Recent Publications in Music 2012

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Recent Publications in Music 2012 1 of 149 RECENT PUBLICATIONS IN MUSIC 2012 Compiled and edited by Geraldine E. Ostrove and David Sommerfield This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared in 2011. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in conjuction with Fontes artis musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the compilers welcome inquiries from bibliographers in countries not presently represented. CONTRIBUTORS. Argentina: Estela Escalada Japan: SEKINE Toshiko Australia: Julia Mitford Kenya: Santie De Jongh Austria: Thomas Leibnitz Malawi: Santie De Jongh Belgium: Johan Eeckeloo Mexico: Daniel Villanueva Rivas, María Del China: Katie Lai Consuelo García Martínez Croatia: Žeiljka Radovinović The Netherlands: Joost van Gemert Denmark: Anne Ørbæk Jensen New Zealand: Marilyn Portman Estonia: Katre Rissalu Nigeria: Santie De Jongh Finland: Tuomas Tyyri Russia: Lyudmila Dedyukina France: Élisabeth Missaoui Serbia: Radmila Milinković Germany: Susanne Hein South Africa: Santie De Jongh Ghana: Santie De Jongh Spain: José Ignacio Cano, Maria José Greece: Alexandros Charkiolakis González Ribot Greenland: Anne Ørbæk Jensen Taiwan: Katie Lai Hong Kong: Katie Lai Turkey: Senem Acar, Paul Alister Whitehead Hungary: SZEPESI Zsuzsanna Uganda: Santie De Jongh Iceland: Bryndis Vilbergsdóttir United Kingdom: Rupert Ridgewell Ireland: Roy Stanley United States: Karen Little, Lindsay Hansen Italy: Federica Biancheri Uruguay: Estela Escalada With thanks for assistance with translations and transcriptions to Kersti Blumenthal, Ana Cristán, Paul Frank, Irina Kirchik, Everette Larson, Miroslava Nezar, Joan Weeks, and Thompson A. Yee. KEY TO CITATIONS 1. Citations follow the original as closely as possible. 2. For titles in citations, “=” is used in two ways: to indicate the title appears in more than one language on the resource, or to show the original language or script when a Romanized form of it must be given first in order for it to be alphabetized in this list and searched online in the alphabet Fontes Artis Musicae readers primarily use. 3. The official languages of IAML are English, French and German. If a title in one of those languages does not appear on the publication, a translation of the title into one of those languages has been added in square brackets. © 2012 – International Association of Music Libraries; Fontes Artis Musicae 2 of 149 4. Though many publications contain several places of publication and ISBNs, only one place of publication and one ISBN for a set of volumes, or for an individual volume, is given in this list. 5. If the work cited is part of a series, the series and number, if there is one, are given in parentheses near the end of the citation. 6. Prices are included supplied by the reporter. ARGENTINA Retrospective list Cetta, Pablo. Un modelo para la simulación del espacio en música [A Model for Space Simulation in Music]. Buenos Aires: Educa, 2007. 152 p. ISBN 978-987-1190-95-9. Checchi, Eduardo Julio. Sintaxis musical de la práctica común [Musical Syntax in Common Practice]. Buenos Aires: Educa, 2008. 479 p. ISBN 978-987-620-083-7. Corrado, Omar. Música y modernidad en Buenos Aires 1920–1940 [Music and Modernity in Buenos Aires 1920–1940]. 