News Release Minnesota Opera Announces Its 50Th Anniversary
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Establishing the Tudor Dynasty: the Role of Francesco Piccolomini in Rome As First Cardinal Protector of England
2017 IV Establishing the Tudor Dynasty: The Role of Francesco Piccolomini in Rome as First Cardinal Protector of England Susan May Article: Establishing the Tudor Dynasty: The Role of Francesco Piccolomini in Rome as First Cardinal Protector of England Establishing the Tudor Dynasty: The Role of Francesco Piccolomini in Rome as First Cardinal Protector of England1 Susan May Abstract: Between 1492 and 1503, Francesco Todeschini Piccolomini (1439–1503) was the first officially appointed Cardinal Protector of England. This paper focuses on a select few of his activities executed in that capacity for Henry Tudor, King Henry VII. Drawing particularly on two unpublished letters, it underscores the importance for King Henry of having his most trusted supporters translated to significant bishoprics throughout the land, particularly in the northern counties, and explores Queen Elizabeth of York’s patronage of the hospital and church of St Katharine-by-the-Tower in London. It further considers the mechanisms through which artists and humanists could be introduced to the Tudor court, namely via the communication and diplomatic infrastructure of Italian merchant-bankers. This study speculates whether, by the end of his long incumbency of forty-three years at the Sacred College, uncomfortably mindful of the extent of a cardinal’s actual and potential influence in temporal affairs, Piccolomini finally became reluctant to wield the power of the purple. Keywords: Francesco Todeschini Piccolomini; Henry VII; early Tudor; cardinal protector; St Katharine’s; Italian merchant-bankers ope for only twenty-six days following his election, taking the name of Pius III (Fig. 1), Francesco Todeschini Piccolomini (1439–1503) has understandably been P overshadowed in reputation by his high-profile uncle, Aeneas Silvius Piccolomini, Pope Pius II (1458–64). -
Francis Poulenc
CHAN 3134(2) CCHANHAN 33134134 WWideide bbookook ccover.inddover.indd 1 330/7/060/7/06 112:43:332:43:33 Francis Poulenc © Lebrecht Music & Arts Library Photo Music © Lebrecht The Carmelites Francis Poulenc © Stephen Vaughan © Stephen CCHANHAN 33134(2)134(2) BBook.inddook.indd 22-3-3 330/7/060/7/06 112:44:212:44:21 Francis Poulenc (1899 – 1963) The Carmelites Opera in three acts Libretto by the composer after Georges Bernanos’ play Dialogues des Carmélites, revised English version by Joseph Machlis Marquis de la Force ................................................................................ Ashley Holland baritone First Commissioner ......................................................................................James Edwards tenor Blanche de la Force, his daughter ....................................................... Catrin Wyn-Davies soprano Second Commissioner ...............................................................................Roland Wood baritone Chevalier de la Force, his son ............................................................................. Peter Wedd tenor First Offi cer ......................................................................................Toby Stafford-Allen baritone Thierry, a valet ........................................................................................... Gary Coward baritone Gaoler .................................................................................................David Stephenson baritone Off-stage voice ....................................................................................... -
CHAN 3000 FRONT.Qxd
CHAN 3000 FRONT.qxd 22/8/07 1:07 pm Page 1 CHAN 3000(2) CHANDOS O PERA IN ENGLISH David Parry PETE MOOES FOUNDATION Puccini TOSCA CHAN 3000(2) BOOK.qxd 22/8/07 1:14 pm Page 2 Giacomo Puccini (1858–1924) Tosca AKG An opera in three acts Libretto by Giuseppe Giacosa and Luigi Illica after the play La Tosca by Victorien Sardou English version by Edmund Tracey Floria Tosca, celebrated opera singer ..............................................................Jane Eaglen soprano Mario Cavaradossi, painter ..........................................................................Dennis O’Neill tenor Baron Scarpia, Chief of Police................................................................Gregory Yurisich baritone Cesare Angelotti, resistance fighter ........................................................................Peter Rose bass Sacristan ....................................................................................................Andrew Shore baritone Spoletta, police agent ........................................................................................John Daszak tenor Sciarrone, Baron Scarpia’s orderly ..............................................Christopher Booth-Jones baritone Jailor ........................................................................................................Ashley Holland baritone A Shepherd Boy ............................................................................................Charbel Michael alto Geoffrey Mitchell Choir The Peter Kay Children’s Choir Giacomo Puccini, c. 1900 -
