May—August 2018 / Vol.XVIII / No.2
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KAIJA SAARIAHO l’amour de loin conductor Opera in five acts Susanna Mälkki Libretto by Amin Maalouf production Robert Lepage Saturday, December 10, 2016 PM associate director 1:00–3:35 Sybille Wilson New Production set and costume designer Michael Curry lighting designer Kevin Adams lightscape image designer Lionel Arnould The production of L’Amour de Loin was made sound designer Mark Grey possible by a generous gift from the Francis Goelet Trusts Additional funding for this production was received from The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund general manager Peter Gelb music director emeritus James Levine Co-production of the Metropolitan Opera and L’Opéra de Québec principal conductor Fabio Luisi In collaboration with Ex Machina 2016–17 SEASON The 3rd Metropolitan Opera performance of KAIJA SAARIAHO’S This performance l’amour is being broadcast live over The Toll Brothers– de loin Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Susanna Mälkki America’s luxury ® in order of vocal appearance homebuilder , with generous long-term jaufré rudel support from Eric Owens The Annenberg Foundation, The the pilgrim Neubauer Family Tamara Mumford* Foundation, the Vincent A. Stabile clémence Endowment for Susanna Phillips Broadcast Media, and contributions from listeners worldwide. There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74. Saturday, December 10, 2016, 1:00–3:35PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
A Pathbreaking and Splendid 'The Passenger' from Ubc Opera
VANCOUVER HOME CALENDAR REVIEWS CLASSICAL MUSIC INTERVIEWS & ARTICLES ABOUT US A PATHBREAKING AND SPLENDID ‘THE PASSENGER’ FROM UBC OPERA Mieczysław Weinberg, THE PASSENGER: David Gibbons (Walter), Leila Kirves (Lisa), Catherine Thornsley (Marta), Luka Kawabata (Tadeusz), UBC Opera Ensemble, members of the Vancouver Opera Orchestra, David Agler (conductor), Nancy Hermiston (director), Alessia Carpoca (set design), Chan Centre, January 30, 2020. There are few neglected modern composers whose star has risen more in recent years than Polish/Russian composer Mieczysław Weinberg (1919-1996), a friend of Dmitri Shostakovich. Yet many opera companies would probably wish to stick to safer productions than to delve into the little-known world of the composer’s operatic ventures. Hat’s off therefore to the courage and vision of Nancy Hermiston and her fine UBC opera troupe in staging the composer’s powerful and original The Passenger (1967/68). The setting examined is both brutally painful and poignant: the concentration camps of World War II, where the ‘passenger’ embodies the haunting memories that everyone carries with them into the future, whether they be survivor or captor. Weinberg’s masterpiece has begun slowly making the rounds of international operatic stages and should take its rightful place alongside Shostakovich’s Lady Macbeth of Mtsensk and Prokofiev’s War and Peace as one of the great Soviet operas of the twentieth century. The commitment and intelligence of the present UBC student production served the composer admirably: the work emerges as positively shattering in its emotional force. Alexander Medvedev’s libretto is adapted from the radio play Passenger from Cabin 45 by Auschwitz survivor Zofia Posmysz, based on her own experiences during the Holocaust. -
January 11, 2021 in Accordance with Section 2Ofthe Confirmation Act
