Dominique Moore
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
SKYPANEL New Accessories for the Family of LED Soft Lights
NEWS IBC ISSUE 2015 SKYPANEL New accessories for the family of LED soft lights ELECTRONIC ALEXA MINI CONTROL SYSTEM AMIRA Karl Walter Lindenlaub ASC, BVK Expanded options for lens and New application areas for tries the Mini on Nine Lives camera remote control the highly versatile AMIRA EDITORIAL DEAR FRIENDS AND COLLEAGUES We hope you can join postproduction through ARRI Media, illustrating us here at IBC, where we the uniquely broad range of products and services are showcasing our latest we offer. 18 camera systems and lighting technologies. For the ARRI Rental has also been busy supplying the first time in ARRI News we are also introducing our ALEXA 65 system to top DPs on major feature films newest business unit: ARRI Medical. Harnessing – many are testing the large-format camera for the core imaging technology and reliability of selected sequences and then opting to use it on ALEXA, our ARRISCOPE digital surgical microscope main unit throughout production. In April IMAX is already at work in operating theaters, delivering announced that it had chosen ALEXA 65 as the unsurpassed 3D images of surgical procedures. digital platform for 2D IMAX productions. In this issue we share news of how AMIRA is Our new SkyPanel LED soft lights, announced 12 being put to use on productions so diverse and earlier this year and shipping now as promised, are wide-ranging that it has taken even us by surprise. proving extremely popular and at IBC we are The same is true of the ALEXA Mini, which was unveiling a full selection of accessories that will introduced at NAB and has been enthusiastically make them even more flexible. -
Evaluating Multi-Genre Broadcast Media Recognition
The MGB Challenge Evaluating Multi-Genre Broadcast Media Recognition Peter Bell, Jonathan Kilgour, Steve Renals, Mirjam Wester University of Edinburgh Mark Gales, Pierre Lanchantin, Xunying Liu, Phil Woodland University of Cambridge Thomas Hain, Oscar Saz University of Sheffield Andrew McParland BBC R&D mgb-challenge.org Overview Overview Establish an open challenge in core ASR research with common data and evaluation benchmarks on broadcast data Overview Establish an open challenge in core ASR research with common data and evaluation benchmarks on broadcast data Controlled evaluation of speech recognition, speaker diarization, and alignment Using a broad, multi-genre dataset of BBC TV output Subtitles & light supervision • Training data transcribed by subtitles (closed captions) – can differ from verbatim transcripts • edits to enhance clarity • paraphrasing • deletions where the speech is too fast • There may be • words in the subtitles that were not spoken • words missing in the subtitles that were spoken • Additional metadata includes speaker change information, timestamps, genre tags, … MGB Resources Fixed acoustic and language model training data – precise comparison of models and algorithms – data made available by BBC R&D Labs MGB Resources Fixed acoustic and language model training data – precise comparison of models and algorithms – data made available by BBC R&D Labs • Acoustic model training 1600h broadcast audio across 4 BBC channels (1 April – 20 May 2008), with as-broadcast subtitles – ~33% WER (26% deletions) • Language model -
Resuscitation Resuscitation on Television
Resuscitation 80 (2009) 1275–1279 Contents lists available at ScienceDirect Resuscitation journal homepage: www.elsevier.com/locate/resuscitation Simulation and education Resuscitation on television: Realistic or ridiculous? A quantitative observational analysis of the portrayal of cardiopulmonary resuscitation in television medical dramaଝ Dylan Harris a,∗, Hannah Willoughby b a Department of Palliative Medicine, Princess of Wales Hospital, Bridgend CF31 1RQ, United Kingdom b University Hospital of Wales, Cardiff, United Kingdom article info abstract Article history: Introduction: Patients’ preferences for cardiopulmonary resuscitation (CPR) relate to their perception Received 21 May 2009 about the likelihood of success of the procedure. There is evidence that the lay public largely base their Received in revised form 4 July 2009 perceptions about CPR on their experience of the portrayal of CPR in the media. The medical profession Accepted 9 July 2009 has generally been critical of the portrayal of CPR on medical drama programmes although there is no recent evidence to support such