La Filosofía Política De William Godwin

Total Page:16

File Type:pdf, Size:1020Kb

La Filosofía Política De William Godwin UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE DERECHO Departamento de Filosofía del Derecho, Moral y Política I LA FILOSOFÍA POLÍTICA DE WILLIAN GODWIN MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Luis Bueno Ochoa Bajo la dirección del Doctor: Dalmacio Negro Pavón Madrid, 2002 ISBN: 84-669-2310-1 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE DERECHO Departamento de Filosofía del Derecho, Moral y Política I TESIS DOCTORAL La Filosofía Política de William Godwin LUIS BUENO OCHOA DIRECTOR: CAT.DR. DALMACIO NEGRO PAVÓN Noviembre, 2001 ÍNDICE GENERAL • ÍNDICE GENERAL • ÍNDICE SISTEMÁTICO • INTRODUCCIÓN GENERAL I.- BIOGRAFÍA INTELECTUAL [# 1 - # 2] II.- POSTULADOS [# 3 - # 4 - # 5] III.- IDEALES [# 6 - # 7] IV.- UTOPÍA [# 8] V.- INFLUENCIA DE GODWIN [# 9 - # 10] • CONCLUSIONES FINALES • BIBLIOGRAFÍA ÍNDICE SISTEMÁTICO • ÍNDICE GENERAL....................................................................pág. 3 • ÍNDICE SISTEMÁTICO.........................................................pág. 4/11 • INTRODUCCIÓN GENERAL...............................................págs. 12/16 I.- BIOGRAFÍA INTELECTUAL CAPÍTULO 1.- EL MUNDO DE WILLIAM GODWIN...................págs. 18/55 1.1.- PLANTEAMIENTO [18] 1.2.- ANTECEDENTES Y CONTEXTO [19] 1.2.1.- Época de Revoluciones [19] a) La Revolución Puritana. Levellers y diggers [20] b) La Revolución Gloriosa [23] c) Las Revoluciones Americana y Francesa [26] d) La Revolución Industrial [32] 1.2.2.- La Ilustración [35] a) Origen [36] b) El impulso de la crítica [38] c) Los principios inspiradores de la Ilustración. Sus lemas [40] iv d) Actualidad del pensamiento ilustrado. La Ilustración y Godwin [42] 1.2.3.- La disidencia religiosa [43] a) La influencia de los dissenters [44] b) Influencias sucesivas [46] c) La secularización como resultado [49] 1.2.4.- La sociedad inglesa de la época [50] a) Reinados y gobiernos [51] b) Las guerras [52] c) El orden socio-económico [53] d) Últimas reformas [55] CAPÍTULO 2.- VIDA Y OBRAS DE GODWIN............................págs. 56/97 2.1.- INTRODUCCIÓN [56] 2.2.- AÑOS DE INICIACIÓN Y FORMACIÓN (1756-1792) - [57] 2.2.1.- Los primeros años [57] 2.2.2.- Períodos de formación [62] 2.3.- CENIT (1793-1797) - [67] 2.3.1.- Perspectiva personal [67] 2.3.2.- Vertiente intelectual. Especial referencia a la Political Justice [69] 2.3.3.- Aspecto social [77] 2.4.- OCASO (1798-1836) - [83] 2.4.1.- Circunstancias adversas [83] 2.4.2.- Producción bibliográfica [86] 2.4.3.- Los últimos años [93] II.- POSTULADOS CAPÍTULO 3.- LA NATURALEZA HUMANA...........................págs. 99/127 3.1.- INTRODUCCIÓN [99] v 3.2.- LA NATURALEZA HUMANA [100] 3.2.1.- La igualdad [100] a) Antecedentes [100] b) La igualdad física y la igualdad moral [104] c) En busca de la excelencia intelectual [107] 3.2.2.- Doctrina de la necesidad moral versus libre albedrío [108] a) Dos concepciones contrapuestas: de servo arbitrio y de libero arbitrio [109] b) El determinismo godwiniano [111] c) Inferencias [115] 3.2.3.- Del ejercicio universal del juicio privado [120] a) La inspiración disidente [120] b) Sobre el juicio personal [121] c) Sobre el juicio universal [125] d) Exaltación del individualismo [126] CAPÍTULO 4.- ÉTICA Y POLÍTICA......................................págs. 128/153 4.1.- ÉTICA Y POLÍTICA EN LA CONTROVERSIA SOCIEDAD-GOBIERNO [128] 4.1.1.- Identificación entre Ética y Política [128] 4.1.2.- Sociedad versus gobierno [129] 4.1.3.- Alcance y significación del término government [130] 4.2.- LAS INSTITUCIONES POSITIVAS [132] 4.2.1.- El gobierno [132] a) Fundamento del poder político [132] b) Hacia la disolución del gobierno político [133] c) Autoridad y delegación [136] d) Crítica de las formas de gobierno [136] 4.2.2.