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Teen-Noir – Veronica Mars Og Den Moderne Ungdomsserie (PDF)
Teen Noir – Veronica Mars og den moderne ungdomsserie AF MICHAEL HØJER I 2004 havde den amerikanske ungdomskanal UPN premiere på Rob Tho- mas’ ungdomsserie Veronica Mars (2004-2007). Serien foregår i den fikti- ve, sydcaliforniske by Neptune og handler om teenagepigen Veronica Mars (Kristen Bell), der arbejder som privatdetektiv, samtidig med at hun går på high school. Trods det faktum, at Veronica Mars havde en dedikeret fanskare bag sig, befandt den sig i samtlige tre sæsoner blandt de mindst sete tv-serier i USA. Da tendensen kun forværredes hen mod afslutningen af tredje sæ- son, var der ikke længere økonomisk grobund for at fortsætte (Van De Kamp 2007). Serien blev sat på pause, inden de sidste fem afsnit blev vist, hvor- efter CW (en fusion af det tidligere UPN og en anden ungdomsorienteret ka- nal ved navn WB) lukkede permanent for kassen. Selvom seriens hardcore fans sendte 10.000 Marsbarer til CW’s hovedkontor i et forsøg på at genop- live serien, og selvom der var flere forsøg fra produktionsholdets side på at fortsætte den enten via tv, en opfølgende film eller endda en tegneserie, er dvd-udgivelsen af Veronica Mars’ tre sæsoner det sidste, man har set til Rob Thomas’ serie. Foruden sin dedikerede fanskare – der bl.a. talte prominente personer som forfatteren Stephen King, filminstruktøren Kevin Smith og Joss Whe- don, der skabte både Firefly og Buffy the Vampire Slayer (UPN/WB, 1997- 2003)1 – var også anmelderne hurtige til at se seriens kvaliteter. Specielt de første to sæsoner af Veronica Mars blev meget vel modtaget. Større, to- neangivende amerikanske medier som LA Weekly, The Village Voice, New York Times og Time roste alle serien med ord som ”remarkably innovative”, ”promising”, ”smart, engaging” og ”genre-defying”. -
Detectives with Pimples: How Teen Noir Is Crossing the Frontiers of the Traditional Noir Films1
Detectives with pimples: How teen noir is crossing the frontiers of the traditional noir films1 João de Mancelos (Universidade da Beira Interior) Palavras-chave: Teen noir, Veronica Mars, cinema noir, reinvenção, feminismo Keywords: Teen noir, Veronica Mars, noir cinema, reinvention, feminism 1. “If you’re like me, you just keep chasing the storm” In the last ten years, films and TV series such as Heathers (1999), Donnie Darko (2001), Brick (2005) or Veronica Mars (2004-2007) have become increasingly popular and captivated cult audiences, both in the United States and in Europe, while arousing the curiosity of critics. These productions present characters, plots, motives and a visual aesthetic that resemble the noir films created between 1941, when The Maltese Falcon premiered, and 1958, when Touch of Evil was released. The new films and series retain, for instances, characters like the femme fatale, who drags men to a dreadful destiny; the good-bad girl, who does not hesitate in resorting to dubious methods in order to achieve morally correct objectives; and the lonely detective, now a troubled adolescent — as if Sam Spade had gone back to High School. In the first decade of our century, critics coined the expression teen noir to define this new genre or, in my opinion, subgenre, since it retains numerous traits of the classic film noir, especially in its contents, thus not creating a significant rupture. In this article, I intend to a) examine the common elements between teen noir series and classic noir films; b) analyze how this new production reinvents or subverts the characteristics of the old genre, generating a sense of novelty; c) detect some of the numerous intertextual references present in Veronica Mars, which may lead young viewers to investigate other series, movies or books. -
The Humor and Freshness of VERONICA MARS Arrive to HBO
