Consumer Habits & Spending

Total Page:16

File Type:pdf, Size:1020Kb

Consumer Habits & Spending THE TRENDERA FILES Trendera CONSUMER HABITS & SPENDING Volume 9, Issue 2, May 2018 Fox Home Entertainment THE TRENDERA FILES: CONSUMER HABITS & SPENDING CONTENTS INTRO 4 CRYPTO CHEAT SHEET 59 60 Let’s Talk Money 61 Coins That Are King 62 Crypto Currency STAT HIGHLIGHTS 64 10 Things to Know About Crypto 6 8 Consumers’ Financial Snapshot 14 Consumer Spending NOW TRENDING 66 17 Purchasing Attitudes 67 Lifestyle 22 Online vs. In Store 70 Entertainment 24 Brands 73 Retail / Shopping 28 Entertainment Trendera76 Digital SOCIETAL SHIFTS 33 STANDOUT MARKETING 78 35 New Money 39 Personalized Pricing 43 New Luxury 49 Collective Economics 55 The Entertainment Buffet Fox Home Entertainment2 TABLE OF CONTENTS WHAT’S HOT 82 84 Gen Z 8-12 86 Gen Z 13+ 88 Gen Y / Millennials 90 Who’s Hot 95 Digital Download: Essentials 96 Digital Download: Up & Coming KNOW THE SLANG Trendera98 QUARTERLY STATISTICS 101 Fox Home Entertainment3 THE TRENDERA FILES: CONSUMER HABITS & SPENDING Show me the money, you ask? Seems that the question still remains: What are consumers willing to spend their hard-earned money on, and why? With so many factors playing into this decision—income, age, gender, geography, values, beliefs, and cultural shifts, to name a few—it’s easy to see why there is not always a simple answer. We’re living in a time where there are more options, opportunities, and data points than ever before— and when even the Girl Scouts are accepting Venmo payments, you know that consumer spending is undergoing rapid change. That’s why we’re so excited to offer our two cents on where money and spending are headed. In this report, you’ll discover how younger generations (Gen Y and Gen Z) are breaking the bank in a myriad of ways. Thanks to their digital prowess, they’re ushering in a cashless society, flocking to cryptocurrencies, redefining luxury as we know it, and actually putting their money where their mouth is when it comes to issues that matter to them. At the same time, they’re (unknowingly) volunteering so much personal information to data brokers that the concept of “price” is evolving from a fixed standard to a variable amount that is directly tailored to the individual. They’re even revolutionizing media in demanding an all-you-can-eat entertainment buffet, where instead of paying for content piecemeal, they can subscribe and gorge themselves on as much as they like, no silver spoon needed. Our goal with this reportTrendera is to provide you with everything you need to understand the who, what, where, and why behind your consumers’ spending, as well as inspiration to cash in on the current cultural trends and how to reach them more effectively. As always, we hope you enjoy and welcome any questions you may have. TRENDERA Fox Home Entertainment4 INTRO Trendera Fox Home Entertainment5 THE TRENDERA FILES: CONSUMER HABITS & SPENDING Trendera STAT highlights Fox Home Entertainment6 STAT HIGHLIGHTS METHODOLOGY: Trendera surveyed 1207 nationally-representative consumers in April 2018. The survey was distributed online and mobile optimized. 