- La Ley [139] a) Sobre la facultad de legislar [139] b) Objeciones [141] c) La Razón suplanta a la Ley [143] 4.3.- LA EUTANASIA DEL GOBIERNO [146] 4.3.1.- El germen de una visión anarquizante [146] vi 4.3.2.- El autogobierno racional [148] 4.3.3.- El futuro de la sociedad política [151] CAPÍTULO 5.- LA PROPIEDAD...........................................págs. 154/177 5.1.- INSTAURACIÓN DE UN SISTEMA IGUALITARIO DE PROPIEDAD [154] 5.1.1.- Equiparación de la justicia económica y la justicia política [154] 5.1.2.- Causas y antecedentes de la existencia del derecho de propiedad [158] 5.1.3.- Beneficios del sistema igualitario [161] a) Acentuación del espíritu de independencia y de la firmeza [162] b) Eliminación de la opulencia [162] c) Evitación de la igualación negativa o nivelación [163] d) Desaparición del espíritu de opresión, servilismo y fraude [163] e) Superación de la ambición [163] f) Aumento de la población [164] 5.1.4.- Examen de las objeciones al sistema igualitario [166] a) Objeción atendiendo a la fragilidad de la mente humana [166] b) Objeciones sobre la imposibilidad de dar permanencia al régimen igualitario [167] c) Objeciones relativas a la tentación de la pereza [168] d) Objeciones fundadas en los admirables efectos del lujo [170] e) Objeciones basadas en la inflexibilidad de las restricciones [171] 5.1.5.- Medios para implantar un sistema equitativo de propiedad [172] a) La vía reformista y su período de transición hacia el republicanismo [172] b) La revolución de las opiniones [175] 5.2.- CONCLUSIONES [176] III.- IDEALES CAPÍTULO 6.- IDEALES CULTURALES................................págs. 179/218 6.1.- INTRODUCCIÓN [179] 6.2.- IDEALES CULTURALES [180] vii 6.2.1.- Razón [180] a) La Razón como hilo conductor de la propuesta godwiniana [180] b) Razón y Gracia [181] c) Preeminencia de la Razón [182] d) Ideas afines: Ley; negación de la fuerza y Verdad [187] e) La diosa Razón tolerante y prorreformista [191] 6.2.2.- Educación [191] a) El ideal formativo (investigación, comunicación y discusión) como motor del cambio social [191] b) La educación en las obras de Godwin [193] c) An Account of the Seminary...[194] d) Political Justice: el fenómeno educativo y la educación nacional [197] e) The Enquirer...[202] f) Proyección de la educación libertaria [205] 6.2.3.- Progreso [205] a) Prolegómenos a todo el progreso futuro: síntesis de las aportaciones de Godwin [205] b) Génesis de la idea de Progreso [206] c) Antecedentes de la noción godwiniana: la Revolución Puritana y los pensadores franceses del siglo XVIII [207] d) Godwin como apóstol del Progreso [212] e) Perfectibilidad y optimismo [214] CAPÍTULO 7.- IDEALES SOCIO-POLÍTICOS.........................págs. 219/248 7.1.- IDEALES SOCIO-POLÍTICOS [219] 7.1.1.- Benevolencia Universal [219] a) El sistema de benevolencia universal (disinterested benevolence) en oposición al del amor a sí mismo (self-love) - [219] b) El Utilitarismo de Godwin [222] c) La visión altruista [223] d) La visión perfeccionista [226] e) La doctrina del amor propio (self-love) y el sentimiento de autoaprobación o autoestima (self-complacency) - [229] 7.1.2.- Pacifismo [231] a) El Pacifismo como medio adecuado del cambio social [231] b) Resistencia [232] c) Las revoluciones [234] viii d) La guerra [236] e) Pacifismo y reformismo [238] 7.1.3.- Internacionalismo [239] a) Internacionalismo versus patriotismo [239] b) El internacionalismo como forma de cosmopolitismo humanitario [241] 7.1.4.- Federalismo [242] a) Federalismo versus antiautoritarismo [242] b) El federalismo y el cumplimiento de las principales funciones gubernamentales [243] c) El tránsito hacia el federalismo. Su relación con el estatismo [245] 7.2.- CONCLUSIONES [247] IV.- UTOPÍA CAPÍTULO 8.- UTOPÍA.....................................................págs. 250/307 8.1.- INTRODUCCIÓN [250] 8.2.