May—August 2018 / Vol.XVIII / No.2

Total Page:16

File Type:pdf, Size:1020Kb

May—August 2018 / Vol.XVIII / No.2 THE BOHUSLAVMARTINŮ FOUNDATION THE BOHUSLAVMARTINŮ INSTITUTE THE INTERNATIONALMARTINŮCIRCLE MR the greek passion may—august 2018 / vol.XVIII / no.2 in ekaterinburg juliette in wuppertal martinů’s holidays martinů’s operas in ostrava highlights and news bohuslav martinů days 2018 ---nts news 18 november 19 december 2018 - – cont • Field Mass, Cantata for Baritone, Male Chorus, and Orchestra, H 279 3 news & highlights • Symphony No.6 (Fantaisies symphoniques), H 343 • Alelluia, Ave Maria (excerpts from the opera 4 obituaries The Plays of Mary, H 236) • Divertimento (Serenade No.4) for Chamber gennady rozhdestvensky • Opening of the Springs, H 354 Orchestra, H 215 pierre-emile barbier • New Chap-Book, Cycle of Songs, H 288 • Cello Concerto No.1, H 196/III • Serenade No.2, H 216 • Bergerettes for Violin, Cello and Piano, H 275 5 imc news • Duo for Violin and Cello No.1, H 157 • Piano Trio No.3 in C major, H 332 • String Quartet No.2, H 150 • Concerto for Violin, Piano and Orchestra, H 342 • Sonatina for Clarinet and Piano, H 356 • Concerto No.1 for Violin and Orchestra, H 232 6 reviews • Four Madrigals for Oboe, Clarinet, Bassoon, juliette in wuppertal H 266 www.martinu.cz/festival HARTMUT SASSENHAUSEN news a momentary opening of the heavens other things belonging to her were packed up; (excerpts from reviews) new autograph she herself was taken to Terezín and later to the con centration camp at Ravensbruck. Fortu nately, WHEN Bohuslav Martinů composed his Three all turned out well and she survived the war. Songs after Poems by Guillaume Apollinaire, (H 197) Miracu lously, Karel Šebánek discovered the 8 holidays in 1930 for the singer Anna Pečírková, he prob - manuscript in a second-hand bookshop after the martinů’s holidays ably did not foresee that the songs would be lost war and brought it back to Pečírková. It was lost three times over in the following years – and that for a third time when the singer loaned it to Miloš in czechoslovakia they would be found again three times. The first Šafránek in 1949 and he failed to return it. In the MONIKA HOLÁ loss occurred in 1933, a few days before the first end, the three songs were discovered last year in performance, but the songs were successfully the estate of Czech choirmaster Miroslav Košler, discovered in time for Pečírková and her accom - later to be purchased by the Bohuslav Martinů panist Václav Štěpán to perform them as planned Foundation. 10 reviews in Prague’s Mozar teum. The autograph was lost the passion in ekaterinburg for a second time in 1944, when the Gestapo burst From the article by Eva Žižková, more info: LENKA ŠALDOVÁ into Anna Pečírková’s flat. The autograph and www.martinu.cz/en/news/1192-songs-thrice-lost/ 12 interview …with oliver von dohnányi ALEŠ BŘEZINA 16 research a seventy-year tradition of performing bohuslav martinů’s operas at ostrava TEREZA OSMANČÍKOVÁ 19 news martinů and rybka MONIKA HOLÁ 2 | martinůrevue22018 operas 4th BENEFIT CONCERT 2018 FOR THE BOHUSLAV MARTINŮ INSTITUTE 30 October + 21 November 2018 19 November 2018 / 7.30 pm highlights > Ekaterinburg State Academic Opera and Ballet Theatre, > Kaiserstein Palace, Prague ) Ekaterinburg, Russia Mahan Esfahani (Harpsichord) www.uralopera.ru (for more information see the last page) The Greek Passion, H 372 I Oliver von Dohnanyi (Conductor) Thaddeus Strassberger (Director) Kevin Knight (Set, Costume Designer) festivals BOHUSLAV MARTINŮ DAYS 18 November – 19 December 2018, concerts Prague 3 October 2018 / 6.00 pm www.martinu.cz/festival see also page 2 CONCERT FOR THE 100th ANNIVERSARY OF CZECHOSLOVAKIA MARTINŮ FEST BASEL > Dvořák Hall, Rudolfinum, Prague www.ceskafilharmonie.cz 10–25 November 2018 Double Concerto for Two String www.martinu.ch Orchestras, Piano and Timpani, H 271 String Trio No.2, H 238 Czech Philharmonic (Julia Fischer Quartet) Semjon Byčkov (Conductor) Film screening of opera What men live by, H 336 Ivo Kahánek (Piano) (Director Jiří Nekvasil) Michael Kroutil (Timpani) Film en miniature (Family Concert) 11 + 12 + 13 October 2018 / 8.00 pm Little suite from Comedy > Philharmonie, Berlin on the Bridge, H 347 A www.berliner-philharmoniker.de (Nicolas Altstaedt, Conductor) Concerto for Violin Sonata da Camera for Cello and and Orchestra No.1, H 226 Chamber Orchestra, H 238 Berliner Philharmoniker (Nicolas