Top 50 On-Demand Programmes (Android Players) Week Ending 5Th June 2016
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The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Amazon Adventure 3D Press Kit
Amazon Adventure 3D Press Kit SK Films: Facebook/Instagram/Youtube: Amber Hawtin @AmazonAdventureFilm Director, Sales & Marketing Twitter: @SKFilms Phone: 416.367.0440 ext. 3033 Cell: 416.930.5524 Email: [email protected] Website: www.amazonadventurefilm.com 1 National Press Release: FOR IMMEDIATE RELEASE AMAZON ADVENTURE 3D BRINGS AN EPIC AND INSPIRATIONAL STORY SET IN THE HEART OF THE AMAZON RAINFOREST TO IMAX® SCREENS WITH ITS WORLD PREMIERE AT THE SMITHSONIAN’S NATIONAL MUSEUM OF NATURAL HISTORY ON APRIL 18th. April 2017 -- SK Films, an award-winning producer and distributor of natural history entertainment, and HHMI Tangled Bank Studios, the acclaimed film production unit of the Howard Hughes Medical Institute, announced today the IMAX/Giant Screen film AMAZON ADVENTURE will launch on April 18, 2017 at the World Premiere event at the Smithsonian’s National Museum of Natural History in Washington, D.C. The film traces the extraordinary journey of naturalist and explorer Henry Walter Bates - the most influential scientist you’ve never heard of – who provided “the beautiful proof” to Charles Darwin for his then controversial theory of natural selection, the scientific explanation for the development of life on Earth. As a young man, Bates risked his life for science during his 11-year expedition into the Amazon rainforest. AMAZON ADVENTURE is a compelling detective story of peril, perseverance and, ultimately, success, drawing audiences into the fascinating world of animal mimicry, the astonishing phenomenon where one animal adopts the look of another, gaining an advantage to survive. "The Giant Screen is the ideal format to take audiences to places that they might not normally go and to see amazing creatures they might not normally see,” said Executive Producer Jonathan Barker, CEO of SK Films. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Gillian Bevan Is an Actor Who Has Played a Wide Variety of Roles in West End and Regional Theatre
Gillian Bevan is an actor who has played a wide variety of roles in West End and regional theatre. Among these roles, she was Dorothy in the Royal Shakespeare Company revival of The Wizard of Oz, Mrs Wilkinson, the dance teacher, in the West End production of Billy Elliot, and Mrs Lovett in the West Yorkshire Playhouse production of Stephen Sondheim’s Sweeney Todd, the Demon Barber of Fleet Street. Gillian has regularly played roles in other Sondheim productions, including Follies, Merrily We Roll Along and Road Show, and she sang at the 80th birthday tribute concert of Company for Stephen Sondheim (Donmar Warehouse). Gillian spent three years with Alan Ayckbourn’s theatre-in-the-round in Scarborough, and her Shakespearian roles include Polonius (Polonia) in the Manchester Royal Exchange Theatre production of Hamlet (Autumn, 2014) with Maxine Peake in the title role. Gillian’s many television credits have included Teachers (Channel 4) in which she played Clare Hunter, the Headmistress, and Holby City (BBC1) in which she gave an acclaimed performance as Gina Hope, a sufferer from Motor Neurone Disease, who ends her own life in an assisted suicide clinic. During the early part of 2014, Gillian completed filming London Road, directed by Rufus Norris, the new Artistic Director of the National Theatre. In the summer of 2014 Gillian played the role of Hera, the Queen of the Gods, in The Last Days of Troy by the poet and playwright Simon Armitage. The play, a re-working of The Iliad, had its world premiere at the Manchester Royal Exchange Theatre and then transferred to Shakespeare’s Globe Theatre, London. -
Roy Williams Avid Offline Editor