The humor and freshness of VERONICA MARS arrive to HBO Starring Kristen Bell, the fourth season of this fan-favorite series premieres on June 5th, exclusively on HBO and HBO GO MIAMI, FL. May 6th, 2020 – With the fresh and sarcastic humor that characterize her, VERONICA MARS arrives to HBO and HBO GO. Starring Kristen Bell and created by writer Rob Thomas, the fourth season of this series about the clever detective premieres on June 5th. Times per country: Hbocaribbean.com In the fictional coastal community of Neptune, the rich and powerful make the rules and desperately seek to hide their dirty little secrets. Unfortunately for them, Veronica Mars, a brave and intelligent private investigator, is dedicated to solving the most complicated mysteries of this town. Season four begins when young vacationers are killed during spring break, impacting the city's tourism industry, and Mars Investigations is hired by the parents of one of the victims to find the killer. The story will follow Veronica's investigations, which are shrouded in an epic mystery that will lead her to face the powerful elites of the city. The fourth season of VERONICA MARS stars Kristen Bell, alongside Enrico Colantoni and Jason Dohring. The executive producers are Rob Thomas, Diane Ruggiero-Wright, Dan Etheridge, and Kristen Bell. The series is produced by Spondoolie Productions, in association with Warner Bros. Television. Enjoy the fourth season of VERONICA MARS exclusively on HBO and HBO GO starting on June 5th. Posted on 2020/05/06 on hbomaxlapress.com. -
Investigating Veronica Mars the Noir and Teen Clash in Neptune, California
Investigating Veronica Mars The Noir and Teen Clash in Neptune, California by Kim Johansen Østby Master’s Thesis in Media Studies Department of Media and Communication University of Oslo Spring 2010 “[…] why is Veronica Mars so good? It bears little resemblance to life as I know it, but I can't take my eyes off the damn thing.” (Stephen King, Entertainment Weekly, 01/02-2007) I Abstract What happens when you combine the long tradition of film noir and the contemporary television teen drama? Through genre analysis, this thesis explores how the television show Veronica Mars (2004-2007) mixes noir and teen drama and how this creates a dark vision of society and teen life. Through four chapters I investigate key points of the show, such as the narration and aesthetics, the representation of the noir universe through the show’s depiction of social class inequalities and an incapacitated criminal justice system, the show’s exploration of teen drama themes and how this is affected by noir and finally, an analysis of the main characters and how they relate to this hybrid universe. Noir and teen elements pulsate throughout the entire show. Together they create a tense, paranoid and mysterious atmosphere and allow the show to repeatedly explore dark themes and plots that do not commonly appear in teen dramas. The teen private investigator protagonist Veronica must tackle mysteries ranging everywhere from disappearances, blackmail, scams and theft, to situations where she must deceive the FBI, confront and battle a serial rapist and solve the mass murder of her fellow classmates, all while making her way through high school and college. -
Hate Crimes Law Was Segelson
www.tooeletranscript.com TUESDAY Tooele man remembered fondly at vigil. See A2 TOOELETRANSCRIPT BULLETIN September 27, 2005 SERVING TOOELE COUNTY SINCE 1894 VOL. 112 NO. 36 50 cents Primary Elections 2005 Seven hopefuls vie for Tooele’s top job by Mark Watson children. I attended local schools STAFF WRITER until my graduation in 1966. Voters will determine next After graduation, I joined Tuesday which two of seven the military and served four Tooele City mayoral candidates years during the Vietnam War. will be on the ballot for the gen- While serving in Vietnam, I eral election on Nov. 8. was awarded the Silver Star, Candidates include Steve Bronze Star, Purple Heart, and Bevan, Jay Collier, Patrick the Vietnam Cross of Gallantry. Dunlavy, Tom Ellevold, Bobby Later, I was employed with the Main, Ryan Timmins