Isnow Ren-Wval, Salt Costs Dig Into Pointe Budget

Total Page:16

File Type:pdf, Size:1020Kb

Isnow Ren-Wval, Salt Costs Dig Into Pointe Budget .-, All th~ Np.ws / of All the Pointes " • • • ,t Every Thursday rosse 'Pointe ! Morning e,ws Complete News Coverage of All the Pointes oj Ib6 News VOLUME 21-NO, 12 Entered as Second Class Malter at the Post Offlce at Detroit, Mich. GROSSE POINTE, MICHIGAN, MARCH 24. !960 24 PAGES TWO SECTIONS SECTION I GPHS Science Fair Features 200 Exhibit5 ISnow Ren-wval, IBid Public 0/ the To Healing \"EI~K As Compiled by th~ Salt Costs Dig At Center Grosse Pointe News G.P. Garden Council to Thursday, MarCh 17 Into Pointe Budget SpOnSCii'Meeting on VICE PRESIDENT Nixbn will Insecticide Problem have the full support of Presi. Winter Expenses Total $36,036, Including the Cost of. dent Eisenhower for the Re- publican nomination for Presi- labor and the Use of The Grosse Pointe Garden C 0 u n c i 1, in cooperation dent and in the November Public Equipment with various public groups election; Eisenhower announced yesterday. In a news confer- . The heavy snowfalls and icy roads of a die-hard and private residents, is ence, Ike said that he would wmter, has dug deep into the five Pointes' budgeted planning to sponsor a pub- do anything 'he could to aid funds for snow removal 11nd salt purchases it was lie meeting at which time Nixon in his election campaign. officially disclosed. <'l ' the question of the use of 'He did say that he would not The total cost of snow remov- DDT S P ray will be dis- go so far as to appear "too a1 and spreading of salt on the W oo(,ls Okays cussed, much" a personal patron of the icy roads and streets throughout' The 'Garden Council, headed Vice President, He is willing to the Pointe, is $36,036; with the Add. · by Mrs. Horace Ray Will oC 283 campaign "in a perfeetly prop- Park. and Farms being the only ltlOlt Hillcrest rand, president, held a er and restricted" manner, If two communities exhausting ap- special meeting Tuesday morn- his services are needed, Mr. propriated funds for these ac- For Churclt ing. March 22, at the Gross~ Eisenhower's answer to a re- tivlties. Pointe War Memorial, to con- porter's question. did he hav~ The Pointes expended approx- sider .sponsoring this public any personal preference in the imately $24,477.72, for 2,789 C '/ A W d meeting. upcoming Presidential r ace, tons of salt, and $11,558.18, to OUnCl, pprov~s 00 S "The Council was very inter. was emphatically "yes." pay their respective Department Presbyterian Church Plan ested in the proposed meeting '" '" '" of Public Works personnel, and To Add Annex and Off and feels that it is In the best Friday, March 18 for the cost of gas and use of S P k- L Interests of the Grosse Point~ AN AIRCRASH near Tell eity-owned equipment. Each treet ar '"9 ot community that this controver- City. Ind., took' the lives of all community used its own person- sial subject be brought into the . 63 aboard, yes t e r day, The nel for snow remova I• an d th e The Grosse Pointe Woods open for public discussion," said Northwest Airlines turboprop payments received were the Presbyterian Church, 19950 Mrs, Will. plane exploded in mid-air and normal hourly rates for the time Mack avenue, was granted To EducatP. and Intorm crashed into the farm land just spent on the job, permission to build an addi. "The meeting is not for the north of th~ Ohio river. The Each communit~ pays $8,90 a !ion to their present build- purpose of stirring up trouble flight was bbund from Minne- ton for salt, and 1D cases when . , h it becomes' necessary to have. lng and c? n ~t r tJ. c t an In t is matter. Rather, In view apolis to Miami with, a stop in {t~~;>,~. the sait hauled by private off-street parkm.g lot, by of all of the talk on the subject Chicago. At first it was thought So outstanding were some of the exhibits in the School Board member' FRANKLIN' D. DOUGHERTY., trucks. an additional cost of the Woods CounCIl,Mouday of DDT and the controversy" as that the airliner had collided $1.50 a ton is