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Locally Owned and Operated
Locally Owned and Operated Vol. 19 - Issue 9 • Sept. 11, 2019 - Oct. 9, 2019 INSIDE: WINERY GUIDE 17th Annual Rib Burn Off 20th – 22nd Ohio Celtic Festival 20th – 22nd 56th Annual Grape Jamboree 28th & 29th Tour - Tribute to Beatles White Album Est. 2000 Movie Reviews FREE! Entertainment, Dining & Leisure Connection Read online at www.northcoastvoice.com North Coast Voice OLD FIREHOUSE 5499 Lake RoadWINERY East • Geneva-on-the Lake, Ohio Restaurant & Tasting Room Open 7 Days Sun. through Thur. Noon - 9 PM Fri. & Sat. Noon to MIDNIGHT Tasting Rooms Entertainment Live Music Weekends! all weekend. (see ad on pg. 7) See inside back cover for listing. FOR ENTERTAINMENT AND Hours: 1-800-Uncork-1 EVENTS, SEE OUR AD ON PG. 7 Monday Closed Hours: Tues thru Thurs noon to 7 pm, Mon. 12-4 • Tues. Closed Fri and Sat noon to 11 pm, Wed. 12-7 • Thurs. 12-8 Sunday noon to 7 pm Fri. 12-9 • Sat. 12-10 • Sun. 12-5 834 South County Line Road 6451 N. RIVER RD., HARPERSIELD, OHIO 4573 Rt. 307 East, Harpersfield, Oh Harpersfield, Ohio 44041 WED. & THURS, 12 - 7, FRI. 12-9 440.415.0661 440.361.3049 SAT. 12- 9, SUN. 12-6 www.laurellovineyards.com www.bennyvinourbanwinery.com WWW.HUNDLEY CELLARS.COM [email protected] [email protected] If you’re in the mood for a palate pleasing wine tasting accompanied by a delectable entree from our restaurant, Ferrante Winery and Ristorante is the place for you! Entertainment every weekend Hours see ad on pg. 6 Stop and try our New Menu! Tasting Room: Mon. -
A Unique One-Off Evening with BUZZCOCKS, the SKIDS & PENETRATION at the Royal Albert Hall
May 28, 2019 01:21 BST A Unique One-Off Evening with BUZZCOCKS, THE SKIDS & PENETRATION at the Royal Albert Hall Buzzcockscan confirm their performance on Friday 21 June 2019 at the Royal Albert Hall. After the tragic death of their frontman and founder member Pete Shelley, the remaining members felt that the evening should become a tribute to Pete and a celebration of his life. They will be performing with some special guest vocalists including Dave Vanian and Captain Sensible (The Damned), Peter Perrett (Only Ones), Thurston Moore (Sonic Youth), Tim Burgess (The Charlatans), Pauline Murray (Penetration), Richard Jobson (The Skids), original Buzzcocks Steve Garvey and John Maher and compere for the evening Paul Morley, with more guests to be announced soon. This will be first time that the Royal Albert Hall have hosted an evening of music featuring a three-band bill of some of the premier artists from the 1970’s punk and new wave scene. Buzzcocks. Formed in Manchester in February 1976 having witnessed the Sex Pistols play, they became the first British punk band to form their own label. They released their debut Spiral Scratch EP on New Hormones later that year. A few months later they signed to United Artists becoming one of the punk and new wave scene’s most enduring and successful bands enjoying consistent chart success with hits such as ‘Ever Fallen In Love (With Someone You Shouldn’t’ve)’, ‘What Do I Get?’ and ‘Promises’. They have toured with Nirvana and Pearl Jam, had a BBC TV show, Never Mind The Buzzcocks named after them. -
Recent Publications in Music 2012
1 of 149 RECENT PUBLICATIONS IN MUSIC 2012 Compiled and edited by Geraldine E. Ostrove and David Sommerfield This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared in 2011. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in conjuction with Fontes artis musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the compilers welcome inquiries from bibliographers in countries not presently represented. CONTRIBUTORS. Argentina: Estela Escalada Japan: SEKINE Toshiko Australia: Julia Mitford Kenya: Santie De Jongh Austria: Thomas Leibnitz Malawi: Santie De Jongh Belgium: Johan Eeckeloo Mexico: Daniel Villanueva Rivas, María Del China: Katie Lai Consuelo García Martínez Croatia: Žeiljka Radovinović The Netherlands: Joost van Gemert Denmark: Anne Ørbæk Jensen New Zealand: Marilyn Portman Estonia: Katre Rissalu Nigeria: Santie De Jongh Finland: Tuomas Tyyri Russia: Lyudmila Dedyukina France: Élisabeth Missaoui Serbia: Radmila Milinković Germany: Susanne Hein South Africa: Santie De Jongh Ghana: Santie De Jongh Spain: José Ignacio Cano, Maria José Greece: Alexandros Charkiolakis González Ribot Greenland: Anne Ørbæk Jensen Taiwan: Katie Lai Hong Kong: Katie Lai Turkey: Senem Acar, Paul Alister Whitehead Hungary: SZEPESI Zsuzsanna Uganda: Santie De Jongh Iceland: Bryndis Vilbergsdóttir United Kingdom: Rupert Ridgewell Ireland: Roy Stanley United States: Karen Little, Lindsay Hansen Italy: Federica Biancheri Uruguay: Estela Escalada With thanks for assistance with translations and transcriptions to Kersti Blumenthal, Ana Cristán, Paul Frank, Irina Kirchik, Everette Larson, Miroslava Nezar, Joan Weeks, and Thompson A. -
Psaudio Copper
Issue 69 OCTOBER 8TH, 2018 Welcome to Copper #69! The aspens are starting to turn yellow here in Colorado, and Rocky Mountain Audio Fest takes place October 5-7. Depending upon the machinations of publishing, it will either be forthcoming, in progress, or have already occurred. At any rate, I'm sure it will be/is/was a great show, once again! Getting into this issue, Larry Schenbeck asks the musical question, "Why Do You Think They Call it Classical?"; Dan Schwartz is still recovering, so we’ll revisit his memorial of Paul Kantner; Richard Murison remembers friends lost along the way; Jay Jay French remembers the birth of the Beatles phenomenon ; Roy Hall remembers his school days; Anne E. Johnson brings us obscure cuts from all the incarnations of Fleetwood Mac; Christian James Hand deconstructs the anthemic MTV hit, "In A Big Country"; and I write about the difference between humility and hubris. Industry News looks at the latest drama from Sears; and our friend Rich Maez brings us the first part of a feature on the glories of the Monterey Auto Week. Copper #69 concludes with Charles Rodrigues giving new meaning to the term GUI, and a Parting Shot that continues our automotive theme. Woody Woodward is still on sabbatical, and we're looking forward to his return. We wish Dan Schwartz a rapid recovery. Copper #70 will continue our Vintage Whine series on phono playback with part 5, we'll continue Rich's piece on Monterey, and we'll have a feature on RMAF. Thanks for reading, and I'll see you at the show! ...or, I'm glad to see you/it was good to see you, as the case may be! Cheers, Leebs. -
Transcript of Interview with Bruce Watson of Big Country, Originally
Transcript of interview with Bruce Watson of Big Country, originally broadcast on Kaleidoscope Ears, Edge Radio 99.3 in Hobart, Tasmania, on Sunday 20th September 2009. DWAYNE BUNNEY: It’s a privilege to have on the line from Dunfermline in Scotland, founding member and guitarist of Big Country, Bruce Watson. Thanks for joining us. BRUCE WATSON: That’s no problem Dwayne, how are you? DB: Yeah very well. Now we’re going to talk about the new music you and your son Jamie are making in a moment, but, I want to talk to you about Big Country. BW: Yeah that’s not a problem. DB: The band, it’s renowned for being a Scottish band, but no of you were born in Scotland were you? BW: No I was born in Timmins, Ontario in Canada. Stuart was born in Manchester, England, and Tony and Mark, well they were also born in England. DB: Well you certainly don’t sound Canadian I can tell you that. BW: No definitely not. I lost that accent a long, long time ago. DB: Tell us about how you first hooked up with Stuart Adamson to form Big Country. BW: Well Stuart was in a band called The Skids as you probably know. He decided after about three and a half years that he wanted to do something different. And he’d also told me while he was in The Skids that he wanted to start a two guitar band and that at some point he’d give me a call in the future. -