MURIEL BOWSER MAYOR January 11, 2021 The Honorable Phil Mendelson Chairman Council of the District of Columbia John A. Wilson Building 1350 Pennsylvania Avenue, NW, Suite 504 Washington, DC 20004 Dear Chairman Mendelson: In accordance with section 2 of the Confirmation Act of 1978, effective March 3, 1979 (D.C. Law 2-142; D.C. Official Code § 1-523.01), and pursuant to section 305 of the Fiscal Year 2002 Budget Support Act of 2001, effective October 3, 2001 (D.C. Law 14-28; D.C. Official Code § 2-1374), which established the Commission on Asian and Pacific Islander Community Development (“Commission”), I am pleased to nominate the following person: Mr. John Tinpe 7th Street, NW Washington, DC 20001 (Ward 2) for reappointment as a public voting member of the Commission, fora term to end April 17, 2022. Enclosed, you will find biographical information detailing the experience of the above-mentioned nominee, together with a proposed resolution to assist the Council during the confirmation process. 1 would appreciate the Council’s earliest consideration of this nomination for confirmation. Please do not hesitate to contact me, or Steven Walker, Director, Mayor's Office of Talent and Appointments, should the Council require additional information. Sincerely, Mutiel Bolyser fle Hreee— Chairman Phil Mendelson at the request of the Mayor A PROPOSED RESOLUTION IN THE COUNCIL OF THE DISTRICT OF COLUMBIA To confirm the reappointment of Mr. John Tinpe to the Commission on Asian and Pacific Islander Community Development. RESOLVED, BY THE COUNCIL OF THE DISTRICT OF COLUMBIA, That this resolution may be cited as the “Commission on Asian and Pacific Islander Community Development John Tinpe Confirmation Resolution of 2021”. -
Jahresbericht 2014 Richard Wagner Verband Regensburg E.V
Richard Wagner Verband Regensburg e.V. ************************************************************************* Emil Kerzdörfer, 1. Vorsitzender Kaiser - Friedrich - Allee 46 D - 93051 Regensburg Tel: (+49)-941-95582 Fax: (+49)-941-92655 www.Richard-Wagner-Verband -Regensburg.de **************************************************************************************** Motto: „… der Komponist offenbart das innerste Wesen der Welt und spricht die tiefste Weisheit aus, in einer Sprache, die seine Vernunft nicht versteht“. Artur Schopenhauer (1788 -1860) ****************************************************************************************** Jahresbericht 2014 gewidmet unserem Ehrenmitglied Frau Verena Lafferentz-Wagner 1. Vorsitzender: Emil Kerzdörfer Mitgliederzahl: 463 01. Januar: Opernbesuch im Theater Regensburg Richard Wagner: Die Feen, Premiere Romantische Oper in drei Akten Regensburger Erstaufführung Inszenierung: Florian Lutz Dirigent: Tetsuro Ban 05. Februar: Jour Fixe im Kolpinghaus Multimediavortrag: Emil Kerzdörfer: „Giuseppe Verdis Requiem“ 07. Februar: Konzertfahrt nach München in die Philharmonie Giuseppe Verdi: „Messa da Requiem“ Solisten: Anja Harteros (Sopran) Daniela Barcellona (Alt ) Woukyung Kim (Tenor) Georg Zeppenfeld (Bass) Münchner Philharmoniker Philharmonischer Chor München Dirigent: Lorin Maazel 26. Februar: Konzertfahrt nach München in die Philharmonie Jean Sibelius: Valse Triste, op. 44 Sergej Prokofieff: Konzert für Klavier und Orchester, Nr. 3, C-Dur, op. 26 Robert Schumann: Symphonie Nr. 4, d-moll, op. -
S I N G L E T I C K E T B R O C H U
