Report on the 2005 World Exposition, Aichi, Japan
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Conceptualizing Mega-Event Flagships—A Case Study Of
Frontiers of Architectural Research (2013) 2, 107–115 Available online at www.sciencedirect.com www.elsevier.com/locate/foar CASE STUDY Conceptualizing mega-event flagships—A case study of China Pavilion of Expo 2010 Shanghai China Ying Dengn Department of Civil Engineering, The University of Hong Kong, Hong Kong, China Received 28 August 2012; received in revised form 30 October 2012; accepted 12 November 2012 KEYWORDS Abstract Mega-event flagship; Mega-event flagship (MEF) is a dual instrument for staging a mega-event and catalyzing regional Case study; urban renewal. Despite its unfailing popularity and controversial nature, many initiators seem Conceptualize; to equate MEF development with signature architecture, resulting in a persistent issue of China Pavilion; underuse among MEFs in the post-event era. Although research findings indicate that the early Expo 2010 Shanghai stages hold the key to the future of MEFs, insufficient research on this crucial matter has been China; done to provide useful analyses as to how to achieve this. To rectify this, this paper presents a Clustering case study of China Pavilion (CP) as the most spotlighted MEF initiated by Expo 2010 Shanghai China. Through participant observation, archival records, and documentation, the case of CP was extensively explored to learn how the client organization has addressed the issues of form, function, and future positioning at the early stages. By linking the pre-Expo conceptualization with its post-Expo performance, the case brings a renewed attention to the early stages of MEF development. Although it is a single-case study, this research yields results that indicate the possibility of having beneficial spillover impact on broader-scale urban renewal by balancing an MEF’s dual mandate. -
What Is Cosplay?
NO, REALLY: WHAT IS COSPLAY? Natasha Nesic A thesis submitted in partial fulfillment of the requirements for a B. A. in Anthropology with Honors. Mount Holyoke College May 2013 ACKNOWLEDGEMENTS “In anthropology, you can study anything.” This is what happens when you tell that to an impressionable undergrad. “No, Really: What is Cosplay?” would not have been possible without the individuals of the cosplay community, who gave their time, hotel room space, and unforgettable voices to this project: Tina Lam, Mario Bueno, Rob Simmons, Margaret Huey, Chris Torrey, Chris Troy, Calico Singer, Maxiom Pie, Cassi Mayersohn, Renee Gloger, Tiffany Chang, as well as the countless other cosplayers at AnimeNEXT, Anime Expo, and Otakon during the summer of 2012. A heap of gratitude also goes to Amanda Gonzalez, William Gonzalez, Kimberly Lee, Patrick Belardo, Elizabeth Newswanger, and Clara Bertagnolli, for their enthusiasm for this project—as well as their gasoline. And to my parents, Beth Gersh-Nesic and Dusan Nesic, who probably didn’t envision this eight years ago, letting me trundle off to my first animé convention in a homemade ninja getup and a face full of Watercolor marker. Many thanks as well to the Mount Holyoke College Anthropology Department, and the Office of Academic Deans for their financial support. Finally, to my advisor and mentor, Professor Andrew Lass: Mnogo hvala za sve. 1 Table of Contents Introduction.......................................................................................................................................3 -
![Skripsi IP Galih Dwi Ramadhan 14410359 ]LEGAL PROTECTION](https://docslib.b-cdn.net/cover/9665/skripsi-ip-galih-dwi-ramadhan-14410359-legal-protection-249665.webp)
Skripsi IP Galih Dwi Ramadhan 14410359 ]LEGAL PROTECTION