Drawing a Distinction Between Bootleg and Counterfeit Recordings and Implementing a Market Solution Towards Combating Music Piracy in Europe Clifford A
Penn State International Law Review Volume 17 Article 5 Number 2 Dickinson Journal of International Law 1-1-1999 Drawing a Distinction Between Bootleg and Counterfeit Recordings and Implementing a Market Solution Towards Combating Music Piracy in Europe Clifford A. Congo Follow this and additional works at: http://elibrary.law.psu.edu/psilr Part of the Comparative and Foreign Law Commons, Criminal Law Commons, and the Intellectual Property Law Commons Recommended Citation Congo, Clifford A. (1999) "Drawing a Distinction Between Bootleg and Counterfeit Recordings and Implementing a Market Solution Towards Combating Music Piracy in Europe," Penn State International Law Review: Vol. 17: No. 2, Article 5. Available at: http://elibrary.law.psu.edu/psilr/vol17/iss2/5 This Comment is brought to you for free and open access by Penn State Law eLibrary. It has been accepted for inclusion in Penn State International Law Review by an authorized administrator of Penn State Law eLibrary. For more information, please contact [email protected]. Drawing a Distinction Between Bootleg and Counterfeit Recordings and Implementing a Market Solution Towards Combating Music Piracy in Europe* "Piracy of sound recordings is the single biggest threat to the economic and cultural health of the music industry in Eu- rope. "-International Federation of the Phonographic Industry (hereinafter "IFPI") spokesman, Adrian Strain "I want [music pirates] to think about jail sentences, confisca- tion of assets and of expensive and lengthy litigation."-IFPI head of enforcement, lain Grant.2 I. Introduction Europe is home to the world's largest retail market for music recordings.3 Europe has displaced the United States as the world's major music market in the last ten years.' With 13.4 billion U.S. -
FNEEDED Stroke 9 SA,Sam Adams Scars on 45 SA,Sholem Aleichem Scene 23 SA,Sparky Anderson Sixx:A.M
MEN WOMEN 1. SA Steven Adler=American rock musician=33,099=89 Sunrise Adams=Pornographic actress=37,445=226 Scott Adkins=British actor and martial Sasha Alexander=Actress=198,312=33 artist=16,924=161 Summer Altice=Fashion model and actress=35,458=239 Shahid Afridi=Cricketer=251,431=6 Susie Amy=British, Actress=38,891=220 Sergio Aguero=An Argentine professional Sue Ane+Langdon=Actress=97,053=74 association football player=25,463=108 Shiri Appleby=Actress=89,641=85 Saif Ali=Actor=17,983=153 Samaire Armstrong=American, Actress=33,728=249 Stephen Amell=Canadian, Actor=21,478=122 Sedef Avci=Turkish, Actress=75,051=113 Steven Anthony=Actor=9,368=254 …………… Steve Antin=American, Actor=7,820=292 Sunrise Avenue Shawn Ashmore=Canadian, Actor=20,767=128 Soul Asylum Skylar Astin=American, Actor=23,534=113 Sonata Arctica Steve Austin+Khan=American, Say Anything Wrestling=17,660=154 Sunshine Anderson Sean Avery=Canadian ice hockey Skunk Anansie player=21,937=118 Sammy Adams Saving Abel FNEEDED Stroke 9 SA,Sam Adams Scars On 45 SA,Sholem Aleichem Scene 23 SA,Sparky Anderson Sixx:a.m. SA,Spiro Agnew Sani ,Abacha ,Head of State ,Dictator of Nigeria, 1993-98 SA,Sri Aurobindo Shinzo ,Abe ,Head of State ,Prime Minister of Japan, 2006- SA,Steve Allen 07 SA,Steve Austin Sid ,Abel ,Hockey ,Detroit Red Wings, NHL Hall of Famer SA,Stone Cold Steve Austin Spencer ,Abraham ,Politician ,US Secretary of Energy, SA,Susan Anton 2001-05 SA,Susan B. Anthony Sharon ,Acker ,Actor ,Point Blank Sam ,Adams ,Politician ,Mayor of Portland Samuel ,Adams ,Politician ,Brewer led -
Big Country Book of Lyrics Was Originally Offered Online As a PDF File on a Web Site That Later Grew Into the Current Steeltown Site
