1968 Democratic Convention in Chicago, CREATIVE EXPRESSION Illinois
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
H 2228 Trials
Trials H 2228 BACKGROUND: The free-floating subdivision BTrials, litigation, etc. is used under names of individual persons, families, corporate bodies, or jurisdictions for the proceedings of civil or criminal actions to which they are parties, or for works about such proceedings, as described below. As a general rule, the same practices are followed in assigning subject headings to the actual proceedings of a trial as to works about a trial. The procedures described below therefore apply to both categories of material. 1. General collections of trials. Assign the heading Trials (May Subd Geog) to non-topical collections of proceedings of trials, or to general works describing various trials. Examples: Title: Trials that made headlines. 650 #0 $a Trials. Title: Great American courtroom battles. 650 #0 $a Trials $z United States. 2. Collections of particular types of trials. Assign headings of the type Trials ([topic]) (May Subd Geog) to collections of proceedings of particular types of civil or criminal trials, or to works describing several trials of a specific type. Example: Title: Witchcraft trials of Connecticut. 650 #0 $a Trials (Witchcraft) $z Connecticut. Subject Headings Manual H 2228 Page 1 June 2013 H 2228 Trials 3. Individual criminal trials. Assign as the first heading the name of the defendant with the subdivision BTrials, litigation, etc., or, if the trial has been established as a subject heading, the heading for the name of the trial. Assign one or more additional headings of the type Trials ([topic])B[place], as appropriate, and any other topical headings required for the work in hand. -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
ERAP and the LID-SDS Conflict
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1992 Reviving the American Left: ERAP and the LID-SDS Conflict Michael Patrick Bartos College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Political Science Commons, and the United States History Commons Recommended Citation Bartos, Michael Patrick, "Reviving the American Left: ERAP and the LID-SDS Conflict" (1992). Dissertations, Theses, and Masters Projects. Paper 1539625764. https://dx.doi.org/doi:10.21220/s2-bsmk-yn11 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Reviving the American Left: ERAP and the LID-SDS Conflict A Thesis presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements of the Degree of Master of Arts by Michael P. Bartos 1992 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Michael P. Bartos Approved, December 1992 Edward P. d&rapol Q ,_^ J J&, Phi 1 ip 'J. /Funigie 1 Ip/ Richard* B. Sherman ii TABLE OF CONTENTS ABSTRACT..................................................... iv INTRODUCTION...................................................2 CHAPTER I. SDS-LID RELATIONSHIP BEFORE ERAP.................... 5 CHAPTER II. THE ECONOMIC RESEARCH AND ACTIONPROJECT .......... 21 CHAPTER III. ELEMENTS OF THE OLD LEFT REJECTED BY ERAP........ -
Weather Channeling David Dorfman's Latest Finds Inspiration in Activism
Weather channeling David Dorfman's latest finds inspiration in activism BY RITA FELCIANO Dancerchoreographer David Dorfman is a poet of the ordinary. He digs below the commonplace and lets us see what's underneath. Early in his career, with Out of Season, he paired football players with highly trained dancers. Ten years ago he invited his ensemble's family members to join in performances of Familiar Movements. Both pieces revealed fresh ideas about dance, community, and beauty. They also showed Dorfman to be an artist of sparkling wit with a generous spirit. In the two pieces that his David Dorfman Dance company made its Bay Area debut with last year, he worked single conceits into exuberant, athletic choreography that resonated beyond its voluptuously evocative appeal. In See Level, sprawled bodies on a studio floor suggested maps of continents, with individual countries that were selfcontained yet had relationships with each other. A naked lightbulb inspired Lightbulb Theory, a meditation on death. Is it better, the piece asked in densely layered images, to die quickly or to flicker for a while? Dorfman's newest work, the 50minute underground, opens the Yerba Buena Center for the Arts' new Worlds Apart series, which according to executive director Ken Foster features artists who "create work that inspires us to think deeply and become responsible citizens of the global village." For underground, Dorfman started with history, using local filmmaker Sam Green's Oscarnominated documentary The Weather Underground as a jumpingoff point. The film documents the activities of the Weathermen (later, Weather Underground). -
