The East Asian War, 1592–1598
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Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
Conceptualizing the Blue Frontier: the Great Qing and the Maritime World
Conceptualizing the Blue Frontier: The Great Qing and the Maritime World in the Long Eighteenth Century Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultüt der Ruprecht-Karls-Universität Heidelberg Vorgelegt von Chung-yam PO Erstgutachter: Prof. Dr. Harald Fuess Zweitgutachter: Prof. Dr. Joachim Kurtz Datum: 28 June 2013 Table of Contents Abstract 2 Acknowledgments 3 Emperors of the Qing Dynasty 5 Map of China Coast 6 Introduction 7 Chapter 1 Setting the Scene 43 Chapter 2 Modeling the Sea Space 62 Chapter 3 The Dragon Navy 109 Chapter 4 Maritime Customs Office 160 Chapter 5 Writing the Waves 210 Conclusion 247 Glossary 255 Bibliography 257 1 Abstract Most previous scholarship has asserted that the Qing Empire neglected the sea and underestimated the worldwide rise of Western powers in the long eighteenth century. By the time the British crushed the Chinese navy in the so-called Opium Wars, the country and its government were in a state of shock and incapable of quickly catching-up with Western Europe. In contrast with such a narrative, this dissertation shows that the Great Qing was in fact far more aware of global trends than has been commonly assumed. Against the backdrop of the long eighteenth century, the author explores the fundamental historical notions of the Chinese maritime world as a conceptual divide between an inner and an outer sea, whereby administrators, merchants, and intellectuals paid close and intense attention to coastal seawaters. Drawing on archival sources from China, Japan, Korea, Vietnam, and the West, the author argues that the connection between the Great Qing and the maritime world was complex and sophisticated. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Qinqiang Opera Drama Costume Connotation and Aesthetic
2nd International Conference on Education Technology, Management and Humanities Science (ETMHS 2016) Qinqiang opera drama costume connotation and aesthetic implication 1, a Yugang Chen 1Jiangxi Institute of Fashion Technology, Jiangxi, Nanchang, 330201 [email protected] Keywords: Qinqiang opera drama; Clothing; The cultural connotation Abstract. Qinqiang opera drama is one of the most exquisite stylized performance of traditional Chinese local operas. Qinqiang opera drama clothing, and other theatrical performances of traditional clothing similarity is exquisite and stylized, decorative effect as well as the audiences in the symbolization of abstract feelings, dramatic clothes in qinqiang opera drama very expressive aesthetics and art. Introduction Qinqiang opera drama as a traditional Chinese drama conductions, its dramatic clothes also represents the character appearance of traditional drama clothing, under the stylized costumes or wear shows of the respect and inheritance on traditional culture. Studies of qinqiang opera costume for one of the models, style characteristic, found that it contains the cultural connotation and aesthetic implication, the essence of traditional clothing, for the development of qinqiang opera drama has a positive and far-reaching significance. The formation of Qinqiang opera drama clothing Qin has been active in shanxi, gansu and the northwest region is the vast land of an ancient opera. The earliest qinqiang opera originated in shanxi guanzhong area, from the perspective of the change of type c, Qin Sheng, qin three stages. In the qianlong period reached for her best. From the point of geography, shanxi, gansu, ningxia, qinghai, xinjiang northwest five provinces close to geographical culture, so the ancient qin, with its wide sound big voice spoke quickly popular in this area. -
GLOBAL HISTORY and NEW POLYCENTRIC APPROACHES Europe, Asia and the Americas in a World Network System Palgrave Studies in Comparative Global History
Foreword by Patrick O’Brien Edited by Manuel Perez Garcia · Lucio De Sousa GLOBAL HISTORY AND NEW POLYCENTRIC APPROACHES Europe, Asia and the Americas in a World Network System Palgrave Studies in Comparative Global History Series Editors Manuel Perez Garcia Shanghai Jiao Tong University Shanghai, China Lucio De Sousa Tokyo University of Foreign Studies Tokyo, Japan This series proposes a new geography of Global History research using Asian and Western sources, welcoming quality research and engag- ing outstanding scholarship from China, Europe and the Americas. Promoting academic excellence and critical intellectual analysis, it offers a rich source of global history research in sub-continental areas of Europe, Asia (notably China, Japan and the Philippines) and the Americas and aims to help understand the divergences and convergences between East and West. More information about this series at http://www.springer.com/series/15711 Manuel Perez Garcia · Lucio De Sousa Editors Global History and New Polycentric Approaches Europe, Asia and the Americas in a World Network System Editors Manuel Perez Garcia Lucio De Sousa Shanghai Jiao Tong University Tokyo University of Foreign Studies Shanghai, China Fuchu, Tokyo, Japan Pablo de Olavide University Seville, Spain Palgrave Studies in Comparative Global History ISBN 978-981-10-4052-8 ISBN 978-981-10-4053-5 (eBook) https://doi.org/10.1007/978-981-10-4053-5 Library of Congress Control Number: 2017937489 © The Editor(s) (if applicable) and The Author(s) 2018, corrected publication 2018. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. -