376 p. Buenos Aires: Gourmet Musical, 2010. (Serie Celeste, Monografías). ISBN 978-987-22664-8-6. Cristiá, Cintia. Xul Solar, un músico visual: La música en su vida y obra [Xul Solar, a Visual Musician: Music in His Life and Work]. 2da. Edición corregida. Buenos Aires: Gourmet Musical Ediciones, 2011. 152 p. (Serie Roja, La Música y los otros ). ISBN 978-987-25614-5-1. Dimov, Jorge; Esther Echenbaum Jonisz. Leopoldo Federico, el inefable bandoneón del tango. [Leopoldo Federico, Tango’s Ineffable Bandoneon]. Buenos Aires: Gourmet Musical Ediciones, 2009. 1 v. (270 p.) + 1 DVD. (Serie Celeste, Monografías). ISBN 978-987-22664-5- 5. Donozo, Leandro. Guía de revistas de música de la Argentina (1829–2007) [Guide to Argentine Music Journals (1829–2007)]. Buenos Aires: Gourmet Musical, 2009. 304 p. (Serie Verde, Referencia). ISBN 978-987-22664-6-2. Donozo, Leandro. Diccionario bibliográfico de la música argentina (y de la música en la Argentina) [Bibliographical Dictionary of Argentine Music (and of Music in Argentina)]. Buenos Aires: Gourmet Musical, 2006. 534 p. (Serie Verde, Referencia). ISBN 987-22664-0-9. Estudios sobre la obra de Astor Piazzolla [Studies in the Works of Astor Piazzolla]. Omar Garcia Brunelli, compilador. Buenos Aires: Gourmet Musical Ediciones, 2008. 304 p. ISBN 978-987- 22664-2-4. García Brunelli, Omar. Discografía básica del tango: Su historia a través de las grabaciones (1905–2010) [A Basic Tango Discography: Its History through Recordings (1905–2010)]. Buenos Aires: Gourmet Musical Ediciones, 2010. 1 v. (152 p.) + 1 CD-ROM. (Serie Verde, Referencia). ISBN 978-987-25614-2-0. García, María Inés. Tito Francia y la música en Mendoza: De la radio al Nuevo Cancionero [Tito Francia and Music in Mendoza: From the Radio to the New Songbook]. Buenos Aires: Gourmet Musical Ediciones, 2010. 192 p. (Serie Celeste, Monografías). ISBN 978-987-22664- 4-8. © 2012 – International Association of Music Libraries; Fontes Artis Musicae 3 of 149 Gianera, Pablo Ignacio. Formas Frágiles: Improvisación, indeterminación y azar en la música [Fragile Forms: Improvisation, Indeterminacy, and Chance in Music]. Buenos Aires: Debate. 2011. 160 p. ISBN 978-987-178609-1. Gianera, Pablo Ignacio. La Música en el Grupo Sur: Una modernidad inconclusa [The Music of the Sur Group: An Unfinished Modernity]. Buenos Aires: Eterna Cadencia. 2011. 128 p. ISBN 978-987-167335-3. Ginastera, Alberto. Ginastera en el Instituto Di Tella: Correspondencia 1958–1970 [Ginastera at the Instituto Di Tella: Correspondence 1958–1970]. Estudio preliminar, compilacion y notas, M. Laura Novoa. Buenos Aires: Biblioteca Nacional de Argentina, 2011. 360 p. (Colección Cuadernos de Música, 3). ISBN 978-987-1741-11-3. Graziano, Martín. Cancionistas del Río de la Plata después del rock: Una música popular para el siglo XXI [Singers of Río de la Plata after Rock: Popular Music for the 21st Century]. Buenos Aires: Gourmet Musical Ediciones, 2011. 320 p. (Serie Celeste, Monografías). ISBN 978-987- 25614-6-8. Grinberg, Miguel. Cómo vino la mano: Orígenes del rock nacional [How It Came to Be: The Origins of Argentine Rock]. Buenos Aires: Gourmet Musical Ediciones, 2008. 292 p. (Serie Celeste, Monografías). ISBN 978-987-22664-3-1. Groussac, Paul. Críticas sobre música [Music Reviews]. Buenos Aires: Biblioteca Nacional, 2007. 346 p. (Colección Libros de Música, 1). 