2013-2014 SEASON SINGLE TICKET BROCHURE MOURNING BECOMES ELECTRA NABUCCO TOSCA THAÏS Mourning Becomes Electra Nabucco Welcome! You don’t want to miss our upcoming season. Where else can you travel from Ancient Babylon to post Civil War New England without leaving South Florida, while enjoying some of the finest singers and exciting productions from around the world. If you are new to opera, the themes of these pieces will resonate with you Tosca regardless of which of the many diverse communities of South Florida you call home. This season has something for everyone. See You at the Opera, Susan T. Danis Ramón Tebar General Director and CEO Music Director Thaïs NOV 07/ NOV 23 NABUCCO JAN 25/ FEB 08 MOURNING BECOMES NABUCCO ELECTRA BY GIUSEPPE VERDI BY MARVIN DAVID LEVY “It’s got everything you’d want from an opera…and more. “…When I am alone with my notes, my heart pounds and the The music knocks you out with its ferocity.” -- Marvin David Levy tears stream from my eyes, and my emotion and my joys are too much to bear.” -- Giuseppe Verdi Nabucco © Scott Suchman for Washington National Opera. BasedMourning on Becomes the play Electra cycle © Rozarii by Eugene Lynch for Seattle O’Neill, Opera. this mythic tale is set in Massachusetts shortly This opera captures the voice of the ancient Hebrews and their struggle as exiles. In fact, it speaks after the Civil War. Beneath the veneer of the prim and proper Mannon family are seething with the voice of all exiles. Experience the anguish as Nebuchadnezzar, King of Babylonia, destroys passions of bitterness, infidelity, incest, and even murder. -
Rental Catalog Orchestra, Band, and Opera
Rental Catalog Orchestra, Band, and Opera E. C. Schirmer • Galaxy • MorningStar Edition Delrieu-Hexamusic • Layali Music Publishing • Randol Bass Music • Stainer & Bell, Ltd. • Vireo Press Casa Gian-Antonio 2 THIS CATALOG contains all orchestral and instrumental works (with and without voices) available through the rental department of ECS Publishing Group; includes the combined catalogs of E. C. Schirmer Music Company, Galaxy Music Corporation, Highgate Press, Ione Press, Edition Delrieu-Hexamusic, Layali Music Publishing, MorningStar Music Publishers, Randol Bass Music, Stainer & Bell Ltd, and Vireo Press. Part One (pp. 3–28) is a master list of all works arranged alphabetically by composer and containing arranger’s name (if any), approximate duration (in minutes), instrumentation, soloists, and choral voicing. Part Two (pp. 2–46) contains subject and genre indices. Please direct all inquiries to RENTAL DEPARTMENT ECS Publishing Group 1727 Larkin Williams Road Fenton, MO 63026 Phone (636) 305-0100 | (800) 647-2117 Fax: (636) 305-0121 www.ecspublishing.com [email protected] European customers may contact Stainer & Bell, Ltd., London. European inquiries for Randol Bass Music or Layali Music Publishing (Kareem Roustom) may contact ECS directly. The ECS Publishing Rental Department will be happy to supply detailed information about instrumentation, versions, fees, perusal scores, and more. If you are planning a performance, please visit our website to submit a rental request form (http://ecspublishing.com/rental/rental-request-form). Frequently asked questions: www.ecspublishing.com/rental/rentalfaq How to read instrumentation Instrumentation is arranged in groups. Flute Oboe Clarinet Bassoon — Horn Trumpet Trombone Tuba — Timpani+Percussion Players — Harp, Key- boards — Strings — Special Instruments — Solo Instruments, Solo Voices, Chorus, Other A period separates players, and a slash indicates doublings. -
2003 Rhythm Traveler
In t r oducing Rhythm Tra v e l e r . The perfe c t people in the next room. Then imagine kit for both silent practice and compact ca r rying the same kit, neatly stacked in the live perfo r mance. passenger seat of your car, to do a live If you’re like most drummers, reh e a r s a l gig. Rhythm Traveler is the only kit that time is limited. Simply finding a place to combines both these drum m i n g practice without disturbing the peace can necessities at a price well within reach of be a nightmare. But imagine being able to any working drum m e r . Rhythm Traveler is practice anytime of the day or night, on a the go anywhere, practice