views. Objective: To compare the patient characteristics, cause and success rates of cardiopulmonary resuscita- Keywords: tion (CPR) on medical television drama with published resuscitation statistics. Cardiopulmonary resuscitation Television Design: Observational study. Media Method: 88 episodes of television medical drama were reviewed (26 episodes of Casualty, Casualty, 25 episodes of Holby City, 23 episodes of Grey’s Anatomy and 14 episodes of ER) screened between July 2008 and April 2009. The patient’s age and sex, medical history, presumed cause of arrest, use of CPR and immediate and long term survival rate were recorded. Main outcome measures: Immediate survival and survival to discharge following CPR. -
Doctor Who Series 12 Episode Five Fugitive of the Judoon Programme
DOCTOR WHO SERIES 12 EPISODE FIVE FUGITIVE OF THE JUDOON PROGRAMME NUMBER: DRAA715N/01 10:00:00 BBC WORLDWIDE STING 10:00:05 OPENING TITLES 10:00:05 Music in ‘M1 Opening Titles’ 10:00:12 Caption 'Jodie Whittaker' 10:00:13 Caption 'Bradley Walsh' 10:00:15 Caption ‘Tosin Cole 10:00:17 Caption ‘Mandip Gill’ 10:00:20 Caption 'BBC Doctor Who' 10:00:27 Caption 'Series Producer Nikki Wilson 10:00:30 Caption 'Director Nida Manzoor’ 10:00:34 Caption ‘Fugitive of the Judoon Written by Vinay Patel Chris Chibnall 10:00:38 Music out ‘M1 Opening Titles’ CUT TO: 10:00:39 INT. RUTH'S FLAT/KITCHEN - DAY 10:00:39 Music in ‘M2 My Guided Tour’ A WATCH on a wrist. Each tick feels mighty. TICK! TICK! Seconds hand cruises past ten. EYES. WATCH. MOUTH. Two to twelve. One to twelve -- BANG! TWO SLICES OF TOAST snap smartly out of a toaster. The hand rescues them, gives them refuge on a plate where a knob of butter on a knife sits waiting, alongside a single hard boiled egg in a floral cup. We see now the architect: RUTH CLAYTON, mid-50s. A woman who knows who she is and loves it. She smiles upon her creation. RUTH CLAYTON Proper. CUT TO: 10:01:02 INT. RUTH'S FLAT/LIVING ROOM - DAY RUTH, eating her toast, looks up to see her partner LEE -- early 50s, slippery, charming, sexy, edge of danger -- stumble in, half-asleep. LEE CLAYTON I said I'd make your birthday breakfast. RUTH CLAYTON Yeah well, I was hungry. -
Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection. -
Casualty-S31-Ep44-One.Pdf
I have tried to show when we are in another LOCATION by using BOLD CAPITALS. I have used DUAL DIALOGUE as people talk over each other on a SINGLE SHOT. From the beginning - for the next hour - everything about ONE is to do with the inexorability of things in life and A+E. Time cannot be reversed, events cannot be interrupted. Like life. FIRST FLOOR OF SMALL HOUSE... Absolute stillness. At first we can’t work out what we are looking at. Just the green numbers of a digital alarm clock - 14.21. A horizontal slither of light, smudging with smoke. Somewhere close a baby gurgles and then coughs. Things are starting to get clearer. Then we hear JEZ shouting and coughing. JEZ(O.O.V) Hello? You in here... Hello? * You in here? * Hello! * She’s here! She’s ... * I got you. It’s OK. * Anyone there? Anyone... * I got her. I got her! * IAIN Was anyone else in there? You listening to me? Anyone else in there? JEZ * No! I shouted. Looked everywhere. No. SUN-MI * Leave me alone. I am OK. I want my * daughter. IAIN * Do you speak English? What’s your name? Miss? SUN-MI (in KOREAN) I want my daughter. JEZ What’s she saying? IAIN I don’t know. Let’s get her on O2 and check her Obs, yes, Jez? Episode 45 - SHOOTING SCRIPT 'One' 1. Casualty 31 Episode 45 - JEZ She was unresponsive when I got to her. Sorry, Iain. * IAIN * Late to the party again, boys. * Superman himself here... ... saw her at the window. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
FREE Issue 9 | September 2021 @Newhamvoices /Newhamvoices @Newhamvoices
FREE Issue 9 | September 2021 @newhamvoices /NewhamVoices @newhamvoices www.newhamvoices.co.uk We’re a year old! This edition marks our first birthday. And we’re mark- Solidarity ing it by celebrating the solidarity that makes Ne- wham such a special place. The people of Newham are always ready to help – working on projects to improve our neighbour- hoods, supporting refugees in search of a better life. Newham But as always there are challenges. On Page Three we report on how park lovers are ready responds to to fight to save a neglect- ed corner of beautiful West Ham Park from the develop- ers and on a new campaign international to save Newham City Farm from closure. And we have more inspir- ing stories – two icons of