8-53 YEARS OLD, evenly distributed 114 GEN Z (8-12)* *includes children and parents of children 8-12 due to legal restrictions 286 GEN Z (13-23) 406 GEN Y (24-38) 401 GEN X (39-53) TrenderaMALE/FEMALE SPLIT for each generation STAT highlights Fox Home Entertainment7 THE TRENDERA FILES: CONSUMER HABITS & SPENDING CONSUMERS’ FINANCIAL snapshot Money-conscious Gen Zs are well on their way to building a successful financial future. Not only are they saving and wary of debt, they are optimistic and empowered having learned from Millennials’ mistakes. Trendera GEN Z Note: Gen Z stats reflect 13-23-year-olds. Fox Home Entertainment8 STAT HIGHLIGHTS THEIR FINANCIAL OUTLOOK: CONSUMERS’ FINANCIAL snapshot aware | smart | confident MONEY IN SAVINGS: MEAN $9.1k | MEDIAN $710 CREDIT CARDS: 0123 4567 8910 1 JAKE SHOPPER WHAT THEY’RE SAVING FOR: CAR 37% COLLEGE 35% TrenderaVACATION 23% FUN FACT: Gen Zs are significantly more likely than older generations to say you should never have debt (31% Gen Z, 23% Gen Y, 19% Gen X) Fox Home Entertainment9 THE TRENDERA FILES: CONSUMER HABITS & SPENDING CONSUMERS’ FINANCIAL snapshot Cash-strapped Gen Ys are recovering well, despite reaping the financial and emotional consequences from having graduated into an economic recession. With better jobs and more cash on hand, this generation is ready and willing to spend. Trendera GEN Y Fox Home Entertainment10 STAT HIGHLIGHTS THEIR FINANCIAL OUTLOOK: CONSUMERS’ FINANCIAL snapshot aware | stressed | anxious MONEY IN SAVINGS: MEAN $17.6k | MEDIAN $4.2k CREDIT CARDS: 0123 4567 89100123 4567 8910 2 JAKE SHOPPER JAKE SHOPPER WHAT THEY’RE SAVING FOR: VACATION 38% HOUSE / CAR 34% TrenderaINVESTING 24% FUN FACT: 20% of Millennials buy their groceries online and 1 in 4 make student loan payments every month Fox Home Entertainment11 THE TRENDERA FILES: CONSUMER HABITS & SPENDING CONSUMERS’ FINANCIAL snapshot While Gen Xers have the most money stored away they aren’t doing all that much better than their Millennial counterparts. Perhaps that’s why so many are feeling uneasy about their financial situations and feel like they should be doing more. Trendera GEN X Fox Home Entertainment12 STAT HIGHLIGHTS THEIR FINANCIAL OUTLOOK: CONSUMERS’ FINANCIAL snapshot stressed | anxious | aware MONEY IN SAVINGS: MEAN $23.7k | MEDIAN $4.7k CREDIT CARDS: 0123 4567 89100123 4567 8910 2 JAKE SHOPPER JAKE SHOPPER WHAT THEY’RE SAVING FOR: RETIREMENT 37% VACATION 29% TrenderaCAR 24% FUN FACT: Nearly half (49%) of Gen Xers say they should be saving more than they currently are. Fox Home Entertainment13 THE TRENDERA FILES: CONSUMER HABITS & SPENDING CONSUMER SPENDING Unless otherwise noted, stats refer to consumers 13-53 years old. MONTHLY SPENDING SUMMARY MENU GROCERIES RESTAURANTS CELL PHONE TV $270 $90 $80 $70 MOVIE TICKET MOVIE TICKET CLOTHES ALCOHOL (21+) MOVIES VIDEO GAMES $65 Trendera$35 $20 $20 MAKEUP GYM MEMBERSHIP MUSIC $20 $14 $12 Fox Home Entertainment14 STAT HIGHLIGHTS CONSUMER SPENDING PAYMENTS THEY MAKE EVERY MONTH: CELL PHONE 68% CREDIT CARD 58% CAR INSURANCE 50% MEDIA SUBSCRIPTION SERVICE 47% CAR PAYMENT 42% MORTGAGE 35% MUSIC SUBSCRIPTION SERVICE 22% STUDENT LOANS 16% MEDICAL BILLS 14% WHAT THEY’D DO ANTICIPATED SPENDING WITH $100: IN 6 MONTHS: SAVE IT FOR THE FUTURE 22% WILL SPEND MORE 28% 16% BUY CLOTHESTrendera 49% WILL SPEND THE SAME SAVE IT FOR A BIG PURCHASE 13% WILL SPEND LESS 23% Fox Home Entertainment15 THE TRENDERA FILES: CONSUMER HABITS & SPENDING DEBT 1 IN 4 CONSUMERS ARE CONCERNED ABOUT THEIR DEBT 49% SAY THERE’S GOOD DEBT AND BAD DEBT 40% OF GEN YS AND XERS PLAN TO PAY OFF THEIR DEBT IN THE FUTURE 28% SAY DEBT IS A NECESSARY PART OF LIFE CRYPTOCURRENCY 34% of Millennials and 22% of Gen Zs own cryptocurrency, compared to just 13% of Gen Xers WHEN IT COMES TO CRYPTO... 