- UTOPÍA Y ANARQUÍA [251] 8.2.1.- Ideología y Utopía [251] 8.2.2.- Significación de la Anarquía [254] a) Anarquía y Anarquismo [255] b) Anarquía y Despotismo [256] c) Anarquía y Justicia [261] 8.3.- FORMAS DE MANIFESTACIÓN DE LA JUSTICIA [262] 8.3.1.- Justicia social [262] a) Godwin: un teórico de la justicia social [262] b) Causas de la injusticia social [263] c) Consideraciones a propósito de la justicia social y las instituciones positivas [268] d) Igualdad y libertad: presupuesto y condición, respectivamente, de la justicia social [270] ix 8.3.2.- Justicia penal [272] a) El castigo como problema fundamental de la ciencia política [272] b) Doble perspectiva en función de la doctrina determinista y del juicio privado [273] c) Examen de las objeciones al castigo [275] d) Exposición crítica de la justicia del castigo [281] e) Exposición ideal de una justicia sin delitos ni castigos [288] 8.3.3.- Justicia política [290] a) La justicia política como culminación de la propuesta utópica [290] b) Simplicidad política (political simplicity) - [291] c) Inspección pública y censura (power of public inspection and censorship) - [297] d) Sinceridad positiva (true sincerity) - [299] e) Republicanismo y Democracia [301] 8.4.- CONCLUSIONES [306] V.- INFLUENCIA DE GODWIN CAPÍTULO 9.- INFLUENCIA CULTURAL.............................págs. 309/340 9.1.- PLANTEAMIENTO [309] 9.2.- INFLUENCIA CULTURAL [312] 9.2.1.- Los poetas de los lagos y la Pantisocracia [312] a) William Wordsworth (1770-1850) - [317] b) Samuel Taylor Coleridge (1772-1834) - [319] c) Robert Southey (1774-1843) - [322] 9.2.2.- Percy Bysshe Shelley y la sombra de Frankenstein [325] a) La relación Godwin-Shelley [326] b) Queen Mab [331] c) The Revolt of Islam [332] d) Prometheus Unbound [333] e) Hellas [336] f) La sombra de Frankenstein [338] x CAPÍTULO 10.- INFLUENCIA POLÍTICA..............................págs. 341/402 10.1.- INFLUENCIA POLÍTICA DIRECTA: ROBERT OWEN [341] 10.1.1.- Aproximación a la figura de Owen [341] a) Apunte biográfico [341]
Recommended publications
  • On the Rise and Progress of Popular Disaffection,” in Es- Says, Moral and Political, 2 Vols
    Notes Introduction 1. Robert Southey, “On the Rise and Progress of Popular Disaffection,” in Es- says, Moral and Political, 2 vols. (1817; London: John Murray, 1832), II, 82. The identity of Junius remained a mystery, and even Edmund Burke was suspected. For an argument that he was Sir Philip Francis, see Alvar Ellegård, Who Was Junius? (The Hague, 1962). 2. Byron, “The Vision of Judgment” in Lord Byron: The Complete Poetical Works, ed. Jerome J. McGann and Barry Weller, 7 vols. (Oxford: Clarendon Press, 1980–92), VI, 309–45. 3. M. H. Abrams, Natural Supernaturalism: Tradition and Revolution in Ro- mantic Literature (New York: W. W. Norton, 1971), p. 13. 4. See Anne K. Mellor, English Romantic Irony (Cambridge: Harvard Univer- sity Press, 1980). 5. Jerome J. McGann, The Romantic Ideology: A Critical Investigation (Chicago and London: University of Chicago Press, 1983), pp. 23–24. 6. Jerome J. McGann, Towards a Literature of Knowledge (Oxford: Clarendon Press, 1989), p. 39. 7. McGann, Towards a Literature of Knowledge, p. 39. 8. McGann, “Literary Pragmatics and the Editorial Horizon,” in Devils and Angels: Textual Editing and Literary Theory, ed. Philip Cohen (Charlottesville and London: University Press of Virginia, 1991), pp. 1–21 (13). 9. Marilyn Butler, “Satire and the Images of Self in the Romantic Period: The Long Tradition of Hazlitt’s Liber Amoris,” in English Satire and the Satiric Tradition, ed. Claude Rawson (Oxford: Basil Blackwell, 1984), 209–25 (209). 10. Stuart Curran, Poetic Form and British Romanticism (New York and Oxford: Oxford University Press, 1986), pp. 12–13. 11. Gary Dyer, British Satire and the Politics of Style, 1789–1832 (Cambridge: Cambridge University Press, 1997).
