Housing Affordability in a Global Perspective Working Paper WP18AK1
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WORDS—A Collection of Poems and Song Lyrics by Paul F
WORDS— A Collection of Poems and Song Lyrics By P.F Uhlir Preface This volume contains the poems and songs I have written over the past four decades. There is a critical mass at his point, so I am self-publishing it online for others to see. It is still a work in progress and I will be adding to them as time goes on. The collections of both the poems and songs were written in different places with divergent topics and genres. It has been a sporadic effort, sometimes going for a decade without an inspiration and then several works in a matter of months. Although I have presented each collection chronologically, the pieces also could be arranged by themes. They are about love and sex, religion, drinking, and social topics—you know, the stuff to stay away from at the holiday table. In addition, although the songs only have lyrics, they can be grouped into genres such as blues, ballads, and songs that would be appropriate in musicals. Some of the songs defy categorization. I have titled the collection “Words”, after my favorite poem, which is somewhere in the middle. Most of them tell a story about a particular person, or event, or place that is meaningful to me. It is of personal significance and perhaps not interesting or understandable to the reader. To that extent, it can be described as a self-indulgence or an introspection; but most of them are likely to have a broader meaning that can be readily discerned. I’m sure I will add to them as time goes on, but I felt it was time to put them out. -
Calculation of Owner-Occupied Dwelling Services In
Calculation of Owner-Occupied Dwelling Services in Georgia Abstract Output of owner-occupied dwellings (OOD) is included within the production boundary according to the System of National Accounts. Different methods may be selected for measuring OOD services due to housing market development level. The paper presents estimation of services produced by OODs based on a User Cost Method, which replaced a self-assessment method in 2019 year in the National Accounts of Georgia during the general revision of time series. Key words: Owner-Occupied Dwellings, Imputed rent, User Cost Method Author: Levan Karsaulidze – Head of National Accounts Department, National Statistics Office of Georgia Introduction Imputed rents, representing services produced by owner-occupied dwellings (OOD), has always been included within the production boundary of National Account and are part of the official GDP estimates of Georgia as well. In 2019 transition to the SNA 2008 was implemented1 in the National Accounts of Georgia from the SNA 1993, accompanied with a general revision of time series. Along with other major changes related to the newly adopted methodology, user-cost method was implemented for measuring imputed rents for owner occupied houses, while self-assessment method was used until 2019 year. The paper describes a methodological background and detailed calculation steps for measuring imputed rents of OODs in Georgia, based on the user-cost method, briefly summarizes widely used approaches for estimating services of OODs and provides arguments for adopting the use-cost method for the country. Final results are presented in the last part of the paper. 1. Methodological Framework Methodology for measuring imputed rents of owner-occupied dwellings differs by country based on a rental market development level. -
Review Downloaded from by University of California, Irvine User on 18 March 2021 Performance
Review Downloaded from https://academic.oup.com/oq/article/34/4/355/5469296 by University of California, Irvine user on 18 March 2021 Performance Review Colloquy: The Exterminating Angel Met Live in HD, November 18, 2017 Music: Thomas Ade`s Libretto: Tom Cairns, in collaboration with the composer, based on the screenplay by Luis Bunuel~ and Luis Alcoriza Conductor: Thomas Ade`s Director: Tom Cairns Set and Costume Design: Hildegard Bechtler Lighting Design: Jon Clark Projection Design: Tal Yarden Choreography: Amir Hosseinpour Video Director: Gary Halvorson Edmundo de Nobile: Joseph Kaiser Lucıa de Nobile: Amanda Echalaz Leticia Maynar: Audrey Luna Leonora Palma: Alice Coote Silvia de Avila: Sally Matthews Francisco de Avila: Iestyn Davies Blanca Delgado: Christine Rice Alberto Roc: Rod Gilfry Beatriz: Sophie Bevan Eduardo: David Portillo Raul Yebenes: Frederic Antoun Colonel Alvaro Gomez: David Adam Moore Sen~or Russell: Kevin Burdette Dr. Carlos Conde: Sir John Tomlinson The Opera Quarterly Vol. 34, No. 4, pp. 355–372; doi: 10.1093/oq/kbz001 Advance Access publication April 16, 2019 # The Author(s) 2019. Published by Oxford University Press. All rights reserved. For permissions, please email: [email protected] 356 | morris et al Editorial Introduction The pages of The Opera Quarterly have featured individual and panel reviews of op- era in performance both in its traditional theatrical domain and on video, including Downloaded from https://academic.oup.com/oq/article/34/4/355/5469296 by University of California, Irvine user on 18 March 2021 reports from individual critics and from panels assembled to review a single produc- tion or series of productions on DVD. -