Altstaedt, Cello and Conducting) Jakub Hrůša (Conductor) Frank Peter Zimmermann (Violin) anniversary czech music lover patrick lambert turns 75 ON FRIDAY, 15 JUNE, Patrick Lambert cele brated Survey of the Early Recordings, published in 2016, his 75th birthday. Throughout his long career as dealt with early recordings of the composer’s music editor and BBC Radio 3 producer, Lambert music. In the Czech music magazine Harmonie, was able to demonstrate his special interest he published a series of articles about Czech music. in Czech music, particu larly that of Janáček and Lambert is also a regular contributor to the Martinů Martinů. Revue. For example, in the last issue (No.1, 2018), Patrick Lambert has tirelessly promoted the he wrote about last year’s Bohuslav Martinů Days. music of Martinů and added to the sum of knowl - edge about him. His monograph MARTINŮ IN HIS HAPPY BIRTHDAY! TIME – THE RECORDED LEGACY: A Biographical martinůrevue22018 | 3 gennady rozhdestvensky obituary has passed away at the age of 87 ONE OF THE WORLD’S most famous conductors Gennady Rozhdestvensky Gennady Rozhdestvensky passed away on (on the photo also with Saturday, June 16th. Rozhdestvensky, who was his wife Anna Postnikova) also a composer and pianist, was one of the receiving the Bohuslav founding members of the Bohuslav Martinů Martinů Foundation Society, International Martinů Circle, and for his lifetime promotion of Martinů’s work was Medal from Ivan Štraus awarded the Bohuslav Martinů Foundation foto zdeněk chrapek Medal in 2003. Gennady Nikolayevich Rozhdestvensky was born on May 4, 1931 in Moscow into a musical family. He studied conducting with his father at the Moscow Conservatory and piano with Lev Oborin. During his career, he worked as a chief conductor of the BBC Symphony Orchestra, the Vienna Symphony Orchestra, the Royal Philhar - monic Orchestra in Stockholm, or as a chief con - ductor of the Bolshoi Theatre. He has promoted works by foreign com posers not well known in the The first score of a Bohuslav Martinů piece I actually Hector Berlioz, Bohuslav Martinů and Dmitri Soviet Union, such as Paul Hindemith, Carl Orff or held in my hands was the Memorial to Lidice, and Shosta kovich. In 1962 he first conducted at the Bohuslav Martinů. these two works brought me to Martinů. In Moscow Prague Spring Festival, where he performed at “In 1956 I studied for six months in Prague, where I later introduced a cycle of all his symphonies.” the closing concerts as well in 1974 and 2007. I attended Ančerl’s rehearsals, and for the first time During his frequent stays in Prague, Gennady May he rest in peace. I heard the Fourth Symphony by Bohuslav Martinů. Rozhdestvensky performed works by Leoš Janáček, / VOJTĚCH JOUZA and arrange a re - the West: the Kocian and Pražák Quartets, the pierre emile barbier turn visit for the Guarneri Trio, the Prague Wind Quintet, the Czech - City of Prague Nonet and others. String Quartet Most of these recordings were made at Prague’s (alias peb) in 1976; for this Domovina Studio, with producer Jiří Gemrot and event, Pierre- sound engineer Karel Soukeník, and received THE WELL KNOWN French musicologist Pierre- Emile had to awards from western magazines such as Diapason, Emile Barbier died in April 2017, aged 82. deploy his con - Monde de la Musique and Classica in Paris, Preis der With a mathematician father (Ecole Normale siderable diplo - deutschen Schallplatenkritik in Germany, and above Supérieure) and a violist mother, Barbier was matic talents: the all the British Gramophone, with its world-wide educated in both fields and became an electronics Quartet had been English reading public. Some highly prized CDs engineer while still completing his thesis on Béla deprived of their were recorded in Paris under Pierre-Emile’s own Bartók. pass ports by the Husák administration after the supervision: for instance, Weber’s Clarinet Quintet He later specialised in the music of Dmitri Soviet invasion in 1968! He was similarly tactful played by Pascal Moraguès and the Pražák Quartet, Shostakovich and other Soviet composers, such and influential in Budapest and was able to bring which also won awards! Later CDs brought some as Mieczyslav Weinberg, and extended this interest the Bartók and Kodály Quartets to Paris for their younger Czech artists, such the pianist Slávka to include composers from the former Warsaw first concerts in the West. Pěchočová or the Zemlinsky