St. Andrews Ball Is at Maketewah! Opening a PDF 2 *Schedule of Events 2 Veryone Aspires to Have at Least Black William 3 a Little Fun and Play in Their Life
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Live Among the White Trash: a History of Nono----Manman on Stage
Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain. -
Irish Cultural Center of Cincinnati to Hold Green Tie Affair
Irish Cultural Center November 2013 of Cincinnati to Hold ianohio.com Green Tie Affair Saturday, November 2nd Saw Doctors Leo and Anto Hit the Road … page 2 Irish Cultural Center of Cincinnati Celebrates 4th Anniversary . page 6 Rattle of a Thompson Gun … page 7 Opportunity Ireland . page 9 Home to Mayo. pages 13 - 16 Big Screen to Broadway: Once Comes to Cleveland . page 19 Cover artwork by Cindy Matyi http://matyiart.com 2 IAN Ohio “We’ve Always Been Green!” www.ianohio.com November 2013 Saw Doctors Solo, Leo and Anto Hit the Road a little place back in Ireland where we together quite quickly. So we wanted it tested it out, and got a good response. to be different from anything we’d re- By Pete Roche, Special to the OhIAN of their stepping off the plane, and the And it looks like it worked. But we’ll be corded before. So we used the mandolin, guitarist sounded enthusiastic about tweaking it as we figure it out! which is a very different thing than what The North Coast’s music-loving Irish winding his way through the Midwest OhIAN: Apart from the music, how we’d done before with the Saw Doctors. contingent always turns out in strong in true troubadour fashion. will this tour be different from a Saw And I think that’s important. People are numbers whenever the rock quintet OhIAN: Hello again, Leo! Great to Doctors tour? saying to me it feels like they came to from the little Galway town of Tuam be catching up with you again! So you LEO: It’s going to be a whole new Ireland before we left it, because they’d play our neck of the woods. -
Anthony Thistlethwaite Cartwheels Mp3, Flac, Wma
Anthony Thistlethwaite Cartwheels mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cartwheels Country: UK Released: 1994 Style: Blues Rock MP3 version RAR size: 1956 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1389 mb Rating: 4.7 Votes: 728 Other Formats: AAC FLAC MP4 DMF MP1 AAC AUD Tracklist Hide Credits Cartwheels Backing Vocals – Angie Brown, Melanie WilliamsBass – Simon EdwardsBass [Divebomb ] – YouthCello – Zoe MartlewDrums – Dave Ruffy*Fiddle – Steve WickhamGuitar – Mick 1 7:01 TaylorGuitar, Mandolin – Anthony ThistlethwaiteHarmonica – "Honeyboy" Hickling*Horns – The Kick HornsOrgan [Hammond], Piano – Tony LambertTambourine – Roy DoddsVibraphone [Vibes] – Kate Fennell Red Jeans Accordion [Button] – Sharon ShannonBacking Vocals – Angie Brown, Kirsty MacCollBass – Simon EdwardsBouzouki – Donal LunnyCello – Zoe MartlewDrums – Dave Ruffy*Drums 2 2:34 [Hand] – Roy DoddsFiddle, Whistle – Maire Breatnach*Mandolin [Electric], Guitar – Anthony ThistlethwaiteOrgan [Hammond] – Tony LambertOrgan [Wurlitzer] – Liam O'Maonlai*Saxophone [Baritone ] – Simon Clarke Trumpet – Roddy Lorimer Farming The Right Acres Backing Vocals – Angie BrownBass – YouthDrums – Kevin WilkinsonGuitar – Anthony 3 2:49 Thistlethwaite, Mick TaylorHarmonica – Simon "Honeyboy" Hickling*Organ [Hammond] – Tony Lambert Migrating Bird Bass – Simon EdwardsCello – Zoe MartlewDrums – Jim McCartyElectric Guitar – Mick 4 4:25 TaylorGuitar – Anthony ThistlethwaiteGuitar [Nylon String] – Robbie OversonPercussion – Roy DoddsViolin – Steve Wickham Cherry Dress -
Scanned Image
INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
Catholic Schools:Report2columns
WHO WILL SAVE AMERICA ’S URBAN CATHOLIC SCHOOLS ? EDITED BY Scott W. Hamilton FOREWORD BY Chester E. Finn, Jr. AND Michael J. Petrilli The Thomas B. Fordham Institute is a nonprofit organization that conducts research, issues publications, and directs action projects in elementary/secondary education reform at the national level and in Ohio, with special emphasis on our hometown of Dayton. It is affiliated with the Thomas B. Fordham Foundation. Further information can be found at www.edexcellence.net, or by writing to the Institute at 1016 16th St. NW, 8th Floor, Washington, DC 20036. The report is available in full on the Institute's website; additional copies can be ordered at www.edexcellence.net. The Institute is neither connected with nor sponsored by Fordham University. WHO WILL SAVE AMERICA’S URBAN CATHOLIC SCHOOLS? EDITED BY Scott W. Hamilton FOREWORD BY Chester E. Finn, Jr. AND Michael J. Petrilli 1 CONTENTS 5 EXECUTIVE SUMMARY 7 FOREWORD 12 INTRODUCTION 21 