Attorney-General’s Department. Requests and inquiries concerning reproduction and rights should be addressed to the Commonwealth Copyright Administration, Attorney-General’s Department, Robert Garran Offices, National Circuit, Canberra ACT 2600. This publication is available in hard copy or PDF format from the Productivity Commission website at www.pc.gov.au. If you require part or all of this publication in a different format, please contact Media and Publications (see below). Publications Inquiries: Media and Publications Productivity Commission Locked Bag 2 Collins Street East Melbourne VIC 8003 Tel: (03) 9653 2244 Fax: (03) 9653 2303 Email: [email protected] General Inquiries: Tel: (03) 9653 2100 or (02) 6240 3200 An appropriate citation for this paper is: Productivity Commission 2009, Restrictions on the Parallel Importation of Books, Discussion Draft, Canberra. The Productivity Commission The Productivity Commission is the Australian Government’s independent research and advisory body on a range of economic, social and environmental issues affecting the welfare of Australians. Its role, expressed most simply, is to help governments make better policies, in the long term interest of the Australian community. -
For Whom Are Southeast Asian Studies?
72 For Whom Are Southeast Asian Studies? Caroline S. HAU Professor, Center for Southeast Asian Studies Kyoto University Which audiences, publics, and peoples do Southeast Asianists address and serve? The question of “audience(s)”—real and imagined, intended and unintended—is arguably central to (re)conceptualizing the rationale, scope, efficacy, and limits of Southeast Asian Studies. It has an important bearing on what kind of topics are chosen for study, what and how personal and institutional networks and intellectual exchanges are mobilized, which dialogues and collaborations are initiated, in what language(s) one writes in, where one publishes or works, which arenas one intervenes in, and how the region is imagined and realized. After surveying the recent literature on Southeast Asian Studies, I focus on Jose Rizal’s two novels—Noli me tangere (1887)and El filibusterismo (1891)—and Benedict Anderson’s Imagined Communities (1983, 1991, 2006) and examine the ways in which the issue of audience(s) crucially informed the intellectual projects of the two authors, and how the vicissitudes of production, circulation, translation, and reception shaped the intellectual, political, and artistic trajectories and legacies of these three notable Southeast Asian studies texts. I will also discuss the power of these texts to conjure and call forth unexpected and unintended audiences that have the potential to galvanize Southeast Asian studies while stressing the connected histories that link Southeast Asia to other regions and the world. Keywords: Southeast Asia, area studies, nationalism, Benedict Anderson, José Rizal ASIAN STUDIES: Journal 59of Critical Perspectives on Asia For Whom Are Southeast Asian Studies? 7360 Introduction The best career advice I ever received came out of my B exam, the oral defense of my dissertation, twenty-two years ago at Cornell University. -
Liber 2020 Programa De Compradores Pais Empresa Responsable Alemania Andenbuch Sra
LIBER 2020 PROGRAMA DE COMPRADORES PAIS EMPRESA RESPONSABLE ALEMANIA ANDENBUCH SRA. GUACIRA MARIA ZANELLO BIBLIOMAGIA SRA. ASPASIA OULIOU DUSSMANN DAS KULTURKAUFHAUS SRA. LAURA SCHULZ ESPAÑOLA LIBRERÍA (MUNICH) SRA. CECILIA ESTRADA F.DELBANCO INTERNT.BOOKS & JOURNAL SRA. ANDREA SCHLUETER FRIEDRICH KOSE SRA. RENATE KOSE HEINRICH HEINE SR. HEIKE MÜLLER KOCH,NEFF & VOLCKMAR TN SR. JENS PETER WAGNER LA BOTICA SR. GÖTZ-ERIK FLOHR LA ESCALERA LIBRERÍA SR. GERMÁN RESTREPO LA LIBRERIA SRA. ANGELA BARON LIBRI SRA. STEFANIE VOGELSMEIER MUNDO AZUL SRA. MARIELA NAGLE PETERSEN BUCHIMPORT SRA. KARIN SIMON REGIOCENTER SR. ALEXANDER VAD SCHMETTERLING VERLAG SRA. DORIS BAY SPOTLIGHT VERLAG GMBH & CO SR. FLORIAN BRAUN WEYEL SR. RENATUS WEYEL ZAMBON SR. RONALD KOCH/SR. GIUSEPPE ZAMBON ARGELIA MEGAPOINT SARL SR. KHALED BALAHOUANE ARGENTINA ABRAZANDO CUENTOS SRA. BÁRBARA BONACIN AGAPE,LIBRERIA SR. GUSTAVO SALVARREDI ALFAOMEGA GRUPO EDITOR SR. FERNANDO MERAGLIA ASUNTO IMPRESO DISTRIBUIDORA SR. GUIDO INDIJ BRIHET E HIJOS SR. HORACIO BRIHET CALIBROSCOPIO SRA. JUDITH WILHEM/SR. WALTER BRINDER CATAPULTA CHILDREN ENTERTAINMENT SR. RODOLFO REYNA CONTINENTE EDICIONES S.R.L. SR. ANTONIO GOROSITO/SR. JORGE GURBANOV CORDOBA LIBRERÍA (APUNTES) SRA. IRMA MARIA DOBARRO CULTURA LIBRERA AMERICANA S.A. (GRUPO CLASA) SRA. CAROLINA BERDUQUE CUSPIDE, DISTRIBUIDORA SR. JOAQUÍN GIL PARICIO/DANIEL DAVICCINO DEL NUEVO EXTREMO SR. RICARD CHICHERIT DIAL BOOK S.A. SR. OSVALDO DIAZ/SR. HORACIO DIAZ DISTEL DISTRIBUIDORA SR. RODOLFO DISTEL DISTRIBUIDORA MAIMARA SRL SR. OSCAR ANTONIO QUEIMALIÑOS DON BOSCO SRA. MERCEDES BAXZUS EDICIONES CONTINENTE SR. MARIANO CORTESE EDICIONES GRANICA SR. CLAUDIO IANNINI EDITORIAL BONUM S.A. SR. MARTIN GREMMELSPACHER EDITORIAL HELIASTA SRA. ANA MARÍA CABANELLAS EDITORIAL SIGMAR SACI SRA. VERONICA CHWAT GERMAN MARCELO FERRERO SR. -
Literature and Democratic Criticism: the Post-9/11 Novel and the Public Sphere
Literature and Democratic Criticism: The Post-9/11 Novel and the Public Sphere Inauguraldissertation zur Erlangung der Doktorwürde der Neuphilologischen Fakultät der Universität Heidelberg vorgelegt von Maria Diaconu April 2016 Erstgutachter: Prof. Dr. Dietmar Schloss Zweitgutachter: Prof. Dr. Günter Leypoldt Contents Introduction .............................................................................................................................. 1 9/11 in Intellectual Debates ................................................................................................... 2 Liberal Humanism(s) .............................................................................................................. 6 The Post-9/11 Novel ............................................................................................................. 12 Chapter 1: Irony Is Dead, Long Live Irony: Satire after 9/11 ............................................................. 21 The Unbearable Triviality of Being: David Foster Wallace’s The Suffering Channel and Claire Messud’s The Emperor’s Children as September 10 Satires .................................... 34 A 9/12 Satire: Jess Walter’s The Zero .................................................................................. 48 Conclusion ............................................................................................................................ 57 Chapter 2: Playing the Victim: The Politics of Memorialization and Grief ........................................ 59 Sentimental