Residential Area Plan
CHAPTER 6 RESIDENTIAL AREA PLAN Brentwood’s residential neighborhoods are one of the most The Objectives identified in the Residential Area Plan are significant contributors to its unique character and identity . intended to: Throughout the planning process residents expressed their vision and concerns for the City’s residential areas . The Res- • Maintain Brentwood’s character and identity idential Area Plan builds on public input and the future Land • Ensure quality housing stock remains a staple of the Use & Development Plan to provide policies and recommen- community dations as well as further define the type and location of each • Maintain the optimal balance of housing types within the residential land use . The location of each residential land use community is illustrated in the Residential Area Plan . • Ensure compatibility between the City’s commercial areas and its residential neighborhoods • Ensure compatibility between infill and existing residential development • Encourage a diversity of housing types, sizes and prices 60 Comprehensive Plan | Brentwood RESIDENTIAL LAND USE PLAN 170 RICHMOND HEIGHTS 64 40 EAGER RD 64 40 LADUE BRENTWOOD Wrenwood Ln FOREST Middlesex Dr Middlesex CONDOMINIUMS THE VILLAS AT BRENTWOOD STRASSNER DR HANLEY STATION Pine Ave MCKNIGHT RD MCKNIGHT Sonora Ave HIGH SCHOOL DR SCHOOL HIGH MEMORIAL PARK BRENTWOOD MAPLEWOOD Saint Clair Ave Clair Saint Park Ridge Ave Ridge Park BRENTWOOD POLICE MIDDLE & Bridgeport Ave DEPARTMENT HIGH Hanley Industrial Ct MT. CALVARY White Ave LUTHERAN PRESCHOOL Rosalie Ave MCGRATH Harrison Ave CITY ELEMENTARY HALL BROUGHTON PARK LITZSINGER RD Eulalie Ave BRENTWOOD FIRE DEPARTMENT MARK TWAIN ELEMENTARY HANLEYRD Annalee Ave Dorothy Ave Kentland Dr Joseph Ave OAK Bremerton Rd ROGERS TREE ROCK HILL Madge Ave BRENTWOODBLVD PARKWAY PARK Powell Ave ST. -
6. Analysis of Constraints to Housing
CITY OF OAKLAND HOUSING ELEMENT 2015- 2023 6. ANALYSIS OF CONSTRAINTS TO HOUSING A. GOVERNMENTAL CONSTRAINTS Governmental policies and regulations can have both positive and negative effects on the availability and affordability of housing and supportive services. This chapter of the Housing Element describes the policies and strategies that provide incentives for housing in Oakland that have resulted in significant contributions to the City’s housing stock. This chapter also analyzes City policies and regulations that could potentially constrain the City’s abilities to achieve its housing objectives. Constraints to housing can include land use controls, development standards, infrastructure requirements, residential development fees, and development approval processes, along with non-governmental constraints such as financing. A brief discussion of the City’s policy and regulatory context is presented below. Since 1998, the City of Oakland has undertaken actions to reduce the impact of local government regulations and fees on the cost and availability of housing. Beginning with the General Plan update in 1998, the City has: • increased residential densities, • created new mixed-use housing opportunities along major transportation corridors and in the downtown, • reduced open space requirements in high density residential zones in the Downtown and in the Transit Oriented Development Zone (S-15), • streamlined the environmental review process for downtown projects, • adopted a Density Bonus Ordinance, • adopted a secondary unit ordinance and streamlined the process for approval, • created new fast-track and streamlined permit processes, and • adopted Standard Conditions of Approval to, in part, streamline the CEQA review process. Land Use Policies and Regulations Discretionary land use control in Oakland is exercised by the Planning Commission and the City Council, and administered by the Planning and Building Department, Bureau of Planning. -
Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic
Please do not remove this page Giving Evil a Name: Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643454990004646?l#13643522530004646 Croft, J. B. (2015). Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic. Slayage: The Journal of the Joss Whedon Studies Association, 12(2). https://doi.org/10.7282/T3FF3V1J This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 09:39:58 -0400 Janet Brennan Croft1 Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic “It’s about power. Who’s got it. Who knows how to use it.” (“Lessons” 7.1) “I would suggest, then, that the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem …” (J.R.R. Tolkien, “Beowulf: The Monsters and the Critics”) Introduction: Names and Blood in the Buffyverse [1] In Joss Whedon’s Buffy the Vampire Slayer (1997-2003) and Angel (1999- 2004), words are not something to be taken lightly. A word read out of place can set a book on fire (“Superstar” 4.17) or send a person to a hell dimension (“Belonging” A2.19); a poorly performed spell can turn mortal enemies into soppy lovebirds (“Something Blue” 4.9); a word in a prophecy might mean “to live” or “to die” or both (“To Shanshu in L.A.” A1.22). -
The Death of the Angel: Reflections on the Relationship Between Enlighten- Ment and Enchantment in the Twenty-First Century1
The Death of the Angel: Reflections on the Relationship between Enlighten- ment and Enchantment in the Twenty-first Century1 RUTH BEHAR University ()/Michigan Abstract Tango artist Astor Piazzolla's composition/ 'La muerte del ángel', serves as inspiration for a few reflections on the relationship between enlightenment and enchantment in the 21st cenhrry. Piazzolla wrote the fugue as accompaniment to a play, 'Tango del angel', about an angel who tries to heal broken human spirits in Buenos Aires and ends up dying in a knife fight. Drawing on tango's melancholy, longing, and hesitant hoping, 1 share stories from my travels where 1 engage with the straggle to sustain an ethnographic art that brings heart to the process of knowing the world. Keywords: ethnography, reflexivity, tango, writing The tango, a form of music, song, and dance, as well as a sensibility, a way of being in the world, was bom in Argentina. But 1 first heard the tango and felt it and fell in love with it in Cuba, my native land. Daniel Esquenazi Maya, an old and impoverished man who lived in a rooftop apartment in Old Havana, gave me my first introduction to the tango. Daniel was one among a handful of Jews who didn't want to be uprooted and stayed in Cuba after the Revolution that brought Fidel Castro to power in 1959. Most Jews left soon afterward. The Communist expropriation of properties, stores, businesses, and miniature enterprises, tike door-to-door street peddling, on which many Jews depended for their livelihood, led to a mass exodus ftom Cuba. -
Rockin Snow White Script
!1 THE ROCKIN TALE OF SNOW WHITE This script belongs to: __________________________ CHARACTERS: Forest Animals: Ribbon Peddler Roonie Rabbit Comb Peddler Mother Donnie Deer Fruit Peddler Josh Billy Bunny Peggy Sue Chip Chipmunk Little Bird SONGS: King Young Queen Huntsman Snow White’s Hip-Hop, Doctor Angel Doo-Wop, Be-Bop, Funky Devil Little Rockin’ Tale Ladies in Waiting: Meredith Villagers: Ladies in Waiting Molly Rock Mary Stone The Seven Dwarves Work Maureen Pebble Song Martha Brick Judy Have Ya Heard? Dwarves: Evil Queen Zip A Pinch of This Snow White Kip Mirror Tip Celebrate Pip Romantic Hero Prince Flip Snow White Reprise His People Chip Big Mike !2 SONG: SNOW WHITE HIP-HOP, DOO WOP, BE-BOP, FUNKY LITTLE ROCKIN’ TALE ALL: Once upon a time in a legendary kingdom, Lived a royal princess, fairest in the land. She would meet a prince. They’d fall in love and then some. Such a noble story told for your delight. ’Tis a little rockin’ tale of pure Snow White! They start rockin’ We got a tale, a magical, marvelous, song-filled serenade. We got a tale, a fun-packed escapade. Yes, we’re gonna wail, singin’ and a-shoutin’ and a-dancin’ till my feet both fail! Yes, it’s Snow White’s hip-hop, doo-wop, be-bop, funky little rockin’ tale! GIRLS: We got a prince, a muscle-bound, handsome, buff and studly macho guy! GUYS: We got a girl, a sugar and spice and-a everything nice, little cutie pie. ALL: We got a queen, an evil-eyed, funkified, lean and mean, total wicked machine. -
Quaking Bankers