and Russell Federal Aviation Administration Winters. (FAA) as an electronic engineer The Tooele Transcript- encompassing the states of Utah, Bulletin invited the candidates Montana, Idaho and Wyoming. to provide personal background, In addition to performing engi- goals and important issues fac- neering duties, I was the field ing Tooele City. maintenance coordinator, and manager over Hazardous Waste Steve Bevan and Environment and Energy I am a fourth generation conservation. I retired from gov- Tooele native born to Marion and ernment services in November Marjorie Bevan in 1948. My wife Jolyn and I have five adult chil- dren between us and 11 grand- SEE TOOELE ON A9 G-ville mayoral trio will narrow to duo by Mary Ruth Hammond and Mayor Byron Anderson says STAFF WRITER he has demonstrated his manage- Three candidates hoping to ment ability during his first term earn the title of Grantsville mayor in office. -
Mulheres Fatais, Detetives Solitários E Criminosos Loucos1 João De Mancelos Quatro Capítulos Do Livro
Mulheres fatais, detetives solitários e criminosos loucos1 João de Mancelos Quatro capítulos do livro 1 Mancelos, João de. Mulheres fatais, detetives solitários e criminosos loucos: Estudos sobre cinema. Lisboa: Colibri, 2015. Matar sem castigo: Por que têm êxito os criminosos e falham os detetives nos filmes neo-noir? “Mother of Mercy, is this the end of Rico?” — LeRoy, Mervyn. Little Caesar (1930). 1. O que há de novo no neo-noir? Carros velozes, revólveres fumegantes e cenas de crime salpicadas de sangue… Histórias onde o assassinato, o sexo e a traição se confundem… Detetives duros e mulheres fatais, belas de morrer — e tal pode acontecer, porque levam qualquer um à desgraça… Becos escuros e bares manhosos onde se pode vender a alma ou mandar matar um inimigo, através de um assassino a soldo… Meio século depois, uma aura ainda irradia dos filmes noir, que se tornaram num género de culto e marcaram uma era. Inicialmente, o rótulo noir apenas se aplicava ao ciclo de filmes feitos entre 1941 e 1958, em Hollywood, principiando com The Maltese Falcon (1941), de John Huston, e terminando com Touch of Evil (1958), de Orson Welles. Contudo, na atualidade, considera-se que este período pode ser dilatado, de modo a incluir Underworld (1927), como a primeira película noir, e Odds Against Tomorrow (1959), de Robert Wise, ou Taxi Driver (1976), de Martin Scorcese, como o último (Hirsch 3). De meados da década de setenta até hoje, principiou uma nova fase, conhecida por neo- noir ou, na terminologia de outros especialistas, contemporâneo, pós-clássico ou moderno noir. -
Moniek Van Der Kallen. 0209082
Moniek van der Kallen Master thesis Film and Television Sciences Utrecht Tutor: Ansje van Beusekom Second reader: Rob Leurs Reader with English as first language: Andy McKenzie How to end the season of a formulaic series. A comparative analysis of the series HOUSE MD and VERONICA MARS about the recurring conflict in the narrative lines of television series’ season finales: resolution versus continuity. TABLE OF CONTENTS ABSTRACT.…………………………....………………………..…..1 KEYWORDS………………………………………………………...1 INTRODUCTION.……………………..………………………..…..2 METHOD ……………………………………..…………………......4 Story levels ……………..………….…………………………………………...….4 The WOW-method………………………….…………………………..……….…5 The story steps of the Ruven & Batavier Schedule ……………………………….6 THEORY: SERIES, SERIALS AND SOAP OPERAS …………..8 THE CHARACTERISTICS OF SOAP OPERAS ………….....…………...…………....14 Narrative subjects ………………………………………………..……..………...14 Narrative structures ….............……………………………………..…………….15 The organization of time ........................................................................................16 1. NARRATIVE STRATEGIES IN HOUSE MD ...…………..…19 EPISODE 1.01 PILOT. Building expectations for the series ..........................................19 Characteristics of a pilot of a series. Introducing the characters, creating expectations…………………………………..………………..……......19 Story endings…..…………………………………..……………………….…....24 Promises for future conflict……….………………..…………………………….26 EPISODE 1.22 THE HONEYMOON. Starting new narratives instead of ending them..27 Introduction a new romantic narrative, -
