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"Patria É Intereses": Reflections on the Origins and Changing Meanings of Ilustrado
3DWULD«LQWHUHVHV5HIOHFWLRQVRQWKH2ULJLQVDQG &KDQJLQJ0HDQLQJVRI,OXVWUDGR Caroline Sy Hau Philippine Studies, Volume 59, Number 1, March 2011, pp. 3-54 (Article) Published by Ateneo de Manila University DOI: 10.1353/phs.2011.0005 For additional information about this article http://muse.jhu.edu/journals/phs/summary/v059/59.1.hau.html Access provided by University of Warwick (5 Oct 2014 14:43 GMT) CAROLINE SY Hau “Patria é intereses” 1 Reflections on the Origins and Changing Meanings of Ilustrado Miguel Syjuco’s acclaimed novel Ilustrado (2010) was written not just for an international readership, but also for a Filipino audience. Through an analysis of the historical origins and changing meanings of “ilustrado” in Philippine literary and nationalist discourse, this article looks at the politics of reading and writing that have shaped international and domestic reception of the novel. While the novel seeks to resignify the hitherto class- bound concept of “ilustrado” to include Overseas Filipino Workers (OFWs), historical and contemporary usages of the term present conceptual and practical difficulties and challenges that require a new intellectual paradigm for understanding Philippine society. Keywords: rizal • novel • ofw • ilustrado • nationalism PHILIPPINE STUDIES 59, NO. 1 (2011) 3–54 © Ateneo de Manila University iguel Syjuco’s Ilustrado (2010) is arguably the first contemporary novel by a Filipino to have a global presence and impact (fig. 1). Published in America by Farrar, Straus and Giroux and in Great Britain by Picador, the novel has garnered rave reviews across Mthe Atlantic and received press coverage in the Commonwealth nations of Australia and Canada (where Syjuco is currently based). -
Adelaidean Volume 17 Number 10 December 2008
FREE Publication December 2008 | Volume 17 | Number 10 inside this issue 8 Cricket ball Family unit set in Stone Age quality takes a knock 10 South Australian Engineering of the Year Awards A study by a University of Adelaide sports engineer shows that not all cricket balls are consistently manufactured, causing quality issues and potentially having major 15 implications for cricket matches. Creative writing student The research, conducted by wins literary prize the coordinator of the Sports Engineering degree program at the University of Adelaide, Associate Professor Franz Konstantin Fuss, studied fi ve models of cricket balls manufactured in Australia, India and 17 Pakistan. The study looked at the methods Penguins’ not-so-happy of construction, stiffness, viscous ending discovered in DNA and elastic properties, and included changes to the balls’ performance under compression and stress relaxation tests. Dr Fuss found that the model manufactured in Australia – the Kookaburra Special Test – was the only cricket ball manufactured consistently. The other four models were found to have inconsistent “stiffness”, which can play an important part in how a ball reacts when struck by the bat. “In contrast to other sport balls, most cricket balls are still hand-made, which may affect the consistency of manufacturing and thus the properties of a ball,” Dr Fuss said. story continued on page 18 Adelaidean Adelaidean is the offi cial newspaper of the University of Adelaide. It provides news and information about the University to the general public, with a focus on Life Impact. Circulation: 11,000 per month From the Vice-Chancellor (March to December) Online readership: 90,000 hits per month (on average) www.adelaide.edu.au/adelaidean Editor: The world is defi nitely getting smaller. -
Hayfestivalbeirut2013 Programme.Pdf