String Quartet, to the pact countries. Among Czech composers, he was Later, after the ‘Velvet Revolution’ in Prague, his fore. Among the CDs produced by the Zemlinsky especially devoted to Leoš Janáček and Bohuslav help was enlisted by Jindřich Feld, who, seeing how quartet, my favourite has to be the complete String Martinů and became good friends with both Viktor so many Czech musicians were being attracted Quartets by Viktor Kalabis which they shared with Kalabis and Jindřich Feld. away to the West by the better encomic conditions, the more established Kocián Quartet! In total, Praga In the early 1970s, he contributed to the two- was trying to provide better incentives for them to and Praga Digitals produced around 350 to 400 CDs volume Larousse music dictionary, writing dozens stay. Pierre-Emile’s response was to found two CD during PEB’s life. He contribution to the advance - of articles about these composers under his initials Labels, PRAGA Records and PRAGA Digitals. The ment of Bohuslav Martinů’s music was acknowl - P.-E.
Recommended publications
  • Read Program
    KAIJA SAARIAHO l’amour de loin conductor Opera in five acts Susanna Mälkki Libretto by Amin Maalouf production Robert Lepage Saturday, December 10, 2016 PM associate director 1:00–3:35 Sybille Wilson New Production set and costume designer Michael Curry lighting designer Kevin Adams lightscape image designer Lionel Arnould The production of L’Amour de Loin was made sound designer Mark Grey possible by a generous gift from the Francis Goelet Trusts Additional funding for this production was received from The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund general manager Peter Gelb music director emeritus James Levine Co-production of the Metropolitan Opera and L’Opéra de Québec principal conductor Fabio Luisi In collaboration with Ex Machina 2016–17 SEASON The 3rd Metropolitan Opera performance of KAIJA SAARIAHO’S This performance l’amour is being broadcast live over The Toll Brothers– de loin Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Susanna Mälkki America’s luxury ® in order of vocal appearance homebuilder , with generous long-term jaufré rudel support from Eric Owens The Annenberg Foundation, The the pilgrim Neubauer Family Tamara Mumford* Foundation, the Vincent A. Stabile clémence Endowment for Susanna Phillips Broadcast Media, and contributions from listeners worldwide. There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74. Saturday, December 10, 2016, 1:00–3:35PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation.
    [Show full text]
  • A Pathbreaking and Splendid 'The Passenger' from Ubc Opera
    VANCOUVER HOME CALENDAR REVIEWS CLASSICAL MUSIC INTERVIEWS & ARTICLES ABOUT US A PATHBREAKING AND SPLENDID ‘THE PASSENGER’ FROM UBC OPERA Mieczysław Weinberg, THE PASSENGER: David Gibbons (Walter), Leila Kirves (Lisa), Catherine Thornsley (Marta), Luka Kawabata (Tadeusz), UBC Opera Ensemble, members of the Vancouver Opera Orchestra, David Agler (conductor), Nancy Hermiston (director), Alessia Carpoca (set design), Chan Centre, January 30, 2020. There are few neglected modern composers whose star has risen more in recent years than Polish/Russian composer Mieczysław Weinberg (1919-1996), a friend of Dmitri Shostakovich. Yet many opera companies would probably wish to stick to safer productions than to delve into the little-known world of the composer’s operatic ventures. Hat’s off therefore to the courage and vision of Nancy Hermiston and her fine UBC opera troupe in staging the composer’s powerful and original The Passenger (1967/68). The setting examined is both brutally painful and poignant: the concentration camps of World War II, where the ‘passenger’ embodies the haunting memories that everyone carries with them into the future, whether they be survivor or captor. Weinberg’s masterpiece has begun slowly making the rounds of international operatic stages and should take its rightful place alongside Shostakovich’s Lady Macbeth of Mtsensk and Prokofiev’s War and Peace as one of the great Soviet operas of the twentieth century. The commitment and intelligence of the present UBC student production served the composer admirably: the work emerges as positively shattering in its emotional force. Alexander Medvedev’s libretto is adapted from the radio play Passenger from Cabin 45 by Auschwitz survivor Zofia Posmysz, based on her own experiences during the Holocaust.
