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Indian Textile Industry Happy with GST Rates on Cotton Value Chain, but Disappointed at High Rates on Man-Made Fibres and Yarns P26
Apparel Online India 2 2 Apparel Online India | JUNE 16-30, 2017 | www.apparelresources.com www.apparelresources.com | JUNE 16-30, 2017 | Apparel Online India 3 4 Apparel Online India | JUNE 16-30, 2017 | www.apparelresources.com 4 Apparel Online India www.apparelresources.com | JUNE 16-30, 2017 | Apparel Online India 5 Apparel Online India 5 CONTENT Vol. XX ISSUE 6 JUNE 16-30, 2017 World Wrap 38 Fashion Activism: Voice your opinion; designers join the political debate p12 Fashion Business Tied together with a smile: Focus on Fastenings and Closures for Fall/Winter 2017-18 Sustainability H2F KPR Mills: Phenomenal Diversification: educational initiatives make The survival key for many unfulfilled dreams medium-level exporters come true p16 in Delhi-NCR p30 22 Market Update Challenges apart, Japan has huge scope for Indian exporters FFT Trends Key Silhouettes and Details: Fall/Winter 2017-18 p33 Resource Centre Navis Global keeping pace with global demand; Asian markets account for 75% of business p58 Tex-File Indian textile industry happy with GST rates on cotton value chain, but disappointed at high rates on man-made fibres and yarns p26 6 Apparel Online India | JUNE 16-30, 2017 | www.apparelresources.com E-FIT PROVIDING SUPPLY CHAIN SOLUTIONS DURING PRE-PRODUCTION ACTIVITIES Intertek oers state-of-the-art studio endowed with modern automated technology utilizing the 3-dimensional software for the E-FIT check and fabric consumption calculation. E-FIT uses advance technology to moderate the requirements with minimizing operation cost. Contact -
BEYOND SUSTAINABILITY THROUGH REGENERATIVE ARCHITECTURE Regenerative Urban Landscapes
BEYOND SUSTAINABILITY THROUGH REGENERATIVE ARCHITECTURE Regenerative Urban Landscapes SAM NEMATI Thesis Report Master of Fine Arts in Architecture and Urban Design Year 5 Studio 12 Tutors: Alejandro Haiek, Carl-Johan Vesterlund, Andrew Bellfild, Tom Dobson Spring 2020 Umeå School of Architecture Umeå University 4640 Words Sam Nemati Thesis Report Spring 2020 Contents Table of Figures ............................................................................................................................................ 2 Abstract ........................................................................................................................................................ 3 Introduction .................................................................................................................................................. 4 Methodology ................................................................................................................................................ 5 CHAPTER 1: Beyond sustainability through regenerative architecture ..................................................... 6 1. Climate Change and Regenerative Architecture ................................................................................... 6 2. Regenerative Architecture in Practice .................................................................................................. 7 2.1. Case Study: Playa Viva, Mexico (2009) .............................................................................................. 8 3. Regenerative -
Swagger Like Us: Black Millennials' Perceptions of 1990S Urban Brands
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2018 Swagger like us: Black millennials’ perceptions of 1990s urban brands Courtney Danielle Johnson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the American Material Culture Commons, and the Fashion Design Commons Recommended Citation Johnson, Courtney Danielle, "Swagger like us: Black millennials’ perceptions of 1990s urban brands" (2018). Graduate Theses and Dissertations. 16600. https://lib.dr.iastate.edu/etd/16600 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Swagger like us: Black millennials’ perceptions of 1990s urban brands by Courtney Danielle Johnson A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Apparel, Merchandising and Design Program of study committee: Eulanda A. Sanders, Co-major Professor Kelly L. Reddy-Best, Co-major Professor Tera Jordan The student author, whose presentation of the scholarship herein was approved by the program of study committee, is solely responsible for the content of this thesis. The Graduate College will ensure this thesis is globally accessible and will not permit alterations after a degree is conferred. Iowa State University Ames, Iowa 2018 Copyright © Courtney Danielle Johnson, 2018. All rights reserved. ii DEDICATION This thesis is dedicated to Black folks. -
Putting Regenerative Development Into Action: Understanding the Decision Making Process of a 680 Hectare Regenerative Project