A Small Slice of the Chicago Eight Trial
A Small Slice of the Chicago Eight Trial Ellen S. Podgor* The Chicago Eight trial was not the typical criminal trial, in part because it occurred at a time of society’s polarization, student demonstrations, and the rise of the House Un-American Activities Committee. Charges were levied against eight defendants, who were individuals that represented leaders in a variety of movements and groups during this time. This Essay examines the opening stages of this trial from the lens of a then relatively new criminal defense attorney, Gerald Lefcourt. It looks at his experiences before Judge Julius Hoffman and highlights how strong, steadfast criminal defense attorneys can make a difference in protecting key constitutional rights and values. Although judicial independence is crucial to a system premised on due process, it is also important that lawyers and law professors stand up to misconduct and improprieties. INTRODUCTION ............................................................................. 821 I. PROXIMITY AND SETTING .......................................................... 824 A. The Landscape ............................................................. 824 B. Attorney Gerald Lefcourt’s Role .................................. 828 II. ATTORNEY WITHDRAWALS AND SUBSTITUTIONS .................... 834 III. LESSONS LEARNED—RESPONDING TO MISPLACED JUDICIAL CONDUCT .............................................................................. 836 CONCLUSION ................................................................................ -
The Forgotten Americans of the Vietnam War
Prisoners of War The Forgotten Americans of the Vietnam War By Louis R. Stockstill On the following pages you will find one of the most saddening. But death and wounds are irretrievable, and important articles ever published in this magazine. Tell- all we can do is to make suitable provision for the ing you this may seem redundant. If an article is unim- wounded and the survivors of the dead. The prisoners, portant, we should not be publishing it at all. At the on the other hand, are alive and are retrievable. We can same time, we have always acknowledged to ourselves do something about them. We must. that not all readers are interested in everything we print. The author, who has done such a thorough and pains- Our job is to supply a balanced buffet table—not in- taking job, served for many years on the staff of The travenous feeding. Journal of the Armed Forces, ultimately as its Editor. But the matter of our American servicemen who have Lou Stockstill has devoted his professional life to the sacrificed their freedom, their health, and the peace of examination and explanation of the problems of the mind of themselves and their families in behalf of free- armed forces of the United States. He is now a free- dom for others—this is a matter that concerns us all. lance writer in Washington. This article represents, in By the hundreds, these men languish in North Vietnam our judgment, the finest effort of his distinguished ca- prisons and in Viet Cong jungle camps—unprotected by reer. -
Poetics of Protest: a Fluxed History of the 1968 DNC (A Dialogue for Six Academic Voices)
Liminalities: A Journal of Performance Studies Vol. 8, No. 4, September 2012 Poetics of Protest: A Fluxed History of the 1968 DNC (A Dialogue for Six Academic Voices) Tom Lavazzi Commentator/Over Voice (CO; as described below)/Conductor (“Panel Chair”) Documents (“objective”) Fluxedout (Fluxed; Fluxus attitude) New Historical Left (NHL; based on “old” and “new” New Left and New Historicist voices) The Institute for Cultural Studies (TICS; an institutionalized postmodern academic voice) Yippedout (Yipped; Yippie! Doubling occasionally as “Lecturer”) Poetics of Protest is staged as a typical (atypical) academic conference panel presentation. At the front of the room are two long tables, one for the panelists and another for props. Props overflowing the table may also be ranged around the room, redeploying chalkboard ledges, windowsills, and floor margins, marking the space’s boundaries. Redeployed, theoretically fortified cereals (i.e., empty boxes)—Zizek 0sTM, Blau PopsTM, Lucky Deleuze, Baudrillard PuffsTM, Foucault Flakes, etc.—are suspended from the ceiling. There is also a podium, a data projector and projection screen1 displaying an interactive image map of Chicago, circa 1968, highlighting the Amphitheatre and key riot and protest sites, and, optionally, a video monitor on which the audience may view muted interviews with Yippies. Projected on the podium and the floor directly in front of the podium—slow motion and stop-action scenes from Brett Morgen’s animated documentary of the Chicago 8 trial, Chicago 102; the panelists pause, at intervals, to act out—or rather, act with, re-act (to), comment on via serial tableau vivant--fragments of these scenes, Tom Lavazzi is Professor of English at KBCC-CUNY. -
