Fashion Futures 2030 Full Scenarios 2
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Indian Textile Industry Happy with GST Rates on Cotton Value Chain, but Disappointed at High Rates on Man-Made Fibres and Yarns P26
Apparel Online India 2 2 Apparel Online India | JUNE 16-30, 2017 | www.apparelresources.com www.apparelresources.com | JUNE 16-30, 2017 | Apparel Online India 3 4 Apparel Online India | JUNE 16-30, 2017 | www.apparelresources.com 4 Apparel Online India www.apparelresources.com | JUNE 16-30, 2017 | Apparel Online India 5 Apparel Online India 5 CONTENT Vol. XX ISSUE 6 JUNE 16-30, 2017 World Wrap 38 Fashion Activism: Voice your opinion; designers join the political debate p12 Fashion Business Tied together with a smile: Focus on Fastenings and Closures for Fall/Winter 2017-18 Sustainability H2F KPR Mills: Phenomenal Diversification: educational initiatives make The survival key for many unfulfilled dreams medium-level exporters come true p16 in Delhi-NCR p30 22 Market Update Challenges apart, Japan has huge scope for Indian exporters FFT Trends Key Silhouettes and Details: Fall/Winter 2017-18 p33 Resource Centre Navis Global keeping pace with global demand; Asian markets account for 75% of business p58 Tex-File Indian textile industry happy with GST rates on cotton value chain, but disappointed at high rates on man-made fibres and yarns p26 6 Apparel Online India | JUNE 16-30, 2017 | www.apparelresources.com E-FIT PROVIDING SUPPLY CHAIN SOLUTIONS DURING PRE-PRODUCTION ACTIVITIES Intertek oers state-of-the-art studio endowed with modern automated technology utilizing the 3-dimensional software for the E-FIT check and fabric consumption calculation. E-FIT uses advance technology to moderate the requirements with minimizing operation cost. Contact -
Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
GREEN AMERICAN GREENAMERICA.ORG the High Cost of Clothes
WINTER 2019 ISSUE 116 LIVE BETTER. SAVE MORE. INVEST WISELY. MAKE A DIFFERENCE. GREEN GREENAMERICA.ORG AMERICAN Unraveling the Fashion Industry It’s easy to ignore the huge influence garments have on workers and the planet. Luckily, activists and businesses are working to make the fashion industry better. If you wear clothes, you can too. ARE THESE TRENDS WORKER- FROM FAST WHAT HAPPENS GREEN OR APPROVED SOCIAL TO FAIR TO UNWANTED GREENWASHED? p. 10 RESPONSIBILITY p. 20 FASHION p. 24 CLOTHES? p. 27 VisionCapital ColorLogo Ad 3/29/06 9:29 PM Page 1 FREE IS YOUR YOUR MONEY VALUES BIG GAP IN BETWEEN? GOOD YOU CAN BRIDGE THE GAP with ▲▲▲▲▲▲ Individualized Portfolios Customized Social Criteria High Positive Social Impact Competitive Financial Returns Personalized Service Fossil Free Portfolios. Low Fixed Fees David Kim, President, a founder of Learn more at socialk.com Working Assets, in SRI since 1983. 1.800.366.8700 www.visioncapitalinvestment.com VISION CAPITAL INVESTMENT MANAGEMENT Socially Responsible Investing Were you born in 1949 or earlier? If you answered yes to that question, and you have a traditional IRA, then there’s a smarter way to give to Green America! You can make a contribution, also known as a Qualified Charitable Distribution (QCD), from your IRA that is 100% tax free, whether or not you itemize deductions on your tax return. Learn more about QCD donations and make a gift that will grow the green economy for the people and the planet. Visit FreeWill.com/qcd/ GreenAmerica to get started. FreeWill is not a law firm and its services are not a substitute for an attorney’s advice. -
Clothing Upcycling in Otago (Ōtākou) and the Problem of Fast Fashion
Clothing Upcycling in Otago (Ōtākou) and the Problem of Fast Fashion Kirsten Michelle Koch A thesis submitted in fulfilment of the requirements for a Master of Arts in Sociology at the University of Otago. Abstract Clothing Upcycling in Otago (Ōtākou) This dissertation employs qualitative inductive research methods to address the ‘problem of global fast fashion’. Currently the global production of garments is 62 million tonnes per annum with the majority of production occurring in the world’s poorest countries with limited human rights and labour and environmental protections. From 1994 to 2018 following the easing of trade protections in Developing countries and internationally, there has been a 400% increase in the tonnage of clothing produced internationally. This figure is only escalating. As the level of global clothing waste grows following global clothing consumption rates, the drive to expand the market is fuelling the production of vast amounts of poor-quality textiles and resultant textile waste. In Developed countries 67% of textile waste is