World Sustainable Built Environment Conference 2017 Hong Kong Track 10: Place-making & Community Empowerment Putting Regenerative Development into Action: Understanding the Decision Making Process of a 680 Hectare Regenerative Project Dominique HESa, André STEPHANb, Sareh MOOSAVIc a The University of Melbourne, Australia, [email protected] b The University of Melbourne, Australia, [email protected] c The University of Melbourne, Australia, [email protected] ABSTRACT The built environment is responsible for significant environmental impacts. It is therefore a central research area to balance ecological and built systems and allow them both to thrive. While the majority of previous and existing attempts have targeted minimising environmental impacts, regenerative development goes beyond reduction and aims to restore and support environmental, social and economic flows. Yet, very few projects to date have been able to demonstrate a regenerative outcome. This is because few consulting firms currently offer regenerative design thinking, which is in turn linked to a lack of understanding of processes that support decision making in regenerative development projects. This paper uses a 680 hectares regenerative development project in Gippsland, South East Australia as a case study to investigate how implementing a regenerative development approach from the onset affects the decision-making process. A series of workshops were facilitated by the authors with the local community, indigenous elders, design experts, academics, scientists, government and industry partners and other stakeholders. An online survey consisting of 10 questions was sent to the 40 actors involved and 28 responses were collected (N = 28 and a response rate of 70%). This study provides a contribution to the understanding of both the processes that can support the implementation of innovative regenerative concepts in the built environment and their benefits. -
Connecting the Regenerative Food System to Mission-Aligned Services and Sources of Capital
Connecting the regenerative food system to mission-aligned services and sources of capital. 2020 DIRECTORY MID-YEAR UPDATE INDEX Consulting & Services Investment & Financial Services Agroforestry Management LLC . 16 Agro Fund One, Limited . 6 Caspian Farming . 16 Ecosystem Services Market Consortium . 10 Common Threads Consulting . 16 Foodshed Capital . 10 Dalberg Advisors . 16 Grounded Capital Partners . 10 Danielle “Dani” Kusner, CCA . 16 Impact Ag Partners . 7 Edible-Alpha . 16 Iroquois Valley Farmland REIT . 10 Farm Forward . 17 Malaika Maphalala - Natural Food System 6 (FS6) . 17 Investments, LLC . 10 Glynwood Center for Regional Organic & Regenerative Investment Food & Farming . 14 Cooperative (ORICOOP) . 2, 3 Grounded Growth, LLC . 17 Paine Schwartz Partners . 4, 5 Guidelight Strategies . 17 Provenance Capital Group (PCG) . 10 Mercaris . 15 SLM Partners . 8 Propagate Ventures . 17 Transformation LLC . 9 Regenerative Design Group . 18 ValuesAligned Capital . 11 Regenerative Poultry Systems . 12, 13 Regenerative Resources Company . 18 Investors, Foundations & Regen Network . 18 Funders Terra Genesis Internationa . 18 Argosy Foundation . 27 Vayda . 18 World Tree . 18 Real Estate Nature Towns . 27 Farm Inputs & Technology AgLaunch . 24 Research/Education/Advocacy Ag Solutions Network, Inc . 24 Acres U .S .A . 30 Biome Makers . 24 Biodynamic Association . 34 Cargill . 24 Croatan Institute . 34 Haystack Ag . 21 E2, Environmental Entrepreneurs . 34 Marrone Bio Innovations . 19, 20 Great Plains Regeneration . 34 Primary BioAg Innovations & Global Regenerative Food Systems Investment . 31 BioAg Linkages . 24 Regenerative Rising . 34 Soil Works LLC . 22 Rodale Institute . 32 Sound Agriculture . 23 Soil Health Institute . 28, 29 The Redmelon Company . 24 The Land Institute . 33 White Buffalo Land Trust . 34 Farms & Ranches Ciasnocha Family Farms . -
Unlocking the Reuse Revolution for Fashion: a Canadian Case Study
Unlocking the Reuse Revolution for Fashion: A Canadian Case Study by Laura Robbins Submitted to OCAD University in partial fulfillment of the requirements for the degree of Master of Design in Strategic Foresight & Innovation Toronto, Ontario, Canada, 2019 Copyright Notice This document is licensed under the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International (CC BY-NC-SA 4.0). https://creativecommons.org/licenses/by-nc- sa/4.0/ You are free to: • Share — copy and redistribute the material in any medium or format • Adapt — remix, transform, and build upon the material Under the following conditions: • Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. • NonCommercial — You may not use the material for commercial purposes. • ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. ii ABSTRACT This research aims to explore the potential of clothing reuse as a stepping stone towards a more circular economy for fashion. A systems approach to problem finding, framing, and solving is applied to explore how we might increase fashion reuse behaviours amongst consumers and industry alike. This research includes an analysis of the key barriers that prevent higher rates of participation in fashion reuse despite the potential economic, environmental, and social benefits of doing so (Part 2), and identifies areas of opportunity to focus innovation (Part 3). Research methodology included more than 30 one-on-one consumer interviews, 20 interviews with industry professionals along the fashion value chain, and an extensive environmental scan with a particular focus on the Canadian market. -