    [Show full text]
  • January 11, 2021 in Accordance with Section 2Ofthe Confirmation Act
    MURIEL BOWSER MAYOR January 11, 2021 The Honorable Phil Mendelson Chairman Council of the District of Columbia John A. Wilson Building 1350 Pennsylvania Avenue, NW, Suite 504 Washington, DC 20004 Dear Chairman Mendelson: In accordance with section 2 of the Confirmation Act of 1978, effective March 3, 1979 (D.C. Law 2-142; D.C. Official Code § 1-523.01), and pursuant to section 305 of the Fiscal Year 2002 Budget Support Act of 2001, effective October 3, 2001 (D.C. Law 14-28; D.C. Official Code § 2-1374), which established the Commission on Asian and Pacific Islander Community Development (“Commission”), I am pleased to nominate the following person: Mr. John Tinpe 7th Street, NW Washington, DC 20001 (Ward 2) for reappointment as a public voting member of the Commission, fora term to end April 17, 2022. Enclosed, you will find biographical information detailing the experience of the above-mentioned nominee, together with a proposed resolution to assist the Council during the confirmation process. 1 would appreciate the Council’s earliest consideration of this nomination for confirmation. Please do not hesitate to contact me, or Steven Walker, Director, Mayor's Office of Talent and Appointments, should the Council require additional information. Sincerely, Mutiel Bolyser fle Hreee— Chairman Phil Mendelson at the request of the Mayor A PROPOSED RESOLUTION IN THE COUNCIL OF THE DISTRICT OF COLUMBIA To confirm the reappointment of Mr. John Tinpe to the Commission on Asian and Pacific Islander Community Development. RESOLVED, BY THE COUNCIL OF THE DISTRICT OF COLUMBIA, That this resolution may be cited as the “Commission on Asian and Pacific Islander Community Development John Tinpe Confirmation Resolution of 2021”.
    [Show full text]
  • Jahresbericht 2014 Richard Wagner Verband Regensburg E.V
    Richard Wagner Verband Regensburg e.V. ************************************************************************* Emil Kerzdörfer, 1. Vorsitzender Kaiser - Friedrich - Allee 46 D - 93051 Regensburg Tel: (+49)-941-95582 Fax: (+49)-941-92655 www.Richard-Wagner-Verband -Regensburg.de **************************************************************************************** Motto: „… der Komponist offenbart das innerste Wesen der Welt und spricht die tiefste Weisheit aus, in einer Sprache, die seine Vernunft nicht versteht“. Artur Schopenhauer (1788 -1860) ****************************************************************************************** Jahresbericht 2014 gewidmet unserem Ehrenmitglied Frau Verena Lafferentz-Wagner 1. Vorsitzender: Emil Kerzdörfer Mitgliederzahl: 463 01. Januar: Opernbesuch im Theater Regensburg Richard Wagner: Die Feen, Premiere Romantische Oper in drei Akten Regensburger Erstaufführung Inszenierung: Florian Lutz Dirigent: Tetsuro Ban 05. Februar: Jour Fixe im Kolpinghaus Multimediavortrag: Emil Kerzdörfer: „Giuseppe Verdis Requiem“ 07. Februar: Konzertfahrt nach München in die Philharmonie Giuseppe Verdi: „Messa da Requiem“ Solisten: Anja Harteros (Sopran) Daniela Barcellona (Alt ) Woukyung Kim (Tenor) Georg Zeppenfeld (Bass) Münchner Philharmoniker Philharmonischer Chor München Dirigent: Lorin Maazel 26. Februar: Konzertfahrt nach München in die Philharmonie Jean Sibelius: Valse Triste, op. 44 Sergej Prokofieff: Konzert für Klavier und Orchester, Nr. 3, C-Dur, op. 26 Robert Schumann: Symphonie Nr. 4, d-moll, op.