68% DON’T UNDERSTAND IT 58% SAY IT’STrendera A GAMBLE 50% SAY IT’S THE FUTURE OF MONEY 47% THINK IT’S A SMART INVESTMENT 42% THINK IT’S SAFE 35% THINK IT’S FOR PEOPLE WHO WANT TO DO SOMETHING ILLEGAL Fox Home Entertainment16 STAT HIGHLIGHTS PURCHASING ATTITUDES & behaviors 54% would rather inherit a lot of money than earn it 65% themselves would rather never have to work again than never have to 78% work out again would rather spend 70% money on a cool would rather eat a meal experience than a out with friends than luxury item see a movie with them 53% in theaters say it’s important to spend money on yourself THEIR FAVORITE THINGS TO SPEND MONEY ON: Eating out atTrendera restaurants Shopping Traveling $ Clothes $ Cool experiences Fox Home Entertainment17 $ THE TRENDERA FILES: CONSUMER HABITS & SPENDING WHERE THEY PURCHASE 53% 42% 22% Department Mass market Amazon CLOTHES store retailer MOVIE TICKET MOVIE TICKET 26% 19% 19% Mass market Beauty / specialty Drug store MOVIES retailer store 27% 25% 12% Mass market Specific Amazon MUSIC retailer website 22% 17% 16% TrenderaAmazon Specific Mass market VIDEO GAMES website retailer 24% 21% 13% Mass market Amazon Specific MAKEUP retailer website Fox Home Entertainment18 STAT HIGHLIGHTS WHAT THEY SAY IS BECOMING MORE IMPORTANT IN PURCHASING DECISIONS IN THE PAST YEAR: DEALS / DISCOUNTS 83% USER REVIEWS 73% FRIEND RECOMMENDATIONS 70% EXPERT REVIEWS 62% BRAND’S CUSTOMER SERVICE 61% BRAND NAME 56% BRAND WEBSITE 53% WHAT THEY SAY IS BECOMING LESS IMPORTANT IN PURCHASING DECISIONS IN THE PAST YEAR: CELEBRITY ENDORSEMENTS 78% INTERNET CELEBRITY ENDORSEMENTS 77% SOCIAL MEDIA PRESENCE 59% TV ADS 58% USER-GENERATED CONTENT 56% BRAND MISSION STATEMENT / VALUES 54% TrenderaGREAT ADS 51% Millennials are significantly more likely to compare prices while shopping in store and check for online coupons and promo codes before purchasing. Price Comparison: Gen Z: 53%, Gen Y: 60% Gen X: 45% Checking for coupons & promos: Gen Z: 43%, Gen Y: 57%, Gen X: 54% Fox Home Entertainment19 THE TRENDERA FILES: CONSUMER HABITS & SPENDING EMOTIONAL SPENDING: PURCHASES THAT MAKE THEM FEEL... 40% 39% 37% Eating out a Shopping Clothes HAPPY restaurant 35% 33% 30% Snacks Streaming Gym memberships / CONTENT subscription workout classes 31% 30% 30% Live events Cool experiences Traveling EXCITED 21% 19% 9% TrenderaInvestments Gym memberships / Traveling SUCCESSFUL workout classes 15% 12% 8% Investments Gym membership / Shopping / Apps / ANXIOUS workout classes Online games Fox Home Entertainment20 STAT HIGHLIGHTS WHAT THEY SAY IS WORTH THE MONEY: TRAVEL 84% EATING OUT AT A RESTAURANT 82% EVENTS 66% NEW CAR 66% BOTTLED WATER 61% PROFESSIONAL GROOMING 53% WHAT THEY SAY IS NOT WORTH THE MONEY: DESIGNERTrendera CLOTHES 65% PREMIUM MAKEUP 64% ORGANIC FOOD 56% COFFEE FROM A COFFEE SHOP 52% Fox Home Entertainment21 THE TRENDERA FILES: CONSUMER HABITS & SPENDING ONLINE VS. IN STORE 28% 35% of consumers regularly see of consumers regularly see something in store and something online and then then purchase it online.