Final Thesis
AN EXAMINATION OF INDIVIDUAL DIFFERENCES IN ITALIAN AND AMERICAN FASHION CULTURES: PAST, PRESENT, AND PROJECTIONS FOR THE FUTURE BY: MARY LOUISE HOTZE TC 660H PLAN II HONORS PROGRAM THE UNIVERSITY OF TEXAS AT AUSTIN MAY 10, 2018 ______________________________ JESSICA CIARLA DEPARTMENT OF TEXTILES AND APPAREL SUPERVISING PROFESSOR ______________________________ ANTONELLA DEL FATTORE-OLSON DEPARTMENT OF FRENCH AND ITALIAN SECOND READER TABLE OF CONTENTS Abstract…………………………………………….…………………………………………….…………………………………… 3 Acknowledgements………………………………………….…………………………………………….…………..……….. 4 Introduction………………………………………….…………………………………………….…………………….…….…. 5 Part 1: History of Italian Fashion……...……...……..……...……...……...……...……...……...……...... 9 – 47 AnCiEnt Rome and thE HoLy Roman EmpirE…………………………………………………….……….…... 9 ThE MiddLE AgEs………………………………………….……………………………………………………….…….. 17 ThE REnaissanCE……………………………………….……………………………………………………………...… 24 NeoCLassism to RomantiCism……………………………………….…………………………………….……….. 32 FasCist to REpubLiCan Italy……………………………………….…………………………………….……………. 37 Part 2: History of American Fashion…………………………………………….……………………………… 48 – 76 ThE ColoniaL PEriod……………………………………….……………………………………………………………. 48 ThE IndustriaL PEriod……………………………………….……………………………………………………….…. 52 ThE CiviL War and Post-War PEriod……………………………………….……………………………………. 58 ThE EarLy 20th Century……………………………………….………………………………………………….……. 63 ThE Mid 20th Century……………………………………….…………………………………………………………. 67 ThE LatE 20th Century……………………………………….………………………………………………………… 72 Part 3: Discussion of Individual -
Urban Representation in Fashion Magazines
Chair of Urban Studies and Social Research Faculty of Architecture and Urbanism Bauhaus-University Weimar Fashion in the City and The City in Fashion: Urban Representation in Fashion Magazines Doctoral dissertation presented in fulfillment of the requirement for the degree of Doctor philosophiae (Dr. phil.) Maria Skivko 10.03.1986 Supervising committee: First Supervisor: Prof. Dr. Frank Eckardt, Bauhaus-University, Weimar Second Supervisor: Prof. Dr. Stephan Sonnenburg, Karlshochschule International University, Karlsruhe Thesis Defence: 22.01.2018 Contents Acknowledgements ................................................................................................................................. 5 Thesis Introduction .................................................................................................................................. 6 Part I. Conceptual Approach for Studying Fashion and City: Theoretical Framework ........................ 16 Chapter 1. Fashion in the city ................................................................................................................ 16 Introduction ....................................................................................................................................... 16 1.1. Fashion concepts in the perspective ........................................................................................... 18 1.1.1. Imitation and differentiation ................................................................................................ 18 1.1.2. Identity -
The Fashion Industry As a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention
THE FASHION INDUSTRY AS A SLIPPERY DISCURSIVE SITE: TRACING THE LINES OF FLIGHT BETWEEN PROBLEM AND INTERVENTION Nadia K. Dawisha A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication in the College of Arts and Sciences. Chapel Hill 2016 Approved by: Patricia Parker Sarah Dempsey Steve May Michael Palm Neringa Klumbyte © 2016 Nadia K. Dawisha ALL RIGHTS RESERVED ii ABSTRACT Nadia K. Dawisha: The Fashion Industry as a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention (Under the direction of Dr. Patricia Parker) At the intersection of the glamorous façade of designer runway shows, such as those in Paris, Milan and New York, and the cheap prices at the local Walmart and Target, is the complicated, somewhat insidious “business” of the fashion industry. It is complicated because it both exploits and empowers, sometimes through the very same practices; it is insidious because its most exploitative practices are often hidden, reproduced, and sustained through a consumer culture in which we are all in some ways complicit. Since fashion’s inception, people and institutions have employed a myriad of discursive strategies to ignore and even justify their complicity in exploitative labor, environmental degradation, and neo-colonial practices. This dissertation identifies and analyzes five predicaments of fashion while locating the multiple interventions that engage various discursive spaces in the fashion industry. Ultimately, the analysis of discursive strategies by creatives, workers, organizers, and bloggers reveals the existence of agile interventions that are as nuanced as the problem, and that can engage with disciplinary power in all these complicated places. -
