DOCSLIB.ORG

Berlinib 2020/A Fashion Magazine at Berlinib.Com

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Berlinib 2020/A Fashion Magazine at Berlinib.Com When we make a It is only at this time info. All content can creative skills of our Plase use our email Cover model for our magazine, we start the that the “PUBLISHED” be accessed with both contributors, we create [email protected] for BERLiNiB 2020/A issue layout from scratch and stamp will appear on large screens such as excellent results all other enquiries is Vicenca Petrovic, add the tag, “TEST OF the left of this page. on a PC, and through within this frame. including editorial photographed by A. LAYOUT” in a blue note small screens such as sponsorship. We reserve Tacoma {see article on the left side of All articles and other on a phone. Aristo Tacoma (a main the right to only “Fierce Chic”} this editorial page. text are original work photographer in, and include ads that do not This is naturally and from the beginning. Talented folks and the editor of, distract from the main 2020/A gradually transformed fashionistas who wish BERLiNiB; and often content of the into our own magazine. Copyrights: Fashion to work with us, please main stylist) magazine. Ads will We replace every one of bloggers can reblog contact us at remain on display the earlier test images images with [email protected] or DM within the archived (which are all acknowledgements to on Instagram. We are magazines. We do not documented in our magazine, model and always open to hearing use ‘targeted Instagram from models, writers, advertisements’. Our account) photographers, ads are permanently with images stylists, makeup available and the same from our own artists, set for all and deliciously original designers, fashion free from privacy shoots. The designers, BERLiNiB is financed by issues. idea behind advertisers, and advertisements and this method other enthusiastic sponsors. All issues The content of each is that we creatives who wish to are always available published BERLiNiB want only contribute. for free as quality Magazine is copyright ISSN 2535-602X the best PDFs at berlinib.com. Stein Henning B. Reusch PUBLISHED inspiration As a magazine born in (alias Aristo Tacoma); BERLiNiB 2020/A for our 2019, we have decided Advertisements: models, writers and magazine, so to go entirely To enquire about photographers also have we choose ‘digital’. With top advertisement rates, copyright to their photographer, confer images from our of the line equipment, plase email us: ads@ contribution when the DIRECTORY section BBERLiNiB: Made chiefly favourite sources, such and the great taste and industrialbabes.com. BERLiNiB is properly at our website for more in Athens via, among as Vogue, Numero, referenced. Unsigned other things, Being, Harper’s Bazaar and material is by the Liberation and Elle Magazine, to editor. Nibbling. A concept by light up our pages Aristo Tacoma alias with images that Technology includes: S.R. Weber, Oslo. inspire us as we Nikon Df, Nikkor w/VR, ISSN 2535-602X work to create our KDE Neon, Gimp, Formal production own fully original LibreOffice, location: Oslo, Norway publication. FontLibrary.org (we Mail: Yoga4d:VRGM, Each issue is will use commercially Postboks 1046 Hoff, developed in this licenced fonts as soon 0218 Oslo way and, at the as generated revenue berlinib.com time of its permits it), and PC industrialbabes.com publication (for Android-x86. @berlinib publication times, confer our Editorial Assistant: website), all Enjoy! Lucy Blay, @lucyblay content is our own. Somya Also in your free Sol Joshi BERLiNiB fashion Cover Mercado @somyaa magazines joshi here at model: @uruzusus berlinib.com page 75 Vicenca page 40 every time: Petrovic In addition to, and together with, the above-mentioned @vicenca photo editorials, petrovic you always find written page 17 Nastia articles, fashion illustrations As you know, Kasprova and permanent BERLiNiB at magazine berlinib dot com, @nastia_ ads, published on giving BERLiNiB universal “digital digital kasprova the income we need paper” formatPDF, format PDF, Julia to give you this is published three page 54 aawesome fashion times per year. With Elli Mue magazine for free! few exceptions, For your company to editorials are Tsitsipa be included in next published in the @julia issues, send an ad magazine in the proposal, now, to: order in which they @elli mue__ ads @industrialbabesindustrialbabes .com . com are made. Page numbers refer tsitsipa page 29 Enjoy the to A3 pages. fashionable page 10 BERLiNiB brew! build up your business in and made part of an ongoing a useful item endures the the long-term is a form of /1/ narrative. Perhaps your test of time and remains generosity to yourself, and colleague had a terrible day useful. In the clothing some investments are in the Quality or couldn’t find the right industry, this can be Text: Aristo Tacoma