Liv Redpath, Soprano

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Liv Redpath, soprano livredpath@gmail.com · 952-452-6464 · livredpath.com *denotes cover Roles Gretel Hansel and Gretel LA Opera 2018 Zerbinetta Ariadne auf Naxos Santa Fe Opera 2018 Gilda* Rigoletto LA Opera 2018 Amour Orphée et Eurydice LA Opera 2018 Cunégonde* Candide LA Opera 2018 Olympia Les contes d’Hoffmann LA Opera 2017 Frasquita Carmen LA Opera 2017 Anna Nabucco LA Opera 2017 Tsarina of Shemakha* The Golden Cockerel Santa Fe Opera 2017 Blonde*/Konstanze* Die Entführung aus dem Serail LA Opera 2017 Héro Béatrice et Bénédict Aspen Opera Theater 2016 Echo Ariadne on Naxos Opera Theatre of Saint Louis 2016 Königin der Nacht Die Zauberflöte The Juilliard School 2016 Thérèse Les mamelles de Tirésias The Juilliard School 2015 Diane/Iphigénie* Iphigénie en Aulide Met + Juilliard 2015 Fiorilla* Il turco in Italia The Juilliard School 2014 Lakmé Lakmé Lowell House Opera 2014 Belinda Dido and Aeneas Harvard Early Music Society 2014 Tytania A Midsummer Night’s Dream Lowell House Opera 2013 La Fée Cendrillon Dunster House Opera 2013 Snegurochka* Snegurochka Lowell House Opera 2012 Susanna The Marriage of Figaro Dunster House Opera 2012 Concert Mozart: Requiem Los Angeles Master Chorale 2018 Burwell: Suite from Three Billboards Outside Ebbing, Missouri LA Philharmonic 2018 Vivaldi: Gloria Seattle Symphony 2018 Bach: Magnificat Musica Angelica 2017 Haydn: The Creation Harvard University Choir 2017 At Home New York Festival of Song 2016 Babbitt: Philomel Focus! Festival 2016 Schoenberg: String Quartet No. 2 Juilliard ChamberFest 2016 Handel: Messiah Cecilia Chorus of New York 2015 Benjamin: A Mind of Winter Harvard Radcliffe Orchestra 2015 Poulenc: Gloria and Vaughan Williams: Hodie Cecilia Chorus of New York 2014 Handel: La resurrezione Juilliard415 2014 Awards Houston Grand Opera Eleanor McCollum Competition Ana Marìa Martinez and Audience Choice Award 2018 Palm Springs Opera Guild Competition First Place 2017 Metropolitan Opera National Council Auditions, Western Region Second Place 2016 Palm Springs Opera Guild Peggy Cravens Rossini Competition First Place 2016 The Juilliard School Richard F. Gold Career Grant 2016 The Juilliard School Novick Career Advancement Grant 2016 The Juilliard School Kovner Fellowship 2014-2016 Education and Training Los Angeles Opera Domingo-Colburn-Stein Young Artist 2016-present Santa Fe Opera Apprentice 2017 The Juilliard School Master of Music: Voice 2016 Harvard University Bachelor of Arts Degree in English, Secondary Field: Music 2014 Opera Theatre of Saint Louis Gerdine Young Artist, Gaddes Festival Artist 2015, 2016 Wolf Trap Opera Studio Artist 2014 Conductors: Matthew Aucoin, William Christie, James Conlon, Plácido Domingo, Federico Cortese, Jane Glover, Barbara Hannigan, Stephen Lord, Rory Macdonald, David Stern, Gary Wedow, Keri-Lynn Wilson, Lidiya Yankovskaya Directors: Edward Berkeley, Mary Birnbaum, Paul Curran, John Neumeier, Matthew Ozawa, David Paul, James Robinson, Thaddeus Strassberger, Zack Winokur .