    [Show full text]
  • Frankenstein's Theatrical Doppelgänger
    University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2013-08-27 From Prometheus to Presumption: Frankenstein's Theatrical Doppelgänger Reid, Brittany Lee Alexandra Reid, B. L. (2013). From Prometheus to Presumption: Frankenstein's Theatrical Doppelgänger (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/26236 http://hdl.handle.net/11023/894 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY From Prometheus to Presumption: Frankenstein’s Theatrical Doppelgänger by Brittany Reid A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLISH CALGARY, ALBERTA AUGUST, 2013 © Brittany Reid 2013 ii Abstract This thesis examines the Doppelgänger relationship between Victor Frankenstein and the Creature, as it is characterized through both Frankenstein and its first theatrical adaptation. With a specific focus on Richard Brinsley Peake’s 1823 gothic melodrama, Presumption; or, The Fate of Frankenstein I unpack how the novel’s cross-medium adaptation leads to a changed conception of the relationship of its central characters. In Frankenstein, Victor is the focal figure and acts as the Creature’s dominant counterpart. However, the characters’ cross-medium adaptation from page to stage inverts this Doppelgänger relationship from Shelley’s initial conception in the novel.
    [Show full text]
  • Romantic Medicine and the Poetics of Palliation
    Romantic Medicine and the Poetics of Palliation by Brittany Pladek A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Brittany Pladek (2013) Romantic Medicine and the Poetics of Palliation Brittany Pladek Doctor of Philosophy Department of English University of Toronto 2013 Abstract This study uses the interdisciplinary lens of Romantic medical ethics to reconsider received ideas about the therapeutic power of Romantic poetry. Studies of literature and medicine in the long nineteenth century have generally considered disease the era’s main medical symbol; they have likewise considered holistic “healing” its major model for poetry’s therapeutic effect, following Geoffrey Hartman’s description of Wordsworth’s ability to “heal the wound of self.” Without denying the importance of these paradigms, my work explores alternate foci: pain instead of disease, and palliation instead of healing. In Britain, professional medical ethics were first codified during the Romantic period in response to a variety of medical and social advances. But because of Romantic medicine’s curative uncertainty and utilitarian intolerance for pain, its ethicists turned from cure to palliation to describe a doctor’s primary duty toward his patients. My study argues that this palliative ethic was taken up by Romantic literary writers to describe their own work. By engaging with contemporary medical ethics treatises such as John Gregory’s 1770 Lectures on the Duties and Qualifications of a Physician and Thomas Percival’s 1803 Medical Ethics, I explore four Romantic authors’ struggle to find an appropriate medical model for their work’s therapeutic benefits.