Recommended publications
  • Taking Intellectual Property Into Their Own Hands
    Taking Intellectual Property into Their Own Hands Amy Adler* & Jeanne C. Fromer** When we think about people seeking relief for infringement of their intellectual property rights under copyright and trademark laws, we typically assume they will operate within an overtly legal scheme. By contrast, creators of works that lie outside the subject matter, or at least outside the heartland, of intellectual property law often remedy copying of their works by asserting extralegal norms within their own tight-knit communities. In recent years, however, there has been a growing third category of relief-seekers: those taking intellectual property into their own hands, seeking relief outside the legal system for copying of works that fall well within the heartland of copyright or trademark laws, such as visual art, music, and fashion. They exercise intellectual property self-help in a constellation of ways. Most frequently, they use shaming, principally through social media or a similar platform, to call out perceived misappropriations. Other times, they reappropriate perceived misappropriations, therein generating new creative works. This Article identifies, illustrates, and analyzes this phenomenon using a diverse array of recent examples. Aggrieved creators can use self-help of the sorts we describe to accomplish much of what they hope to derive from successful infringement litigation: collect monetary damages, stop the appropriation, insist on attribution of their work, and correct potential misattributions of a misappropriation. We evaluate the benefits and demerits of intellectual property self-help as compared with more traditional intellectual property enforcement. DOI: https://doi.org/10.15779/Z38KP7TR8W Copyright © 2019 California Law Review, Inc. California Law Review, Inc.
    [Show full text]
  • Nysba Spring 2020 | Vol
    NYSBA SPRING 2020 | VOL. 31 | NO. 2 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association In This Issue n A Case of “Creative Destruction”: Takeaways from the 5Pointz Graffiti Dispute n The American Actress, the English Duchess, and the Privacy Litigation n The Battle Against the Bots: The Legislative Fight Against Ticket Bots ....and more www.nysba.org/EASL NEW YORK STATE BAR ASSOCIATION In The Arena: A Sports Law Handbook Co-sponsored by the New York State Bar Association and the Entertainment, Arts and Sports Law Section As the world of professional athletics has become more competitive and the issues more complex, so has the need for more reliable representation in the field of sports law. Written by dozens of sports law attorneys and medical professionals, In the Arena: A Sports Law Handbook is a reflection of the multiple issues that face athletes and the attorneys who represent them. Included in this book are chapters on representing professional athletes, NCAA enforcement, advertising, sponsorship, intellectual property rights, doping, concussion-related issues, Title IX and dozens of useful appendices. Table of Contents Intellectual Property Rights and Endorsement Agreements How Trademark Protection Intersects with the Athlete’s EDITORS Right of Publicity Elissa D. Hecker, Esq. Collective Bargaining in the Big Three David Krell, Esq. Agency Law Sports, Torts and Criminal Law PRODUCT INFO AND PRICES 2013 | 539 pages Role of Advertising and Sponsorship in the Business of Sports PN: 4002 (Print) Doping in Sport: A Historical and Current Perspective PN: 4002E (E-Book) Athlete Concussion-Related Issues Non-Members $80 Concussions—From a Neuropsychological and Medical Perspective NYSBA Members $65 In-Arena Giveaways: Sweepstakes Law Basics and Compliance Issues Order multiple titles to take advantage of our low flat Navigating the NCAA Enforcement Process rate shipping charge of $5.95 per order, regardless of the number of items shipped.
    [Show full text]
  • How Fashion Erased the Politics of Streetwear in 2017
    City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism Fall 12-15-2017 Mask On: How Fashion Erased the Politics of Streetwear in 2017 Frances Sola-Santiago How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/219 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Mask On: How Fashion Erased the Politics of Streetwear in 2017 By Frances Sola-Santiago Hip-hop culture dominated the fashion zeitgeist in 2017. From a Louis Vuitton and Supreme collaboration to Gucci’s support of Harlem designer Dapper Dan’s store reopening, the fashion industry welcomed Black culture into the highest echelons of high fashion. Rapper Cardi B became the darling of New York Fashion Week in September after being rejected by designers throughout most of her career. Marc Jacobs traded the runway for the street, staging a show that included bucket hats, oversized jackets, and loads of corduroy on a large number of models of color. But while the industry appeared to diversify by acknowledging the indomitable force of hip-hop culture, it truly didn’t. The politics of hip-hop and Black culture were left out of the conversation and the players behind-the-scenes remained a homogeneous mass of privileged white Westerners. Nearly every high fashion brand this year capitalized on streetwear— a style of clothing born out of hip-hop culture in marginalized neighborhoods of New York City and Los Angeles, and none recognized the historical, cultural, and political heritage that made streetwear a worldwide phenomenon, symbolizing power and cool.