RG11 Especial Maqueta
Dia-Tekhne– Diálogo a través del arte Alex Carrascosa RED GERNIKA bakeaz gernika gogoratuz Dia-Tekhne– Diálogo a través del arte La edición de este libro ha sido posible gracias a la financiación de la Dirección de Promoción de la Cultura (Artes Plásticas) de la Viceconsejería de Cultura, Juventud y Deportes del Departamento de Cultura del Gobierno Vasco, y de la Asociación de Investigación por la Paz Gernika Gogoratuz. Dia-Tekhne– Diálogo a través del arte Alex Carrascosa Colección Red Gernika Directora de la colección: María Oianguren Idigoras Ilustración de cubierta: Elkarrizketarako aulkiak · Chairs for Dialogue · Sillas para el diálogo, Alex Carrascosa (2009). Imagen digital sobre fotografías de estudio de Patricia Merino y expuesta junto al poema Haizearen koloreak (Los colores del viento), de Kirmen Uribe (2009), en la muestra internacional Dialogue among Civilisations, organizada en Durban por la organización Art For Humanity con motivo de la Copa Mundial de Fútbol Sudáfrica 2010. © Alex Carrascosa, 2010 © Bakeaz, 2010 Plaza Arriquibar, 3-1.º dcha. • 48008 Bilbao Tel.: 94 4790070 • Fax: 94 4790071 Correo electrónico: [email protected] http://www.bakeaz.org © Gernika Gogoratuz, 2010 Artekalea, 1-1.º • 48300 Gernika-Lumo Tel.: 94 6253558 • Fax: 94 6256765 Correo electrónico: [email protected] http://www.gernikagogoratuz.org ISBN: 978-84-92804-03-0 Depósito legal: BI-1880-2010 Nire gurasoei. Martxuri, Hasier eta Naiari: Maitasunaren eta koherentziaren nire eguneroko laborategi-tailerra. Haizearen koloreak Gure aitarentzat, haizeak koloreak zituen: Bazegoen haize beltza, itsasotik sartzen zen haize hotza. Eta baita haize gorria ere, lautada handietatik zetorrena, hotza bezain lehorra. Arrantzaleek haize berdea ere ezagutzen zuten, itsasoan ardiak sortarazten zituena. -
JW Conspiracy Press
CONTACT: Nanda Dyssou, Publicist [email protected] (424)-226-6148 Conspiracy In The Streets The Extraordinary Trial of the Chicago Seven THE TRIAL THAT IS NOW A MAJOR MOTION PICTURE Reprinted to coincide with the release of the new Aaron Sorkin film, this book provides the political background of this infamous trial, narrating the utter craziness of the courtroom and revealing both the humorous antics and the serious politics involved Opening at the end of 1969—a politically charged year at the beginning of Nixon’s presidency and at the height of the anti-war movement—the Trial of the Chicago Seven (which started out as the Chicago Eight) brought together Yippies, antiwar activists, and Black Panthers to face conspiracy charges following massive protests at the 1968 Democratic National Convention in Chicago, protests which continue to have remarkable contemporary resonance. The defendants—Rennie Davis, Dave Dellinger, John Froines, Tom Hayden, Abbie Hoffman, Jerry Rubin, Bobby Seale (the co-founder of the Black Panther Party who was ultimately removed from the trial, making it seven and not eight who were on trial), and Lee Weiner— openly lampooned the proceedings, blowing kisses to the jury, wearing their own judicial robes, and bringing a Viet Cong flag into the courtroom. Eventually the judge ordered Seale to be bound and gagged for insisting on representing himself. Adding to the theater in the courtroom an array of celebrity witnesses appeared, among them Timothy Leary, Norman Mailer, Arlo Guthrie, Judy Collins, and Allen Ginsberg (who provoked the prosecution by chanting “Om” on the witness stand). Author: Jon Wiener This book combines an abridged transcript of the trial with astute commentary by historian Format: Print, Ebook and journalist Jon Wiener, and brings to vivid life an extraordinary event which, like Woodstock, came to epitomize the late 1960s and the cause for free speech and the right Pages: 304 pages to protest—causes that are very much alive a half century later. -
Title Page & Abstract
Title Page & Abstract An Interview with Edward M. Burke Part of the Abraham Lincoln Presidential Library Illinois Statecraft Oral History project Interview # IS-A-L-2018-037 Edward M. Burke, a police officer who worked on the convention floor during the 1968 Democratic Convention in Chicago, was interviewed on the date listed below as part of the Abraham Lincoln Presidential Library’s Illinois Statecraft-General Interest Oral History project. Interview dates & location: Date: Tuesday, Jun 26, 2018 Location: Klafter & Burke Law office, Chicago, IL Interview Format: Digital video Interviewer: Mark R. DePue, Director of Oral History, ALPL Transcription by: _________________________ Transcript being processed Edited by: _______________________________ Total Pages: ______ Total Time: 1:04 / 1.07 hrs Accessioned into the Abraham Lincoln Presidential Library Archives on July 18, 2018. The interview is archived at the Abraham Lincoln Presidential Library in Springfield, Illinois. © 2018 Abraham Lincoln Presidential Library Abstract Edward Burke, Illinois Statecraft, IS-A-L-2018-037 Biographical Information/Overview of Interview: Edward M. Burke was born on December 29, 1943 in Chicago, Illinois, and grew up on the south side of Chicago. He attended high school at the Quigley Preparatory Seminary, and college at DePaul University, graduating in 1965. By 1968 he was serving as a Chicago police officer; he was also enrolled in De Paul University’s College of Law. His father, Joseph P. Burke, was a Chicago Alderman at the time. During the 1968 Democratic Convention, Ed worked the day shift on the convention floor at the Stockyards International Amphitheater. He discusses that experience in depth, including an incident where he informed Mayor Richard J. -
'Lose in Vietnam, Bring Our Boys Home'
Case Western Reserve University School of Law Scholarly Commons Faculty Publications 2004 ‘Lose in Vietnam, Bring Our Boys Home’ Robert N. Strassfeld Case Western Reserve University - School of Law, [email protected] Follow this and additional works at: https://scholarlycommons.law.case.edu/faculty_publications Part of the Law Commons Repository Citation Strassfeld, Robert N., "‘Lose in Vietnam, Bring Our Boys Home’" (2004). Faculty Publications. 267. https://scholarlycommons.law.case.edu/faculty_publications/267 This Article is brought to you for free and open access by Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. "LOSE IN VIETNAM, BRING THE BOYS HOME" ROBERTN. STRASSFELD. This Article examines the contest over dissent and loyalty during the Vietnam War. The Johnson and Nixon Administrations used an array of weapons to discourage or silence antiwar opposition. These included crinLinal prosecutions for "disloyal speech," a tool that they used with less frequency than s01ne other administrations in times of war; prosecutions for other "crimes" that served as pretext for prosecuting disloyal speech; infiltration and harassment; and an attempt to characterize their critics as disloyal. The antiwar movement, in turn, responded to allegations that dissent equaled disloyalty by offering an alternative vision of loyalty and patriotism. In so doing, they recast notions of allegiance, betrayal, support of the troops, and our obligations in the face of conflicting loyalties. INTRODUCTION ..................................................................................... 1892 I. THE USES OF LOYALTY IN THE VIETNAM WAR ERA ........... 1894 A. The Model of Legal Repression: The World War I Experience ........................................................................... -
E Cnronicie Showers
Student tickets fi>r the Partly Cloudy Duke-North Carolina football Partly cloudy today and game on Nov. 21 at Chapel tonight. High today 80; Hill are now available at the low tonight 60. High Indoor Stadium ticket office tomorrow mid to upper from 9 a.m. till ."i p.m. 70's with chance of e cnronicie showers. 7** Volume 66, Number 22 Durham, North Carolina Wednesday, October 14,1970 Nader's men present plan for public interest research By Bob Califf nation in an attempt to The philosophy of the Attorneys Chris White and coordinate the universities PIRG is that al! of the power Sam Simon, representing and channel student protest in the United States resides "Nader's Raiders^" outlined a off-campus. within the corporate plan for a "broadly based Although most of the government structure and student financed public group's efforts will be that "the masses have interest research group" concentrated in states such as virtually no power," before a sparse crowd in Texas and California where according to White. Flowers Building last night. large numbers of students are He added that universities concentrated, colleges in According to White, this are a vital part of this system, every state will be organizing. group would represent the not only because of obvious White and Simon said that 7.8 million college students symbols such as ROTC they hope to raise enough who are virtually powerless buildings, research grants and money to hire between 400 now. White and Simon are trustee-corporation bonds, and 1000 professional people members of the Public b ut more directly because "to place advocates of public Photo by Charlie McLarty Interest Research Group, universities are often geared welfare before the myriad of One of Nader's raiders which contains 13 lawyers to teach students to uphold government agencies." was formed to bring the plan under the directorship of before the student body of this structure.