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January 11, 2021 in Accordance with Section 2Ofthe Confirmation Act
MURIEL BOWSER MAYOR January 11, 2021 The Honorable Phil Mendelson Chairman Council of the District of Columbia John A. Wilson Building 1350 Pennsylvania Avenue, NW, Suite 504 Washington, DC 20004 Dear Chairman Mendelson: In accordance with section 2 of the Confirmation Act of 1978, effective March 3, 1979 (D.C. Law 2-142; D.C. Official Code § 1-523.01), and pursuant to section 305 of the Fiscal Year 2002 Budget Support Act of 2001, effective October 3, 2001 (D.C. Law 14-28; D.C. Official Code § 2-1374), which established the Commission on Asian and Pacific Islander Community Development (“Commission”), I am pleased to nominate the following person: Mr. John Tinpe 7th Street, NW Washington, DC 20001 (Ward 2) for reappointment as a public voting member of the Commission, fora term to end April 17, 2022. Enclosed, you will find biographical information detailing the experience of the above-mentioned nominee, together with a proposed resolution to assist the Council during the confirmation process. 1 would appreciate the Council’s earliest consideration of this nomination for confirmation. Please do not hesitate to contact me, or Steven Walker, Director, Mayor's Office of Talent and Appointments, should the Council require additional information. Sincerely, Mutiel Bolyser fle Hreee— Chairman Phil Mendelson at the request of the Mayor A PROPOSED RESOLUTION IN THE COUNCIL OF THE DISTRICT OF COLUMBIA To confirm the reappointment of Mr. John Tinpe to the Commission on Asian and Pacific Islander Community Development. RESOLVED, BY THE COUNCIL OF THE DISTRICT OF COLUMBIA, That this resolution may be cited as the “Commission on Asian and Pacific Islander Community Development John Tinpe Confirmation Resolution of 2021”.
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Jahresbericht 2014 Richard Wagner Verband Regensburg E.V
Richard Wagner Verband Regensburg e.V. ************************************************************************* Emil Kerzdörfer, 1. Vorsitzender Kaiser - Friedrich - Allee 46 D - 93051 Regensburg Tel: (+49)-941-95582 Fax: (+49)-941-92655 www.Richard-Wagner-Verband -Regensburg.de **************************************************************************************** Motto: „… der Komponist offenbart das innerste Wesen der Welt und spricht die tiefste Weisheit aus, in einer Sprache, die seine Vernunft nicht versteht“. Artur Schopenhauer (1788 -1860) ****************************************************************************************** Jahresbericht 2014 gewidmet unserem Ehrenmitglied Frau Verena Lafferentz-Wagner 1. Vorsitzender: Emil Kerzdörfer Mitgliederzahl: 463 01. Januar: Opernbesuch im Theater Regensburg Richard Wagner: Die Feen, Premiere Romantische Oper in drei Akten Regensburger Erstaufführung Inszenierung: Florian Lutz Dirigent: Tetsuro Ban 05. Februar: Jour Fixe im Kolpinghaus Multimediavortrag: Emil Kerzdörfer: „Giuseppe Verdis Requiem“ 07. Februar: Konzertfahrt nach München in die Philharmonie Giuseppe Verdi: „Messa da Requiem“ Solisten: Anja Harteros (Sopran) Daniela Barcellona (Alt ) Woukyung Kim (Tenor) Georg Zeppenfeld (Bass) Münchner Philharmoniker Philharmonischer Chor München Dirigent: Lorin Maazel 26. Februar: Konzertfahrt nach München in die Philharmonie Jean Sibelius: Valse Triste, op. 44 Sergej Prokofieff: Konzert für Klavier und Orchester, Nr. 3, C-Dur, op. 26 Robert Schumann: Symphonie Nr. 4, d-moll, op.
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2013-2014 SEASON SINGLE TICKET BROCHURE MOURNING BECOMES ELECTRA NABUCCO TOSCA THAÏS Mourning Becomes Electra Nabucco Welcome! You don’t want to miss our upcoming season. Where else can you travel from Ancient Babylon to post Civil War New England without leaving South Florida, while enjoying some of the finest singers and exciting productions from around the world. If you are new to opera, the themes of these pieces will resonate with you Tosca regardless of which of the many diverse communities of South Florida you call home. This season has something for everyone. See You at the Opera, Susan T. Danis Ramón Tebar General Director and CEO Music Director Thaïs NOV 07/ NOV 23 NABUCCO JAN 25/ FEB 08 MOURNING BECOMES NABUCCO ELECTRA BY GIUSEPPE VERDI BY MARVIN DAVID LEVY “It’s got everything you’d want from an opera…and more. “…When I am alone with my notes, my heart pounds and the The music knocks you out with its ferocity.” -- Marvin David Levy tears stream from my eyes, and my emotion and my joys are too much to bear.” -- Giuseppe Verdi Nabucco © Scott Suchman for Washington National Opera. BasedMourning on Becomes the play Electra cycle © Rozarii by Eugene Lynch for Seattle O’Neill, Opera. this mythic tale is set in Massachusetts shortly This opera captures the voice of the ancient Hebrews and their struggle as exiles. In fact, it speaks after the Civil War. Beneath the veneer of the prim and proper Mannon family are seething with the voice of all exiles. Experience the anguish as Nebuchadnezzar, King of Babylonia, destroys passions of bitterness, infidelity, incest, and even murder.