    [Show full text]
  • Innovating a 90'S Streetwear Brand for Today's Fashion Industry
    FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY A Thesis submitted to the FAculty of the Graduate School of Arts and Sciences of Georgetown University in partiAl fulfillment of the requirements for the degree of MAsters of Arts in CommunicAtion, Culture And Technology By Dominique HAywood, B.S WAshington, DC May 26, 2020 Copyright 2020 by Dominique HAywood All Rights Reserved ii FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY Dominique HAywood, BS Thesis Advisor: J.R. Osborn, Ph.D ABSTRACT This thesis is a cAse study of how a vintAge fashion brand cAn be innovated through humAn centered design for the current fashion industry. IDEO, global design and innovation company, has clAssified humAn centered design as A method for identifying viAble, feAsible and desirable solutions with the integration of multidisciplinary insights (IDEO). For this thesis, the brand of focus is FUBU, for us by us, a 90’s era streetweAr brand that is a product of New York City hip-hop culture. A succinct proposAl for FUBU’s resurgence in the fashion industry will be designed by first identifying the viAbility of the fashion industry and feAsibility of the brand’s revival. ViAbility will be determined by detAiling the current stAte of the fashion and streetweAr industries. This is to estAblish the opportunities and threAts of new and returning entrants into the industry. FeAsibility will be declAred by reseArching the history and current stAte of the brand, its cultural relevancy, and its strengths and weAknesses.
    [Show full text]
  • To Download The
    4 x 2” ad EXPIRES 10/31/2021. EXPIRES 8/31/2021. Your Community Voice for 50 Years Your Community Voice for 50 Years RRecorecorPONTE VEDVEDRARA dderer entertainmentEEXTRATRA! ! Featuringentertainment TV listings, streaming information, sports schedules,X puzzles and more! E dw P ar , N d S ay ecu y D nda ttne August 19 - 25, 2021 , DO ; Bri ; Jaclyn Taylor, NP We offer: INSIDE: •Intimacy Wellness New listings •Hormone Optimization and Testosterone Replacement Therapy Life for for Netlix, Hulu & •Stress Urinary Incontinence for Women Amazon Prime •Holistic Approach to Weight Loss •Hair Restoration ‘The Walking Pages 3, 17, 22 •Medical Aesthetic Injectables •IV Hydration •Laser Hair Removal Dead’ is almost •Laser Skin Rejuvenation Jeffrey Dean Morgan is among •Microneedling & PRP Facial the stars of “The Walking •Weight Management up as Season •Medical Grade Skin Care and Chemical Peels Dead,” which starts its final 11 starts season Sunday on AMC. 904-595-BLUE (2583) blueh2ohealth.com 340 Town Plaza Ave. #2401 x 5” ad Ponte Vedra, FL 32081 One of the largest injury judgements in Florida’s history: $228 million. (904) 399-1609 4 x 3” ad BY JAY BOBBIN ‘The Walking Dead’ walks What’s Available NOW On into its final AMC season It’ll be a long goodbye for “The Walking Dead,” which its many fans aren’t likely to mind. The 11th and final season of AMC’s hugely popular zombie drama starts Sunday, Aug. 22 – and it really is only the beginning of the end, since after that eight-episode arc ends, two more will wrap up the series in 2022.
