DOCSLIB.ORG

Romantic Medicine and the Poetics of Palliation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Romantic Medicine and the Poetics of Palliation Romantic Medicine and the Poetics of Palliation by Brittany Pladek A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Brittany Pladek (2013) Romantic Medicine and the Poetics of Palliation Brittany Pladek Doctor of Philosophy Department of English University of Toronto 2013 Abstract This study uses the interdisciplinary lens of Romantic medical ethics to reconsider received ideas about the therapeutic power of Romantic poetry. Studies of literature and medicine in the long nineteenth century have generally considered disease the era’s main medical symbol; they have likewise considered holistic “healing” its major model for poetry’s therapeutic effect, following Geoffrey Hartman’s description of Wordsworth’s ability to “heal the wound of self.” Without denying the importance of these paradigms, my work explores alternate foci: pain instead of disease, and palliation instead of healing. In Britain, professional medical ethics were first codified during the Romantic period in response to a variety of medical and social advances. But because of Romantic medicine’s curative uncertainty and utilitarian intolerance for pain, its ethicists turned from cure to palliation to describe a doctor’s primary duty toward his patients. My study argues that this palliative ethic was taken up by Romantic literary writers to describe their own work. By engaging with contemporary medical ethics treatises such as John Gregory’s 1770 Lectures on the Duties and Qualifications of a Physician and Thomas Percival’s 1803 Medical Ethics, I explore four Romantic authors’ struggle to find an appropriate medical model for their work’s therapeutic benefits. Ultimately, all turned their attention from “healing the wound of self” to palliating the agonies of a world where, as Wordsworth writes, “suffering is ii permanent, obscure and dark.” Reading William Wordsworth, Mary Shelley, John Keats, and Thomas Lovell Beddoes through a palliative lens reveals a diversity of perspectives on the therapeutic potential of literary writing and challenges our received picture of their engagement with medical ideas: e.g. Wordsworth, hailed by Matthew Arnold for his “healing power,” found an alternate model for his poetry’s medical benefits, while Keats finally abandoned his early belief that the poet should be “physician to all men.” My study follows these four writers as they variously embrace, qualify, or outright reject the idea that literature could, as Keats had once hoped, “sooth the cares and lift the thoughts of man.” iii Acknowledgments This research was supported by a scholarship from the Connaught Fund at the University of Toronto; a Doctoral Fellowship from the University of Toronto; and a Thesis Completion Grant from the Department of English at the University of Toronto. I am thankful to the helpful and patient librarians of the Wellcome Institute in London, where I conducted primary research for this project in the summer of 2011. Parts of Chapters 1 and 2 first appeared in European Romantic Review 23.3 (2012): 403-13 under the title, “‘Soothing Thoughts’: Romantic Palliative Care and the Poetics of Relief.” Copyright © 2012 Taylor and Francis Group. I would like to begin by thanking Karen Weisman and Heather Jackson, who guided me during the early stages of this project and during my decision to change fields from medieval to Romantic literature. I am also grateful for the guidance of Mary Fissell, who generously helped me through preparing my first publication and introduced me to a vibrant community of historians of medicine. Throughout the process of writing this dissertation, I have been aided by the generous and thoughtful suggestions of Deidre Lynch and Cannon Schmitt. Their intellectual excitement has inspired me, and their incisive editorial advice has been invaluable. I am especially grateful to Alan Bewell, whose encouragement has helped me through the rough spots of this project and whose intellectual mentorship has been consistently stimulating and challenging. As a supervisor, his uncanny ability to know what needs to be done has helped me mature as a writer, thinker, and junior scholar. Finally, I would never have completed this project at all if it had not been for the incredible support of family and friends, especially the dynamic graduate community at the University of Toronto. Thanks especially to Joel Rodgers, with whom I spent many nights talking through my ideas, and the members of my writing group. And finally, thank you to Jonathan Abresch for his amazing patience and support, writing suggestions, and careful editing eye. iv Table of Contents Acknowledgments.......................................................................................................................... iv Table of Contents............................................................................................................................ v Introduction..................................................................................................................................... 1 1 “Soothing thoughts”: William Wordsworth and the Poetry of Relief.................................... 19 2 Palliating Humanity in The Last Man..................................................................................... 58 3 John Keats’s “Sickness Not Ignoble”..................................................................................... 99 4 The Euthanasia of Thomas Lovell Beddoes......................................................................... 145 5 Coda. Literature, Medicine, and the Palliative Subject ........................................................ 