LEGAL PROTECTION OF COSPLAY COSTUME BASED ON INDONESIA AND JAPAN’S COPYRIGHT AND DESIGN LAW A THESIS By: GALIH DWI RAMADHAN Student Number: 14410359 INTERNATIONAL PROGRAM FACULTY OF LAW UNIVERSITAS ISLAM INDONESIA YOGYAKARTA 2018 LEGAL PROTECTION OF COSPLAY COSTUME BASED ON INDONESIA AND JAPAN’S COPYRIGHT AND DESIGN LAW A THESIS Presented as the Partial Fulfillment of the Requirements To Obtain the Bachelor Degree at the Faculty of Law Universitas Islam Indonesia Yogyakarta By: GALIH DWI RAMADHAN Student Number: 14410359 INTERNATIONAL PROGRAM FACULTY OF LAW UNIVERSITAS ISLAM INDONESIA YOGYAKARTA 2018 i LEGAL PROTECTION OF COSPLAY COSTUME BASED ON INDONESIA AND JAPAN’S COPYRIGHT AND DESIGN LAW A BACHELOR DEGREE THESIS Presented as Partial Fulfillment of theRequirements to Obtain the Bachelor Degree at the Faculty of Law, Islamic University of Indonesia, Yogyakarta By: GALIH DWI RAMADHAN 14410359 Department: International Business Law INTERNATIONAL PROGRAM FACULTY OF LAW ISLAMIC UNIVERSITY OF INDONESIA YOGYAKARTA 2016 ii iii SURAT PERNYATAAN ORISINALITAS KARYA TULIS ILMIAH BERUPA TUGAS AKHIR MAHASISWA FAKULTAS HUKUM UNIVERSITAS ISLAM INDONESIA Yang bertanda tangan dibawah ini, saya: Nama : GALIH DWI RAMADHAN No. Mahasiswa : 14410359 Adalah benar-benar mahasiswa Fakultas Hukum Universitas Islam Indonesia Yogyakarta yang telah melakukan Penulisan Karya Tulis Ilmiah (Tugas Akhir) berupa Skripsi dengan judul: LEGAL PROTECTION OF COSPLAY COSTUME BASED ON INDONESIA AND JAPAN’S COPYRIGHT AND DESIGN LAW Karya ilmiah ini akan saya ajukan kepada Tim Penguji dalam Ujian Pendadaran yang diselenggarakan oleh Fakultas Hukum UII. Sehubungan dengan hal tersebut, dengan ini saya menyatakan: 1. Bahwa karya tulis ilmiah ini adalah benar-benar hasil karya sendiri yang dalam penyusunannya tunduk dan patuh terhadap, kaidah, etika, dan norma-norma penulisan sebuah karya tulis ilmiah sesuai dengan ketentuan yang berlaku; 2. -
Event Highlights
Event Highlights Events • Yoshihiro Ike: Anime Soundtrack World sponsored by Studio Kitchen: International debut performance of one of Japan’s most prolific music composers in the industry featuring a 50 piece orchestra that will bring to life the greatest collection of soundtracks from Tiger & Bunny, Saint Seiya, B: The Beginning, Dororo, Rage of Bahamut:Genesis, and Shadowverse. • 4DX Anime Film Festival: Featuring Detective Conan: Zero The Enforcer, Mobile Suit Gundam NT (Narrative) and Mobile Suit Gundam 00 the MOVIE – A Wakening of the Trailblazer- enhanced with immersive, multi-sensory 4DX motion and environmental effects. • Anime Expo Masquerade & World Cosplay Summit US Finals • Inside the World of Street Fighter & Street Fighter V: Arcade Edition - Ultimate Cosplay Showdown sponsored by Capcom • LOVE LIVE! SUNSHINE!! Aqours World LoveLive! in LA ~BRAND NEW WAVE~ • Fate/Grand Order USA Tour • Fashion Show: Featuring Japanese brands h. NAOTO with designer Hirooka Naoto, Acryl CANDY with guest model Haruka Kurebayashi, amnesiA¶mnesiA with guest model Yo from Matenrou Opera, and Metamorphose with designer Chinatsu Taira. In addition, Hot Topic will reveal a new collection and HYPLAND will debut new items from their BLEACH collaboration. Programming • 15+ Premieres & Exclusive Screenings: Promare, Dr. Stone, In/Spectre, Human Lost, Fire Force, My Hero Academia Season 4, “Pokémon: Mewtwo Strikes Back—Evolution!” and more. • 900+ Hours of Panels, Events, Screenings, Workshops, and more. • Programming Tracks: Career, Culture, Family, and Academic Program. • Pre-Show Night on July 4 (6 - 10pm) 150+ Guests & Industry Appearances • Creators: Katsuhiro Otomo, Bisco Hatori, Yoshiyuki Sadamoto, Yusuke Kozaki, Atsushi Ohkubo, Utako Yukihiro. • Japanese Voice Actors: Rica Matsumoto, Mamoru Miyano, Maya Uchida, Kaori Nazuka. -
Le Legs Intellectuel Des Expos, La Tribune De L'eau, Expo Zaragoza