wise middle-ground between communica words in the moment, or described as ‘sustainable’. protecting your assets and perhaps you misinterpreted a A genuine ethicality is of being generous. tion sentence in the chat line. great important for any Rather than hurling insults brand. Another key word for The ideal enterprise at insults, try hurling this is in the next clue. As a team leader, you must combines money-making with silence next time. Then make yourself understood. having high ideals. However, welcome quality Whenever you are the business of prospering communication back again and MORE collaborating with others, of the system is rarely see if you can make it work you must have a good group /3/ Woke to 21st possible if one’s main next time. If it doesn't conversation. No matter what activity is to change the work, at least you gave century aspirations the task may be, it will MONEY system. The less idealistic, rationality a chance; and probably be achieved more but perhaps more viable with rationality comes a In the 1960s, many young efficiently if you take the solution is: give something, sense of compassion—not adults around the world time to discuss it up to a fixed percentage of ‘everything is easy for started to realize that the beforehand, rather than income, to something purely everyone’ all the time. Win planet’s natural resources barking commands all the way idealistic: but be by consistently were being wasted, polluted through. Maintaining quality commercial, as demonstrating high-integrity and otherwise put at risk by communication also means character and apologizing the presence of the military Eight interpreting feedback from There are check-point lists when you don’t. Your arsenals and the big bombs. ethically your team from a positive all over the internet with business is not a therapy There was a sense of 'now or commercial as you can, in perspective. If something intriguing titles like, "How group. Developing your never', which led to a the core business goals and seems offensive at first, to become a millionaire" and business isn’t about sharing flower power movement that strategies. If you are going make a conscious effort to "Secret spending-habits that feelings. It is about never actually withered—it to grow a tiny business— find the inoffensive will make you rich". It cultivating positive action was only subdued. Today, the keys perhaps initially only you interpretation, then double seems like most of the to create something good in 'flower power' era is back yourself, or you yourself or triple that effort to advice contained in these which revenue can flourish. in full bloom, but with plus a few others, into a maintain a positive or articles can be summed up in completely different glowing business getting a neutral tone even when you one sentence: "It's amazing parameters and different real revenue, trying to don’t feel like it. how much you can save if change the whole world at names. Are you awake to you're willing to be this? Business involves the same time is, however Quality communication and to being ‘woke’ in the sense of appallingly stingy." noble a pursuit, perhaps too understanding the real tuning in to the realities ambitious a goal. As some message is more important Showing the right type of of Millennials and Gen Z. buddhists sometimes point than ‘protecting’ your ego generosity, however, is a That doesn’t merely mean out, we’ve got millions of by being defensive and /2/ Beauty necessary part of growing a talking the trendy talk: it years on us to get things argumentative. It is more business. For example, if also means thinking through right. important to protect economy good your business depends on what is meaningful to say whatever flimsy bits of developing and maintaining and do, finding phrases that The following points don’t rationality there may be in Have something to offer that good customer makes sense. As for apply equally well to a discussion; and there is is inspiring to others. environmentalism, perhaps it everyone. They are rules of always the possibility that relationships Perhaps it is right to say: is to improvise phrases thumb, along the lines of there is a great deal of beauty is the essence of , being too inflexible with along the lines of what perhaps a wise person potential rationality and what is inspiring in this econo what you've got might just would give as good tips for ‘protecting forests and good business to come out if world. You must offer push them away. resources, avoiding small business owners one doesn’t get impatient. something of real value if pollution to oceans and starting out. In short, there is strength you want to earn an income. In order to grow your atmosphere!’, rather in avoiding 'being If it is a tangible product business, you must spend insiting on phrases which offended', especially all you wish to sell, undust it wisely and not recklessly.