added. night, March 21. to whether or not it is killing with another plane, Grosse Pointe High School'Science Fair that many of The Fair, sponsored by th~ school Science Clilb, bird and animal liCe in the * * '" them have been recommended ior thG Metropolitan opened Monday evening and continued through Tues- First Big Snowfall Feb. 26 The building permit was Pointe, the purpose is to edu. Saturday, l\larch 19 Scienc;e Fair. next month. BARRY ',rrSDALE, left, day. Over 200 exhibits were arranged for students, The heaviest expenditures for originally denied because the eate and inform .the public of A NORTHWEST Alrlines Boe- with chemistry teacher GEORGE HOLMAN, shows parents and the public to inspect. the 1959-60 winter, started (rom number of new parking spac,es aU sides of, the question" Ing Stratocruiser, carrying 73 his telephone dialer and amplifier to Grosse Pointe the time of the first big snow- planned by the church (40) did l\{rs, WlIl added. ' persons. made a "diving right fali, Thursday. February 25, and not meet the requirements of A definite time [or this meet. t=' to avoid what cwere.,be,- the total cost figures given, are the existing city ordinance. ing.has not been set, :.s yet. due lieved to be two military type as'.ofThursday, l'ofarch17.. The, ol'dlnance.requlres one to the/act that to have a good jets flying in c1o'se .formation," City., Budget 175' Jumo!" High Students Farms Asked' The Park budgeted $9.400 for parking space for every four meeting, it is necessary to havs Friday nIght,. over Lansing. A its. winter program, and ex- persons the sanctuary will seat. speakers who are experts in tile , spokesman for Boeing said that pended $10,194.68. necessitating The new addition will seat an various fields In question. Reviewed Visit Capital at Lansing To.Alleviate transfer of the difference from additional 238 persons. There- The Coun 'I h t h the pilot stated that the two .the Contingent Fund. The total fore, sixty parking spaces would attendance emI opehs 0 ave, II~ jets were coming straight at the , t' 1 d d fl' , en \V 0 are qua I~ ~s, mc u e pa: or pex:sonnet' be. needed t0th.fulflli . the re- fled in the fIelds of agriculture, airliner at the same altitude. At Hearing Meet Gbverillnerit Qfficia'ls .;'.Earthquake'" f u d The weather was clear and visi- e use 0 pu c eqwpmen, qwrements of e or !Dance. chemistry and bird and animal :~itPurchase of 497Y.! tons of COUllEUHears Appeal life, as well as' city officiIs, bility was good at the time. of Mayor. Kenneth Berqman Chartered Buses Take Ninfh ,Grade Civic Classes .from Two Residents Claim That I the incident. The plane dived Parc~lIs, .Brownell 'and Pierce to Study. The City stayed within Its The ~uneil, sitting as a In order to hear all sides of 300 feet, causing one passenger Presents $688,950, for M k Passing Buses Cause Their budget of $5,800. It spent $4,905, Board of Appeals, heard the the question on the use of the to suffer a strained neck and a 1960-61 Total LaY( a ing jn Dais Tour Homes to Shake for labor, for use of its own argume~ts of the church rep- DDT spr~y. stewardess. a wrenched back. The state capitol in Lansmg is the destination of equipment, and for 577 tons o[ r.esentatlves who ~sked for re- Now DOT Used The plane was a nonstop flight The City, of Grosse Pointe . h h h d h Two Farms res ide n t s salt including bauling hef under the ordinance on the At present, a DDT spray Is from New York to Minn'eapolis held a public hearing Monday many Grosse Poipte jUDlor ig sc Dol stu ents t ese petitioned the Farms coun~ , .'. basis of hardship. The area to being used by all five Grosse and was carrying as a passenger morning. March 21, to reviEW days, their visit coinciding with a'study of government ell to take measures to eli- . The Far~s dId n?t. have be used. for parking, on the Pointe communities in an ef- the husband and father of fou~ the proposed budget of $688,- in 9th grade civics classes. 0 . ~Igures avaIlable pertammg to south side of the church bor- fort to ('ombat the Dutch Elm of the victims of the Northwest. 