346 p. ISBN 978-987-9350-25-6. Groussac, Paul. Paradojas sobre música [Musical Paradoxes]. Buenos Aires: Biblioteca Nacional, 2008. 345 p. (Colección Libros de Música, 3). ISBN 987-9350-33-1. Kohan, Pablo. Estudios sobre los estilos compositivos del tango (1920–1935) [Studies in the Compositional Styles of the Tango (1920–1935)]. 100 p. Buenos Aires: Gourmet Musical Ediciones, 2010. (Serie Amarilla, Estudios). ISBN 978-987-25614-1-3. Mansilla, Silvina Luz. La obra musical de Carlos Guastavino: Circulación, recepción, mediaciones [The Musical Works of Carlos Guastavino: Circulation, Reception, Mediations]. Buenos Aires: Gourmet Musical Ediciones, 2011. 344 p. (Serie Celeste, Monografías). ISBN 978-987-22664-9-1. Manso, Carlos. Juan José Castro: Biografía y epistolario [Juan José Castro: Biography and Correspondence]. Buenos Aires: De los Cuatro Vientos, 2008. 474 p. ISBN 978-987-08-0047-7. Nattiez, Jean-Jacques. Proust músico [Proust, Musician]. Buenos Aires: Gourmet Musical Ediciones, 2009. 120 p. (Serie Roja, La Música y los otros). ISBN 978-987-22664-7-9. Translation of: Proust musicien (Paris: C. Bourgois, 1984) Nuevos estudios sobre música argentina: Aportes desde la asignatura [New Studies in Argentine Music: Contributions from the Field]. Buenos Aires: Educa, 2009. 398 p. ISBN 978-987-620- 105-6. Nuevas poéticas en la música contemporánea argentina: Escritos de compositores [New Poetics in Contemporary Argentine Music: Composers’ Writings]. Pablo Fessel (comp.). Buenos Aires, Biblioteca Nacional, 2007. 352 p. (Colección Libros de Música, 2). ISBN 978-987-9350- 50-8. Salgán, Horacio. Arreglos para orquesta típica: Tradición e innovación en manuscritos originales [Arrangements for the Standard Orchestra: Tradition and Innovation in Original Manuscripts]. Buenos Aires: Biblioteca Nacional de Argentina, 2008. 240 p. (Colección Cuadernos de Música, 2). ISBN 978-987-9350-52-2. © 2012 – International Association of Music Libraries; Fontes Artis Musicae 4 of 149 Suárez Urtubey, Pola. Antecedentes de la Musicología en la Argentina: Documentación y exégesis [The Background of Musicology in Argentina: Documentation and Exegesis]. Buenos Aires: Editorial de la Universidad Católica Argentina, 2009. 643 p. ISBN 978-987-620-111-7. Tangos cultos: Kagel, J.J. Castro, Mastropiero y otros cruces musicales. [Highbrow Tangos: Kagel, J.J. Castro, Mastropiero, and Other Musical Cross-Overs]. Esteban Buch, compilador. Buenos Aires: Gourmet Musical, 2012. 224 p. (Serie Amarilla, Estudios). ISBN 978-987-25614-7-5. Verde, José Adolfo. Mercedes Sosa: cantora [Mercedes Sosa: Singer]. Buenos Aires: Sony Music Entertainment Argentina, 2009. 69 p. ISBN 978-987-24689-9-6. AUSTRALIA Andrews, Marc; Claire Isaac; David Nichols. Pop Life: Inside Smash Hits Australia 1984-2007. Mulgrave, Vic.: Affirm Press, 2011. 186 p. ISBN 978-0-9871326-7-3. Barnes, Gwyneth. Peter Sculthorpe: An Australian Composer’s Influence. Melbourne: Brolga Publishing, 2011. 410 p. 978-1-921596-60-5Bennett, Gwen. More than Music: The Life and Work of Kenneth W Tribe AC. Grosvenor Place, N.S.W.: Australian Music Centre, 2011. 248 p. ISBN 978-0-909168-78-0. Breebaart, Rino. Song Logic: Essays in Music. The Gap, Qld: Rino Breebaart, 2011. 115 p. ISBN 978-1-4467-4417-8. Canham, Nicole. Democracy versus Creativity in Australian Classical Music. Strawberry Hills, N.S.W.: Currency House, 2011.
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