Load more

Recommended publications
  • Volume 2, Issue 3, Autumn 2018
    The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit.
    [Show full text]
  • Clothing Upcycling in Otago (Ōtākou) and the Problem of Fast Fashion
    Clothing Upcycling in Otago (Ōtākou) and the Problem of Fast Fashion Kirsten Michelle Koch A thesis submitted in fulfilment of the requirements for a Master of Arts in Sociology at the University of Otago. Abstract Clothing Upcycling in Otago (Ōtākou) This dissertation employs qualitative inductive research methods to address the ‘problem of global fast fashion’. Currently the global production of garments is 62 million tonnes per annum with the majority of production occurring in the world’s poorest countries with limited human rights and labour and environmental protections. From 1994 to 2018 following the easing of trade protections in Developing countries and internationally, there has been a 400% increase in the tonnage of clothing produced internationally. This figure is only escalating. As the level of global clothing waste grows following global clothing consumption rates, the drive to expand the market is fuelling the production of vast amounts of poor-quality textiles and resultant textile waste. In Developed countries 67% of textile waste is commercially on-sold as second-hand clothing to mostly Developing countries. The need for ever cheaper fashion production processes creates ethical concerns for global garment workers and those who sort and dispose of garment waste. Garment workers are 80% women and often women of colour living in Developing countries with few employment options. Meanwhile, textile practitioners and clothing designers in Westernised countries such as New Zealand, are experiencing heightened job precarity and an increasingly diminished space to exercise creativity, sustainable innovation, and social critique. The research interviews local Otago (Ōtākou) textile practitioners who upcycle clothing within their practice assessing how these localised creative actions connect to the larger global ‘slow fashion’ movement, including the ‘clothing upcycling’ movement.
    [Show full text]
  • "Understanding Second-Hand Retailing: a Resource Based Perspective of Best Practices Leading to Business Success" (2013)
    Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2013 Understanding second-hand retailing: A resource based perspective of best practices leading to business success Jinhee Han Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Art and Materials Conservation Commons, Business Administration, Management, and Operations Commons, and the Sustainability Commons Recommended Citation Han, Jinhee, "Understanding second-hand retailing: A resource based perspective of best practices leading to business success" (2013). Graduate Theses and Dissertations. 13636. https://lib.dr.iastate.edu/etd/13636 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Understanding second-hand retailing: A resource based perspective of best practices leading to business success by Jinhee Han A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Apparel, Merchandising, and Design Program of Study Committee: Linda S. Niehm, Major Professor Te-Lin Chung Deanne Brocato Iowa State University Ames, Iowa 2013 Copyright Jinhee Han, 2013. All right reserved. ii TABLE OF CONTENTS LIST OF TABLES..…………………………………………………….………………... v LIST OF FIGURES……………………………………………………………………… vi ACKNOWLEDGMENTS……………………………………………………………… vii ABSTRACT……………………………………………………………………………… viii CHAPTER ONE: INTRODUCTION 1.1 Background …………………………………………………….…………… 1 1.2 Significance of Study ……………………………………………………….. 4 1.3 Objective of Study…………………………………………………………… 5 1.4 Definitions of Terms………………………………………………………… 6 CHAPTER TWO: REVIEW OF LITERATURE 2.1 Introduction …………………………………………………….…………… 7 2.2 History of Second-hand Trades ……………………………………………..