950.00 for the 1960-61 fiscal Approximately 175 students dent.s tour is a visit to the two minate, tremors that shake the payment ?f perso~nel a~d dering on Torry road, is only disease that is fatal to the many , 1 h' f th thr I I' . hi h . their h 0 m e s "like small tbe cost of. USIng public eqUlp- large enough for 40 spaces. beautiful elm trees tbat line crash in Indiana ear ier t IS year. beginning Apl1il 1. rGm e ee oea JunIor g legislative chambers in sesslon. ment, but It became necessary the streets and d f week, Morris C. Chalfen. schools will have made the trip An hour is divided between the earthquakes" when buses for the city council to transfer They also stressed the fact yar s 0 the * * * This is the first budget to by the end of next wee~.
Recommended publications
  • Perspectives on the American Concert March in Music Education Robert Clark
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Perspectives on the American Concert March in Music Education Robert Clark Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC PERSPECTIVES ON THE AMERICAN CONCERT MARCH IN MUSIC EDUCATION By ROBERT CLARK A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Education Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Thesis of Robert Henry Clark defended on March 30, 2009. __________________________ Steven Kelly Professor Directing Thesis __________________________ Patrick Dunnigan Committee Member __________________________ Christopher Moore Committee Member The Graduate School has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to express my sincere appreciation to Dr. Bobby Adams, Jack Crew, Dr. James Croft, Joe Kreines, and Paula Thornton, who freely gave of their time, opinions, teaching methods, and wisdom to make the completion of this research study possible. They were as genuine, engaging, inspiring and generous as I had hoped…and more. It was my pleasure to get to know them all better. I would also like to thank my thesis committee, Dr. Steven Kelly, Dr. Patrick Dunnigan and Dr. Christopher Moore for dedicating the time and effort to review my research. I would especially like to thank Dr. Steven Kelly for his work in helping me refine this study, and am further appreciative to him for the guidance he has provided me throughout my undergraduate and graduate studies.
    [Show full text]
  • 1 Don Gillis Interviews William D. Revelli, March 2-7, 1965 American
    Don Gillis Interviews William D. Revelli, March 2-7, 1965 American Bandmasters’ Association Research Center, Special Collections in Performing Arts, University of Maryland, College Park Transcription by Christina Taylor Gibson Unknown: Just say something informally and then we’ll go Don Gillis: I think the feature with Bill had a little more . William D. Revelli: Are you hearing me all right in there now? Unknown: And how [mumbling off microphone] W.R.: Is that too much Unknown: No, no it’s fine, it’s normal, just normal. W.R.: Good. That’s all you need, isn’t it? D.G.: I’m talking with William E. Revelli, that is Bill E., William D.? I’ll start over. That’s one of my great blessings, being a good tape editor. I know I can always cut this out. I’m talking to William D. Revelli of the University of Michigan Bands, whose 25th anniversary I had the good fortune to attend. How many years back was this Bill? W.R.: Well, this is … I’m in my thirtieth year now Don. D.G.: Oh, so this was five years ago. W.R.: Yes. D.G.: At the marvelous banquet where we all sat around and tried in some small way to pay tribute to you for what you had done for the band field, not only at the University of Michigan, but it went way back to a town in Indiana named— W.R.: Hobart. D.G.: Hobart, Indiana. Bill, if you don’t mind, on this afternoon to go back about thirty years, why don’t you tell us about what young William Revelli was doing in Hobart, Indiana as a band director in a town that, which started out as an unknown factor and then became known as THE high school band center of the United States after a little while.