Roy Williams Avid Offline Editor Profile Roy is a fantastic editor with the benefit of having a facilities background and experience across a broad range of genres. With an easy going and relaxed nature he is very easy to work with – nothing seems to phase him. He has a great sense of narrative, he can find a story in amongst hours of rushes and is incredibly organised. Roy is also known for his creative edge. Long-form Credits *Currently Cutting* “Motorhoming” 1 x 60min. The series follows comic couple Paul Merton and Suki Webster as they immerse themselves in the world of Motorhoming bringing the audience the ultimate A-Z guide to having an epic Great British Adventure, on four wheels. Curve Media for Channel 5 “For The Love of Kitchens” In this 8-part series, deVOL, an England-based furniture manufacturer will work with talented craftspeople to design stunning kitchens and interiors for clients. Betty TV for Discovery and Magnolia Network “Weekend Escapes with Greg Wallace” 2 x 60min. (Venice & Rome) Travelogue series which sees Wallace exploring various cities in search of the ideal weekend. In each city he’ll be experiencing the culture, exploring the history and, of course, indulging in the local cuisine. Rumpus Television for Channel 5 “Children in Need: 40 Fabulous Years” Special episode hosted by Ade Adepitan MBE, the programme will celebrate the previous appeal shows in 40 bite-sized chunks, including the funniest and the greatest moments from the last four decades. BBC One “Eastenders” Reversions of Britain’s most famous soap opera. -
Dominique Moore
14 City Lofts 112-116 Tabernacle Street London EC2A 4LE offi[email protected] +44 (0) 20 7734 6441 DOMINIQUE MOORE Finding Alice (ITV) A Confession (ITV) Four Weddings & A Funeral (Hulu) Television Role Title Production Company Director Producer, Tracey Soph EMILY ATACK SHOW Monkey Kingdom Tommy Forbes Yasmina (Series Regular) FINDING ALICE Bright Pictures / ITV Roger Goldby Steph Walker ANTHONY LA Productions / BBC Terry McDonough Yvette ENTERPRICE Fudge Park / BBC3 Ella Jones Rosie FOUR WEDDINGS & A FUNERAL MGM / Hulu Tristram Shapeero Miss X A CONFESSION ITV Paul Andrew Williams Mrs Connor CREEPED OUT (SEASON 2) Netflix Gareth Tunley Shirley TORVIL & DEAN ITV Gillies Mackinnon Journalist URBAN MYTH: THE TRIAL OF King Bert for Sky Arts Elliot Hegarty JOAN COLLINS Various TRACEY BREAKS THE NEWS BBC Dominic Brigstocke (SERIES 2) Serena MURDER IN SUCCESSVILLE Tiger Aspect James De Fond Rosie QUACKS Lucky Giant Andy De Emmony Various TRACEY BREAKS THE NEWS BBC Dominic Brigstocke (SERIES 1) Chelsea HENRY IX Retort Vadim Jean Various TRACEY ULLMAN’S SHOW BBC Nick Collett Ankita RED DWARF Baby Cow Productions Doug Naylor Yvette OBSESSION DARK DESIRES October Films Jonathan Davenport Cleopatra / Victorian Woman GORY GAMES Lion Television Dominic Brigstocke Various HORRIBLE HISTORIES SPECIALS Lion Television Steve Connelly Annie DRIFTERS (SEASON 2) Bwark Tom Marshall Zara HOLBY CITY BBC Griff Rowland Lottie THE JOB LOT (SEASON 2) Big Talk Productions Luke Snellin Marion THE MIMIC (SEASON 2) Running Bare Productions / Kieron Hawkes Channel 4 Julie POND -
Love's Labour's Lost
CAL PERFORMANCES PRESENTS CAST Wednesday, November 4, 2009, 8pm Love’s Labour’s Lost Thursday, November 5, 2009, 7pm Friday, November 6, 2009, 8pm Saturday, November 7, 2009, 2pm & 8pm Sunday, November 8, 2009, 3pm Zellerbach Hall Shakespeare’s Globe in Love’s Labour’s Lost John Haynes CAST by William Shakespeare Ferdinand, King of Navarre Philip Cumbus Berowne Trystan Gravelle Artistic Director for Shakespeare‘s Globe Dominic Dromgoole Longaville William Mannering Dumaine Jack Farthing Director Set and Costume Designer Composer The Princess of France Michelle Terry Dominic Dromgoole Jonathan Fensom Claire van Kampen Rosaline Thomasin Rand Choreographer Fight Director Lighting Designer Maria Jade Anouka Siân Williams Renny Krupinski Paul Russell Katherine Siân Robins-Grace Text Work Movement Work Voice Work Boyet, a French lord in attendance on the Princess Tom Stuart Giles Block Glynn MacDonald Jan Haydn Rowles Don