    [Show full text]
  • Scale Development of Sustainable Consumption of Clothing Products
    sustainability Article Scale Development of Sustainable Consumption of Clothing Products Sunyang Park 1 and Yuri Lee 2,* 1 College of Human Ecology, Seoul National University, Seoul 08826, Korea; [email protected] 2 The Research Institute of Human Ecology, College of Human Ecology, Seoul National University, Seoul 08826, Korea * Correspondence: [email protected]; Tel.: +82-2-880-6843 Abstract: Researchers and companies are paying attention to consumers’ sustainable consumption of clothing products. Clothing industry and fashion consumers have been criticized for a long time due to endless mass production and overconsumption. Despite the efforts of corporations to use sustainability as a marketing tool and an expanding literature exploring consumers’ response to such marketing, the definition of sustainable consumption of clothing products (SCCP) remains unclear. Academic works lack comprehensive discussions regarding SCCP in the perspective of consumers’ awareness and behavior. Furthermore, no widely accepted measurement tool of this concept exists. The validated measurement instrument will eventually help the diagnosing of the mental and behavior status of clothing consumers’ SCCP and further support to establish consumer guidance aimed at resolving sustainability issues related clothing consumption. This study aimed to conceptualize, develop and validate a scale to measure SCCP from the perspective of general clothing consumers. Literature review and interview were used to collect qualitative data for scale item generation. Then, surveys were conducted two times to acquire quantitative data from respondents to purify and validate the scale items. Content analysis, exploratory factor analysis and confirmatory factor analysis using MPlus were used to explore and predict the data. Based on reliability and validity check, the results are apparent that the scale shows good psychometric properties.
    [Show full text]
  • Vintage, the First 40 Years: the Emergence and Persistence of Vintage Style in the United States
    Vintage, the First 40 Years: The Emergence and Persistence of Vintage Style in the United States By Nancy L. Fischer Abstract This paper historicizes when wearing vintage clothing first became fashionable in the United States. I trace when the trend emerges in the U.S. and explore various ways the press framed secondhand/vintage clothes and anachronistic dressing. I contend that the emergence of vintage occurs as a form of alternative consumption alongside changes that occurred in the U.S. garment industry such as outsourcing and product licensing. These changes led many consumers to seek more authentic consumption experiences. Consumers with cultural capital found in vintage an alternative market for sourcing fashionable street style. Consumers attribute char- acteristics to vintage clothing that are typically part of authenticity discourse such as it being of exceptional quality, original, handcrafted, made from natural fibers, and providing continuity with the past. The authenticity of vintage is symbolically deployed in opposition to contemporary mass-produced clothing and standardized retail shopping experiences. Keywords: Vintage, vintage clothing, retro, secondhand clothing, authenticity, fashion trends, garment industry Fischer, Nancy L.: “Vintage, the first 40 Years” Culture Unbound, Volume 7, 2015: 45-66. Published by Linköping University Electronic Press: http://www.cultureunbound.ep.liu.se I’m gonna take your grandpa style I’m gonna take your grandpa style. No, for real, ask your grandpa, Can I have his hand-me-downs? - Lyrics, “Thrift Shop” by Macklemore and Ryan Lewis, 2013 Introduction In early 2014, rap duo Macklemore and Ryan Lewis won two Grammys for best rap song and best rap performance for “Thrift Shop,” an exuberant celebration of thrift store culture.