    [Show full text]
  • (1921 to 1963) Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements
    10, /8( D. 0. ("PROF") WILEY: HIS CONTRIBUTIONS TO MUSIC EDUCATION (1921 TO 1963) DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By James I. Hansford, Jr., B.M.Ed., M.M.Ed. Denton, Texas May, 1982 Hansford, James I., Jr., D. 0. ("Prof") Wiley: His Contributions to Music Education (1921 to 1963). Doctor of Philosophy (Music Education), May, 1982, 236 pp., 21 illustrations, Bibliography, 88 titles. The purpose of the study was to write a history of a music educator the professional career of D. 0. Wiley as from 1921 to 1963. To give focus to the career of Wiley, answers were sought to three questions, stated as sub and influ problems: (1) What were the important events ences in the professional career of D. 0. Wiley as a college/university band director? (2) What impact did school Wiley have on the development of Texas public bands that earned him the title "Father of Texas Bands?" of and (3) What role did Wiley play in the development the Texas Music Educators Association and other professional music organizations? D. 0. Wiley was a powerful force in the development as director of public school bands of Texas. While serving of bands at Simmons College (now Hardin-Simmons University) in Abilene, and Texas Tech University in Lubbock, he trained scores of young band directors who accepted teaching positions across the state. Wiley is recognized by the Texas Bandmasters Associa tion as the "Father of Texas Bands," partially because of the large number of his students who became prominent 2 bandmasters and leaders in the professional state music education organizations, but primarily through his pioneer work with the Texas Music Educators Association (TMEA).
    [Show full text]
  • Factors Influencing Non-Music Majors' Decisions to Participate
    FACTORS INFLUENCING NON-MUSIC MAJORS' DECISIONS TO PARTICIPATE IN COLLEGIATE BANDS A DISSERTATION IN Music Education and Curriculum and Instruction Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by JENNIFER ANN MODER BME, The University of Illinois, 2001 MME, Illinois State University, 2010 Kansas City, Missouri 2013 © 2013 JENNIFER ANN MODER ALL RIGHTS RESERVED FACTORS INFLUENCING NON-MUSIC MAJORS' DECISIONS TO PARTICIPATE IN COLLEGIATE BANDS Jennifer Ann Moder, Candidate for the Doctor of Philosophy Degree University of Missouri-Kansas City, 2013 ABSTRACT William Revelli stated that perhaps one of the greatest weaknesses of our school band programs is that, for the majority of the students, active participation ceases upon the day of graduation from our high schools. Music educators should strive to motivate all students, regardless of degree path, toward lifelong music making. After high school, many students do not pursue music as a major yet decide to participate in a collegiate ensemble. It seems relevant to investigate the influences behind these choices. The purpose of this study was to determine what factors contributed to a non-music major’s decision to participate in their collegiate band(s). An email soliciting student participation was sent to college band directors through the College Band Directors National Association (CBDNA). The 17-question electronic survey included an open-ended response, a 7-point Likert-type scale investigating factors that influenced their decision to participate in a collegiate ensemble, and demographic information. Participants (N = 2,933) were students enrolled at 95 colleges and universities from 37 states.