183 Works Consulted......................................................................................................................... 198 v 1 Introduction Step into the courtyard of Guy’s Hospital sometime in 1805. Around you rise walls of dark brick filled with windows to let in light and air. Quiet talk and moans drift down from the wards above, where rows of bed-bound patients await the daily visit of their attending physician or surgeon. Medical students, harried as today, dart across the courtyard to lectures in nearby surgical theatres. Across the street, cured patients walk gratefully away from the hospital, ruminating on their physician’s advice on how to live healthier lives. Those less lucky head towards the local apothecary’s shop, where they will purchase medications to manage a chronic condition. And some patients do not leave at all. Guy’s was originally founded as an incurables hospital, and a large number of terminal cases still pass through its doors. Its doctors are therefore trained to treat patients at all stages of illness, from the light cough of a genteel hypochondriac—who would almost certainly be attended at home, anyway—to the fatal, festering bullet sore of a soldier wounded at the recent Battle of Trafalgar. As a snapshot of Romantic medicine, you could do worse than Guy’s. The large London hospital, like its sister institutions St. Thomas’s, Bartholomew’s, Bethlem, and the London Hospital, operated at the metropolitan hub of a medical landscape undergoing rapid and profound changes. The final stretch of the Georgian era was a time of feverish advance and frustrating setback for British medicine. Anatomical knowledge increased as surgeons like John Hunter and Charles Bell probed the human body and recorded their findings. Chemistry advanced, tugging medicine along with it: oxygen and nitrous oxide (laughing gas) were discovered in the same decade by the same man, Joseph Priestley. And preventative medicine became a greater public concern, with figures like Thomas Beddoes promoting healthy living and Edward Jenner administering the first smallpox vaccine. Yet for all these medical successes, the roots of illness remained undiscovered. The “vital principle” sought throughout the eighteenth and early nineteenth centuries was not located, the debate over the material or spiritual location of life left unresolved. Dreams of human immortality voiced by eighteenth-century theorists like William Godwin proved medically unsupportable, as the did milder hopes of 2 scientific philosophers like Pierre Jean George Cabanis that sickness could be eliminated and old age made universal.1 Disease still ripped through cities, like the yellow fever epidemic of 1793 that killed over 5,000 people in Philadelphia. And while the Napoleonic wars spurred advances in battlefield medicine, thousands still died directly of wounds, or, more often, indirectly of illnesses like typhus and gangrene. Working at one of the biggest hospitals in England, Guy’s doctors would have been daily exposed to the complex range of triumphs and disappointments that characterized their medical milieu. Further, they faced this complexity as members of an increasingly recognizable professional class. At the turn of the nineteenth century, British medicine was professionalizing. The 1815 Apothecaries Act introduced competency requirements for general practitioners, then known as apothecaries; later acts would finally dissolve the nebulous distinctions between physicians, surgeons, and apothecaries. Medical ethics and professional behavior treatises proliferated, most famously John Gregory’s 1770 Lectures on the Duties and Qualifications of a Physician and Thomas Percival’s 1803 Medical Ethics. In addition to their daily battles with disease, Britain’s doctors were being challenged to redefine their role
Load more

Recommended publications
  • Search Illinois Counseling Association
    The President’s Message Conscious Compassion & Advocacy During a Time of Violence “If we have no peace, it is because we have forgotten that we belong to each other.” ~Mother Teresa “Why are you interested in Multicultural healthy self-esteem, positive identity and Counseling? You are white,” said the head empowerment. We also have the profes- of the Department of Cross-Cultural sional commitment to serve our commu- Psychology at the Ohio State University nities, to facilitate effective communica- Joyce Marter, LCPC in 1993. tion, collaboration, connection, growth and evolution as a society. Joyce Marter, LCPC is founder and CEO “Isn’t that kind of the point - to increase of Urban Balance, a counseling practice awareness and acceptance of all human During a time of horrific violence, this with seven locations and nearly 80 thera- beings?” replied my 21 year-old self. mission becomes all the more urgent. In pists on staff. Prior to becoming President response, ICA has created two new task of ICA, she was President of IMHCA My request to conduct a senior honors forces. The Anti-Violence Task Force from 2013 to 2015. thesis was subsequently accepted. The is chaired by Chuck Hughes, LCPC study examined the relationships between ([email protected]) racial identity attitudes and preference for and will focus on counselors supporting a counselor’s race. I learned a tremendous one another, our clients, and our com- amount about racial identity development, munities in responding to violence and a process of that moves through the biases facilitating peace. that we all have as part of the human condition and hopefully reaches a point of The Diversity in Leadership Task force is awareness of differences, deep acceptance, chaired by Dr.