    [Show full text]
  • “Vintage Fashion: an Example of Circular Economy As a Sustainable
    LUISS Guido Carli Department of Economics and Finance Chair of Management “Vintage Fashion: An Example of Circular Economy as a sustainable alternative to the Fast Fashion” Candidate Supervisor Ludovica Vanicore Prof. Francesca Vicentini 215591 1 TABLE OF CONTENTS INTRODUCTION 3 Chapter I – Sustainability and the Fashion Industry 1.1 The notion of Sustainability 4 1.2 Environmental, Social and Economic Sustainability 7 1.3 Sustainability Issues in the Fashion Industry 11 1.4 The Importance of Managing Sustainability 16 Chapter II – Circular Fashion and the Reduction of Waste 2.1 Modern Waste Culture and its Strong Presence in the Fashion Industry 19 2.2 The Circular Economy Model and its Benefits: A Solution to the Issue of Waste 22 2.3 Eliminating Waste in Fashion: the introduction of Circular Fashion 27 Chapter III – Vintage Fashion: An Example of Circular Economy as an Alternative Choice to the Fast Fashion 3.1 A New Type of Buyer: The Conscious Consumer 31 3.2 The Rise of the Secondhand Clothing Market 36 3.3 Choosing Vintage over Fast Fashion 43 CONCLUSIONS 49 REFERENCES 51 SITOGRAPHY 54 2 INTRODUCTION The fashion industry has recently been subject to many critics regarding its unethical and unsustainable practices, being labeled as one of the most polluting economies on earth. The world of fashion presents a double-sided nature: on the one hand, it can historically be seen as a driver for innovation and development, on the other, it undoubtedly is a resource- intensive and environmentally destructive economy. The increase in consumers’ awareness towards ethical issues has generated a demand for a more sustainable and conscious approach.
    [Show full text]
  • It's Vintage Darling!
    The Journal of The Textile Institute ISSN: 0040-5000 (Print) 1754-2340 (Online) Journal homepage: http://www.tandfonline.com/loi/tjti20 It’s Vintage Darling! An exploration of vintage fashion retailing Julie McColl , Catherine Canning , Louise McBride , Karina Nobbs & Linda Shearer To cite this article: Julie McColl , Catherine Canning , Louise McBride , Karina Nobbs & Linda Shearer (2013) It’s Vintage Darling! An exploration of vintage fashion retailing, The Journal of The Textile Institute, 104:2, 140-150, DOI: 10.1080/00405000.2012.702882 To link to this article: http://dx.doi.org/10.1080/00405000.2012.702882 Published online: 09 Jul 2012. Submit your article to this journal Article views: 1505 View related articles Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=tjti20 Download by: [193.62.251.59] Date: 23 November 2015, At: 12:01 The Journal of The Textile Institute, 2013 Vol. 104, No. 2, 140–150, http://dx.doi.org/10.1080/00405000.2012.702882 It’s Vintage Darling! An exploration of vintage fashion retailing Julie McColl*, Catherine Canning, Louise McBride, Karina Nobbs and Linda Shearer Department of Fashion, Marketing and Retailing, Glasgow Caledonian University, Glasgow, UK (Received 18 April 2011; final version received 11 June 2012) Purpose: This is an exploratory study which defines vintage fashion, considers the vintage fashion consumer and evaluates the positioning of the vintage retail store from the perspective of the store proprietor/manager. Design/ methodological approach: The research involved 15 in-depth interviews with vintage fashion retailers.
    [Show full text]
  • Fashion Futures 2025
    ����������������� ������������������ ���������������� contents foreword p4 executive summary p5 introduction p12 factors shaping the future p14 how we constructed the scenarios p19 global scenarios for 2025: scenario 1: slow is beautiful p20 scenario 2: community couture p27 scenario 3: techno-chic p34 scenario 4: patchwork planet p41 implications for the fashion industry p48 how to use the fashion futures scenarios p55 appendix 1: acknowledgements p58 appendix 2: glossary p60 Forum for the Future: Overseas House 19–23 Ironmonger Row London EC1V 3QN Registered charity no: 1040519 Company limited by guarantee in UK and Wales, no: 2959712 VAT reg no: 677 7475 70 Forum for the Future – the sustainable Levi Strauss & Co. is one of the world’s development charity – works in partnership largest branded apparel companies and with leading businesses and public service the global leader in jeanswear, marketing Fashion Futures published in February 2010. providers, helping them devise more its products in more than 110 countries sustainable strategies and deliver new worldwide. The company designs and markets To learn more go to: products and services which enhance people’s jeans, casual wear and related accessories www.forumforthefuture.org/projects/fashion-futures lives and are better for the environment. for men, women and children under the Forum for the Future authors: Levi’s®, Dockers® and Signature by Levi Fiona Bennie, Ivana Gazibara and Vicky Murray. We have been working with the fashion Strauss & Co.TM brands. industry for several years. In 2007 we Forum for the Future support team: published Fashioning Sustainability: Almost two decades ago, through the Terms Louise Armstrong, Patrick Connelly, Geraldine Gilbert, http://www.forumforthefuture.org/projects/ of Engagement (TOE), Levi Strauss & Co.