    [Show full text]
  • Fanfare Yes? It’S Time! Join YOUR University of in THIS ISSUE: Michigan a Very Special Opportunity for Michigan Bands Students & Alumni
    UNIVERSITY OF MICHIG AN BAND ALUMNI ASSOCIATION: YESTERDAY, TODAY, AN D T O M O R R O W Summer 2015 Blast From The Past Issue Volume 68, Issue 1 WELCOME! Were YOU a member of any University of Michigan Band? fanfare Yes? It’s time! Join YOUR University of IN THIS ISSUE: Michigan A Very Special Opportunity for Michigan Bands Students & Alumni ........ 2 Band Alumni Association! We Are Wolverines! by Grace Wolfe, Class of 2015......................................... 3 For those who leave Jennifer Chuang Wins Fulbright Grant .................................................... 5 Michigan and its bands, but for whom Michigan's bands Calling All KKY / TBS Alumni—Brunch on Homecoming Weekend............ 5 never leave, this is where 2015/16 Michigan Bands Concerts from The Directors ................................. 6 you belong: University of Michigan Band Why Be A Member of UMBAA? .............................................................. 8 Alumni Association 2015 ChampionSHEEP! by David Aguilar ..................................................... 9 Strengthen your connection Join or Renew Your Membership—Annual Member Registration ............ 10 to the Michigan Bands and UMBAA Website LAUNCHED! by Jason Townsend, Webmaster ....................... 12 lend your support for the UMBAA Merchandise on Cafepress.com ................................................. 12 band program, current students and alumni by Blast From The Past 2015—Information & Incredibly Tentative Itinerary . 13 becoming a member. Membership dues are $20 UMBAA Annual
    [Show full text]
  • Endowed Funds at the School of Music, Theatre & Dance
    Endowed Funds at the School of Music, Theatre & Dance as of January 2017 George A. and David S. Abbott Memorial Endowed Scholarship Endowed in 2011 by Alberta Albert in memory of her husband and his son to provide scholarship support with a preference to students with need who are studying the trumpet. Morton J. Achter Musicology Research Fund Endowed in 2016 to provide support for a doctoral student for research expenses above and beyond tuition, room, and board. Actors’ Equity Association/Alan Eisenberg Award in Musical Theatre Endowed in 2006, in honor of this retiring Actors’ Equity Association Executive Director, to provide a meaningful award to a talented graduating senior in musical theatre. William Albright Scholarship Endowed in 2006 by family members in memory of William Albright to support music students majoring in composition. Arthur W. and Judith L. Angood Marching Band Scholarship Provides undergraduate merit scholarships to members of the Michigan Marching Band. Appearance Fund Endowed in 1998 to pay for the expense of formal and informal concert and concert tour apparel for student members of the Men’s Glee Club. Patricia Joy Arden Scholarship Endowed in 2003 by family and friends in memory of Patricia Arden (1952 BM and 1953 MM, Piano) to provide scholarships for piano performance majors. Patricia Joy Arden Undergraduate Scholarship Endowed in 2006 by Bruce Arden in memory of his wife, Patricia, to provide need-based scholarships for undergraduate piano performance majors. Armbruster Fund Endowed in 1993 by Margo Halsted in honor of her parents, Anthony Charles and Rose Buzan Armbruster, to benefit the Burton Tower Carillon program.
    [Show full text]
  • “What Is Done Without Joy Is Zero!
    The Midwest Clinic An International Band and Orchestra Conference Friday, December 17, 2004 Clinician: Joseph Dobos assisted by members of the Lapeer East High School Symphony Band “What Is Done Without Joy Is Zero! What is the most important thing that we teach? • “I’d rather be known as a teacher of people than as a teacher of music.”—William Revelli • “Our goal is to make the student independent of the teacher.”—Elizabeth A. H. Green • “What is done without joy is zero!”—Nadia Boulanger • “Talent without self-discipline is the greatest waste in the world.”—Joe Maddy • “Time is money”—Jerry Blackstone (Bell to bell teaching—not a second should be wasted.) • “Idleness is the devil’s work!”—Saint Benedict • “Do not demand. Expect.” “Telling isn’t teaching!”—Elizabeth A. H. Green • “Always end a rehearsal with an upbeat mood.”—Elizabeth A. H. Green • “Preach the Gospel always, and sometimes, even use words.”—Saint Francis of Assisi • “Teach the way you play.”—William Revelli Bring your instrument to every rehearsal (as did Donald Sinta.) • “Ah, did you tell them the 1,001st time?”—H. A. VanderCook to a very young William Revelli • “Before going further, let me say that aware audiation cannot take place unless there is an atmosphere of love and care at all times in the learning space.”—James Jordan What does every band/orchestra need to experience at every rehearsal? • “The List”—always before the conductor. • In no order of particular importance (except for the first one): consistent and beautiful tone, posture, breathing, long tones, hand position, embouchure, instrument angle, ear training, building technic, intonation, blend, attack, release, precise rhythm, dynamic contrast, long tones, inspect reeds, clean mouthpieces?, etc….