    [Show full text]
  • Betty T. Bennett Papers Byron Society of America Collection Finding Aid
    Betty T. Bennett Papers Byron Society of America Collection Finding Aid Creator: Bennett, Betty T., 1935-2006 Title: Betty T. Bennett Papers Dates: 1970-2005 Abstract: Correspondence, research materials, writings, and reproductions documenting the scholarly work of noted Mary Shelley and Romantic era scholar, Betty Bennett. Extent: 100 boxes, 50 linear feet Language: English Repository: Drew University Library, Madison NJ Biographical Note Betty T. Bennett (1935-2006) was a noted and well-respected educator and researcher whose main focus included work on the life and experiences of famed English author Mary Wollstonecraft Shelley. Bennett was instrumental in sharing Mary Shelley’s works through a lifelong study and numerous publications. Bennett’s work with Mary Shelley and other Romantic writers in the Shelley, Keats, and Byron circle began in the 1970s. Bennett was a graduate of Brooklyn College, where she received her BA (1960), as well as New York University where she earned an MA (1962) and PhD (1970). Her doctoral dissertation focused on British War Poetry, an edited work that was later published as British War Poetry in the Age of Romanticism, 1793-1815 (1976). After NYU, Bennett received an academic teaching position at SUNY, Stony Brook, where she first began to work on the political and social implications of Mary Shelley’s most famous work, Frankenstein. Bennett wrote a pioneering essay on Mary Shelley’s political philosophy in 1978, which brought her to the forefront of the academic literary world. Shortly after, Bennett was named dean of the School of Liberal Arts and Sciences and acting provost of Pratt Institute in Brooklyn, where she worked until 1985.
    [Show full text]
  • London, Ontario December 1997
    DIALOGUES OF DESIRE: INTERTEXTUAL NARUTION IN THE WORKS OF MARY SHELLEY AND WILLIAM GODWIN Ranita Chatterjee Department of English Submitted in pzrtial fulfilrnent of the requirements for the degree of Doctor of Philosophy Faculty of Graduate Studies The University of Western Ontario London, Ontario December 1997 O Ranita Chatterjee 1998 National Library Bibliothèque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliographie SeMces services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distniute or sell reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelnlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thése ni des extraits substantiels may be p~tedor otherwise de celle-ci ne doivent êeimprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT Using Julia Kristeva's concept of intertextuality and Lacan's theories of desire, this study ârgues that there is a dialogic process that generates and circulates an "excess" of meaning that conscripts the desires of future readers in and between William Godwin's and Mary Shelley's fictional and non-fictional writings.
    [Show full text]
  • The Unfamiliar Shelley
    THE UNFAMILIAR SHELLEY Proof Copy in gratitude for his major contribution to the understanding of Shelley To Don Reiman Proof Copy The Unfamiliar Shelley Edited by ALAN M. WEINBERG University of South Africa, RSA TIMOTHY WEBB University of Bristol, UK Proof Copy © Alan M. Weinberg and Timothy Webb 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Alan M. Weinberg and Timothy Webb have asserted their moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the editors of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Gower House Suite 420 Croft Road 101 Cherry Street Aldershot Burlington, VT 05401-4405 Hampshire GU11 3HR USA England www.ashgate.com British Library Cataloguing in Publication Data The unfamiliar Shelley. – (The nineteenth century series) 1. Shelley, Percy Bysshe, 1792–1822 – Criticism and interpretation I. Webb, Timothy II. Weinberg, Alan M. (Alan Mendel) 821.7 Library of Congress Cataloging-in-Publication Data The unfamiliar Shelley / edited by Timothy Webb and Alan M. Weinberg. p. cm. – (The nineteenth century series) Includes bibliographical references and index. ISBN 978-0-7546-6390-4 (alk. paper) 1. Shelley, Percy Bysshe, 1792–1822–Criticism and interpretation. I. Webb, Timothy. II. Weinberg, Alan M. (Alan Mendel) PR5438.U64 2008 821'.7–dc22 2007052262 ISBN 978-0-7546-6390-4Proof Copy Contents General Editors’ Preface vii List of Illustrations ix Notes on Contributors xi Acknowledgements xv List of Abbreviations xvii Editorial Note xix Introduction 1 Timothy Webb and Alan M.
    [Show full text]
  • The Influence of William Godwin on the Novels of Mary Shelley
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-1972 The Influence of William Godwin on the Novels of Mary Shelley Katherine Richardson Powers University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the English Language and Literature Commons Recommended Citation Powers, Katherine Richardson, "The Influence of William Godwin on the Novels of Mary Shelley. " PhD diss., University of Tennessee, 1972. https://trace.tennessee.edu/utk_graddiss/1599 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Katherine Richardson Powers entitled "The Influence of William Godwin on the Novels of Mary Shelley." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Kenneth Curry, Major Professor We have read this dissertation and recommend its acceptance: Galen Broeker, Edward W. Bratten, Bain T. Stewart Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) July 6, 1972 To the Graduate Council : I am submitting herewith a disser tation written by Katherine Richardson Powers entitled "The Influence of William Godwin on the Novels of Mary Shelley." I recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy , with a maj or in English.