Representing Disempowerment on Teen Drama Television
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-5-2012 12:00 AM Watching High School: Representing Disempowerment on Teen Drama Television Sarah M. Baxter The University of Western Ontario Supervisor Paulette Rothbauer The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sarah M. Baxter 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Baxter, Sarah M., "Watching High School: Representing Disempowerment on Teen Drama Television" (2012). Electronic Thesis and Dissertation Repository. 644. https://ir.lib.uwo.ca/etd/644 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WATCHING HIGH SCHOOL: REPRESENTING DISEMPOWERMENT ON TEEN DRAMA TELEVISION (Spine title: Watching High School) (Thesis format: Monograph) by Sarah Mae Baxter Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarah Mae Baxter 2012 i THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
Petition for Cancelation
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA743501 Filing date: 04/30/2016 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Petition for Cancellation Notice is hereby given that the following party requests to cancel indicated registration. Petitioner Information Name Organization for Transformative Works, Inc. Entity Corporation Citizenship Delaware Address 2576 Broadway #119 New York City, NY 10025 UNITED STATES Correspondence Heidi Tandy information Legal Committee Member Organization for Transformative Works, Inc. 1691 Michigan Ave Suite 360 Miami Beach, FL 33139 UNITED STATES [email protected] Phone:3059262227 Registration Subject to Cancellation Registration No 4863676 Registration date 12/01/2015 Registrant Power I Productions LLC 163 West 18th Street #1B New York, NY 10011 UNITED STATES Goods/Services Subject to Cancellation Class 041. First Use: 2013/12/01 First Use In Commerce: 2015/08/01 All goods and services in the class are cancelled, namely: Entertainment services, namely, an ongo- ing series featuring documentary films featuring modern cultural phenomena provided through the in- ternet and movie theaters; Entertainment services, namely, displaying a series of films; Entertain- mentservices, namely, providing a web site featuring photographic and prose presentations featuring modern cultural phenomena; Entertainment services, namely, storytelling Grounds for Cancellation The mark is merely descriptive Trademark Act Sections 14(1) and 2(e)(1) The mark is or has become generic Trademark Act Section 14(3), or Section 23 if on Supplemental Register Attachments Fandom_Generic_Petition.pdf(2202166 bytes ) Fandom Appendix pt 1.pdf(4769247 bytes ) Fandom Appendix pt 2.pdf(4885778 bytes ) Fandom Appendix pt 3.pdf(3243682 bytes ) Certificate of Service The undersigned hereby certifies that a copy of this paper has been served upon all parties, at their address record by First Class Mail on this date. -
Vm 2Nd Yellow
NOT FOR SALE. FOR PROMOTIONAL USE ONLY. 5/30/13 (Final White) Rev. 5/30/13 (Blue) Rev. 6/07/13 (Pink) Rev. 6/12/13 (Yellow) Rev. 6/14/13 (Green) Rev. 6/17/13 (Goldenrod) Rev. 6/24/13 (Buff) Rev. 6/30/13 (Salmon) Rev. 7/01/13 (Cherry) Rev. 7/07/13 (Tan) Rev. 7/14/13 (2nd Blue) Rev. 7/29/13 (2nd Pink) Rev. 8/01/13 (2nd Yellow) VERONICA MARS Story by Rob Thomas Screenplay by ALIRob ThomasJARDINE & Diane Ruggiero NOT FOR SALE. FOR PROMOTIONAL USE ONLY. 1 INT. VERONICA AND PIZ’S TINY NYC APARTMENT - DAY 1 WIDE SHOT OF A SMALL ROOM. Dawn light floods in the windows. Veronica, in silhouette, crosses while slipping on a blazer. GAYLE BUCKLEY (V.O.) A year at Hearst College. B.A. in psychology from Stanford. Near the top of your class at Columbia Law. ECU on Veronica buttoning the blazer. GAYLE BUCKLEY (V.O.) An internship with the FBI. That’s unique. ECU on Veronica putting on lipstick. GAYLE BUCKLEY (V.O.) It says here you’re scheduled to take the bar six weeks from now. 2 EXT. NEW YORK STREET - DAY 2 Veronica emerges from an underground New York subway stop. It’s Veronica as we’ve never seen her -- an adult, a professional. GAYLE BUCKLEY (V.O.) A little about us -- we’re a multinational firm with 50 lawyers here in New York. Veronica crosses through an intersection with a sea of New Yorkers. ALI JARDINE GAYLE BUCKLEY (V.O.) Our clients here at Truman-Mann are primarily Fortune 500 companies. -