commercially on-sold as second-hand clothing to mostly Developing countries. The need for ever cheaper fashion production processes creates ethical concerns for global garment workers and those who sort and dispose of garment waste. Garment workers are 80% women and often women of colour living in Developing countries with few employment options. Meanwhile, textile practitioners and clothing designers in Westernised countries such as New Zealand, are experiencing heightened job precarity and an increasingly diminished space to exercise creativity, sustainable innovation, and social critique. The research interviews local Otago (Ōtākou) textile practitioners who upcycle clothing within their practice assessing how these localised creative actions connect to the larger global ‘slow fashion’ movement, including the ‘clothing upcycling’ movement. -
What Not to Wear: Policing the Body Through Fashion Criticism
What Not to Wear 1 What Not to Wear: Policing the Body through Fashion Criticism By Kate Rothschild A Major Research Project The Ryerson School of Fashion Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts Supervisor: Dr. Lu Ann Lafrenz Second Reader: Dr. Irene Gammel Ryerson University Toronto, Ontario, Canada April 2018 © Kate Rothschild, 2018 What Not to Wear 2 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A MRP I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. What Not to Wear 3 Acknowledgements The completion of this Major Research Project would not have been possible without the guidance, encouragement, and patience I received from my advisor, Dr. Lu Ann Lafrenz, and my second reader Dr. Irene Gammel, who both went out of their way to help me shape and edit this essay, for which I am most grateful. I also thank the other professors I worked with at Ryerson, notably Jill Andrew whose course on diversity in fashion opened my mind and changed my outlook on clothing and clothing wearers forever. -
"Understanding Second-Hand Retailing: a Resource Based Perspective of Best Practices Leading to Business Success" (2013)
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2013 Understanding second-hand retailing: A resource based perspective of best practices leading to business success Jinhee Han Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Art and Materials Conservation Commons, Business Administration, Management, and Operations Commons, and the Sustainability Commons Recommended Citation Han, Jinhee, "Understanding second-hand retailing: A resource based perspective of best practices leading to business success" (2013). Graduate Theses and Dissertations. 13636. https://lib.dr.iastate.edu/etd/13636 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Understanding second-hand retailing: A resource based perspective of best practices leading to business success by Jinhee Han A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Apparel, Merchandising, and Design Program of Study Committee: Linda S. Niehm, Major Professor Te-Lin Chung Deanne Brocato Iowa State University Ames, Iowa 2013 Copyright Jinhee Han, 2013. All right reserved. ii TABLE OF CONTENTS LIST OF TABLES..…………………………………………………….………………... v LIST OF FIGURES……………………………………………………………………… vi ACKNOWLEDGMENTS……………………………………………………………… vii ABSTRACT……………………………………………………………………………… viii CHAPTER ONE: INTRODUCTION 1.1 Background …………………………………………………….…………… 1 1.2 Significance of Study ……………………………………………………….. 4 1.3 Objective of Study…………………………………………………………… 5 1.4 Definitions of Terms………………………………………………………… 6 CHAPTER TWO: REVIEW OF LITERATURE 2.1 Introduction …………………………………………………….…………… 7 2.2 History of Second-hand Trades …………………………………………….. -
Scale Development of Sustainable Consumption of Clothing Products
sustainability Article Scale Development of Sustainable Consumption of Clothing Products Sunyang Park 1 and Yuri Lee 2,* 1 College of Human Ecology, Seoul National University, Seoul 08826, Korea; [email protected] 2 The Research Institute of Human Ecology, College of Human Ecology, Seoul National University, Seoul 08826, Korea * Correspondence: [email protected]; Tel.: +82-2-880-6843 Abstract: Researchers and companies are paying attention to consumers’ sustainable consumption of clothing products. Clothing industry and fashion consumers have been criticized for a long time due to endless mass production and overconsumption. Despite the efforts of corporations to use sustainability as a marketing tool and an expanding literature exploring consumers’ response to such marketing, the definition of sustainable consumption of clothing products (SCCP) remains unclear. Academic works lack comprehensive discussions regarding