Redalyc.Saint Francis Xavier and the Shimazu Family
Bulletin of Portuguese - Japanese Studies ISSN: 0874-8438 [email protected] Universidade Nova de Lisboa Portugal López-Gay, Jesús Saint Francis Xavier and the Shimazu family Bulletin of Portuguese - Japanese Studies, núm. 6, june, 2003, pp. 93-106 Universidade Nova de Lisboa Lisboa, Portugal Available in: http://www.redalyc.org/articulo.oa?id=36100605 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative BPJS, 2003, 6, 93-106 SAINT FRANCIS XAVIER AND THE SHIMAZU FAMILY Jesús López-Gay, S.J. Gregorian Pontifical University, Rome Introduction Exactly 450 years ago, more precisely on the 15th of August 1549, Xavier set foot on the coast of Southern Japan, arriving at the city of Kagoshima situated in the kingdom of Satsuma. At that point in time Japan was politically divided. National unity under an Emperor did not exist. The great families of the daimyos, or “feudal lords” held sway in the main regions. The Shimazu family dominated the region of Kyúshú, the large island in Southern Japan where Xavier disembarked. Xavier was accompa- nied by Anjiró, a Japanese native of this region whom he had met in Malacca in 1547. Once a fervent Buddhist, Anjiró was now a Christian, and had accompanied Xavier to Goa where he was baptised and took the name Paulo de Santa Fé. Anjiró’s family, his friends etc. helped Xavier and the two missionaries who accompanied him (Father Cosme de Torres and Brother Juan Fernández) to instantly feel at home in the city of Kagoshima. -
Library Trends V.55, No.3 Winter 2007
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and... Badly Wanted, but Not for Reading: The Unending Odyssey of The Complete Library of Four Treasures of the Wensu Library Chengzhi Wang Abstract The Chinese book project Siku Quanshu (The Complete Library of Four Treasures) was conducted at the Emperor Qianlong’s command start- ing in 1772. Thirteen thousand two hundred fifty-four books were collected nationwide and thousands of scholars were involved; 3,462 books were selected to make up the Siku Quanshu proper. Over 4 million pages were transcribed by thousands of copyists. Out of the seven copies made, only three copies survived the dramatic histori- cal changes of the nineteenth and twentieth centuries almost intact. This article traces the odyssey of the Wenshu Ge copy, particularly in the rapidly changing sociopolitical and economic contexts of the twentieth century. The emphasis of the article is placed on the de- scription and analysis of its relocation in the early 1920s soon after China was transformed into a republic; in the 1960s at the height of the Cold War when China split from and confronted the USSR; and in particular, in the new era of reform and opening up for economic development since the late 1970s. After the turn of the century, the two-decade competition between Liaoning Province and Gansu Province for physically keeping the copy has become increasingly intense at the national, provincial, and local levels, and the competi- tion has created significant impacts on library building and cultural development in the two provinces and beyond. -
Ming China As a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 Weicong Duan Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Winter 12-15-2018 Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620 Weicong Duan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Duan, Weicong, "Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620" (2018). Arts & Sciences Electronic Theses and Dissertations. 1719. https://openscholarship.wustl.edu/art_sci_etds/1719 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS DEPARTMENT OF HISTORY Dissertation Examination Committee: Steven B. Miles, Chair Christine Johnson Peter Kastor Zhao Ma Hayrettin Yücesoy Ming China as a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 by Weicong Duan A dissertation presented to The Graduate School of of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2018 St. Louis, Missouri © 2018, -
Life, Thought and Image of Wang Zheng, a Confucian-Christian in Late Ming China
Life, Thought and Image of Wang Zheng, a Confucian-Christian in Late Ming China Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn vorgelegt von Ruizhong Ding aus Qishan, VR. China Bonn, 2019 Gedruckt mit der Genehmigung der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität Bonn Zusammensetzung der Prüfungskommission: Prof. Dr. Dr. Manfred Hutter, Institut für Orient- und Asienwissenschaften (Vorsitzender) Prof. Dr. Wolfgang Kubin, Institut für Orient- und Asienwissenschaften (Betreuer und Gutachter) Prof. Dr. Ralph Kauz, Institut für Orient- und Asienwissenschaften (Gutachter) Prof. Dr. Veronika Veit, Institut für Orient- und Asienwissenschaften (weiteres prüfungsberechtigtes Mitglied) Tag der mündlichen Prüfung:22.07.2019 Acknowledgements Currently, when this dissertation is finished, I look out of the window with joyfulness and I would like to express many words to all of you who helped me. Prof. Wolfgang Kubin accepted me as his Ph.D student and in these years he warmly helped me a lot, not only with my research but also with my life. In every meeting, I am impressed by his personality and erudition deeply. I remember one time in his seminar he pointed out my minor errors in the speech paper frankly and patiently. I am indulged in his beautiful German and brilliant poetry. His translations are full of insightful wisdom. Every time when I meet him, I hope it is a long time. I am so grateful that Prof. Ralph Kauz in the past years gave me unlimited help. In his seminars, his academic methods and sights opened my horizons. Usually, he supported and encouraged me to study more fields of research. -