D e s i g n e d b y R o b e r t O l i v e r Introduction Project History The Big Country Book of Lyrics was originally offered online as a PDF file on a web site that later grew into the current Steeltown site. Since I had not been pleased with the formatting restrictions of HTML, I had decided to create a file in Adobe PageMaker and then convert it into a PDF (Portable Document Format) file. This format allows complete control over layout and typography, but can result in very large files. Although PDF files are relatively small compared to their original documents (all of the original PageMaker files for this book total over 18 megabytes), a project as large and comprehensive as the Big Country Book of Lyrics results in an appropriately hefty PDF file. Even though I have since converted all lyrics to HTML and incorporated them into the Steeltown web site, the PDF version is still a handy and useful resource, especially when printed and bound for reference. As ubiquitous as the world wide web has become, a printed version of the Book of Lyrics is easier on the eyes, quicker to thumb through, and does not require an internet connection. Document Navigation The following methods are available for finding your way around the Big Country Book of Lyrics while using the Adobe Acrobat Reader: 1. Scan down the bookmark list on the left and click on the item of interest. 2. Use the keyboard arrow keys or the PAGE UP and PAGE DOWN keys depending on which version of the Acrobat Reader you are using. -
Parking Spaces to Be Built at Mich. St. Campus I°1'* Po*
300 more “E” parking spaces to be built at Mich. St. campus i°1'* po* lyTlHVmn * . * Although students with V per through Friday. or m any A. Bor I to a Parking space (or 300 more stu nuts are now allowed to park free lot any tune Saturday and Sunday dent vehicles is planned (or two in the Last Garage, g flat 25-cent Ttrmenstem Mid That brings areas on the Michigan Street cam student parking fee was allowed in them in a little bit closer." pus. M id Robert Tirmenatein. January by the IUPUI Parking Pol Currently there is a total of be no IUPUI director of parking and icy Committee Tinnenstcm said 6.0U E skits for students at all m the world If not transportation services He plans to ask that the fee not be and about 17,000 E per The III Board oi Trustecs gran charged until May 7. The fee he ted a request on Feb 4 (or the esti would be to cover the cost of atten Of (he 6,0*2 slots, 72 are dr “the Soviet mated $05,000 protect, said the dants and tickets for use by the parking director, who added that Notify that a large number of pad. construction is planned to begin in students with parking permits at A total of 4.492 A and B the next tew weeks, it weather is tend school only pari time, he said are for use by faculty and good Funds (or the project will current parking space seems suffi come from the current budget and cient Lots are observed on a regu Faculty and adaumstrators have On ton IS Tirmcnstein does not know whe lar basis to see that there is ade 1,300 A slots, while faculty and ladr a ther the protect will affect parkin- quate space, he added have 3.152 B slots permit tees. -
Record-Mirror-1978-1
I r 4 .. 1 7o T co Z Wp,>II ÓD p y Z o D-u 7Co vii OuC+"rte-+, ra HOT GOSSIP PIC: SIMON FOWLER ó SIM 1 UK 2 RATTRAP, Boomtown Rats UKAL8UMS Ensign USSINQIES 2 4 HOPELESSLY USAL8UMS' DEVOTED TO YOU, Osv,a Newton 1 1 RSO John RSO GREASE. Original Soundtrack I 52nd STREET. Billy Joel 1 1 MacARTHUR PARK, Colombo 3 1 SUMMER Donna Summer Casablanca NIGHTS, John TrevohalOhvra Newton John RSO 2 4 EMOTIONS, Vaiious KTel 2 1 LIVE AND MORE, Donna Summer 2 3 DOUBLE VISION, Foreigner Arlenhe Casablanca 4 3 SANDY, John Travdta Artists RSO 3 7 25th ANNIVERSARY ALBUM, Shirley Basses United 3 4 DOUBLE VISION, Foreigner Arlanoc 3 4 HOW MUCH I FEEL, Ambrosia Warner Bros 5 10 MY BEST FRIEND'S GIRL Can Elektra 4 3 CANT STAND THE HEAT, Status Ouo Vertigo 4 2 LIVING IN THE USA, Linda Ronstadt Asylum 4 2 YOU NEEDED ME, Anne Murray Coped 6 6 DARLIN', Fnnkie Meier Chrysalis 5 2 NIGHTFLIGHT