    [Show full text]
  • S I N G L E T I C K E T B R O C H U
    2013-2014 SEASON SINGLE TICKET BROCHURE MOURNING BECOMES ELECTRA NABUCCO TOSCA THAÏS Mourning Becomes Electra Nabucco Welcome! You don’t want to miss our upcoming season. Where else can you travel from Ancient Babylon to post Civil War New England without leaving South Florida, while enjoying some of the finest singers and exciting productions from around the world. If you are new to opera, the themes of these pieces will resonate with you Tosca regardless of which of the many diverse communities of South Florida you call home. This season has something for everyone. See You at the Opera, Susan T. Danis Ramón Tebar General Director and CEO Music Director Thaïs NOV 07/ NOV 23 NABUCCO JAN 25/ FEB 08 MOURNING BECOMES NABUCCO ELECTRA BY GIUSEPPE VERDI BY MARVIN DAVID LEVY “It’s got everything you’d want from an opera…and more. “…When I am alone with my notes, my heart pounds and the The music knocks you out with its ferocity.” -- Marvin David Levy tears stream from my eyes, and my emotion and my joys are too much to bear.” -- Giuseppe Verdi Nabucco © Scott Suchman for Washington National Opera. BasedMourning on Becomes the play Electra cycle © Rozarii by Eugene Lynch for Seattle O’Neill, Opera. this mythic tale is set in Massachusetts shortly This opera captures the voice of the ancient Hebrews and their struggle as exiles. In fact, it speaks after the Civil War. Beneath the veneer of the prim and proper Mannon family are seething with the voice of all exiles. Experience the anguish as Nebuchadnezzar, King of Babylonia, destroys passions of bitterness, infidelity, incest, and even murder.
    [Show full text]
  • Rental Catalog Orchestra, Band, and Opera
    Rental Catalog Orchestra, Band, and Opera E. C. Schirmer • Galaxy • MorningStar Edition Delrieu-Hexamusic • Layali Music Publishing • Randol Bass Music • Stainer & Bell, Ltd. • Vireo Press Casa Gian-Antonio 2 THIS CATALOG contains all orchestral and instrumental works (with and without voices) available through the rental department of ECS Publishing Group; includes the combined catalogs of E. C. Schirmer Music Company, Galaxy Music Corporation, Highgate Press, Ione Press, Edition Delrieu-Hexamusic, Layali Music Publishing, MorningStar Music Publishers, Randol Bass Music, Stainer & Bell Ltd, and Vireo Press. Part One (pp. 3–28) is a master list of all works arranged alphabetically by composer and containing arranger’s name (if any), approximate duration (in minutes), instrumentation, soloists, and choral voicing. Part Two (pp. 2–46) contains subject and genre indices. Please direct all inquiries to RENTAL DEPARTMENT ECS Publishing Group 1727 Larkin Williams Road Fenton, MO 63026 Phone (636) 305-0100 | (800) 647-2117 Fax: (636) 305-0121 www.ecspublishing.com [email protected] European customers may contact Stainer & Bell, Ltd., London. European inquiries for Randol Bass Music or Layali Music Publishing (Kareem Roustom) may contact ECS directly. The ECS Publishing Rental Department will be happy to supply detailed information about instrumentation, versions, fees, perusal scores, and more. If you are planning a performance, please visit our website to submit a rental request form (http://ecspublishing.com/rental/rental-request-form). Frequently asked questions: www.ecspublishing.com/rental/rentalfaq How to read instrumentation Instrumentation is arranged in groups. Flute Oboe Clarinet Bassoon — Horn Trumpet Trombone Tuba — Timpani+Percussion Players — Harp, Key- boards — Strings — Special Instruments — Solo Instruments, Solo Voices, Chorus, Other A period separates players, and a slash indicates doublings.