    [Show full text]
  • This Book Is Valuable: an Anthology of Essays on Design and the Perception of Value in Luxury Fashion Objects Carlos Velasco University of Nebraska-Lincoln
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Honors Theses, University of Nebraska-Lincoln Honors Program Spring 3-12-2018 This Book is Valuable: An Anthology of Essays on Design and the Perception of Value in Luxury Fashion Objects Carlos Velasco University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/honorstheses Part of the Fashion Design Commons, Fine Arts Commons, and the Graphic Design Commons Velasco, Carlos, "This Book is Valuable: An Anthology of Essays on Design and the Perception of Value in Luxury Fashion Objects" (2018). Honors Theses, University of Nebraska-Lincoln. 36. https://digitalcommons.unl.edu/honorstheses/36 This Article is brought to you for free and open access by the Honors Program at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Honors Theses, University of Nebraska-Lincoln by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. This Book Is Valuable: An anthology of essays on design and the perception of value in luxury fashion objects. An Undergraduate Honors Thesis Submitted in Partial fulfillment of University Honors Program Requirements University of Nebraska-Lincoln by Carlos Velasco, Bachelor of Fine Arts, BFA Graphic Design Hixson-Lied College of Fine & Performing Arts 2018 Faculty Mentors: Stacy Asher, Associate Professor of Art, Department of Art, Art History and Design Aaron Sutherlen, Assistant Professor of Art, Department of Art, Art History and Design Velasco, 1 Abstract “This Book is Valuable” seeks to analyze how different concepts related to design and culture have influenced the apparent and perceived value of luxury fashion objects.
    [Show full text]
  • TOUR NOTES JANUARY 2019 Styles of Resistance
    TOUR NOTES JANUARY 2019 Styles of Resistance Styles of Resistance: From the Corner to the Catwalk On View: January 18-February 24, 2019 ​ Curated by: Amy Andrieux, Richard Bryan and Mariama Jalloh ​ FEATURED DESIGNERS coup d’etat BROOKLYN, Frank William Miller, Jr., FUBU, Johnny Nelson!, Karl Kani, Melody Ehsani, Maurice Malone, Moshood, Philadelphia Print Works, PNB Nation, Sean John, Spike’s Joint, Studio 189, Shirt King Phade, The Peralta Project, Walker Wear, Willi Wear LTD, Xuly Bet, and more. FEATURED ARTISTS Alex Blaise, Anthony Akinbola, Aurelia Durand, Barry Johnson, Benji Reid, Dr. Fahamu Pecou, Hassan Hajjaj, Jamel Shabazz, Janette Beckman, Kendall Carter, Lakela Brown, Marc Baptiste, Michael Miller, Righteous Jones (Run P.), Ronnie Rob, TTK, and Victoria Ford. Themes: ● 70s and 80s ○ Police Brutality in the United States and the Black Panther Party ■ How did “self-actualization”and police brutality inspire groups like the Black Panther Party to build the foundation for the birth of hip-hop and streetwear fashion? ○ Graffiti and Social Movements ■ How did black and brown communities respond to continued police brutality and poverty globally? What art was produced as a response to these grievances while also building community? ■ How did graffiti play a role in advancing the hip-hop movement? ● 90s ○ Michael Jordan and Sneakers ■ Jordans quickly became incorporated into streetwear, so they were always in high demand. Because Jordans were vastly consumed by Black people, Jordans quickly became associated with crime and violence. ● Spike Lee commercial ○ Streetwear, Urbanwear and Luxury Brands ■ Luxury Designers, and NY Fashion week had a disdain for urban fashion. Not only was the word “urban” synonymous to “ghetto”, but this label was used to exclude black designers, and people from big media platforms, fashion shows and stores.