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Network Notebook Summer Quarter 2019 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
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Les Deux Foscari /Giuseppe Verdi
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Les Arts és Òpera Les Arts estrena ‘Nabucco’, de Verdi, amb Plácido Domingo en el paper protagonista Jordi Bernàcer assumeix la direcció musical d’aquesta òpera que es presenta en un muntatge de Thaddeus Strassberger Les entrades estan esgotades excepte el cinc per cent de l’aforament que es reserva per a la seua venda el mateix dia de cada representació València (29.11.19). El Palau de les Arts estrena aquest pròxim dilluns, 2 de desembre, a les 20.00 hores, l’òpera ‘Nabucco’, considerada com el primer gran èxit de Giuseppe Verdi. El valencià Jordi Bernàcer és el director musical d’aquest títol, que es presenta en un muntatge de Thaddeus Strassberger, amb Plácido Domingo en el paper protagonista per a les quatre primeres representacions. Jordi Bernàcer es retroba amb els cossos estables de les Arts, Cor de la Generalitat i Orquestra de la Comunitat Valenciana, amb els quals va iniciar la seua marxa professional, i assumeix per primera vegada la titularitat de totes les representacions d’una òpera d’abonament a les Arts. El mestre alcoià torna a la Sala Principal cinc anys després de les seues memorables funcions de la sarsuela ‘Luisa Fernanda’, també amb Plácido Domingo en el repartiment, en la temporada 2014-2015. En plena carrera internacional, i amb treballs per als teatres Mariinski de Sant Petersburg, Real de Madrid, San Carlo de Nàpols o Carlo Felice de Gènova, Jordi Bernàcer debutarà aquesta temporada amb l’Opéra Royal de Wallonie a Lieja, Petruzzelli de Bari, Semperoper de Dresden i Deutscheoper de Berlín, i tornarà a més a l’Òpera de San Francisco, Royal Opera House de Mascate, Òpera de Los Angeles, Òpera de Roma i Arena de Verona.
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Anton Rubinstein's
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Thaddeus Strassberger
Saverio Clemente Andrea De Amici Luca Targetti Thaddeus Strassberger began his career when he was awarded the prestigious European Opera Prize in 2005 for La Cenerentola (Opera Ireland/Hessisches Staatstheater Wiesbaden), having already earned a degree in Engineering from The Cooper Union for the Advancement of Science and Art in New York City; he received a Fulbright Fellowship to complete the Corso di Specializzazione per Scenografi Realizzatori at Teatro alla Scala in Milan in 2001. Notable first productions of his carrer include: Pique Dame (Tiroler Landestheater Innsbruck), Hamlet (Washington National Opera/Minnesota Opera/Fort Worth Opera/Lyric Opera of Kansas City), Nabucco (Washington National Opera/Minnesota Opera/Opera Philadelphia/Florida Grand Opera, Opera de Montreal), La Fanciulla del West (Opera de Montreal, Tiroler Landestheater Innsbruck), and Le nozze di Figaro and The rape of Lucretia (The Norwegian Opera). Thaddeus His production of I due foscari has recently been seen in Los Angeles and Valencia as well. His production ofthe rarely heard La Gazzetta Strassberger (Rossini in Wildbad Festival, Germany) garnered nominations for both Stage Director Best Production and Best Direction from Opernwelt magazine. In 2015, he returned to New York’s Bard SummerScape to direct Dame Ethyl Smyth's The Wreckers, his fifth production with the festival, previously having created productions of Les Huguenots, Der Ferne Klang, Le Roi Malgrè lui (co-produced with Wexford Festival), and his widely acclaimed production of Sergei Tanejev’s monumental opera, The Oresteia, the first staging of the neglected masterpiece to be seen outside of Russia. He returns to Staatstheater Braunschweig for a new Rigoletto, and directs and designs a world premiere of the opera Jfk by David T.
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Opera Program 7-13 RBF Program 4-16 2
the richard b. fisher center for the performing arts at bard college Emmanuel Chabrier’s The King in Spite of Himself July 27 – August 5, 2012 The Music Director, Musicians, and Staff of the American Symphony Orchestra dedicate these performances to the memory of Ronald Sell (1944–2012) Distinguished French horn player, member of the Orchestra for more than four decades, personnel manager, friend and colleague. His wisdom, grace, and humor will be missed. About The Richard B. Fisher Center for the Performing Arts at Bard College The Richard B. Fisher Center for the Performing Arts, an environment for world-class artistic presentation in the Hudson Valley, was designed by Frank Gehry and opened in 2003. Risk-taking performances and provocative programs take place in the 800-seat Sosnoff Theater, a proscenium-arch space, and in the 220-seat Theater Two, which fea- tures a flexible seating configuration. The Center is home to Bard College’s Theater and Dance Programs, and host to two annual summer festivals: SummerScape, which offers opera, dance, theater, film, and cabaret; and the Bard Music Festival, which celebrates its 23rd year in August with “Saint-Saëns and His World.” The 2013 festival will be devoted to Igor Stravinsky, with a special weekend focusing on the works of Duke Ellington. The Center bears the name of the late Richard B. Fisher, the former chair of Bard College’s Board of Trustees. This magnificent building is a tribute to his vision and leadership. The outstanding arts events that take place here would not be possible without the con- tributions made by the Friends of the Fisher Center.