Innovating a 90'S Streetwear Brand for Today's Fashion Industry
FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY A Thesis submitted to the FAculty of the Graduate School of Arts and Sciences of Georgetown University in partiAl fulfillment of the requirements for the degree of MAsters of Arts in CommunicAtion, Culture And Technology By Dominique HAywood, B.S WAshington, DC May 26, 2020 Copyright 2020 by Dominique HAywood All Rights Reserved ii FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY Dominique HAywood, BS Thesis Advisor: J.R. Osborn, Ph.D ABSTRACT This thesis is a cAse study of how a vintAge fashion brand cAn be innovated through humAn centered design for the current fashion industry. IDEO, global design and innovation company, has clAssified humAn centered design as A method for identifying viAble, feAsible and desirable solutions with the integration of multidisciplinary insights (IDEO). For this thesis, the brand of focus is FUBU, for us by us, a 90’s era streetweAr brand that is a product of New York City hip-hop culture. A succinct proposAl for FUBU’s resurgence in the fashion industry will be designed by first identifying the viAbility of the fashion industry and feAsibility of the brand’s revival. ViAbility will be determined by detAiling the current stAte of the fashion and streetweAr industries. This is to estAblish the opportunities and threAts of new and returning entrants into the industry. FeAsibility will be declAred by reseArching the history and current stAte of the brand, its cultural relevancy, and its strengths and weAknesses. -
It's Time for a Fashion Revolution White Paper
THE STATE OF THE INDUSTRY A IT’S TIME FOR A FASHION REVOLUTION WHITE PAPER DECEMBER 2015 FASHION REVOLUTION | IT’S TIME FOR A FASHION REVOLUTION 1 CREDITS CONTENTS Written by Sarah Ditty with special thanks 02 EXECUTIVE SUMMARY for words from Lucy Siegle and research support from Emilie Schultz and 04 WHY DO WE NEED A fashion REvolution? Carry Somers. Acknowledgements: Thanks to Maher Anjum, Sass Brown, 06 MoDEL: THE BUSINESS OF fashion Becky Earley and Mo Tomaney for their invaluable input and feedback. 08 MatERIAL: PEOPLE AND PLANET Designed by Heather Knight 16 MinDSET: SHIFTING THE waY WE THINK ABOUT fashion www.fashionrevolution.org 18 WE ARE THE Fashion REvolution The content of this publication can in no way 20 WHO MADE MY ClothES? THE FOCUS THROUGH 2020 be taken to reflect the views of the European Union, Concord Alliance, C&A Foundation or 21 OUR THEORY OF CHANGE any of the funders of Fashion Revolution. 22 What Fashion REvolution DOES © Fashion Revolution CIC 2015. 24 What MAKES Fashion REvolution UNIQUE All rights reserved. This document is not to be copied or adapted without permission 25 AREas FOR FURTHER RESEARCH & THOUGHT from Fashion Revolution CIC. 26 FINAL woRDS... 27 APPENDIX 28 REFERENCES FASHION REVOLUTION | IT’S TIME FOR A FASHION REVOLUTION 2 EXECUTIVE SUMMARY 3 EXECUTIVE SUMMARY In the two years since this tragedy, tens of thousands of people have taken to social media, to the streets, to their It has been more schools and to halls of government to uncover the stories behind the things we wear. -
GREEN AMERICAN GREENAMERICA.ORG the High Cost of Clothes
WINTER 2019 ISSUE 116 LIVE BETTER. SAVE MORE. INVEST WISELY. MAKE A DIFFERENCE. GREEN GREENAMERICA.ORG AMERICAN Unraveling the Fashion Industry It’s easy to ignore the huge influence garments have on workers and the planet. Luckily, activists and businesses are working to make the fashion industry better. If you wear clothes, you can too. ARE THESE TRENDS WORKER- FROM FAST WHAT HAPPENS GREEN OR APPROVED SOCIAL TO FAIR TO UNWANTED GREENWASHED? p. 10 RESPONSIBILITY p. 20 FASHION p. 24 CLOTHES? p. 27 VisionCapital ColorLogo Ad 3/29/06 9:29 PM Page 1 FREE IS YOUR YOUR MONEY VALUES BIG GAP IN BETWEEN? GOOD YOU CAN BRIDGE THE GAP with ▲▲▲▲▲▲ Individualized Portfolios Customized Social Criteria High Positive Social Impact Competitive Financial Returns Personalized Service Fossil Free Portfolios. Low Fixed Fees David Kim, President, a founder of Learn more at socialk.com Working Assets, in SRI since 1983. 1.800.366.8700 www.visioncapitalinvestment.com VISION CAPITAL INVESTMENT MANAGEMENT Socially Responsible Investing Were you born in 1949 or earlier? If you answered yes to that question, and you have a traditional IRA, then there’s a smarter way to give to Green America! You can make a contribution, also known as a Qualified Charitable Distribution (QCD), from your IRA that is 100% tax free, whether or not you itemize deductions on your tax return. Learn more about QCD donations and make a gift that will grow the green economy for the people and the planet. Visit FreeWill.com/qcd/ GreenAmerica to get started. FreeWill is not a law firm and its services are not a substitute for an attorney’s advice.