    [Show full text]
  • The Theatre of Shelley
    Jacqueline Mulhallen The Theatre of Shelley OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/27 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Jacqueline Mulhallen has studied and worked as an actor and writer in both England and Australia and won a scholarship to study drama in Finland. She worked as performer and writer with Lynx Theatre and Poetry and her plays Sylvia and Rebels and Friends toured England and Ireland (1987-1997). Publications include ‘Focus on Finland’, Theatre Australia, 1979; (with David Wright) ‘Samuel Johnson: Amateur Physician’, Journal of the Royal Society of Medicine, 1982; ‘Sylvia Pankhurst’s Northern Tour’, www.sylviapankhurst. com, 2008; ‘Sylvia Pankhurst’s Paintings: A Missing Link’, Women’s History Magazine, 2009 and she is a contributor to the Oxford Handbook of the Georgian Playhouse 1737-1832 (forthcoming). Jacqueline Mulhallen The Theatre of Shelley Cambridge 2010 Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2010 Jacqueline Mulhallen. Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial use, providing author attribution is clearly stated. Details of allowances and restrictions are available at: http://www.openbookpublishers.com As with all Open Book Publishers titles, digital material and resources associated with this volume are available from our website: http://www.openbookpublishers.com ISBN Hardback: 978-1-906924-31-7 ISBN Paperback: 978-1-906924-30-0 ISBN Digital (pdf): 978-1-906924-32-4 Acknowledgment is made to the The Jessica E.
    [Show full text]
  • Laughter As Sympathy in Percy Shelley's Poetics
    Laughter as Sympathy in Percy Shelley’s Poetics Matthew Ward The Cambridge Quarterly, Volume 44, Number 2, June 2015, pp. 146-165 (Article) Published by Oxford University Press For additional information about this article https://muse.jhu.edu/article/583753 [ Access provided at 3 Nov 2020 12:38 GMT from Ewha Womens University ] Laughter as Sympathy in Percy Shelley’s Poetics Matthew Ward THE DISCOVERY OF THE SCROPE DAVIES NOTEBOOK in 1976 unearthed a previously unknown sonnet by Percy Shelley addressing itself to laughter. Its inclusion in the notebook dates ‘To Laughter’ to the summer of 1816, when the Shelleys are in Switzerland.1 The poem accuses laughter of being deter- minedly scornful of aesthetic contemplation, and of adopting callous disre- gard towards the sympathetic feeling Shelley bases so much of his poetic philosophy upon: Thy friends were never mine thou heartless fiend: Silence and solitude and calm and storm, Hope, before whose veiled shrine all spirits bend In worship, and the rainbow vested form Of conscience, that within thy hollow heart Can find no throne – the love of such great powers Which has requited mine in many hours Of loneliness, thou ne’er hast felt; depart! Thou canst not bear the moon’s great eye, thou fearest A fair child clothed in smiles – aught that is high Or good or beautiful. – Thy voice is dearest To those who mock at Truth and Innocency; 1 For a history of ‘To Laughter’ see Neville Rogers, ‘The Scrope Davies “Shelley Find”’, Keats-Shelley Memorial Bulletin, 28 (1977) pp. 1–9; Judith Chernaik and Timothy Burnett, ‘The Byron and Shelley Notebooks in the Scrope Davies Find’, The Review of English Studies, 29 (Feb.