SCCP in the perspective of consumers’ awareness and behavior. Furthermore, no widely accepted measurement tool of this concept exists. The validated measurement instrument will eventually help the diagnosing of the mental and behavior status of clothing consumers’ SCCP and further support to establish consumer guidance aimed at resolving sustainability issues related clothing consumption. This study aimed to conceptualize, develop and validate a scale to measure SCCP from the perspective of general clothing consumers. Literature review and interview were used to collect qualitative data for scale item generation. Then, surveys were conducted two times to acquire quantitative data from respondents to purify and validate the scale items. Content analysis, exploratory factor analysis and confirmatory factor analysis using MPlus were used to explore and predict the data. Based on reliability and validity check, the results are apparent that the scale shows good psychometric properties. -
Vintage, the First 40 Years: the Emergence and Persistence of Vintage Style in the United States
Vintage, the First 40 Years: The Emergence and Persistence of Vintage Style in the United States By Nancy L. Fischer Abstract This paper historicizes when wearing vintage clothing first became fashionable in the United States. I trace when the trend emerges in the U.S. and explore various ways the press framed secondhand/vintage clothes and anachronistic dressing. I contend that the emergence of vintage occurs as a form of alternative consumption alongside changes that occurred in the U.S. garment industry such as outsourcing and product licensing. These changes led many consumers to seek more authentic consumption experiences. Consumers with cultural capital found in vintage an alternative market for sourcing fashionable street style. Consumers attribute char- acteristics to vintage clothing that are typically part of authenticity discourse such as it being of exceptional quality, original, handcrafted, made from natural fibers, and providing continuity with the past. The authenticity of vintage is symbolically deployed in opposition to contemporary mass-produced clothing and standardized retail shopping experiences. Keywords: Vintage, vintage clothing, retro, secondhand clothing, authenticity, fashion trends, garment industry Fischer, Nancy L.: “Vintage, the first 40 Years” Culture Unbound, Volume 7, 2015: 45-66. Published by Linköping University Electronic Press: http://www.cultureunbound.ep.liu.se I’m gonna take your grandpa style I’m gonna take your grandpa style. No, for real, ask your grandpa, Can I have his hand-me-downs? - Lyrics, “Thrift Shop” by Macklemore and Ryan Lewis, 2013 Introduction In early 2014, rap duo Macklemore and Ryan Lewis won two Grammys for best rap song and best rap performance for “Thrift Shop,” an exuberant celebration of thrift store culture. -
“Vintage Fashion: an Example of Circular Economy As a Sustainable
LUISS Guido Carli Department of Economics and Finance Chair of Management “Vintage Fashion: An Example of Circular Economy as a sustainable alternative to the Fast Fashion” Candidate Supervisor Ludovica Vanicore Prof. Francesca Vicentini 215591 1 TABLE OF CONTENTS INTRODUCTION 3 Chapter I – Sustainability and the Fashion Industry 1.1 The notion of Sustainability 4 1.2 Environmental, Social and Economic Sustainability 7 1.3 Sustainability Issues in the Fashion Industry 11 1.4 The Importance of Managing Sustainability 16 Chapter II – Circular Fashion and the Reduction of Waste 2.1 Modern Waste Culture and its Strong Presence in the Fashion Industry 19 2.2 The Circular Economy Model and its Benefits: A Solution to the Issue of Waste 22 2.3 Eliminating Waste in Fashion: the introduction of Circular Fashion 27 Chapter III – Vintage Fashion: An Example of Circular Economy as an Alternative Choice to the Fast Fashion 3.1 A New Type of Buyer: The Conscious Consumer 31 3.2 The Rise of the Secondhand Clothing Market 36 3.3 Choosing Vintage over Fast Fashion 43 CONCLUSIONS 49 REFERENCES 51 SITOGRAPHY 54 2 INTRODUCTION The fashion industry has recently been subject to many critics regarding its unethical and unsustainable practices, being labeled as one of the most polluting economies on earth. The world of fashion presents a double-sided nature: on the one hand, it can historically be seen as a driver for innovation and development, on the other, it undoubtedly is a resource- intensive and environmentally destructive economy. The increase in consumers’ awareness towards ethical issues has generated a demand for a more sustainable and conscious approach. -
It's Vintage Darling!