1 2 Bureau International des Expositions (ed.) Le legs intellectuel des Expos, La Tribune de l’Eau, Expo Zaragoza 2008 The intellectual legacy of Expos, The Water Tribune, EXPO 2008 ZARAGOZA © Bureau International des Expositions 34, avenue d’Iéna, 75116 Paris Le BIE remercie les auteurs dont les textes figurent dans ce recueil de lui avoir donné l’aimable autorisation de les reproduire. Tous droits de traduction, de reproduction et d’adaptation réservés pour tous pays (à des fins commerciales), la loi du 11 mars 1957 n’autorisant, aux termes des alinéas 2 et 3 de l’article 41, d’une part, que les « copies ou reproductions strictement réservées à l’usage privé du copiste et non destinées à une utilisation collective », et, d’autre part, que les analyses et les courtes citations dans un but d’exemple et d’illustration, « toute représentation ou reproduction intégrale, ou partielle, faite sans le consentement de l’auteur ou des ayants droit ou ayants cause, est illicite » (alinéa 1er de l’article 40). Ne peut être vendu. Les points de vues exprimées par les auteurs n’engagent que la pensée de ceux-ci et non les avis et opinions du Bureau International des Expositions. The points of view expressed by the authors represent their way of looking at things and not the opinions or convictions of the International Exhibitions Bureau. © 2009 Bureau International des Expositions 3 4 Préface M. Vicente González Loscertales, Secrétaire Général du Bureau International des Expositions Cette année, le Bureau International des Exposition a choisi de consacrer son Bulletin annuel au thème: « Le legs intellectuel des Expos - La Tribune de l’Eau, Expo 2008 Zaragoza » Le legs des Expos est un des éléments les plus importants qui permet à celle-ci de faire perdurer leur message international bien après leur clôture. -
Canada at Expo 2005: Nation, Audience, and the Branded Display Complex
Canada at Expo 2005: Nation, Audience, and the Branded Display Complex: by Laurie J. Dalton A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Canadian Studies Carleton University Ottawa, Ontario © 2014 Laurie Dalton Abstract Popular culture events, such as world’s fairs, are important objects of study as they demonstrate how visual culture functions as an agent of nation branding on a global scale. Much of the research on these events has focused on the nineteenth and early twentieth centuries as sites of imperialism and modernism. Although less attention has been paid to contemporary world’s fairs, this study argues that these continue to be critical areas of study. Expo 2005 in Aichi, Japan was the first world’s fair held in Asia in the twenty-first century. As global power dynamics shift to Asia, an examination of cultural events allows us to explore how countries hope to position themselves in this shift. My case study of the Canadian pavilion at Expo 2005 demonstrates how the display simultaneously projected a federal brand and reflected tourist expectations of Canada for the Japanese audience. I use a visual analysis drawing from iconology and visual semiotics to understand how the design of the pavilion represented the unique expectations of three different stakeholders: the organizers of the Aichi expo who sought to position Japan within a wider global framework, the Canadian federal planners who wanted to project a distinct Canadian identity abroad, and the attending public, who went to be entertained. -
Penggunaan Budaya Populer Dalam Diplomasi Budaya Jepang Melalui World Cosplay Summit
PENGGUNAAN BUDAYA POPULER DALAM DIPLOMASI BUDAYA JEPANG MELALUI WORLD COSPLAY SUMMIT I Made Wisnu Seputera Wardana, Idin Fasisaka, Putu Ratih Kumala Dewi Fakultas Ilmu Sosial dan Ilmu Politik Universitas Udayana Email: [email protected], [email protected], [email protected]. ABSTRACT Nowadays, every country in order to fulfill their national interest, they will not only focused on their military or economic power but also their cultural influence. The cultural aspect is viewed as one of power sources that have great influence. Japan is one of the countries that regularly do cultural