    [Show full text]
  • 2021 Primetime Emmy® Awards Ballot
    2021 Primetime Emmy® Awards Ballot Outstanding Lead Actor In A Comedy Series Tim Allen as Mike Baxter Last Man Standing Brian Jordan Alvarez as Marco Social Distance Anthony Anderson as Andre "Dre" Johnson black-ish Joseph Lee Anderson as Rocky Johnson Young Rock Fred Armisen as Skip Moonbase 8 Iain Armitage as Sheldon Young Sheldon Dylan Baker as Neil Currier Social Distance Asante Blackk as Corey Social Distance Cedric The Entertainer as Calvin Butler The Neighborhood Michael Che as Che That Damn Michael Che Eddie Cibrian as Beau Country Comfort Michael Cimino as Victor Salazar Love, Victor Mike Colter as Ike Social Distance Ted Danson as Mayor Neil Bremer Mr. Mayor Michael Douglas as Sandy Kominsky The Kominsky Method Mike Epps as Bennie Upshaw The Upshaws Ben Feldman as Jonah Superstore Jamie Foxx as Brian Dixon Dad Stop Embarrassing Me! Martin Freeman as Paul Breeders Billy Gardell as Bob Wheeler Bob Hearts Abishola Jeff Garlin as Murray Goldberg The Goldbergs Brian Gleeson as Frank Frank Of Ireland Walton Goggins as Wade The Unicorn John Goodman as Dan Conner The Conners Topher Grace as Tom Hayworth Home Economics Max Greenfield as Dave Johnson The Neighborhood Kadeem Hardison as Bowser Jenkins Teenage Bounty Hunters Kevin Heffernan as Chief Terry McConky Tacoma FD Tim Heidecker as Rook Moonbase 8 Ed Helms as Nathan Rutherford Rutherford Falls Glenn Howerton as Jack Griffin A.P. Bio Gabriel "Fluffy" Iglesias as Gabe Iglesias Mr. Iglesias Cheyenne Jackson as Max Call Me Kat Trevor Jackson as Aaron Jackson grown-ish Kevin James as Kevin Gibson The Crew Adhir Kalyan as Al United States Of Al Steve Lemme as Captain Eddie Penisi Tacoma FD Ron Livingston as Sam Loudermilk Loudermilk Ralph Macchio as Daniel LaRusso Cobra Kai William H.
    [Show full text]
  • Locations in Toronto for Horror Movies
    Locations in Toronto for Horror Movies The films on this list feature locations in and around Toronto. Where a specific site has been identified by the IMDb database or other sources, it is listed, but there could be additional unidentified sites as well. There are dozens of other horror films with unspecified locations in Toronto, which I have included on my other list, “Horror Films in Toronto with Unspecified Locations.” Note: It’s not easy to draw a hard line to distinguish what is and isn’t horror. These films span a number of genres that intersect with horror, the supernatural, dark fantasy, or comedic horror. American Psycho (2000) dir. Mary Harron starring Christian Bale, Justin Theroux, Josh Lucas • The Senator Restaurant, 249 Victoria Street – DOWNTOWN TORONTO MAP • Phoenix Concert Theater, 410 Sherbourne Street – UNIVERSITY OF TORONTO AREA MAP • The Ballroom, 145 John Street (formerly Montana Restaurant Bar) – DOWNTOWN TORONTO MAP • Biff’s Bistro, 4 Front Street E. (formerly Boston Club) – DOWNTOWN TORONTO MAP • Fune Japanese Restaurant, 100 Simcoe Street (formerly Monsoon Restaurant) – DOWNTOWN TORONTO MAP • Cabbagetown neighbourhood (unspecified location) – UNIVERSITY OF TORONTO AREA MAP • Pearl Street (unspecified location) – DOWNTOWN TORONTO MAP American Pyscho II: All American Girl (2002) dir. Morgan J. Freeman starring Mila Kunis, William Shatner, Geraint Wyn Davies • unspecified Toronto locations Anonymous Rex (2004) dir. Julian Jarrold starring Sam Trammell, Daniel Baldwin, Stephanie Lemelin, Tamara Gorski • Cloud Forest Conservatory, 14 Temperance Street – funeral scene – DOWNTOWN TORONTO MAP The Believers (1987) dir. John Schlesinger starring Martin Sheen, Helen Shaver, Harley Cross, Robert Loggia • Toronto City Hall, 100 Queen Street W.