The Journal of The Textile Institute ISSN: 0040-5000 (Print) 1754-2340 (Online) Journal homepage: http://www.tandfonline.com/loi/tjti20 It’s Vintage Darling! An exploration of vintage fashion retailing Julie McColl , Catherine Canning , Louise McBride , Karina Nobbs & Linda Shearer To cite this article: Julie McColl , Catherine Canning , Louise McBride , Karina Nobbs & Linda Shearer (2013) It’s Vintage Darling! An exploration of vintage fashion retailing, The Journal of The Textile Institute, 104:2, 140-150, DOI: 10.1080/00405000.2012.702882 To link to this article: http://dx.doi.org/10.1080/00405000.2012.702882 Published online: 09 Jul 2012. Submit your article to this journal Article views: 1505 View related articles Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=tjti20 Download by: [193.62.251.59] Date: 23 November 2015, At: 12:01 The Journal of The Textile Institute, 2013 Vol. 104, No. 2, 140–150, http://dx.doi.org/10.1080/00405000.2012.702882 It’s Vintage Darling! An exploration of vintage fashion retailing Julie McColl*, Catherine Canning, Louise McBride, Karina Nobbs and Linda Shearer Department of Fashion, Marketing and Retailing, Glasgow Caledonian University, Glasgow, UK (Received 18 April 2011; final version received 11 June 2012) Purpose: This is an exploratory study which defines vintage fashion, considers the vintage fashion consumer and evaluates the positioning of the vintage retail store from the perspective of the store proprietor/manager. Design/ methodological approach: The research involved 15 in-depth interviews with vintage fashion retailers. -
From #Boycottfashion to #Lovedclotheslast
From #BoycottFashion To #LovedClothesLast Understanding the Impact of the Sustainable Activist Consumer and How Activist Movements are Shaping a Circular Fashion Industry Hilary Jade Ip Final Fashion Management Project sustainable noun able to be maintained at a certain rate or level activist noun a person who campaigns to bring about political or social change consumer noun a person who purchases goods and services for personal use. FINAL FASHION MANAGEMENT PROJECT WORD COUNT: 7050 STUDENT ID: 29483816 This report has been printed on 100% recycled paper CONTENTS 7 EXECUTIVE SUMMARY 8 INTRODUCTION 10 METHODOLOGY 12 CHAPTER 1: FASHION ACTIVISM 25 CHAPTER 2: THE ACTIVIST CONSUMER 32 CHAPTER 3: THE CURRENT INDUSTRY RESPONSE 44 CHAPTER 4: THE CIRCULAR ECONOMY 50 CHAPTER 5: RECOMMENDATION 58 CHAPTER 6: POST COVID-19 64 CONCLUSION 67 APPENDIX 76 BIBLIOGRAPHY 5 EXECUTIVE SUMMARY This report provides an investigative analysis of the ‘sustainable’ activist consumer and how activist movements have pushed the fashion industry towards a more circular future. Chapter 1 of the report analyses the fashion activism and its current forms in the digital age. It examines the impact of activist movements focusing on disrupting fashion consumption. Chapter 2 of the report dissects the Generation Z (Gen Z) activist consumer. Gen Z stands to become one of the most influential consumer “The Fashion Industry is groups and is leading the current industry shift. Chapter 3 of the report explores the response of fashion industry, examining notable examples from across the fashion hierarchy and the Broken” potential issues with their strategies. - Chapter 4 of the report introduces the Circular Economy model, a radical Clare Farrell, change option for brands to improve their Corporate Social Responsibility that is not the Triple Bottom Line. -
The Commodification of Ethical Clothing
Columbia College Chicago Digital Commons @ Columbia College Chicago Cultural Studies Capstone Papers Thesis & Capstone Collection 4-29-2019 Unraveling Ethos: the Commodification of Ethical Clothing Oliva Hanson Follow this and additional works at: https://digitalcommons.colum.edu/cultural_studies Part of the American Material Culture Commons, American Popular Culture Commons, Cultural History Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Languages, Societies, and Cultures Commons, Race, Ethnicity and Post-Colonial Studies Commons, Television Commons, and the Women's Studies Commons This work is licensed under a Creative Commons Attribution-No Derivative Works 4.0 License. Unraveling Ethos: the Commodification of Ethical Clothing by Olivia Hanson Jaafar Aksikas 21 April 2019 Abstract: In the last decade there has been a noticeable attempt to subvert traditional modes of clothing production. The recent emergence of “ethical consumption” in the fashion industry is a case in point. This project argues that these new formations and practices around ethical consumption are mere appropriations of anti-corporate politics and sentiments for consumers in the West. Signification of ethical consumption through language and cultural capital give more value to individual articles of clothing and branded entities. This reformation of the clothing industry towards an ethical attitude is a rebranding tactic that avoids the source-issue altogether. Through advertising and normalization of globalized labor, it is not the part of the consumer to take responsibility for the harms the fashion industry perpetuates. It is the system itself by which clothing is produced that need to be changed, not brands added. The fashion industry needs less and better, not more.