anytime kit of full size five piece kit, without disturbing your dreams. Compact Tra v e l Rhythm Traveler’s toms neatly stack to create an extremely compact kit for transport. Every facet of the kit, including every piece of hardware, has been designed with the working and rehearsing drummer in mind. Our super sturdy 70W Series Hardware offers both double braced legs and a low-mass, lightweight design, making it the perfect compliment to Rhythm Traveler. You no longer have to have a large vehicle to be a drummer. With Rhythm Traveler your kit can even fit in the passenger seat of your car. Live Perfo rm a n c e Rhythm Traveler is the perfect kit for most any live performance situation where space, or the lack of it, is a major concern. -
Mahler Violins of Hope
OAKLAND SYMPHONY ORCHESTRA Oakland Symphony presents VIOLIN 1 CELLO HORN Dawn Harms, Dan Reiter, Meredith Brown, MAHLER Co-Concertmaster Principal Principal Terri Baune, Joseph Hébert Alicia Telford VIOLINS OF HOPE Co-Concertmaster Michelle Kwon Alex Camphouse Vivian Warkentin, Beth Vandervennet Ross Gershenson STEVE MARTLAND Asst. Concertmaster Jeffrey Parish Crossing the Border for double string orchestra Natasha Makhijani, Paul Rhodes TRUMPET and ballet dancers Assoc. Concertmaster Farley Pearce William Harvey, Principal Oakland Ballet Company Kristina Anderson Elizabeth Struble Matthew Vincent Leonard Ott CONTRABASS John Freeman ANTONIO VIVALDI Carla Picchi Patrick McCarthy, Concerto in F major for Three Violins and Strings, Ellen Gronningen Principal TIMPANI RV 551 Deborah Spangler Alden Cohen Fred Morgan, I. Allegro Emanuela Nikiforova Ben Tudor Principal II. Andante Junghee Lee III. Allegro Alison Miller Andy Butler PERCUSSION David Arend Lyly Li Ward Spangler, Terrie Baune, violin, Liana Bérubé, violin Carl Stanley Principal Dawn Harms, violin VIOLIN 2 Allen Biggs Liana Bérubé, FLUTE INTERMISSION Principal Alice Lenaghan, HARP David Cheng Principal GUSTAV MAHLER Meredith Clark, Candace Sanderson Rena Urso Symphony No. 4 in G major Principal Sharon Calonico Amy Likar I. Bedächtig, nicht eilen; Recht gemächlich (Haupt Tempo) Stacey Pelinka PERSONNEL MANAGER II. In gemächlicher Bewegung. Ohne Hast Baker Peeples III. Ruhevoll: (Poco adagio) Adrienne Duckworth OBOE Carole Klein Sergi Goldman-Hull IV. Sehr behaglich Andrea Plesnarski, -
SOUND QUALITY JUDGING for 2009 /10/11 CD 5 Introduce Yourselves in a Polite Way to the Competitor
SQ Judging Manual 2011, v.3.8 Costas Christopoulos Special thanks to Norbert Tyka & Reinier Wolf SOUND QUALITY JUDGING FOR 2009 /10/11 CD 5 Introduce yourselves in a polite way to the competitor. Follow the procedures and rules 1 to 23 that are described in pages 41 & 42 in the Rulebook. 5.1 Pre Judging Check 5.1.1 Checking Charger Y / N Ask the competitor to disconnect his battery charger ( if any ) from his system and document it to the checkbox on the score sheet. 5.1.2 Verification of Reasonable Driving Position Y / N Check if the competitor is able to operate the gear-stick, the steering wheel & the pedals, with the given driver's seat adjustment, and document it in the checkbox . TRACK 1 : Introduction track. It can give you an idea of the sound which is fast, clean and full. The voice sounds clear and direct. 5.1.3 Channel Verification TRACK 2 : voice only on Right Channel Verify that L and R channels are correct, and document it, to the checkbox on the score sheet. In case L & R channels are reversed, notify the competitor and give him 5 minutes to correct the problem. If he is not able to correct it, the competitor will decide if he/she wants to continue the judgment or not. 5.1.4 Calibration of Volume The Competitor will suggest the volume to be listened at by the sound judges. The Judges should use this Volume! Only in case that the suggested Volume is too loud (see Point 5.1.4 in the Rulebook, more than 80dB), the Judges have to take a measurement to correct the Volume. -