DIOCESAN/ARCHDIOCESAN LEADERSHIP 22 Wichita: Making Catholic Schools Affordable Again By Bryan O’Keefe 34 Memphis: Revitalization of Diocesan “Jubilee” Schools By Peter Meyer 46 Denver: Marketing Efforts Yield Results By Marshall Allen 55 INDEPENDENT RELIGIOUS ORDER NETWORKS 56 Independent Networks: NativityMiguel & Cristo Rey By Peter Meyer 71 PUBLIC SUPPORT FOR CATHOLIC SCHOOLS 72 Milwaukee: The Mixed Blessing of Vouchers By Marshall Allen 85 Washington, D.C.: Archdiocesan Schools to Go It Alone By John J. Miller 3 97 SUPPORT FROM COLLEGES & UNIVERSITIES 98 Higher Education Partners: Catholic Universities Find Ways to Help Urban Schools By Marshall Allen 111 PUBLIC OPINION ABOUT CATHOLIC SCHOOLS 112 American Opinions on Catholic Education By David Cantor, Glover Park Group INTRODUCTION EXECUTIVE SUMMARY merica’s urban Catholic schools unfamiliar with the success of inner-city parochial are in crisis. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Changemakers: Biographies of African Americans in San Francisco Who Made a Difference
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Leo T. McCarthy Center for Public Service and McCarthy Center Student Scholarship the Common Good 2020 Changemakers: Biographies of African Americans in San Francisco Who Made a Difference David Donahue Follow this and additional works at: https://repository.usfca.edu/mccarthy_stu Part of the History Commons CHANGEMAKERS AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE Biographies inspired by San Francisco’s Ella Hill Hutch Community Center murals researched, written, and edited by the University of San Francisco’s Martín-Baró Scholars and Esther Madríz Diversity Scholars CHANGEMAKERS: AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE © 2020 First edition, second printing University of San Francisco 2130 Fulton Street San Francisco, CA 94117 Published with the generous support of the Walter and Elise Haas Fund, Engage San Francisco, The Leo T. McCarthy Center for Public Service and the Common Good, The University of San Francisco College of Arts and Sciences, University of San Francisco Student Housing and Residential Education The front cover features a 1992 portrait of Ella Hill Hutch, painted by Eugene E. White The Inspiration Murals were painted in 1999 by Josef Norris, curated by Leonard ‘Lefty’ Gordon and Wendy Nelder, and supported by the San Francisco Arts Commission and the Mayor’s Offi ce Neighborhood Beautifi cation Project Grateful acknowledgment is made to the many contributors who made this book possible. Please see the back pages for more acknowledgments. The opinions expressed herein represent the voices of students at the University of San Francisco and do not necessarily refl ect the opinions of the University or our sponsors. -
Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
SONG LIST | Email [email protected] with Questions
RUBY VELLE & THE SOULPHONICS 2017 CURRENT SONG LIST | email [email protected] with questions CURRENT COVERS - In ALPHABETICAL ORDER CURRENT ORIGINALS 1. 25 Miles - Edwin Starr 1. Heartlite 2. A Change Gonna Come - Sam Cooke 2. My Dear 3. Ain’t It Funky Now - James Brown 3. The Man Says 4. Ain’t No Mountain High Enough - M.Gaye/T.Terrell 4. Soul of the Earth 5. Ain’t No Sunshine - Bill Withers 5. Medicine Spoon 6. Am I the Same Girl - Barbara Acklin 6. Longview 7. Baby I Love You- Aretha Franklin 7. Mr. Wrong 8. Baby It’s You - Smith 8. Coming Home to You 9. Bootleg - Booker T. & the MG’s (instrumental) 9. Feet on the Ground 10. Can We Pretend - Bill Withers 10. Looking for a Better Thing 11. Can’t Turn You Loose - Otis Redding 11. The Agenda 12. Chain of Fools- Aretha Franklin 12. Soul of the Earth 13. Champagne & Wine - Otis Redding/ Etta James 13. Its About Time 14. Cold Sweat - James Brown 14. Used Me again 15. Comin’ Home Baby - Mel Torme 15. I Tried 16. Darkness- Tab Benoit 16. Tried on A Smile 17. Fade Into You- Mazzy Star 17. Just Blink 18. Fever- Peggy Lee 18. Close the Book On Us 19. Georgia On My Mind - Ray Charles 19. Broken Women 20. Grab This Thing - The Markeys 20. Call My Name 21. Grapevine- Marvin Gaye/ Gladys Knight 21. Way Back When 22. Groove Me - King Floyd 22. Shackles 23. Hard Times - Baby Huey 23. Lost Lady Usa 24. Hava Nagila- Jewish Traditional Song 24. -
Alex Harvey and “The Tomahawk Kid”: Mode and Interpretation