refugee crisis Black culture in Newham provide a curtain-raiser to October’s special report on Black History Month on • The Mayor offers Newham Page 13. We also have urban as a safe haven for Afghan gardeners on Page 14 and a Covid survivor talks of his refugees struggle with long Covid on Page 11. • A local shop-worker tells of PLUS all your favour- ite columns and inspiring family tragedy and Taliban community news stories. It’s brutality been a great year and we can do more with your support. Find out how on Page Two. See Page 5 Newham Voices needs your ©Apik / Shutterstock.com support. To make a donation please scan this code with the PayPal app. Helping The votes Hands: are in! Summer Full list of on the community Calais project frontline winners See Page 7 See Page 8 Photo courtesy Care4Calais Photo courtesy XLP/Facebook 2 Newham Voices September 2021 About us Your £5 can give Newham By local people, for local people Our aim is to provide a voice for all of Newham’s people. -
Hippocrates Now
Hippocrates Now 35999.indb 1 11/07/2019 14:48 Bloomsbury Studies in Classical Reception Bloomsbury Studies in Classical Reception presents scholarly monographs offering new and innovative research and debate to students and scholars in the reception of Classical Studies. Each volume will explore the appropriation, reconceptualization and recontextualization of various aspects of the Graeco- Roman world and its culture, looking at the impact of the ancient world on modernity. Research will also cover reception within antiquity, the theory and practice of translation, and reception theory. Also available in the Series: Ancient Magic and the Supernatural in the Modern Visual and Performing Arts, edited by Filippo Carlà & Irene Berti Ancient Greek Myth in World Fiction since 1989, edited by Justine McConnell & Edith Hall Antipodean Antiquities, edited by Marguerite Johnson Classics in Extremis, edited by Edmund Richardson Frankenstein and its Classics, edited by Jesse Weiner, Benjamin Eldon Stevens & Brett M. Rogers Greek and Roman Classics in the British Struggle for Social Reform, edited by Henry Stead & Edith Hall Homer’s Iliad and the Trojan War: Dialogues on Tradition, Jan Haywood & Naoíse Mac Sweeney Imagining Xerxes, Emma Bridges Julius Caesar’s Self-Created Image and Its Dramatic Afterlife, Miryana Dimitrova Once and Future Antiquities in Science Fiction and Fantasy, edited by Brett M. Rogers & Benjamin Eldon Stevens Ovid’s Myth of Pygmalion on Screen, Paula James Reading Poetry, Writing Genre, edited by Silvio Bär & Emily Hauser -
Natalie Klamar
Natalie Klamar Theatre Title Role Director Producer Nora: A Doll's House Nora 2/ Christine 1 Elizabeth Freestone The Young Vic Wilderness Anne Anna Ledwich Hampstead Keith? Roxy Oscar Pearce Arcola Richard II Carlisle/Blunt/Torturer 3 Joe Hill-Gibbins Almeida Prom Kween Lexi Rebecca Humphries Õine Flanagan Productions Othello Desdemona Ellen McDougall The Globe Cleansed The Woman Katie Mitchell National Theatre Future Conditional Suzy Matthew Warchus Old Vic I Want My Hat Back Snake/Ensemble Wils Wilson National Theatre This May Hurt A bit Various Max Stafford Clark Out of Joint The Cherry Orchard Vanya Katie Mitchell Young Vic King John Blanche Maria Aberg RSC Hamlet Courtier/Student/Player David Farr RSC As You like It Phoebe (understudy Celia) Maria Aberg RSC All's Well That Ends Well Diana Nancy Meckler RSC Richard III Company Roxanna Silbert RSC A Soldier In Every Sense Zilamiauh/Citali Roxanna Silbert RSC Town Mary Esther Richardson Royal & Derngate The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Breakfast At Tiffany's Maddy Munson (Understudy Holly)Sean Mathias Theatre Royal Haymarket The Changeling Beatrice-Joanna James Kerr LAMDA Antigone Antigone Mark Bell LAMDA The Country Wife Margery Pinchwife Rodney Cottier LAMDA Uncle Vanya Sonya Colin Crook LAMDA Breaking Barriers In Burnley Wendy Max Stafford Clark LAMDA Blue Remembered Hills Audrey Stephen Jameson LAMDA Pericles Marina Rodney Cottier LAMDA Television Title Role Director Producer War of the Worlds (Series 2) Tamar Ben A. Williams Epix Salisbury Tracy Holloway Saul Dibb BBC 2/ Dancing Ledge Patrick Melrose Becky Edward Berger Little Island Productions Vera Meryl John Hayes ITV Grantchester Ann Rebecca Gatward ITV Holby City Kelly Jennie Darnell BBC Midsomer Murders Esme Simon Langton Bentley Productions Misfits Daisy Owen Harris Clerkenwell Films Doctors Becky Cameron Daniel Wilson BBC The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456.