    [Show full text]
  • Archivi Di Studi Indo-Mediterranei Vii (2017) Issn 2279-8803
    ARCHIVI DI STUDI INDO-MEDITERRANEI VII (2017) http://archivindomed.altervista.org/ ISSN 2279-8803 Ephraim Nissan Italian Jewish or American Jewish Authors Engaging with Dante: A Bird’s Eye View, from the Post-Napoleonic Period to the Present Abstract: This study is novel in that is brings together an array of scholars, writers, bibliophiles, or visual artists who were Jewish or Jewish-born, and were (or are) concerned with Dante Alighieri, beginning in the Restoration period in Tuscany following the Napoleonic years. Many of these individuals, of course, were Italian. We also consider several Americans, two Britons, a Canadian, and a Russian. These also include individuals who were Italian-born. Israeli scholars or Hebrew (or Yiddish) translators concerned with Dante, as well as the first Hebrew translation of Inferno (Trieste, 1869), are the subject of a separate article. It clearly emerges from these life stories that interest in Dante, or even abiding love for Dante, was for Italian Jews a form of engagement with their own Italian identity. Hence also perceptions that Dante was supposedly friendly to the Jewish poet Immanuel Romano. As for American Jewish Dante scholars, they represent a facet of the integration of Jews in North American academia, including in Italian studies. Key words: Dante Alighieri; Jewishness and modernity; Jewish integration in modern Italy; Jews in Italy during the racial legislation; Jews in American academia; Dante and the Italian national movement. 1. Introduction 2. Italian Jews’ Engagement with Dante in the 19th Century [2.2 to 2.13, on Isacco, Alessandro and Augusto Franchetti; Lelio Arbib; Rodolfo Mondolfi; Alessandro D’Ancona; Eugenio Camerini; Erminia Fuà Fusinato; Tullo [sic] Massarani; Flora Randegger-Friedenberg; Alberto Cantoni; Flaminio Servi] 3.
    [Show full text]
  • Notes and References
    Notes and References Chapter One 1. General authorities for Shelley's family background and early life are: Newman I. White, Shelley (New York, 1940), the standard biog­ raphy; Kenneth Neill Cameron, The Young Shelley (New York, 1950); Roger Ingpen, Shelley in England (London, 1917); The Letters of Percy Bysshe Shelley, ed. Frederick L. Jones (Oxford, 1964). 2. Cameron, Young Shelley, p. 40. 3. Humbert Wolfe, ed., The Life of Percy Bysshe Shelley (London, 1933), II, 326-27. This clergyman, hitherto unidentified, was Evan Edwards (1751?-1839). His nickname was "Taffy," and some measure of his influence on Shelley is suggested by Shelley's mention of him in his letter to Elizabeth Hitchener, ?December 10, 1811 (Letters, I, 200). 4. Humbert Wolfe, ed., Life of PBS, I, 30. 5. Letters, I, 2-4. The correct date of the first letter is probably, as Cameron suggested in Young Shelley (p. 295, note 46), January 10, 1809, not 1808. 6. The novel is dated 1811, but see Letters, I, 26. 7. On the authorship, dating, and publication of these two works, see Cameron, Young Shelley, pp. 304-06,307-13. 8. See Kenneth Neill Cameron, Shelley and his Circle (Cambridge, Mass., 1961), I, 35-38. 9. See Shelley and his Circle, II, 475-540. 10. Letters, I, 219n. See also Southey to Charles Danvers, January 13, 1812, New Letters of Robert Southey, ed. Kenneth Curry (New York and London, 1965), II, 19-22. 11. See Kenneth Neill Cameron, "Shelley vs. Southey: New Light on an Old Quarrel," Publications of the Modem Language Association, LVII (June 1942), 489-512.
    [Show full text]
  • A Woman's Space: Tensions Between the Public and The
    A WOMAN’S SPACE: TENSIONS BETWEEN THE PUBLIC AND THE PRIVATE IN MARY SHELLEY’S FRANKENSTEIN AND MATHILDA by Kayla L. Kitchens, B.A., M.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Literature August 2014 Committee Members: Nancy Grayson Paul Cohen Teya Rosenberg COPYRIGHT by Kayla L. Kitchens 2014 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Kayla L. Kitchens, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION Dedicated to my mother, without whose love and support I would not have learned to dream and succeed. I wish I could give a fraction to you what you have given to me. ACKNOWLEDGEMENTS This thesis would not have been possible without the dedication and guidance of my thesis director, Dr. Nancy Grayson. A special thank you to Dr. Kathryn Ledbetter who helped me focus my thesis in the early stages. Also, thank you to my committee members, Dr. Paul Cohen and Dr. Teya Rosenberg, for your time and support. And finally to the faculty and staff of the Texas State University English Department, your excellence and commitment to the students of Texas State create a dynamic community where ideas thrive.
    [Show full text]