In 2012, Hay Festival Beirut brought the most exciting voices of contemporary culture to the city. We are delighted to be back for this second edition from 8 to 10 May 2013: three days of events celebrating international writers, thinkers and artists in venues across Beirut, extending the reach of the festival. Hay Festival, all over the world and for more than 25 years, has in essence been a meeting of friends, an opportunity to speak, debate and enjoy exchanging the currency of ideas and stories. Beirut is an exciting place to host a festival, with an extraordinary tradition of hospitality and exchange, a rich cultural scene and one of the most diverse populations of the Middle East. We have a fantastic programme, with a focus on literature, the graphic novel, development and human rights issues. Please come and join us! Cristina Fuentes La Roche, Director Izara García Rodríguez, Project Manager and the Hay Festival Beirut Team Programme details are correct at time of going to press. WEDNESDAY 8 MAY [1] 11am–12pm, Zico House Alaa Abdul-Hadi, Layla El Atrash and Hyam Yared in conversation with Iman Humaydan PEN Centre Lebanon: New challenges A conversation with staff members of the Jordanian, Egyptian, and Lebanese PEN Centres around the importance of Arab PEN Centres in the region. What are the aims, the values and the multilingual literary spaces that PEN creates, and what challenges do PEN Centres encounter in their individual countries? Event in Arabic and French Co-organised with PEN Lebanon and supported by PEN International A PEN -
Festival Report
WWW.HAYFESTIVALSWORLDWIDE.ORG CARTAGENA BUDAPEST BEIRUT BELFAST HAY XALAPA BRECON MERTHYR SEGOVIA NAIROBI ISTANBUL MALDIVES KERALA DHAKA FESTIVAL REPORT HAY FESTIVAL Nairobi 15–18 September 2011 IDEAS MUSIC EDUCATION Kenya does have its problems, but that “doesn’t mean culture has to die here. Culture could be just the thing that saves us. Yusef Komunyakaa Chief Nyamweya ” CONTENTS Festival Overview The Festival in Numbers The Festival in Words The Festival in the Media The Festival in Images Thank You POET NJERI WANGARI STORYMOJA HAY FESTIVAL NAIROBI 2011 Storymoja Hay Festival is a collaboration between Kenyan publishers Storymoja and Hay Festival to create a forum for sharing great literature, poetry and ideas in the country’s capital, Nairobi. From the grounds of the Railways Sports Club in Nairobi’s Uhuru (Freedom) Park, with a backdrop of the city skyline, we celebrated the third annual Storymoja Hay Festival from 15–18 September. Poetry and storytelling, technology, culture, Gay rights, religion, football, politics, comedy and music were all shared over the four days of the festival. Artists came from Australia, America, Europe, and of course from across Africa. The Festival is supported by the British Council, ENJOYING ACTIVITIES ON SITE the US Embassy, Google, the Australian Government’s Australia Council for the Arts, The Telegraph Media Group, Arts Council England, Oxfam, the Dutch Foundation for Literature, and a wide coalition of cultural organisations. ABOUT STORYMOJA Storymoja is a publishing company based in Nairobi. Five writers, committed to spread- ing the gospel of reading, writing and ideas formed the company in 2007. Their mission is to get a book in every hand in Kenya. -
Festival Report
WWW.HAYFESTIVALSWORLDWIDE.ORG CARTAGENA BUDAPEST BEIRUT BELFAST HAY XALAPA BRECON MERTHYR SEGOVIA NAIROBI ISTANBUL MALDIVES KERALA DHAKA FESTIVAL REPORT 17–19 NOVEMBER 2011 HAY FESTIVAL in KERALA IN ASSOCIATION WITH DEBATE IDEAS MUSIC A three day feast of stories, poetry, “ideas and debates in God’s Own Country ” CONTENTS Festival Overview The Festival in Numbers The Festival in Words The Festival in the Media The Festival in Images Thank You JUNG CHANG THE ALCHEMIST HAY FESTIVAL 2011 IN KERALA THE SECOND HAY FESTIVAL IN KERALA WAS A HUGE SUCCESS, with a packed programme of international writers gathered in the old palace in the centre of Thiruvananthapuram. The Alchemist Hay Festival in Kerala in 2011 brought three days of stimulating discussions and events. The line-up included Jung Chang, author of Wild Swans and biographer of Chairman Mao; BBC World Anchor Nik Gowing chairing the Suzlon Debate about energy production; author Anita Nair; award-winning French novelist Agnès Desarthe; Simon Singh lecturing on cosmology and codes; and writer and academic Germaine Greer speaking BROWSING THE PROGRAMME about Shakespeare’s lovers. Authors Nayantara Saghal and Tarun Tejpal had the audience enthralled with their discussion on media, literature and politics, and Tarun Tejpal then continued on to a second event with Allianz at the Technopark on the outskirts of the city. This is the first time the annual festival has been supported by the Alchemist Group. Founder of the organisation Mr K.D. Singh said: “I believe for India to shine we need not only rising incomes and multiplying goods but also an energetic intellectual life. -