    [Show full text]
  • Specific Antecedents to Consumers' Purchase of Vintage Fashion Vs
    Back from the Past: specific antecedents to consumers’ purchase of vintage fashion vs. second-hand or recycled fashion Marie-Cécile Cervellon, PhD Trine Harms, Msc International University of Monaco Lindsey Carey Glasgow Caledonian University Correspondence should be sent to: Marie-Cécile Cervellon, International University of Monaco, 2 bd Albert II, 98000 Monte- Carlo, Principality of Monaco. e-mail: [email protected] 1 Back from the Past: specific antecedents to consumers’ purchase of vintage fashion vs. second-hand or recycled fashion Abstract Vintage has been a mega trend in clothing since the last decade all over the world, leading to major fashion brands launching collections inspired by vintage pieces or luxury haute couture houses digging into their archives to revive past designs. A number of second hand stores surfing on the trends also rename their stores as vintage. Yet, as the market for vintage fashion or vintage inspired fashion develops, little is known on the profile of the consumer and the motivations to purchase vintage. The purpose of this paper is to investigate the unique characteristics of these consumers and understand better what the specific drivers to vintage consumption are. In particular, we wish to explore the reality (or lack of) of a number of a-priori related to vintage consumption, equating it to the consumption of used old clothes by senior nostalgic prone, environmental-friendly or value conscious consumers. We also compare vintage consumption to related fashion consumption: second- hand fashion, modern luxury fashion, vintage style fashion and recycled fashion. This research shows that the main antecedents to vintage consumption are fashion involvement and nostalgia proneness whereas second-hand consumption is mainly driven by frugality and recycled fashion by ecological consciousness.
    [Show full text]
  • From Fast Fashion to Secondhand Fashion
    Lawrence University Lux Richard A. Harrison Symposium 2019 Dressing the World: From Fast Fashion to Secondhand Fashion Tamima Tabishat Lawrence University Follow this and additional works at: https://lux.lawrence.edu/harrison © Copyright is owned by the author of this document. Recommended Citation Tabishat, Tamima, "Dressing the World: From Fast Fashion to Secondhand Fashion" (2019). Richard A. Harrison Symposium. 7. https://lux.lawrence.edu/harrison/7 This Research Paper is brought to you for free and open access by Lux. It has been accepted for inclusion in Richard A. Harrison Symposium by an authorized administrator of Lux. For more information, please contact [email protected]. Dressing the World: From Fast Fashion to Secondhand Fashion GLOBAL CITIES CAPSTONE Tamima Tabishat IHRTLUHC IS 699 Professor Martyn Smith Spring Term 2020 1 Introduction On April 23, 2013, the Rana Plaza garment factory complex in Dhaka, Bangladesh collapsed, due to longstanding structural instabilities, killing 1134 workers and injuring more than 2500 (“Bangladesh Factory Collapse Toll Passes 1,000”). A vast number of global fast fashion labels, including United Colors of Benetton, Walmart, Zara and Mango had subcontracted work to numerous workshops housed in this complex. This horrific accident caused a global outcry and companies promised to quickly improve the conditions of laborers who worked for their local subcontractors. In the initial months and years after the disaster, Bangladesh experienced one of the most effective campaigns to improve labor and safety conditions (Paton). Structural improvements were made to garment factories, labor rights were improved and workers’ wages increased. Most notably, in 2013, the “Accord on Fire and Building Safety in Bangladesh” was signed by global companies such as Adidas, ESPRIT, Inditex (incl.