    [Show full text]
  • Ben Jonson and the Mirror: Folly Knows No Gender
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-2001 Ben Jonson and The Mirror: Folly Knows No Gender Sherry Broadwell Niewoonder Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Classical Literature and Philology Commons, English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Niewoonder, Sherry Broadwell, "Ben Jonson and The Mirror: Folly Knows No Gender" (2001). Dissertations. 1382. https://scholarworks.wmich.edu/dissertations/1382 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. BEN JONSON AND THE MIRROR: FOLLY KNOWS NO GENDER by Sherry Broadwell Niewoonder A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English Western Michigan University Kalamazoo, Michigan June 2001 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. BEN JONSON AND THE M IR R O R : FO LLY KNOWS NO GENDER Sherry Broadwell Niewoonder, Ph.D. Western Michigan University, 2001 Ben Jonson, Renaissance poet and playwright, has been the subject of renewed evaluation in recent scholarship, particularly new historicism and cultural materialism. The consensus among some current scholars is that Jonson overtly practices and advocates misogyny in his dramas. Such theorists suggest that Jonson both embodies and promulgates the anti­ woman rhetoric of his time, basing their position on contemporary cultural material, religious tracts, and the writings of King James I.
    [Show full text]
  • Takoma Park Church Teaches Truth to Oromo People
    Contents ON THE WEB FASTING + PRAYERS What happens when yoU add fasting to yoUr prayers? Does it make yoU eligible for bonUs blessings? Watch a special Visitor video report at colUmbiaUnionvisitor.com/fastingvideo to hear from chUrch members who share what they experienced when they tried this ancient discipline. 40-DAY FASTING GUIDE Pastor David Franklin and his leadership team at Allegheny East Conference’s Miracle Temple in Baltimore recently pUblished 40 Days in the Gospels , a devotional “designed to help sUbmerge the reader into the life and teachings of JesUs.” Read oUr interview with Franklin at colUmbiaUnionvisitor.com/fastinggUide. OLD FASHIONED BREAKS THRU SHADES OF GREY Old Fashioned , a movie aboUt God-honoring love, written, prodUced and directed by Washington Adventist University alUmna Rik Swartzwelder, is bringing back the lost art of chivalry. To find oUt more Newsline aboUt the movie, 4 | visit colUmbiaUnion - visitor.com/oldfashioned. 6 | Noticias CATASTASIS COMING March 7, Anthony Hackett, who attends Chesapeake Conference’s New Hope 8 | Underscore chUrch in FUlton, Md., will premiere 10 | Feature his first featUre film, Catastasis , at Spencerville The Educational Shift Adventist Alita Byrd Academy in Spencerville, As the Seventh-day Adventist edUcational system faces Md. This self-rated challenges, leaders look to the past to determine a best film will keep path forward. adUlt aUdiences on the edge of their seats. Visit colUmbiaUnionvisitor.com/ catastasis to watch the trailer and read how Hackett plans to witness throUgh 15 | Newsletters the project. GET IN-BETWEEN NEWS 44 | Bulletin Board Get breaking news and stories from the ColUmbia Union and aroUnd the Adventist world straight to yoUr email inbox each week.