Adriano de Armado, a braggart from Spain Paul Ready Moth, his page Seroca Davis Holofernes, a schoolmaster Christopher Godwin Globe Production Manager U.S. Production Manager Paul Russell Bartolo Cannizzaro Sir Nathaniel, a curate Patrick Godfrey Dull, a constable Andrew Vincent U.S. Press Relations General Management Richard Komberg and Associates Paul Rambacher, PMR Productions Costard, a rustic Fergal McElherron Jaquenetta, a dairy maid Rhiannon Oliver Executive Producer, North America Executive Producer for Shakespeare’s Globe Eleanor Oldham and John Luckacovic, Conrad Lynch Other parts Members of the Company 2Luck Concepts Musical Director, recorder, shawms, dulcian, ocarina, hurdy-gurdy Nicholas Perry There will be one 20-minute intermission. Recorders, sackbut, shawms, tenor Claire McIntyre Viol, percussion David Hatcher Cal Performances’ 2009–2010 season is sponsored by Wells Fargo. -
Total 911 Issue
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Evaluating Multi-Genre Broadcast Media Recognition
The MGB Challenge Evaluating Multi-Genre Broadcast Media Recognition Peter Bell, Jonathan Kilgour, Steve Renals, Mirjam Wester University of Edinburgh Mark Gales, Pierre Lanchantin, Xunying Liu, Phil Woodland University of Cambridge Thomas Hain, Oscar Saz University of Sheffield Andrew McParland BBC R&D mgb-challenge.org Overview Overview Establish an open challenge in core ASR research with common data and evaluation benchmarks on broadcast data Overview Establish an open challenge in core ASR research with common data and evaluation benchmarks on broadcast data Controlled evaluation of speech recognition, speaker diarization, and alignment Using a broad, multi-genre dataset of BBC TV output Subtitles & light supervision • Training data transcribed by subtitles (closed captions) – can differ from verbatim transcripts • edits to enhance clarity • paraphrasing • deletions where the speech is too fast • There may be • words in the subtitles that were not spoken • words missing in the subtitles that were spoken • Additional metadata includes speaker change information, timestamps, genre tags, … MGB Resources Fixed acoustic and language model training data – precise comparison of models and algorithms – data made available by BBC R&D Labs MGB Resources Fixed acoustic and language model training data – precise comparison of models and algorithms – data made available by BBC R&D Labs • Acoustic model training 1600h broadcast audio across 4 BBC channels (1 April – 20 May 2008), with as-broadcast subtitles – ~33% WER (26% deletions) • Language model -
Resuscitation Resuscitation on Television
Resuscitation 80 (2009) 1275–1279 Contents lists available at ScienceDirect Resuscitation journal homepage: www.elsevier.com/locate/resuscitation Simulation and education Resuscitation on television: Realistic or ridiculous? A quantitative observational analysis of the portrayal of cardiopulmonary resuscitation in television medical dramaଝ Dylan Harris a,∗, Hannah Willoughby b a Department of Palliative Medicine, Princess of Wales Hospital, Bridgend CF31 1RQ, United Kingdom b University Hospital of Wales, Cardiff, United Kingdom article info abstract Article history: Introduction: Patients’ preferences for cardiopulmonary resuscitation (CPR) relate to their perception Received 21 May 2009 about the likelihood of success of the procedure. There is evidence that the lay public largely base their Received in revised form 4 July 2009 perceptions about CPR on their experience of the portrayal of CPR in the media. The medical profession Accepted 9 July 2009 has generally been critical of the portrayal of CPR on medical drama programmes although there is no recent evidence to support such views. Objective: To compare the patient characteristics, cause and success rates of cardiopulmonary resuscita- Keywords: tion (CPR) on medical television drama with published resuscitation statistics. Cardiopulmonary resuscitation Television Design: Observational study. Media Method: 88 episodes of television medical drama were reviewed (26 episodes of Casualty, Casualty, 25 episodes of Holby City, 23 episodes of Grey’s Anatomy and 14 episodes of ER) screened between July 2008 and April 2009. The patient’s age and sex, medical history, presumed cause of arrest, use of CPR and immediate and long term survival rate were recorded. Main outcome measures: Immediate survival and survival to discharge following CPR. -