diplomacy. Japan believes that cultural approachment could build a good relations between Japanand other countries. Recently,Japan’s cultural diplomacy tend to use it’s pop-culture such as manga, anime, fashion, cosplay or Japan’s popular music. One of Japan’s cultural diplomacy activities that using Japan’s popular culture is World Cosplay Summit (WCS). This research aimed to described Japan’s cultural diplomacy activity that using Japan’s popular culture to strengthened Japan’s positive image through WCS event that held in Nagoya in the year of 2003-2014 with refer to elements from soft power currencies concept. Keywords : Cultural Diplomacy, Soft Power Currencies, WCS, Japan 1. PENDAHULUAN dalam Nakamura, 2013: 4). Hal ini sekaligus Dewasa ini, dalam usaha mengejar menjadi penanda arah baru kebijakan luar kepentingan nasionalnya, negara-negara tidak negeri Jepang dari yang semula memfokuskan hanya menekankan pada kekuatan militer atau pada budaya tradisionalnya (Nakamura, 2013: ekonomi melainkan juga budaya. Joseph, S. 4). Nye, Jr. (2004) menyatakan bahwa sumber Urgensi untuk menggunakan budaya kekuatan sebuah negara pasca Perang Dingin populer ini muncul setelah adanya tulisan dari tidak hanya bergantung pada kekuatan militer Douglas McGray pada tahun 2002 yang saja melainkan pada sumber lain seperti berjudul “Japan’s Gross National Cool” budaya dan kebiasaan yang disebut soft (Hayden, 2012: 78). -
International Exhibition EXPO 2005 – M Edge
Collector Coins Collector Coins National Bank of Poland Reverse: A view of a pair of cranes. On the left-hand side, a view of a pine tree and an inscription: EXPO along the left edge. An inscription: 2005 AICHI along the right edge of the coin. CollectorCollector CoinsCoins Coin designer: : Robert Kotowicz face value 200 z∏ metal 900/1000Au finish proof diameter 27.00 mm weight 15.50 g mintage 4,200 pcs Obverse: A stylised view of a fragment of the monument to Fryderyk face value 2 z∏ Chopin from the Royal ¸azienki Park in Warsaw. Below, on the left-hand metal CuAl5Zn5Sn1 alloy side, an image of the Eagle, established as the state Emblem of the Republic of Poland. Above the Eagle, on the left-hand side, an finish standard inscription: 200 Z¸. On the left-hand side, circumscribed, the notation diameter 27.00 mm of the year of issue: 2005. Below, a circumscription: RZECZPOSPOLITA m weight 8.15 g POLSKA. The Mint’s mark,––w , under the Eagle’s left leg. mintage 1,000,000 pcs Reverse: Stylised views of the Nagoya Castle with the Fuji Mountain in the background and of a branch of a blossoming plum-tree. Above, an inscription: EXPO / 2005 / AICHI. Obverse: An image of the Eagle, established as the state Emblem of the Republic of Poland, a notation of the year of Coin designer: : Robert Kotowicz issue: 20-05 on both sides of the Eagle, below the Eagle, an inscription: Z¸ 2 Z¸; in the rim, an inscription: RZECZPOSPOLITA POLSKA preceded and followed by six m pearls. -
World's Fairs: 1850- 1900." Metropolitan Museum of Art Bulletin 56:3 (Winter 1998/1999): 3-56
World’s Fairs: A Guide to Selected English-Language Resources Compiled for the Center for the Study of Global Change by Kira Homo John Russell Jason Schultz Claudia Silverman Skye Thomsen Under the Direction of Robert Goehlert Indiana University Bloomington 2005 Table of Contents Reference Sources ........................................................................3 Primary Sources............................................................................ 5 Bibliography Comprehensive Resources (multiple fairs) ................................ 9 Chronological Bibliography (individual fairs) .............................. 18 Index .......................................................................................... 