    [Show full text]
  • On the Rise and Progress of Popular Disaffection,” in Es- Says, Moral and Political, 2 Vols
    Notes Introduction 1. Robert Southey, “On the Rise and Progress of Popular Disaffection,” in Es- says, Moral and Political, 2 vols. (1817; London: John Murray, 1832), II, 82. The identity of Junius remained a mystery, and even Edmund Burke was suspected. For an argument that he was Sir Philip Francis, see Alvar Ellegård, Who Was Junius? (The Hague, 1962). 2. Byron, “The Vision of Judgment” in Lord Byron: The Complete Poetical Works, ed. Jerome J. McGann and Barry Weller, 7 vols. (Oxford: Clarendon Press, 1980–92), VI, 309–45. 3. M. H. Abrams, Natural Supernaturalism: Tradition and Revolution in Ro- mantic Literature (New York: W. W. Norton, 1971), p. 13. 4. See Anne K. Mellor, English Romantic Irony (Cambridge: Harvard Univer- sity Press, 1980). 5. Jerome J. McGann, The Romantic Ideology: A Critical Investigation (Chicago and London: University of Chicago Press, 1983), pp. 23–24. 6. Jerome J. McGann, Towards a Literature of Knowledge (Oxford: Clarendon Press, 1989), p. 39. 7. McGann, Towards a Literature of Knowledge, p. 39. 8. McGann, “Literary Pragmatics and the Editorial Horizon,” in Devils and Angels: Textual Editing and Literary Theory, ed. Philip Cohen (Charlottesville and London: University Press of Virginia, 1991), pp. 1–21 (13). 9. Marilyn Butler, “Satire and the Images of Self in the Romantic Period: The Long Tradition of Hazlitt’s Liber Amoris,” in English Satire and the Satiric Tradition, ed. Claude Rawson (Oxford: Basil Blackwell, 1984), 209–25 (209). 10. Stuart Curran, Poetic Form and British Romanticism (New York and Oxford: Oxford University Press, 1986), pp. 12–13. 11. Gary Dyer, British Satire and the Politics of Style, 1789–1832 (Cambridge: Cambridge University Press, 1997).
    [Show full text]
  • Roman Life in Cyrenaica in the Fourth Century As Shown in the Letters of Synesius, Bishop of Ptolemais
    920 T3ee H. C. Thory Roman Life in Cyrenaica in the Fourth Century as Shown in the Letters of 5y nesius, , Si shop of Ptolernais ROMAN LIFE IN CYRENAICA IN THE FOURTH CENTURY AS SHOWN IN THE LETTERS OF SYNESIUS, BISHOP OF PTOLEMAIS BY t HANS CHRISTIAN THORY THESIS FOR THE DEGREE OF BACHELOR OF ARTS WITH HONORS IN CLASSICS COLLEGE OF LIBERAL ARTS AND SCIENCES UNIVERSITY OF ILLINOIS 1920 UNIVERSITY OF ILLINOIS June 7 20 , 19* THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Chrifti^„.T^ i2[ H^.s.v t : , , ROMAN LIFE IN CYRENAICA IN THE FOURTH CENTURY ENE Af*111rvi'T TLEDT?rt A? SHOWN IN THE LETTERS OF SYNESIUS, BISHOP OF PTQLEMAIS IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF ^3 Instructor in Charge Approved HEAD OF DEPARTMENT OF ,£M?STCS. CONTENTS Page I. Cyrenaica: the Country and its Hiatory 1 II. The Barbarian Invasions.. 5 III. Government: Military and Civil 8 IV. The Church 35 V. Organization of Society 34 VI. Agriculture Country Life 37 vii, Glimpses of City Life the Cities 46 VIII. Commerce Travel — Communication 48 IX. Language — • Education Literature Philosophy Science Art 57 X. Position of Women Types of Men 68 Bibliography 71 ********** 1 ROMAN LIFE IN CYRENAICA IN THE FOURTH CENTURY AS SHOWN IN THE LETTERS OF SYNESIUS, BISHOP OF PT0LEMAI8 I CYRENAICA: THE COUNTRY AND ITS HISTORY The Roman province of Cyrenaioa occupied the region now called Barca, in the northeastern part of Tripoli, extending eaet from the Greater Syrtis a distance of about 20C miles, and south from the Mediterranean Sea a distance of 70 to 80 miles.