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MA's Free Guide to Free Streams, 4/15-21 by Clive Paget, Musical America April 15, 2020
15/04/2020 Printer-Friendly Receipt MA's Free Guide to Free Streams, 4/15-21 By Clive Paget, Musical America April 15, 2020 We will be updating this list weekly. Please note that British Summer Time (BST) is currently five hours ahead of U.S. Eastern Time (ET) and Central European Time (CET) is currently six hours ahead. Central Daylight Time (CDT) is currently one hour behind ET, while Pacific Time (PT) is currently three hours behind. Contact editor@musicalamerica.com. Wednesday, April 15 Noon CET: Staatsoper unter den Linden presents Prokofiev’s Betrothal in a Monastery. Conductor: Daniel Barenboim, director: Dmitri Tcherniakov with Aida Garifullina, Violeta Urmana, Anna Goryachova, Stephan Rügamer, Andrei Zhilikhovsky, Goran Juric, Bogdan Volkov, Lauri Vasar, Staatsopernchor, Staatskapelle Berlin. Available free for 24 hours. 4 pm CET: Concertgebouworkest streams Tchaikovsky’s Nutcracker conducted by Semyon Bychkov with an introduction by Jörgen van Rijen (principal trombone). View on YouTube, Facebook or website. 5 pm CET: Vienna Staatsoper streams Wagner’s Parsifal (performance of April 21, 2019). Conductor: Valery Gergiev, director: Alvis Hermanis, with Thomas Johannes Mayer (Amfortas), René Pape (Gurnemanz), Simon O’Neill (Parsifal), Boaz Daniel (Klingsor), Elena Zhidkova (Kundry). Sign up for free and view here. 6 pm CET: Staatskapelle Dresden presents Busoni’s Lustspielouvertüre, Brahms’s Piano Concerto No. 2 and Brahms’s Symphony No. 2 conducted by Christian Thielemann with Maurizio Pollini, piano. View here and available for 48 hours. 12 pm ET: American Symphony Orchestra presents Bard SummerScape’s production of Rubinstein’s Demon. Conducted by Leon Botstein, directed by Thaddeus Strassberger.
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Lucia Di Lammermoor Bios
LUCIA DI LAMMERMOOR PRODUCTION TEAM BIOGRAPHY NICOLA LUISOTTI, Conductor Nicola Luisotti has been music director of San Francisco Opera since September 2009 and he holds the Caroline H. Hume Endowed Chair. In the current season he has led Norma andUn Ballo in Maschera; he conducts the world premiere of Marco Tutinoʼs Two Women (La Ciociara) in summer 2015. Luisotti's other engagements during the current season includeMadama Butterfly with the Royal Opera, Covent Garden; Nabucco in Valencia; Il Trovatorewith the Teatro di San Carlo in Naples; and a concert with Romeʼs Accademia di Santa Cecilia. Called “both an original thinker and a great respecter of tradition” by Opera News, which featured him on the cover of the July 2011 special issue on conductors, Luisotti made his Company debut in 2005 conducting La Forza del Destino and returned in November 2008 to conduct La Bohème. As the Companyʼs music director, he has led acclaimed performances of Il Trovatore, Salome, Otello, La Fanciulla del West, Aida, Le Nozze di Figaro, Madama Butterfly, Rigoletto, Lohengrin, Tosca, and Così fan tutte. Maestro Luisotti has garnered enthusiastic praise from both audiences and critics for his work at La Scala (Attila), the Royal Opera, Covent Garden (Aida, Turandot, Madama Butterfly, Il Trovatore, Nabucco); the Metropolitan Opera (La Bohème, Tosca, La Fanciulla del West); Paris Opera (La Traviata, Tosca); the Vienna State Opera (Simon Boccanegra); Genoaʼs Teatro Carlo Felice (Un Ballo in Maschera, La Fanciulla del West, La Traviata, Simon Boccanegra, Il
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