S Early Years in Satsuma*
c01.qxd 9/24/03 11:05 AM Page 13 Chapter 1 , “POWERFULLY SENTIMENTAL” Saigo–’s Early Years in Satsuma* Saigo–’s Birthplace Saigoµwas born in Kagoshima, a castle town and the capital of Satsuma domain. Kagoshima was, depending on one’s perspective, a primitive back- water or Japan’s gateway to the world.Viewed from the shogun’s capital of Edo (now Tokyo) or the imperial capital of Kyoto, Kagoshima was remote in the extreme: it lay at the far southwestern corner of Kyushµ u,tµhe south- ernmost of the four main islands of Japan. Osumi,˜ one of the three provinces that comprised Satsuma domain, means “big corner”: if Kyoto and Edo were the center of Japan, then Satsuma was at the periphery.The overland route from Edo to Kagoshima was nearly a thousand miles; the speediest couriers took two weeks to bring news from Edo. Natives of Satsuma spoke a dialect of Japanese virtually unintelligible to the rest of Japan. Popular literature reinforced this image of Kagoshima as primitive. In his famous collection of erotic fiction, Ihara Saikaku described Satsuma as “remote and backward.”1 *This description of Saigoµin his youth is from the recollections of Okubo˜ Toshimichi.See STZ 6:631. 13 c01.qxd 9/24/03 12:59 PM Page 14 14 • THE LAST SAMURAI On the other hand, Satsuma was a link to the outside world. Before the 1630s traders coming up from China often made their first stop in Satsuma, and the domain became an entry point for new goods and technologies. The Japanese word for sweet potato, for example, is satsumaimo, or “Satsuma potato”: the tuber was brought to Japan from China through Satsuma. -
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Advances in Social Science, Education and Humanities Research, volume 283 International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2018) Quantitative Estimation and Use Condition of Learning Materials for Official Ci Poetry in Ming Dynasty* Xuan Liu School of Language and Literature Harbin Institute of Technology, Weihai Weihai, China 264209 Yan Teng Jiaoling Jin School of Language and Literature School of Language and Literature Harbin Institute of Technology, Weihai Harbin Institute of Technology, Weihai Weihai, China 264209 Weihai, China 264209 Abstract—There were abundant learning materials of Ci reading these comments, learners learned what kind of Ci poetry in Ming Dynasty, which were mainly concentrated in the poems the authorities think were good works and what kind of palace, central departments, local government offices and Ci poems were not good, so as to establish their own imperial vassals’ residence. These materials can be read and sold evaluation criteria. Fourth, it is score of Ci. The Song Dynasty in printed form, promoting the study of people in the Ming also had Ci scores. Those were music scores, used to sing. But Dynasty and improving the creation of Ci poetry. Due to the scholars of the Ming Dynasty have been unable to understand dynastic change from Ming Dynasty to Qing Dynasty, it greatly such scores, so they compiled some more easily destroyed learning materials of Ci poetry in Ming Dynasty, and understandable metrical scores. Beginners could complete a Ci some precious and rare materials were lost. However, the poem according to the tone and format marked by the score. materials with large sales were preserved, which provided the Fifth, it is Ci rhyme. -
Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Timothy Robert Clifford University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Clifford, Timothy Robert, "In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China" (2017). Publicly Accessible Penn Dissertations. 2234. https://repository.upenn.edu/edissertations/2234 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2234 For more information, please contact [email protected]. In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Abstract The rapid growth of woodblock printing in sixteenth-century China not only transformed wenzhang (“literature”) as a category of knowledge, it also transformed the communities in which knowledge of wenzhang circulated. Twentieth-century scholarship described this event as an expansion of the non-elite reading public coinciding with the ascent of vernacular fiction and performance literature over stagnant classical forms. Because this narrative was designed to serve as a native genealogy for the New Literature Movement, it overlooked the crucial role of guwen (“ancient-style prose,” a term which denoted the everyday style of classical prose used in both preparing for the civil service examinations as well as the social exchange of letters, gravestone inscriptions, and other occasional prose forms among the literati) in early modern literary culture. This dissertation revises that narrative by showing how a diverse range of social actors used anthologies of ancient-style prose to build new forms of literary knowledge and shape new literary publics.