    [Show full text]
  • 2003 Rhythm Traveler
    In t r oducing Rhythm Tra v e l e r . The perfe c t people in the next room. Then imagine kit for both silent practice and compact ca r rying the same kit, neatly stacked in the live perfo r mance. passenger seat of your car, to do a live If you’re like most drummers, reh e a r s a l gig. Rhythm Traveler is the only kit that time is limited. Simply finding a place to combines both these drum m i n g practice without disturbing the peace can necessities at a price well within reach of be a nightmare. But imagine being able to any working drum m e r . Rhythm Traveler is practice anytime of the day or night, on a the go anywhere, practice anytime kit of full size five piece kit, without disturbing your dreams. Compact Tra v e l Rhythm Traveler’s toms neatly stack to create an extremely compact kit for transport. Every facet of the kit, including every piece of hardware, has been designed with the working and rehearsing drummer in mind. Our super sturdy 70W Series Hardware offers both double braced legs and a low-mass, lightweight design, making it the perfect compliment to Rhythm Traveler. You no longer have to have a large vehicle to be a drummer. With Rhythm Traveler your kit can even fit in the passenger seat of your car. Live Perfo rm a n c e Rhythm Traveler is the perfect kit for most any live performance situation where space, or the lack of it, is a major concern.
    [Show full text]
  • Mahler Violins of Hope
    OAKLAND SYMPHONY ORCHESTRA Oakland Symphony presents VIOLIN 1 CELLO HORN Dawn Harms, Dan Reiter, Meredith Brown, MAHLER Co-Concertmaster Principal Principal Terri Baune, Joseph Hébert Alicia Telford VIOLINS OF HOPE Co-Concertmaster Michelle Kwon Alex Camphouse Vivian Warkentin, Beth Vandervennet Ross Gershenson STEVE MARTLAND Asst. Concertmaster Jeffrey Parish Crossing the Border for double string orchestra Natasha Makhijani, Paul Rhodes TRUMPET and ballet dancers Assoc. Concertmaster Farley Pearce William Harvey, Principal Oakland Ballet Company Kristina Anderson Elizabeth Struble Matthew Vincent Leonard Ott CONTRABASS John Freeman ANTONIO VIVALDI Carla Picchi Patrick McCarthy, Concerto in F major for Three Violins and Strings, Ellen Gronningen Principal TIMPANI RV 551 Deborah Spangler Alden Cohen Fred Morgan, I. Allegro Emanuela Nikiforova Ben Tudor Principal II. Andante Junghee Lee III. Allegro Alison Miller Andy Butler PERCUSSION David Arend Lyly Li Ward Spangler, Terrie Baune, violin, Liana Bérubé, violin Carl Stanley Principal Dawn Harms, violin VIOLIN 2 Allen Biggs Liana Bérubé, FLUTE INTERMISSION Principal Alice Lenaghan, HARP David Cheng Principal GUSTAV MAHLER Meredith Clark, Candace Sanderson Rena Urso Symphony No. 4 in G major Principal Sharon Calonico Amy Likar I. Bedächtig, nicht eilen; Recht gemächlich (Haupt Tempo) Stacey Pelinka PERSONNEL MANAGER II. In gemächlicher Bewegung. Ohne Hast Baker Peeples III. Ruhevoll: (Poco adagio) Adrienne Duckworth OBOE Carole Klein Sergi Goldman-Hull IV. Sehr behaglich Andrea Plesnarski,
    [Show full text]
  • SOUND QUALITY JUDGING for 2009 /10/11 CD 5 Introduce Yourselves in a Polite Way to the Competitor
    SQ Judging Manual 2011, v.3.8 Costas Christopoulos Special thanks to Norbert Tyka & Reinier Wolf SOUND QUALITY JUDGING FOR 2009 /10/11 CD 5 Introduce yourselves in a polite way to the competitor. Follow the procedures and rules 1 to 23 that are described in pages 41 & 42 in the Rulebook. 5.1 Pre Judging Check 5.1.1 Checking Charger Y / N Ask the competitor to disconnect his battery charger ( if any ) from his system and document it to the checkbox on the score sheet. 5.1.2 Verification of Reasonable Driving Position Y / N Check if the competitor is able to operate the gear-stick, the steering wheel & the pedals, with the given driver's seat adjustment, and document it in the checkbox . TRACK 1 : Introduction track. It can give you an idea of the sound which is fast, clean and full. The voice sounds clear and direct. 5.1.3 Channel Verification TRACK 2 : voice only on Right Channel Verify that L and R channels are correct, and document it, to the checkbox on the score sheet. In case L & R channels are reversed, notify the competitor and give him 5 minutes to correct the problem. If he is not able to correct it, the competitor will decide if he/she wants to continue the judgment or not. 5.1.4 Calibration of Volume The Competitor will suggest the volume to be listened at by the sound judges. The Judges should use this Volume! Only in case that the suggested Volume is too loud (see Point 5.1.4 in the Rulebook, more than 80dB), the Judges have to take a measurement to correct the Volume.