Literatura Latinoamericana Mundial Latin American Literatures in the World Literaturas Latinoamericanas En El Mundo
Literatura latinoamericana mundial Latin American Literatures in the World Literaturas Latinoamericanas en el Mundo Edited by / Editado por Gesine Müller Volume 5 / Volumen 5 Literatura latinoamericana mundial Dispositivos y disidencias Editado por / Edited by Gustavo Guerrero, Jorge J. Locane, Benjamin Loy y Gesine Müller This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation programme ˗ Grant Agreement Number 646714 ISBN 978-3-11-067365-4 e-ISBN (PDF) 978-3-11-067367-8 e-ISBN (EPUB) 978-3-11-067379-1 ISSN 2513-0757 e-ISSN 2513-0765 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to: https://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2019949720 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Gustavo Guerrero, Jorge J. Locane, Benjamin Loy and Gesine Müller, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Contenidos Gustavo Guerrero, Jorge J. Locane, Benjamin Loy, Gesine Müller A modo de introducción. Literatura latinoamericana: inflexiones de un término 1 1 Gatekeepers -
Notes on Authors 1 Introduction
Key concepts in literature and tourism studies KEY CONCEPTS IN LITERATURE AND TOURISM STUDIES Key concepts in literature and tourism studies (Estudos em literatura e turismo: Conceitos fundamentais) Authors: Rita Baleiro & Sílvia Quinteiro Translation: Rita Baleiro Linguistic review: Maria da Piedade Palma Cover: Bruno Andrade Publisher: Universidade de Lisboa. Faculdade de Letras. Centro de Estudos Comparatistas. Faculdade de Letras, Alameda da Universidade, 1600 - 214 Lisboa, Portugal. [email protected] 1st English edition December 2018 ISBN: 978-989-96677-6-1 This work is funded by Portuguese national funds through FCT – Fundação para a Ciência e a Tecnologia, I.P., in the scope of the project UID/ELT/0509/2013. Key concepts in literature and tourism studies Contents iii Figures v Tables vi Acknowledgements vii Notes on authors 1 Introduction 6 PART I: Literature, tourism and tourist literature 7 Aims 7 Introduction 7 1.1. What is literature? 12 1.2. What is tourism? 19 1.3. The concept of tourist literature 26 Summary 27 Discussion topics 28 PART II: Literary tourism: History, products and experiences 29 Aims 29 Introduction 29 2.1. Definition of literary tourism 34 2.2. The history of literary tourism 38 2.3. Products and literary tourism experiences 40 2.4. Literary tourism and sustainability 43 Summary 44 Discussion topics 45 PART III: Space, place, literary itineraries and destinations 46 Aims i Key concepts in literature and tourism studies 46 Introduction 48 3.1. The concepts of space, place and literary place 54 3.1.1. Literary places and authenticity 62 3.1.2. -
Resume of Verena
VERENA TAY ~ FULL RESUME ~ [email protected] | http://verenatay.com | +65 91263835 [email protected] | http://www.moonshadowstories.com MA in English Literature (National University of Singapore, 1993) MA in Voice Studies (Central School of Speech and Drama, London, 2005) MFA in Creative Writing (Fiction) (City University of Hong Kong, 2015) —————————————————————————————————— For more than 25 years, Verena Tay acted, directed and written for local English-language theatre in Singapore. To date, three collections of her plays have been published: In the Company of Women (SNP Editions, 2004), In the Company of Heroes and Victimology (both by Math Paper Press, 2011). An Honorary Fellow at