the grand jury nor the fact that any [claimed by the plaintiffs to lie acbool a indictment for felony has been found and Indemnity lands arc in n dity TIS BANKERS against MARRIED BADGER DAY CHINESE MUST GO QUAKING any person not in custody .>r DR. SHAW IS swamp contention ot under recognizance; you are to present lands The main no man for envy, hatred or malice; th* plaintltfs attorneys will lie that tin neither an you to leave any man u.i- no to -el ii MILWAUKEE GRAND JURY l I' NOB THE legislature has power aside 'VI \IR o\ To ix;i; ivoss has a mind ok his allK presented for love, fear, favor, MISS BESSIE LA'‘ON *RI.I is I I I RNKD ER ■ affection sclhk'l lauds from sale. The order will or hope of reward. But it becomes GOES TO WORK. " ISO INSIN PFOPI i: OWN. your duty to investigate carefully and EDITORS BRIDE. Is* made when the attorneys agree impartially the matters given you in as to what circuit court shall try the charge things and to present truly as ease, the attorney general preferring they may have come to your know! ( AI.iIOUNIAN MAM'S AN JUDGE WAIJ.BKR DELIVERS A THE CEREMONY TAKES PLACE AT the Dane county -court, while the GREAT TIItt'VDS Wild THRONG no. IM edge, according to the best of your mi- llerstun ding.” plaint tfs attorneys. Messrs Hilton SWEEPING CHARGE. READING. F V THE EXPOSITION GROUNDS. KttKTANT 111 UNO Disrtr. ’ Attorney says llaminel that and 1 ullar, wish to take it to Wan all Milwaukee attorneys of any stand- ing are comnvtod w;h bank cases and kesha ounty. -
Slayage, Number 16
Roz Kaveney A Sense of the Ending: Schrödinger's Angel This essay will be included in Stacey Abbott's Reading Angel: The TV Spinoff with a Soul, to be published by I. B. Tauris and appears here with the permission of the author, the editor, and the publisher. Go here to order the book from Amazon. (1) Joss Whedon has often stated that each year of Buffy the Vampire Slayer was planned to end in such a way that, were the show not renewed, the finale would act as an apt summation of the series so far. This was obviously truer of some years than others – generally speaking, the odd-numbered years were far more clearly possible endings than the even ones, offering definitive closure of a phase in Buffy’s career rather than a slingshot into another phase. Both Season Five and Season Seven were particularly planned as artistically satisfying conclusions, albeit with very different messages – Season Five arguing that Buffy’s situation can only be relieved by her heroic death, Season Seven allowing her to share, and thus entirely alleviate, slayerhood. Being the Chosen One is a fatal burden; being one of the Chosen Several Thousand is something a young woman might live with. (2) It has never been the case that endings in Angel were so clear-cut and each year culminated in a slingshot ending, an attention-grabber that kept viewers interested by allowing them to speculate on where things were going. Season One ended with the revelation that Angel might, at some stage, expect redemption and rehumanization – the Shanshu of the souled vampire – as the reward for his labours, and with the resurrection of his vampiric sire and lover, Darla, by the law firm of Wolfram & Hart and its demonic masters (‘To Shanshu in LA’, 1022). -
Rails to Real Estate Development Patterns Along
Rails to Real Estate Development Patterns along Three New Transit Lines March 2011 About This Study Rails to Real Estate was prepared by the Center for Transit-Oriented Development (CTOD). The CTOD is the only national nonprofit effort dedicated to providing best practices, research and tools to support market- based development in pedestrian-friendly communities near public transportation. We are a partnership of two national nonprofit organizations – Reconnecting America and the Center for Neighborhood Technology – and a research and consulting firm, Strategic Economics. Together, we work at the intersection of transportation planning, regional planning, climate change and sustainability, affordability, economic development, real estate and investment. Our goal is to help create neighborhoods where young and old, rich and poor, can live comfortably and prosper, with affordable and healthy lifestyle choices and ample and easy access to opportunity for all. Report Authors This report was prepared by Nadine Fogarty and Mason Austin, staff of Strategic Economics and CTOD. Additional support and assistance was provided by Eli Popuch, Dena Belzer, Jeff Wood, Abigail Thorne-Lyman, Allison Nemirow and Melissa Higbee. Acknowledgements The Center for Transit-Oriented Development would like to thank the Federal Transit Administration. The authors are also grateful to several persons who assisted with data collection and participated in interviews, including: Bill Sirois, Denver Regional Transit District; Catherine Cox-Blair, Reconnecting America; Caryn Wenzara, City of Denver; Frank Cannon, Continuum Partners, LLC; Gideon Berger, Urban Land Institute/Rose Center; Karen Good, City of Denver; Kent Main, City of Charlotte; Loretta Daniel, City of Aurora; Mark Fabel, McGough; Mark Garner, City of Minneapolis; Michael Lander, Lander Group; Norm Bjornnes, Oaks Properties LLC; Paul Mogush, City of Minneapolis; Peter Q. -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74