    [Show full text]
  • Palliative Care : the 400-Year Quest for a Good Death
    Palliative Care This page intentionally left blank Palliative Care The 400-Year Quest for a Good Death Harold Y. Vanderpool McFarland & Company, Inc., Publishers Jefferson, North Carolina ISBN 978-0-7864-9799-7 (softcover : acid free paper) ISBN 978-1-4766-1971-2 (ebook) ♾ LIBRARY OF CONGRESS CATALOGUING DATA ARE AVAILABLE British Library cataloguing data are available © 2015 Harold Y. Vanderpool. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. On the cover: clockwise from top left hospice nurse with patient (Stockbyte/Thinkstock); Doctor Onstine, medical doctor, making an examination, 1943 (Library of Congress); Doctor and nurse examining patient in hospital room (Digital Vision/Thinkstock); The doctor’s office on Transylvania Project, Louisiana, 1940 (Library of Congress); Intensive Care Unit (iStock/Thinkstock) Printed in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com For Jan This page intentionally left blank Table of Contents Acknowledgments ix Preface 1 1: From Proclamation to Recognition: 1605–1772 5 2: Minute Details and Codified Conduct: 1789–1825 23 3: That Science Called Euthanasia: 1826–1854 39 4: Polarities Between Attention and Disregard: 1859–1894 58 5: Challenging the Overreach of Modern Medicine: 1895–1935 76 6: Never Say Die Versus Care for the Dying: 1935–1959 93 7: Times of Momentous Transition: 1960–1981 112 8: Progress, Threatening Seas, and Endurance: 1982–1999 140 9: Choices: 2000 to the Present 173 Epilogue 207 Chapter Notes 211 Bibliography 243 Index 265 vii This page intentionally left blank Acknowledgments Research on the topics in this history began when I wrote the first of two master’s degree theses as a Kennedy fellow in medical ethics and the history of medicine at Har- vard University.
    [Show full text]
  • PASSAGES of MEDICAL HISTORY. Edinburgh Medicine, 1750-1800.*
    PASSAGES OF MEDICAL HISTORY. Edinburgh Medicine, 1750-1800.* By JOHN D. COMRIE, M.A., B.Sc., M.D., F.R.C.P.Ed. In my ten-minute talk last May about the Edinburgh medical school I dealt with the founding of the Royal College of Physicians, the botanic garden, and the expansion of the Town's College into the University of Edinburgh through the establishment of a medical faculty in 1726. In the second half of the eighteenth century the medical school at Edinburgh became much more than a local institution, and not only attracted students from all over the British Isles, but was the chief centre to which men desiring to study medicine had recourse from the newly-founded British colonies through- out the world. Several of the teachers were men who attained great reputations. Dr Robert Whytt succeeded John Rutherford as professor both of the theory and practice of medicine in 1747, and was appointed largely because he was interested in medical research, a rare pursuit in those days. Stone in the bladder was a serious and frequent complaint which attracted great public interest and produced many reputed solvents for these calculi. Whytt had carried out an elaborate series of experiments in the Royal Infirmary of Edinburgh with lime water, which he found to have a considerable power in disintegrating calculi, and he had published A n Essay on the Virtues of Lime Water and Soap in the Cure of the Stone. The treatment upon which he finally settled was to administer daily by the mouth water. He an ounce of soap and three pints or more of lime also published An Essay on the Vital and Other Involuntary Motions of Animals which brought him into conflict with the great Albrecht von Haller and gained him prominent notice on the Continent.
    [Show full text]
  • Frankenstein's Theatrical Doppelgänger
    University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2013-08-27 From Prometheus to Presumption: Frankenstein's Theatrical Doppelgänger Reid, Brittany Lee Alexandra Reid, B. L. (2013). From Prometheus to Presumption: Frankenstein's Theatrical Doppelgänger (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/26236 http://hdl.handle.net/11023/894 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY From Prometheus to Presumption: Frankenstein’s Theatrical Doppelgänger by Brittany Reid A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLISH CALGARY, ALBERTA AUGUST, 2013 © Brittany Reid 2013 ii Abstract This thesis examines the Doppelgänger relationship between Victor Frankenstein and the Creature, as it is characterized through both Frankenstein and its first theatrical adaptation. With a specific focus on Richard Brinsley Peake’s 1823 gothic melodrama, Presumption; or, The Fate of Frankenstein I unpack how the novel’s cross-medium adaptation leads to a changed conception of the relationship of its central characters. In Frankenstein, Victor is the focal figure and acts as the Creature’s dominant counterpart. However, the characters’ cross-medium adaptation from page to stage inverts this Doppelgänger relationship from Shelley’s initial conception in the novel.