TO VENUS, Boney M Atlantic/Hans 5 3 GREASE. Souridtreck RSO 5 16 YOU DON'T BRING ME FLOWERS, 7 16 PRETTY LITTLE ANGEL EYES. Slrowaddywaddy Add. 6 24 ALL MOD CONS, Jam Polydor 6 14 A WILD AND CRAZY GUY. Steve Martin Werner Bros Barbra Streisand B Neil Diamond Columbia B 17 INSTANT REPLAY, Dan Hartman Blue Sky 7 6 IMAGES. Don Williams K -Tel 7 7 PIECES OF EIGHT, SW. A6M 6 5 HOT CHILD IN THE CITY, Nick Gilder Chrysalis 9 5 MAC ARTHUR PARK, Donna Summer Casablanca 8 5 THE BIG WHEELS OF MOTOWN, Various Motown 8 6 WHO ARE YOU, The Who MCA 7 6 KISS YOU ALLOVER, Exile Warner Curb 10 8 BLAME IT ON THE BOOGIE Jackson Epic 9 9 THE WAR OF THE WORLDS. -
Status of the Glasgow Apollo Theatre (1973-85)
You had to be there? Reflections on the ‘legendary’ status of the Glasgow Apollo theatre (1973-85) Kenneth Forbes BA, M.Litt Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow April 2015 Abstract The ephemeral nature of live music can, from some perspectives, serve to place limitations on its lasting socio-cultural impact. This thesis addresses such claims by analysing the enduring appeal of a ‘legendary’ venue, the Glasgow Apollo (1973-85), where a series of momentous live music moments from several decades ago continue to be celebrated. In order to accomplish this, the study primarily uses semi-structured and focus group interviews to explore the reminiscences of the audience and artists who shared live music experiences at the venue. Through the application of Actor Network Theory, the work focuses on the influence that actors such as locality, technology, industry and music genre held over these encounters, as well as the manner in which the collective memories of the events in question have subsequently shaped their cultural value. The study first establishes the foundation for Glasgow’s cultural traditions, which thereafter helped to shape the concert experiences at the Apollo. It then follows the actors through, and beyond, the period of the venue’s tenure, to argue that the Apollo ‘legend’ lingers due to the manner in which these live experiences have been collectively framed within several of the platforms dedicated to the -
BIG COUNTRY– ‘LIVE’ Available for Interviews
TENACITY. Publicity By Perseverance… P.O.Box 166, Hartlepool TS26 9JA UK Dave Hill – +44 (0) 7951 679666 [email protected] BIG COUNTRY– ‘LIVE’ Available for interviews “35 years on Big Country are back and firing on all cylinders” (Northern Echo, October 2019) “ Timeless anthems for a very Big Country…a body of work that sweeps away the test of time” (Lancashire Evening Post) BIG COUNTRY perform classic hits and live favourites including Harvest Home - Fields of Fire - In A Big Country - Chance - Wonderland - Look Away - The Teacher Plus many more... Steeped in a stunning catalogue of proud and stirring hit songs such as ‘Fields of Fire’, ‘Chance’, ‘In A Big Country’ (which sold 2 million), ‘East Of Eden’ and their biggest UK hit ‘Look Away’, along with massive albums such ‘The Seer’, ‘Steeltown’, ‘Peace In Our Time’ and the triple Grammy –nominated, ‘The Crossing’, BIG COUNTRY continue to look beyond the next horizon. The band – BRUCE WATSON (guitars/vocals); MARK BRZEZICKI (drums, vocals); JAMIE WATSON (guitars/vocals) will be augmented on stage by singer/guitarist SIMON HOUGH and bassist SCOTT WHITLEY “Big Country inject a welcome blast of post-punk adrenaline… after more than three decades, their yodelling war cries and jagged New Wave power chords still strike a stirring post-Punk nerve.” (Giants Of Rock review, Classic Rock magazine) Formed in 1981 by guitar playing founder members, the late Stuart Adamson and Bruce Watson, both native of the band’s hometown Dunfermline in Scotland. Initially driven by a shared vision of widescreen guitar melody, harmony and lyric, the classic Big Country sound was further enhanced later that summer by the arrival of drummer Mark Brzezicki and bass player Tony Butler.