the International Writing Program, University of Iowa (Aug–Nov 2007), she now writes and edits fiction and conducts the occasional creative writing workshop. Spectre: Stories from Dark to Light (Math Paper Press, 2012) is her first collection of short stories. During 2012 and 2013, she also compiled and edited four other short story anthologies: Balik Kampung, Balik Kampung 2A: People and Places and Balik Kampung 2B: Contemplations (Math Paper Press) and A Monsoon Feast (DFP Productions/Monsoon Books). In addition, Verena brings stories vocally and physically alive in her unique fashion. She chooses her storytelling repertoire carefully, adapting folktales with strong characters or creating original tales with a twist. Where possible, she invests her quirky brand of humour, especially in her stories for adults, to delight and encourage her audience to appreciate a different perspective on life. Together with Kamini Ramachandran with whom she founded MoonShadow Stories in November 2004, Verena has been telling stories at various community venues across Singapore, much to the delight and enjoyment of adults and children. -
Jornada De Filosofía Y Arte Alemán En El Hay Festival Segovia 2011
JORNADA DE FILOSOFÍA Y ARTE ALEMÁN EN EL HAY FESTIVAL SEGOVIA 2011 La Fundación AXA coorganiza por segundo año las actividades del evento El influyente pensador Rüdiger Safranski conversará con el escritor, periodista y académico Juan Luis Cebrián el 17 de septiembre en el encuentro Dos voces libres El Museo Esteban Vicente acoge desde ese día La obra invitada, del artista Anselm Kiefer Tren charter especial de Alta Velocidad de Renfe Madrid-Segovia-Madrid para asistir a los dos eventos Madrid, 1 de julio de 2011.- Hay Festival, la Fundación AXA, el Goethe-Institut Madrid, IE University y el Museo Esteban Vicente de Segovia han presentado hoy el convenio firmado por estas entidades para la organización de las siguientes actividades en la sexta edición del Hay Festival Segovia: el encuentro Dos voces libres, conversación de Rüdiger Safranski y Juan Luis Cebrián; y la inauguración de La obra invitada, del artista Anselm Kiefer. “Ante el éxito alcanzado el año pasado con el ciclo Dos voces libres, con Bernard Henri Levy y Juan Luis Cebrián, volvemos a poner en marcha este viaje filosófico, artístico y literario, co- organizado con la Fundación AXA y la colaboración de las instituciones que nos acompañan”, señala Maria Sheila Cremaschi, Directora de Hay Festival Segovia. María Teresa Ortiz-Bau, directora de la Fundación AXA, que por segundo año consecutivo patrocina las actividades del Hay Festival, resaltó “el firme compromiso que comparten la Fundación AXA y Hay Festival por la difusión de la cultura, tanto nacional como internacional”. “Rüdiger Safranski acerca la filosofía al público y hace más comprensible las ideas y el modo de pensar de filósofos importantes alemanes sobre todo del siglo XIX”, recalcó Margareta Hauschild, Directora del Goethe-Institut Madrid. -
Festival Report
FESTIVAL REPORT 21–31 May 2015 Hay-on-Wye CONTENTS Welcome 3 Croeso 4 The Festival 6 The Festival in numbers 8 Schools Programme 10 Hay Fever 12 Hay on Earth 14 Marketing and Press 18 Marketing of Hay Festival with the Book Trade 20 Marketing of Hay Festival with University Partnerships 21 Marketing of Hay Festival with Theatres, Galleries, Tourism and Leisure 22 Marketing and Press Report 23 Media Partner Support 29 Sponsors 32 Hay Festival Report: Hay-on-Wye 2015 WELCOME “Imagine a party...where curiosity and discovery trump certainty and conviction.” Imagine a party for everyone – young and old, right and left, the country and the city; a party with a thousand stories rather than a manifesto; a party where poetry trumps rhetoric, and where curiosity and discovery trump certainty and conviction; a party where dreams are dearer than promises, where we revel in dissent, and where to change your mind is a strength and a pleasure. Imagine a party where we celebrate the possibility of art, the adventure of science and the deep understanding of humanity that comes from close attention to the lessons of history. Imagine a party that is first and foremost a party. There’s food and music and laughter; there’s time and there’s the best company you could hope for. That’s our party in Hay. Peter Florence Director, Hay Festival PAGE 3 CROESO ‘Dychmygwch hynny i gyd mewn cyd-destun sydd, yn y lle cyntaf, yn ddathliad ac yn barti.’ Â’r etholiad cyffredinol ar bob sianel ac ymhob papur newydd, dyma wahoddiad i chi ddychmygu cyd-destun lle mae yna groeso i bob un – yr hen a’r ieuanc, y rheiny ar y dde ac ar y chwith, trigolion y wlad a’r ddinas. -
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DECONSTRUCTING POSTCOLONIAL MEMORY THROUGH FILIPINO AMERICAN LITERATURE At> 3<^ XoIf A thesis submitted to the faculty of San Francisco State University E.W&L In partial fulfillment of •ASif the requirements for the Degree Master of English In Literature by Lisa Ang San Francisco, California Fall 2015 Copyright by Lisa Ang 2015 CERTIFICATION OF APPROVAL I certify that I have read Deconstructing Postcolonial Memory Through Filipino American Literature by Lisa Ang, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of English in Literature at San Francisco State University. Gitanjali Shahani, Ph.D. Associate Professor Wai-Leung Kwok, Ph.D. Associate Professor DECONSTRUCTING POSTCOLONIAL MEMORY THROUGH FILIPINO AMERICAN LITERATURE Lisa Ang San Francisco, California 2015 This thesis argues that Filipino American literature can be viewed as postcolonial literature when viewed in relation to history and memory. It acknowledges the difficulties that lay waiting for a postcolonial analysis in general and moves past these potential complications with an understanding of the usefulness of this categorization for two unique examples of Filipino American literature today. By understanding subaltemity in Miguel Syjuco’s Ilustrado and Tess Uriza Holthe’s When the Elephants Dance, this thesis traces remnants of the past back to the simultaneously possible and impossible nature of constructing a national story of the Philippines. I certify that the Choose an item, is a correct representation of the content of this Choose an item Chair, Thesis Committee ACKNOWLEDGEMENTS Thank you to my family, especially my parents, William and Adelaida Ang, who have always encouraged and supported my growth as a learner and student. -
CARTAGENA 2013 Hay Festival Cartagena 2013 Festival Report Contents
FESTIVAL REPORT CARTAGENA 2013 hay festival cartagena 2013 festival report Contents The Festival 3 The Festival in numbers 5 The Festival in words 6 Media coverage 8 The Festival in pictures 9 Hay Festivalito Comunitario 10 Hay Festival and the local community 11 Hay Verde Medellín 12 Hay Festival Riohacha 13 Hay Festival in Colombia 14 Brand presence 16 Acknowledgements 17 Sponsors 18 ‘ Hay is a disarming encounter between people who have come to the conclusion that the best one can do with one’s life and death is to re-read them.’ El Tiempo 2. HAYFESTIVAL.ORG hay festival cartagena 2013 festival report The Festival ‘ More than a cult of the Hay Festival Cartagena, 24–27 January 2013 Arts, Hay Festival stands as an ode to freedom, an Hay Festival is an international organisation based on homage to intelligence and Hay-on-Wye, Wales. We create festivals that explore and a tribute to the creativity celebrate literature and ideas. of human minds.’ We run Festivals in the United Kingdom (Hay-on-Wye since Revista Semana 1987), Spain (Segovia since 2006), Colombia (Cartagena de Indias since 2006), Kenya (Nairobi since 2008), India (Kerala since 2010), Mexico (Zacatecas in 2010 and Xalapa in 2011 and 2012), Lebanon (Beirut since 2012) and Hungary (Budapest 2012). Hay has collaborated with the creators of other successful art festivals in Mantova (Italy) and Parati (Brazil). We organise the B39 Project, which has taken place in Bogotá (2007) and Beirut (2010): this project allows us to select and promote young authors, collaborating with UNESCO and their Word Book Capital project.