Network Notebook
Network Notebook Summer Quarter 2019 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Les Deux Foscari /Giuseppe Verdi
OPÉRA EN DIRECT LUNDI 27 OCTOBRE 2014 À 20H15 LES DEUX FOSCARI /GIUSEPPE VERDI DISTRIBUTION RÉSUMÉ FRANCESCO FOSCARI : Plácido Domingo Jacopo Foscari, le fils du Doge de Venise, est JACOPO FOSCARI : Francesco Meli accusé de meurtre et de trahison. Malgré les LUCREZIA CONTARINI : Maria Agresta supplications de sa femme et de son père, il JACOPO LOREDANO : Maurizio Muraro est condamné à l’exil perpétuel, en particulier à cause d’un ennemi, le sénateur Loredano. CHEF D’ORCHESTRE : Antonio Pappano L’opéra de Verdi, adapté de la pièce de Lord COSTUME : Mattie Ullrich Byron du même nom, est une réflexion sur METTEUR EN SCÈNE : Thaddeus Strassberger l’impuissance d’un père face à la cruauté du DÉCOR : Kevin Knight monde. L’amour et la détermination de son père et de sa femme Lucrezia ne sauveront NOUVELLE PRODUCTION pas Jacopo qui meurt au moment même où DURÉE DE L’OPÉRA 2H35/ 1 ENTRACTE une confession vient l’innocenter. OPÉRA EN 3 ACTES LES BONNES RAISONS D’Y ALLER Titre rarement mis en scène, premier rôle tenu par le grand Plácido Domingo, direction d’orchestre par Antonio Pappano, Les Deux Foscari est indubitablement un incontournable de la saison ! Cet opéra de jeunesse de Verdi, très sombre et cruel, marquera les débuts du metteur en scène américain Thaddeus Strassberger au Royal Opera House. Il met en scène la corruption de Venise, illustrée dans le contraste entre les costumes opulents de Mattie Ullrich et les décors dépouillés de Kevin Knight qui soulignent l’isolement des Foscari dans une ville décadente. La richesse de la mise en scène culmine à l’acte III avec la scène flamboyante du carnaval. -
Hollow Victory: Jews in Soviet Russia After the World War LEON BOTSTEIN, Conductor
Sunday Afternoon, January 28, 2018, at 2:00 Isaac Stern Auditorium / Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 1:00 presents Hollow Victory: Jews in Soviet Russia after the World War LEON BOTSTEIN, Conductor MIECZYSŁAW WEINBERG Rhapsody on Moldavian Themes MIECZYSŁAW WEINBERG Symphony No. 5 in F minor, Op. 76 Allegro moderato Adagio sostenuto Allegro Andantino Intermission VENIAMIN FLEISHMAN Rothschild’s Violin Yakov (Bronze): MIKHAIL SVETLOV, Bass Rothschild: AARON BLAKE, Tenor Shahkes: MARC HELLER, Tenor Marfa: JENNIFER RODERER, Mezzo-soprano members of the BARD FESTIVAL CHORALE JAMES BAGWELL, Director This afternoon’s concert will run approximately 2 hours and 10 minutes including one 20-minute intermission. American Symphony Orchestra welcomes the many organizations who participate in our Community Access Program, which provides free and low-cost tickets to underserved groups in New York’s five boroughs. For information on how you can support this program, please call (212) 868-9276. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. FROM THE Music Director The Courage of Friendship: The story “Rothschild’s Violin.” He com- Composer as Jew in the Soviet Union pleted and orchestrated the work in by Leon Botstein 1944. It was a labor of love and admi- ration. But the persistence if not The historical thread running through increase in anti-Semitism after the war this concert program is the presence made any performance of the work and persecution of the Jews of Poland impossible despite Shostakovich’s advo- and Soviet Russia in the mid-20th cen- cacy. Only four years after the 1956 tury.