    [Show full text]
  • Network Notebook
    Network Notebook Summer Quarter 2019 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Les Deux Foscari /Giuseppe Verdi
    OPÉRA EN DIRECT LUNDI 27 OCTOBRE 2014 À 20H15 LES DEUX FOSCARI /GIUSEPPE VERDI DISTRIBUTION RÉSUMÉ FRANCESCO FOSCARI : Plácido Domingo Jacopo Foscari, le fils du Doge de Venise, est JACOPO FOSCARI : Francesco Meli accusé de meurtre et de trahison. Malgré les LUCREZIA CONTARINI : Maria Agresta supplications de sa femme et de son père, il JACOPO LOREDANO : Maurizio Muraro est condamné à l’exil perpétuel, en particulier à cause d’un ennemi, le sénateur Loredano. CHEF D’ORCHESTRE : Antonio Pappano L’opéra de Verdi, adapté de la pièce de Lord COSTUME : Mattie Ullrich Byron du même nom, est une réflexion sur METTEUR EN SCÈNE : Thaddeus Strassberger l’impuissance d’un père face à la cruauté du DÉCOR : Kevin Knight monde. L’amour et la détermination de son père et de sa femme Lucrezia ne sauveront NOUVELLE PRODUCTION pas Jacopo qui meurt au moment même où DURÉE DE L’OPÉRA 2H35/ 1 ENTRACTE une confession vient l’innocenter. OPÉRA EN 3 ACTES LES BONNES RAISONS D’Y ALLER Titre rarement mis en scène, premier rôle tenu par le grand Plácido Domingo, direction d’orchestre par Antonio Pappano, Les Deux Foscari est indubitablement un incontournable de la saison ! Cet opéra de jeunesse de Verdi, très sombre et cruel, marquera les débuts du metteur en scène américain Thaddeus Strassberger au Royal Opera House. Il met en scène la corruption de Venise, illustrée dans le contraste entre les costumes opulents de Mattie Ullrich et les décors dépouillés de Kevin Knight qui soulignent l’isolement des Foscari dans une ville décadente. La richesse de la mise en scène culmine à l’acte III avec la scène flamboyante du carnaval.
    [Show full text]
  • Hollow Victory: Jews in Soviet Russia After the World War LEON BOTSTEIN, Conductor
    Sunday Afternoon, January 28, 2018, at 2:00 Isaac Stern Auditorium / Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 1:00 presents Hollow Victory: Jews in Soviet Russia after the World War LEON BOTSTEIN, Conductor MIECZYSŁAW WEINBERG Rhapsody on Moldavian Themes MIECZYSŁAW WEINBERG Symphony No. 5 in F minor, Op. 76 Allegro moderato Adagio sostenuto Allegro Andantino Intermission VENIAMIN FLEISHMAN Rothschild’s Violin Yakov (Bronze): MIKHAIL SVETLOV, Bass Rothschild: AARON BLAKE, Tenor Shahkes: MARC HELLER, Tenor Marfa: JENNIFER RODERER, Mezzo-soprano members of the BARD FESTIVAL CHORALE JAMES BAGWELL, Director This afternoon’s concert will run approximately 2 hours and 10 minutes including one 20-minute intermission. American Symphony Orchestra welcomes the many organizations who participate in our Community Access Program, which provides free and low-cost tickets to underserved groups in New York’s five boroughs. For information on how you can support this program, please call (212) 868-9276. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. FROM THE Music Director The Courage of Friendship: The story “Rothschild’s Violin.” He com- Composer as Jew in the Soviet Union pleted and orchestrated the work in by Leon Botstein 1944. It was a labor of love and admi- ration. But the persistence if not The historical thread running through increase in anti-Semitism after the war this concert program is the presence made any performance of the work and persecution of the Jews of Poland impossible despite Shostakovich’s advo- and Soviet Russia in the mid-20th cen- cacy. Only four years after the 1956 tury.
    [Show full text]