    [Show full text]
  • Stephen King's Apocalyptic Drama 'The Stand'
    STEPHEN KING’S APOCALYPTIC DRAMA ‘THE STAND’ COMING TO AMAZON PRIME VIDEO IN JANUARY Starring Whoopi Goldberg, Alexander Skarsgard, James Marsden, Amber Heard, Greg Kinnear and Australian Odessa Young, The Stand premieres exclusively in New Zealand on Amazon Prime Video on 15 January 2020 CLICK HERE TO WATCH THE TRAILER CLICK HERE FOR A SELECTION OF IMAGES “The world is now a blank page and it is there that you must make your stand.” Amazon Studios has acquired the Australian and New Zeraland rights to Stephen Kings’ The Stand, from CBS. The epic series stars a stellar ensemble cast including Whoopi Goldberg and Alexander Skarsgard, alongside Australian actress Odessa Young, and premieres exclusively on Amazon Prime Video on 15 January 2021. Five months after a bioengineered super flu strain - developed by the US military and named “Captain Trips” – sees the death of more than 99 percent of the world’s population, hundreds of survivors come together to try and start their lives over. The nine-episode limited event series is Stephen King’s apocalyptic dark fantasy vision of a world decimated by plague and embroiled in an elemental struggle between good and evil. The fate of mankind rests on the frail shoulders of the 108-year-old Mother Abagail (Whoopi Goldberg) and a handful of survivors. Their worst nightmares are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg (Alexander Skarsgård), the Dark Man. The Stand will close with a new coda written by the famed author himself. In this post-apocalyptic world, there is the good and a deep wall darkness.
    [Show full text]
  • 2017-2018 Annual Report
    CELEBRATING 25 YEARS Since 1993 2017/2018 HARLEM USA YEAR IN REVIEW 1 Table of Contents 4 Joint Message from Chairman and President 6 We Welcome Our New Neighbors 7 We Bizznifi 8 Conversations That Are Being Had 10 Pedestrian Counts 12 Sanitation and Street Maintenance 14 Clean Campaign 17 Public Safety 18 Marketing, Promotion, Communication, Events 19 Holiday Lighting 21 Sustainable Urbanization 22 Composition of Use Per Block 27 BID Financials 29 2017 - 2018 Board of Director 30 Management and Staff 31 CUNY Service Corp 32 Harlem Happenings App 33 BID Boundaries Joint Message from Chairman and President This year marks 25 years of operation for the 125th Street BID. Naturally reflection is in order and we did that in several ways. We held a Property Owner’s Think Tank where we reviewed achievements, what we want to let go, what we want to continue to pursue from an investor point of view, and examined new projects to add. We looked at existing BID resources. We analyzed data prepared by the BID staff that showed the growth in assessed values, the trends in pedestrian counts, and the impact of exempt vs. taxable properties. We discussed existing database platforms and ways to leverage strategic partners as we continue our journey. Recognizing that development activity is taking place on 125th Street, we examined what is happening with development above retail spaces; how to mitigate construction impacts, what will it take to activate development across 125th street and why are private developers not taking advantage of the cultural bonus that was put into place in 2008 with the re-zoning of 125th Street.
    [Show full text]
  • Anthony Lopez
    CUSTOMIZED SHOES: A HIP-HOP STAPLE AND A REBELLIOUS FASHION ANTHONY LOPEZ COMMENTARY: AMIT BARIA RESPONSE: ANTHONY LOPEZ In our society today, pursuits to conform or adjust to the ever-altering trends that dictate the fashion landscape are priorities for any fashion or pop-culture connoisseur. For better or for worse, the fate of consumer America is predicated on the domineering shadow of adolescent acquisition, and even more on producers capitalizing off the individuality that consumers hope to achieve. In hip-hop culture, where lavishness and extreme excess is a requirement at times, designer and name-brand fashions have found a niche in the urban ethos catalog. Throughout its rich and relatively young history, hip-hop’s standard dress has undergone many modifications. However, one of the most essential and enduring hip-hop staples has been footwear. According to Rebecca Arnold’s Fashion, Desire and Anxiety: Image and Morality in the Twentieth Century, the cultures of feet and fashion have been negotiating for years, footwear first appearing as a necessary accessory during the 1980s when groups like Run-DMC made songs such as “My Adidas” to promote their undying love for “kicks” (Arnold 40). Fast-forward to 2002, and the marriage between shoes and hip-hop is still very much evident. Popular brands such as Nike, Reebok, and the ubiquitous Jordan brand are some of the most widely consumed and hip-hop endorsed products on the market. However, as of last year, a new phenomenon has taken the urban shoe market by storm, and reinvented the image of what it means to be “ghetto fabulous.” The phenomenon we are speaking of, my friends, is the personalized shoe.
    [Show full text]