The Newsletter of the Jaguar Association of Greater St. Louis Proudly Serving St
AUGUST 2016 Volume 21 Issue 7 The newsletter of the Jaguar Association of Greater St. Louis proudly serving St. Louis Jaguar enthusiasts since 1961 Just My $.02 with John Testrake ave you ever seen blues man Stevie Ray Vaughan’s guitar? It’s Jaguar Association of Greater St. Louis H the most beat up, crappiest looking guitar. It probably wouldn’t “To promote, foster and encourage a spirit of mutual interest among enthusiasts of Jaguar automobiles.” bring $5 at a pawn shop, but she can sure sing the blues with Stevie playing. There is a beauty that is sometimes not aesthetic, but none- ♦ Officers ♦ theless calls one like a siren’s song. I was thinking on that recently while perusing online classifieds, looking at old cars. I can usually President look past some rust or torn upholstery and see the gem hiding there. John Testrake I like to read the descriptions. Here are some of my long time favor- Vice-President ites” Matthew Johnson Treasurer “Ran when parked.” Yeah, most of them did. Terry Carmack Secretary/Membership “Believed to be original miles.” Believed by whom? Diana Schlueter 636.477.1763 ♦ Board of Directors ♦ “Restored to show standards.” Pebble Beach or the Knights of Co- lumbus Show & Shine? Term expires 2016 Tom Loew - Gary Schlueter - Kelly Waite “85% complete.” The remaining 15% will cost a fortune. Term expires 2017 Allan Ellis - Marsh Riegert - Phil Taxman “Complete restoration including rebuilt brake master cylinder, lower Term expires 2018 radiator hose, and two fuel injectors.” Fixing a few worn out items Todd Dillon - Jim Hendrix - Lisa Hendrix does not a complete restoration make. -
Computational Modelling of Six Speed Hybrid Gear Box and Its Simulation Using Simulinkas an Interactive Tool of MATLAB
Devesh R Upadhyayet al. Int. Journal of Engineering Research and Applications www.ijera.com ISSN: 2248-9622, Vol. 6, Issue 2, (Part - 2) February 2016, pp.55-61 RESEARCH ARTICLE OPEN ACCESS Computational modelling of six speed hybrid gear box and its simulation using Simulinkas an interactive tool of MATLAB Devesh Ramphal Upadhyay1* SandeepSingh1 Mahesh Kumar Gupta2 1 B.tech Department of Mechanical Engineering, S.R.M. University Chennai, India 2Assistant professor, Department of Mechanical Engineering, S.R.M University NCR Campus, New Delhi, India Abstract The paper introduces an idea which adds itself into contribution of getting best fuel economy of a passenger car when it is running at high speed on a highway. A six speed (forward) gear box is addressed in the paper which is controlled manually and automatically as well. The paper introduces an advancement in manual transmission gear box for passenger cars. Hydraulic circuit is designed with mechatronics point of view and resulting in making the shifting of gear automatically. A computational design is made of the Hybrid Gear Box (HGB) using CATIA P3 V5 as a designing software. A new gear meshing in 5 speed manual transmission gear box which synchronizes with the output shaft of the transmission automatically after getting command by the automated system designed. Parameters are considered on the basis of practical model and is been simulated by using Simdriveline as the Simulink tool of MATLAB r2010a. The mechanical properties of the components of the hybrid gear box is calculated on the basis of the functional parameters and with help of the fundamental and dependent properties formulation.