    [Show full text]
  • Wind Ensemble Featuring Michael Terry, Euphonium and Peter Witte
    School of Music College of the Arts presents Wind Ensemble David Thomas Kehler, conductor featuring Michael Terry, euphonium Peter Witte, guest conductor Tuesday, March 19, 2013 8:00 p.m. Dr. Bobbie Bailey & Family Performance Center Seventy-ninth Concert of the 2012-2013 Season Welcome to the Kennesaw State University School of Music The School of Music at KSU has dedicated, vibrant, and talented faculty and staff that are completely devoted to teaching, performing, scholar- ship, and serving our community. It is an incredibly exciting place to study, boasting state-of-the-art facilities with opportunities to produce and explore music in a dynamic place that is ahead of the curve for what it means to be a musician in the 21st century. Our students come from the leading musical honor organizations across the region and are poised to lead the cultural offerings and musical education in our area and beyond for years to come. We welcome you to attend a concert, meet our faculty and staff, and feel the energy and excitement that our students exude. We are fully commit- ted to our purpose as educators, performers, and scholars. We hope that you will find as much enjoyment in our product as we do in producing it. Welcome! For more information about the School of Music, please visit www.kennesaw.edu/music Please consider a gift to the Kennesaw State University School of Music. Contact Holly Elrod at: [email protected] or 770-423-6907 Kennesaw State University School of Music Audrey B. and Jack E. Morgan, Sr. Concert Hall March 19, 2013 Wind Ensemble David Thomas Kehler, conductor featuring KSU Concerto Winner Michael Terry, euphonium and special guest conductor, Peter Witte Lincolnshire Posy (1937) Percy Aldridge Grainger I.
    [Show full text]
  • Proquest Dissertations
    A study and catalog of the solos composed, arranged, and transcribed for xylophone and band by John Joseph Heney (1902-1978), percussionist (1926-31) and xylophone soloist (1931) with the John Philip Sousa Band Item Type text; Dissertation-Reproduction (electronic) Authors Darling, Matthew Henry, 1964- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 17:35:01 Link to Item http://hdl.handle.net/10150/288808 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly fi"om the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • The Making of University of Michigan History Accessed 2/23/2015
    The Making of University of Michigan History Accessed 2/23/2015 Home Exhibits Reference University Records Michigan History Digital Curation Search Home > Exhibits > Myumich The Making of University of Michigan History: The People, Events, & Buildings that Shaped the University 1899/1900 C. H. Cooley, teaches 1st sociology course 1904/1905 West Engineering Hall opens 1905/1906 Emil Lorch heads new Architecture Dept. 1905/1906 Women's Athletic Assoc. formed 1909 Pres. James B. Angell retires 1909/1910 Alumni Hall dedicated 1910 Harry B. Hutchins, 6th UM President 1911/1912 "Club House" constructed at Ferry Field 1911/1912 Graduate School founded 1914 Hill Auditorium opens 1915 First women's dorms open http://bentley.umich.edu/exhibits/myumich/ 1 / 52 The Making of University of Michigan History Accessed 2/23/2015 1918 Old University Library closed 1918/1919 SATC constructing mess hall 1921 Marion Leroy Burton named president 1923/1924 William L. Clements Library opens 1926/1927 Dana, Moore named deans of new schools 1929 Women's League opens 1929/1930 Ruthven assumes UM presidency 1931/1932 McMath-Hulbert Observatory opens 1933/1934 Law Quad construction completed 1936 Mayfest brings Ormandy to Ann Arbor 1938/1939 West Quad dorms built as WPA project 1939 Arthur Miller, wins second Hopwood 1940/1941 War issue stirs campus 1942/1943 JAG School troops drill in Law Quad http://bentley.umich.edu/exhibits/myumich/ 2 / 52 The Making of University of Michigan History Accessed 2/23/2015 1943/1944 Ruth Buchanan writes to soldiers 1945/1946 Returning