    [Show full text]
  • A Critical Study of the Novels of John Fowles
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner.
    [Show full text]
  • Piecing Together the Puzzle of Contemporary Spanish Fiction: a Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez
    Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 Piecing Together the Puzzle of Contemporary Spanish Fiction: A Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez Madeleine Renee Calhoun Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Reading and Language Commons, and the Spanish and Portuguese Language and Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Calhoun, Madeleine Renee, "Piecing Together the Puzzle of Contemporary Spanish Fiction: A Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez" (2016). Senior Projects Spring 2016. 224. https://digitalcommons.bard.edu/senproj_s2016/224 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Piecing Together the Puzzle of Contemporary Spanish Fiction: A Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez ​ ​ Senior Project Submitted to The Division of Languages and Literature of Bard College by Madeleine Calhoun Annandale­on­Hudson, New York May 2016 Acknowledgements First and foremost, I would like to thank my advisor, Patricia López­Gay, for her unwavering support and encouragement throughout the past year.
    [Show full text]
  • Betty T. Bennett Papers Byron Society of America Collection Finding Aid
    Betty T. Bennett Papers Byron Society of America Collection Finding Aid Creator: Bennett, Betty T., 1935-2006 Title: Betty T. Bennett Papers Dates: 1970-2005 Abstract: Correspondence, research materials, writings, and reproductions documenting the scholarly work of noted Mary Shelley and Romantic era scholar, Betty Bennett. Extent: 100 boxes, 50 linear feet Language: English Repository: Drew University Library, Madison NJ Biographical Note Betty T. Bennett (1935-2006) was a noted and well-respected educator and researcher whose main focus included work on the life and experiences of famed English author Mary Wollstonecraft Shelley. Bennett was instrumental in sharing Mary Shelley’s works through a lifelong study and numerous publications. Bennett’s work with Mary Shelley and other Romantic writers in the Shelley, Keats, and Byron circle began in the 1970s. Bennett was a graduate of Brooklyn College, where she received her BA (1960), as well as New York University where she earned an MA (1962) and PhD (1970). Her doctoral dissertation focused on British War Poetry, an edited work that was later published as British War Poetry in the Age of Romanticism, 1793-1815 (1976). After NYU, Bennett received an academic teaching position at SUNY, Stony Brook, where she first began to work on the political and social implications of Mary Shelley’s most famous work, Frankenstein. Bennett wrote a pioneering essay on Mary Shelley’s political philosophy in 1978, which brought her to the forefront of the academic literary world. Shortly after, Bennett was named dean of the School of Liberal Arts and Sciences and acting provost of Pratt Institute in Brooklyn, where she worked until 1985.
    [Show full text]
  • London, Ontario December 1997
    DIALOGUES OF DESIRE: INTERTEXTUAL NARUTION IN THE WORKS OF MARY SHELLEY AND WILLIAM GODWIN Ranita Chatterjee Department of English Submitted in pzrtial fulfilrnent of the requirements for the degree of Doctor of Philosophy Faculty of Graduate Studies The University of Western Ontario London, Ontario December 1997 O Ranita Chatterjee 1998 National Library Bibliothèque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliographie SeMces services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distniute or sell reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelnlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thése ni des extraits substantiels may be p~tedor otherwise de celle-ci ne doivent êeimprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT Using Julia Kristeva's concept of intertextuality and Lacan's theories of desire, this study ârgues that there is a dialogic process that generates and circulates an "excess" of meaning that conscripts the desires of future readers in and between William Godwin's and Mary Shelley's fictional and non-fictional writings.
    [Show full text]