    [Show full text]
  • Fashion Colloquium 2018 Revisited
    Issue #00 June 2019 Searching for the New Luxury? Fashion Colloquium 2018 revisited Daniëlle Bruggeman /Jeroen van den Eijnde / Ian King /Catelijne de Muijnck /Kim Poldner / Anneke Smelik /José Teunissen (eds.) APRIA #00 Contents 5 Searching for the New Luxury? Fashion Colloquium 2018 revisited Daniëlle Bruggeman 22 State of Fashion: Searching for the New Luxury José Teunissen 28 Osklen and Sustainability an interview with Oskar Metsavaht Marina Sasseron de Oliveira Cabral 29 The Fashion of Relations from the Reign of Visibility to the Realm of Possibilities Luca Marchetti 37 Post Luxury: Normcore as Node and Prism Charlotte Bik Bandlien 46 Luxurizing Pre-loved Clothes: A Material and Emotional Future of Luxury Nora Veerman 56 Nike Air Pocket: Fashionable Ecology Timotheus Vermeulen 69 Re-imagining Fashion as an Ecosystem of Commons David Bollier APRIA #00 Contents 79 Take Back Fashion! Fashion Held in Common Pascale Gatzen 84 Fashioning Tradition: The Tai Lue Project Alison Welsh 90 Crossovers Food & Fashion and the Impact of Science Louise Fresco 93 Aesthetic Sustainability Kristine H. Harper 103 RES MATERIA Sanne Karssenberg 106 Love songs Fashion, Flirting, and Biosocial Growth Otto von Busch 113 Loved Clothes Last Orsola de Castro 114 IN TOUCH WITH THE NOW Stimulating Mindfulness through a Smart Denim Jacket Pauline van Dongen, Lianne Toussaint 121 What if Our Clothes Were Alive and Photosynthesized? Roya Aghighi 127 The New Bio-ethics of Luxury Tina Gorjanc APRIA #00 Contents 132 Fashion and Activism an interview with Orsola de Castro
    [Show full text]
  • The Fast Fashion Revolt Rage Against Fast Fashion
    Addressing Rage: The Fast Fashion Revolt Lisa J. Hackett Wearing clothing from the past is all the rage now. Different styles and aesthetics of vintage and historical clothing, original or appropriated, are popular with fashion wearers and home sewers. Social media is rich with images of anachronistic clothing and the major pattern companies have a large range of historical sewing patterns available. Butterick McCall, for example, have a Making History range of patterns for sewers of clothing from a range of historical periods up to the 1950s. The 1950s styled fashion is particularly popular with pattern producers. Yet little research exists that explains why anachronistic clothing is all the rage. Drawing on 28 interviews conducted by the author with women who wear/make 1950s styles clothing and a survey of 229 people who wear/make historical clothing, this article outlines four key reasons that help explain the popularity of wearing/making anachronistic clothing: It argues that there exists rage against four ‘fast fashion’ practices: environmental disregard, labour breaches, poor quality, and poor fit. Ethical consumption practices such as home sewing quality clothes that fit, seeks to ameliorate this rage. That much of what is being made is anachronistic speaks to past sewing techniques that were ethical and produced quality fitting garments rather than fashion today that doesn’t fit, is of poor quality, and it unethical in its production. Fig. 1: Craftivist Collective Rage: Protesting Fast Fashion Rage against Fast Fashion Rage against fast fashion is not new. Controversies over Disney and Nike’s use of child labour in the 1990s, the anti-fur campaigns of the 1980s, the widespread condemnation of factory conditions in Bangladesh in the wake of the 2016 Rana Plaza collapse and Tess Holiday’s Eff Your Beauty Standards campaign, are evidence of this.
    [Show full text]