    [Show full text]
  • The Pennsylvania State University the Graduate School ORAL HISTORIES of WOMEN INSTRUMENTALISTS in COLLEGE MARCHING BANDS POST-TI
    The Pennsylvania State University The Graduate School ORAL HISTORIES OF WOMEN INSTRUMENTALISTS IN COLLEGE MARCHING BANDS POST-TITLE IX A Dissertation in Music Education by Michquelena Potlunas Ferguson © 2021 Michquelena Potlunas Ferguson Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2021 ii The dissertation of Michquelena Potlunas Ferguson was reviewed and approved by the following: Linda C. Thornton Professor of Music Education Dissertation Adviser Chair of Committee Graduate Program Chair for Music Education Darrin H. Thornton Associate Dean for Academic Affairs and Outreach Teaching Professor of Music Charles D. Youmans Professor of Musicology Jaime Schultz Professor of Kinesiology iii ABSTRACT Title IX of the Educational Amendments Act was passed in 1972. This legislation prohibited discrimination on the basis of gender in publicly funded educational institutions, including all colleges and universities in the United States. In the public arena, Title IX has become synonymous with the fight for equality for women in sport; however, its positive effects for equality for women were farther reaching. Women in higher education gained unprecedented access to academic and social circles on college campuses. The rights granted by Title IX to women that permitted participation alongside men in college marching bands in the 1970s is an area that has virtually been absent from the research. The purpose of this study was to investigate and record the experiences of the first women instrumentalists to participate in collegiate marching bands in the post- Title IX era. I drew on a subject-oriented oral history methodology with a historical basis in the second wave feminist moment.
    [Show full text]
  • Edwin Franko Goldman Memorial Citation
    1 The American Bandmasters Association Edwin Franko Goldman Memorial Citation Recipients of the Edwin Franko Goldman Memorial Citation Victor William Zajec (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Compiled by Victor W. Zajec, 1998 Maintained by Raoul F. Camus, ABA Historian 2 THE EDWIN FRANKO GOLDMAN MEMORIAL CITATION Edwin Franko Goldman (1878-1956), founder and conductor of the Goldman Band of New York City, was also the founder (1929), first President (1930-1932), and second Honorary Life President of The American Bandmasters Association (1933-1956). Shortly after Goldman’s death, the ABA sought ways to honor the memory of the man who was such an integral part of its beginnings. ABA President Otto J. Kraushaar charged the Special Citation Committee to “prepare recommendations whereby the Association could formally recognize certain persons outside the membership of ABA for outstanding services to the band movement in America.” The committee’s report was received in 1962. At the same time, the Goldman Memorial Committee was considering a suitable memorial that would recognize the contributions of the ABA founder. Both committees agreed jointly to recommend, for consideration by the ABA Board of Directors and the ABA past presidents, that The Edwin Franko Goldman Memorial Citation be established. In addition to honoring Goldman’s memory, the purpose of the award is to provide recognition to those outside the membership of The American Bandmasters Association (ABA) who have rendered conspicuous service in the interest of bands and band music in America. The first Citation was presented to Harry Guggenheim, sponsor of the Goldman Band concerts, at a concert on the Mall in the Guggenheim Memorial Band Shell, New York, on July 20, 1963.
    [Show full text]