Alex Harvey and “The Tomahawk Kid”: Mode and Interpretation David Montgomery Abstract: Alex Harvey and the Sensational Alex Harvey Band achieved only marginal popularity during Harvey’s lifetime. Yet an examination of Harvey’s “The Tomahawk Kid,” based on Robert Louis Stevenson’s Treasure Island, shows an idiosyncratic musical style that combines rock and Scottish Celtic influences, subtle textual interpretation, unique compositional choices, and modal tonalities. Introduction The academic study of popular music oscillates between two preoccupations. On one hand, the dogmas of sub-cultural theory still influence popular music discourse and general cultural theory to a great degree. On the other hand, this discourse cannot escape the parameters of its label— popular. In essence, the two poles may be staked as cultural theory versus popular appreciation; but in a way difficult to describe, the application of critical theory has begun to seem more like an attempt to avoid an aesthetic conundrum— a kind of elevation of the demotic artefact to a height it cannot bear. Ever resourceful, the practitioners of popular music studies have wriggled out of this quandary and into the at least temporarily secure embrace of post feminist studies, world pop, and the ethnography of locale; in other words, into areas where inquiry is either of self-evident importance, exotic, or comfortably esoteric. Even if the locale is no more exotic than Glasgow, Scotland or Montgomery, Alabama, or the object mundane, the conceit of the critical stance has proven sufficient. Things change, canons crumble, time has done its work. The difficult “aesthetics” of popular music studies, the indeterminate nature of its aims, is a nagging problem. -
The Jesus and Mary Chain Sometimes Always Mp3, Flac, Wma
The Jesus And Mary Chain Sometimes Always mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Sometimes Always Country: Australia Released: 1994 Style: Alternative Rock MP3 version RAR size: 1798 mb FLAC version RAR size: 1507 mb WMA version RAR size: 1284 mb Rating: 4.7 Votes: 372 Other Formats: AHX AIFF VOC DXD MP2 MIDI AC3 Tracklist Hide Credits Sometimes Always 1 2:32 Vocals – Hope Sandoval 2 The Perfect Crime 1:32 3 Little Stars 3:29 4 Drop-Re-Recorded 1:50 Credits Producer – Jim Reid, William Reid Written-By – Jim Reid (tracks: 2), William Reid (tracks: 1, 3, 4) Notes Australian release in cardboard slipcase Barcode and Other Identifiers Barcode: 745099692728 Other versions Category Artist Title (Format) Label Category Country Year The Jesus Sometimes NEG70TE, Blanco Y Negro, NEG70TE, & Mary Always (10", UK 1994 4509-96927-0 Blanco Y Negro 4509-96927-0 Chain* Single, Ltd, Num) The Jesus Sometimes NEG70CD, Blanco Y Negro, NEG70CD, UK & & Mary Always (CD, 1994 4509-96927-2 Blanco Y Negro 4509-96927-2 Europe Chain* Single) Sometimes The Jesus Always (CD, American PRO-CD-6981 And Mary PRO-CD-6981 US 1994 Single, Promo, Recordings Chain Car) The Jesus Sometimes NEG 70 TE & Mary Always (10", Blanco Y Negro NEG 70 TE UK 1994 Chain* Promo) Sometimes The Jesus Blanco Y Negro, NEG70, NEG 70, Always (7", NEG70, NEG 70, & Mary Blanco Y Negro, UK 1994 4509-96926-7 Single, Ltd, Num, 4509-96926-7 Chain* Blanco Y Negro Red) Related Music albums to Sometimes Always by The Jesus And Mary Chain 1. -
Jimmy Reed………….………………… 33 Ray Stevens…………………………… 33 Howard Tate……………………
Actors, Artists & Actuaries Insurance and American Pop Culture Kevin Foley & Wayne Cotter Table of Contents Page INTRODUCTION INSURANCE IN PRINT A Tree Grows in Brooklyn……………. 2 Rainmaker…………………………....... 7 INSURANCE IN FILM Rainmaker…………………………....... 9 A Tree Grows in Brooklyn……………. 11 Curse of the Jade Scorpion………….. 15 About Schmidt…………………………. 17 INSURANCE IN TELEVISION Introduction…………………………….. 19 The Jack Benny Show………………... 20 Father Knows Best……………………. 21 Banacek………………………………... 23 INSURANCE IN MUSIC Introduction…………………………….. 25 The Beatles & Tony Sheridan……….. 26 The Blasters…………………………… 29 J.J. Cale…………………………….….. 29 Bob Dylan……………………………… 30 (The Sensational) Alex Harvey Band.. 31 Charles Ives………………………….… 31 Barry Manilow…………………………. 32 The Ramones…………….……………. 32 Jimmy Reed………….………………… 33 Ray Stevens…………………………… 33 Howard Tate……………………........... 34 Introduction “My work in music helped my business and work in business helped my music.” —Charles Ives If you’re interested enough in insurance and the arts to be reading this book, chances are you’ve spent time in the insurance industry. Perhaps you’ve been bothered about how popular culture has portrayed the industry. Well, you’ll be pleasantly surprised to learn that although the industry has taken its share of abuse from artists over the years, it’s also received a few bouquets. For example, when writers from the hugely popular television show, Father Knows Best, were looking for a suitable profession for their lead character, they turned to insurance. Why? Because insurance symbolizes