Appendix: 15 Years of Queer Girls, 1998–2013
APPENDIX: 15 YEARS OF QUEER GIRLS, 1998–2013 1998 Show Me Love [Fucking Åmål]. (Sweden) Dir. Lukas Moodysson—set in a dull Swedish town, an unpopular girl falls in love with her popular schoolmate. Set Me Free [Emporte-moi]. (Canada/Switzerland/France) Dir. Léa Pool— follows a young tomboy struggling with her sexuality and the mental illness of her parents. 1999 But I’m a Cheerleader. (US) Dir. Jamie Babbit—satirical comedy about a popular cheerleader, sent to gay conversion camp. Memento Mori [Yeogo goedam II]. (Korea) Dir. Tae-Yong Kim & Kyu- Dong Min—horror fi lm about a relationship between two alienated high school girls. Revolutionary Girl Utena [Shôjo kakumei Utena: Adolescence mokushiroku]. (Japan) Dir. Kunihiko Ikuhar—anime fi lm adaptation of popular manga and anime series about two high school girls who attempt to change the world. © The Editor(s) (if applicable) and The Author(s) 2016 163 W. Monaghan, Queer Girls, Temporality and Screen Media, DOI 10.1057/978-1-137-55598-4 164 APPENDIX: 15 YEARS OF QUEER GIRLS, 1998–2013 2000 Buffy the Vampire Slayer. (US)—Television series that featured an ongoing relationship between young witches Willow (Alyson Hannigan) and Tara (Amber Benson) until 2002. Girls Can’t Swim [Les fi lles ne savent pas nager]. (France) Dir. Anne-Sophie Birot — two teenage girls live in opposite parts of France but spend their summer vacations together. 2001 Clara’s Summer [Clara, cet été là]. (France) Dir. Patrick Grandperret— summer camp is full of self-discovery for two friends. Lost and Delirious. (US) Dir. Léa Pool—new student at a boarding school discovers that her roommates are lovers. -
Polissema Vol. 12
DETECTIVES WITH PIMPLES: HOW + NOIR IS CROSSING THE FRONTIERS OF THE TRADITIONAL NOIR FILMS João de Mancelos Centro de Línguas e Culturas Universidade de Aveiro [email protected] Abstract In the last ten years, teen noir movies and series — such as Donnie Darko (2001), Brick (2005), or Veronica Mars (2004-2007) — have become increasingly popular among audiences, both in the USA and in Europe, and aroused the curiosity of critics. These teen noir adventures present darker themes and technical features that distinguish them from numerous productions aiming at young adults. Their narrative and aesthetic characteristics reinvent and subvert the tradition of classic noir movies of the forties and fifties, thus generating a sense of novelty. In this article, I focus my attention on Veronica Mars, a famous teen noir series, created by Rob Thomas, to examine: a) the teen noir themes; b) the new profile and role of the private investigator; c) the empowerment of girls/young women; d) razor-sharp dialogues; e) intertextual references to old-school noir movies. In order to do so, resort to the research of specialists in the field of neo noir, such as Mark Conrad, Foster Hirsch, or Roz Kaveney. My main goal is to prove that a new (sub)genre is slowly emerging and revivifying teen cinema. Resumo Nos últimos dez anos, filmes e séries do género teen noir — como Donnie Darko (2001), Brick (2005), ou Veronica Mars (2004-2007) — tornaram-se crescentemente Polissema – Revista de Letras do ISCAP – Vol. 12 - 2012 Mancelos, João de – How noir e crossing the frontier of the traditional noir films 146 - 163 populares junto das audiências norte-americanas e europeias, e suscitaram a curiosidade dos críticos.