86 1 2 Reference Sources Bertuca, David J., Donald K. Hartman, et al. The World's Columbian Exposition: A Centennial Bibliographic Guide. Westport, CT: Greenwood Press, 1996. Burke, Bridget J. “World's Fairs and International Expositions: Selected References 1987-1993.” Fair Representations: World's Fairs and the Modern World. Robert Rydell and Nancy E. Gwinn, eds. Amsterdam: VU University Press, 1994. Cagle, William R., Rebecca Campbell Cape, et al. The Grand Event: International Expositions, 1851-1904. Bloomington: Lilly Library, Indiana University Libraries, 2001. Dybwad, G. L. and Joy V. Bliss. Annotated Bibliography: World's Columbian Exposition, Chicago, 1893: Supplement with 440 Illustrations and Price Guide, Master Index for Both Volumes Including Subjects, Master Source List with 140 New Entries, over 3500 -
Feel Your Tempo – December 2016
NOW CIRCULATING 45,000 HARD COPIES! FREE +25,000 e-TEMPO www.feelyourtempo.com Feel Your Tempo @tempoplanet @feelyourtempo THE RHYTHM OF YOUR LIFE Dec 2016 TEMPO’S DEDICATION TO THE NATION P. 16 THE EDITOR’S NOTE CONTENTS I take this opportunity to wish the UAE, and its ARTISTS 11 Album Spotlight people, a very happy National Day, along with 13 Music News long lasting peace and prosperity. 24 Shutterbug ADP FEATURES When I first came to the UAE, I was fresh out of university from the US and eager to get my first job. My parents sent me to Abu 05 Life Hacks Dhabi to be with my extended Emirati family, where they hoped 16 Vox Pop: National Day I’d be safe, productive and God willing, ready for marriage 17 A Dedication to the Nation in due course. 26 The Smovies That was 1985 - a long time ago, right? Well, I stayed with my Uncle Khalid who was like a father to me, his wife Wafa who FOODIES became my confidante, and their wonderful kids Hiba, Ayman and 19 The Epicurean Hadeel, who are now grown and married. As you might imagine, I stuck out like a sore thumb from the start...my extended family often didn’t know quite what to do with me as I struggled to fit GUIDES into this country that was my new home. 09 In the Cinemas 10 Tempo Top 10 Songs My first job was as a reporter in Gulf News; I was one of a handful 12 Tempo Events of Arab female journalists covering hardcore news beats. -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28 -
2005 World Expo in Aichi, Japan: an Environmental Challenge by Sylvie Grenier
2005 World Expo in Aichi, Japan: An Environmental Challenge by Sylvie Grenier Summary Most cities hosting a World Expo use this opportunity to revitalize depressed or contaminated urban areas. Unlike other expos, the 2005 World Expo is located in what was a large public park 20 kilometres from Nagoya.Japan's fourth largest city. This article examines the benefits of the Expo and questions the wisdom of investing huge amounts of money in infrastructure projects in a remote area. Sommaire La plupart des vii/es qui accueillent une exposition universe/le prof,tent de /'occasion pour revitaliser des zones urbaines deteriorees ou contaminees. Contrairement aux autres expositions universelles, celle de 2005 se deroulera a /'emplacement d'un ancien grand pare public, a 20 kilometres de Nagoya, quatrieme ville en importance du Japon. Cet article est consacre aux retombees favorables de /'exposition universe/le et met en cause la sagesse d'investir des sommes enormes dons des projets d'infrastrueture mis en reuvre a un endroit eloigne. n 1998, the Japanese Prefecture of IAichi won the right to host World Expo 2005.The two main objectives were to raise the visibility of this successful but not well-known industrial area of Japan and enhance its economy. Expo 2005 will achieve both of these objectives, but not in the way that had been planned. Long before construction began, the organizers had to adjust to an environmental lobby that succeeded in profoundly changing the original location and design of the Expo. Site Selection The first site selected was a 540-hectare area in the Kaisha Forest in the municipality of Seto on the outskirts of Nagoya.