Wuthering Heights Artist Biographies Jesse Blumberg (Mr
Wuthering Heights Artist Biographies Jesse Blumberg (Mr. Lockwood) Baritone Jesse Blumberg is an artist equally at home on opera, concert, and recital stages. Last season, he performed the role of the Celebrant in Bernstein's Mass at London's Royal Festival Hall under the baton of Marin Alsop, debuted with Boston Lyric Opera as Harlekin in Ariadne auf Naxos, and performed recitals in Paris with the Mirror Visions Ensemble. In 2007, he created the role of Connie Rivers in The Grapes of Wrath (recorded by P.S. Classics) at the Minnesota Opera, and later made his Utah and Pittsburgh Opera debuts in the same production. Other recent appearances include leading and featured roles with Annapolis Opera, Opera Delaware, Opera Vivente and the Boston Early Music Festival. In concert, Jesse has been a featured soloist with American Bach Soloists, Los Angeles Master Chorale, Sacred Music in a Sacred Space and the Berkshire Choral Festival. He has also given the world premieres of two important chamber works: Ricky Ian Gordon's Green Sneakers (recorded by Blue Griffin Recording) and Lisa Bielawa's The Lay of the Love and Death, the former at the Vail Valley Music Festival, and the latter at Alice Tully Hall. He has toured with the Mark Morris Dance Group and the Waverly Consort, and given recitals for the Marilyn Horne Foundation. Last season, he and pianist Martin Katz performed Schubert's two monumental song cycles, Die schöne Müllerin and Winterreise, over one weekend in Ann Arbor, and will soon repeat this pairing in New York City. Jesse has been recognized in many song and opera competitions, and in 2008 was awarded Third Prize at the International Robert Schumann Competition in Zwickau, becoming its first American prizewinner in over thirty years. -
Anna Bolena Opera by Gaetano Donizetti
ANNA BOLENA OPERA BY GAETANO DONIZETTI Presentation by George Kurti Plohn Anna Bolena, an opera in two acts by Gaetano Donizetti, is recounting the tragedy of Anne Boleyn, the second wife of England's King Henry VIII. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style, meaning beauty and evenness of tone, legato phrasing, and skill in executing highly florid passages, prevalent during the first half of the nineteenth century. He was born in 1797 and died in 1848, at only 51 years of age, of syphilis for which he was institutionalized at the end of his life. Over the course of is short career, Donizetti was able to compose 70 operas. Anna Bolena is the second of four operas by Donizetti dealing with the Tudor period in English history, followed by Maria Stuarda (named for Mary, Queen of Scots), and Roberto Devereux (named for a putative lover of Queen Elizabeth I of England). The leading female characters of these three operas are often referred to as "the Three Donizetti Queens." Anna Bolena premiered in 1830 in Milan, to overwhelming success so much so that from then on, Donizetti's teacher addressed his former pupil as Maestro. The opera got a new impetus later at La Scala in 1957, thanks to a spectacular performance by 1 Maria Callas in the title role. Since then, it has been heard frequently, attracting such superstar sopranos as Joan Sutherland, Beverly Sills and Montserrat Caballe. Anna Bolena is based on the historical episode of the fall from favor and death of England’s Queen Anne Boleyn, second wife of Henry VIII. -
MWV Saverio Mercadante
MWV Saverio Mercadante - Systematisches Verzeichis seiner Werke vorgelegt von Michael Wittmann Berlin MW-Musikverlag Berlin 2020 „...dem Andenken meiner Mutter“ November 2020 © MW- Musikverlag © Michael Wittmann Alle Rechte vorbehalten, insbesondere die des Nachdruckes und der Übersetzung. !hne schriftliche Genehmigung des $erlages ist es auch nicht gestattet, dieses urheberrechtlich geschützte Werk oder &eile daraus in einem fototechnischen oder sonstige Reproduktionverfahren zu verviel"(ltigen oder zu verbreiten. Musikverlag Michael Wittmann #rainauerstraße 16 ,-10 777 Berlin /hone +049-30-21*-222 Mail4 m5 musikverlag@gmail com Vorwort In diesem 8ahr gedenkt die Musikwelt des hundertfünzigsten &odestages 9averio Merca- dantes ,er Autor dieser :eilen nimmt dies zum Anlaß, ein Systematisches Verzeichnis der Wer- ke Saverio Mercdantes vorzulegen, nachdem er vor einigen 8ahren schon ein summarisches Werkverzeichnis veröffentlicht hat <Artikel Saverio Mercadante in: The New Groves ictionary of Musik 2000 und erweitert in: Neue MGG 2008). ?s verbindet sich damit die @offnung, die 5eitere musikwissenschaftliche ?rforschung dieses Aomponisten zu befördern und auf eine solide philologische Grundlage zu stellen. $orliegendes $erzeichnis beruht auf einer Aus5ertung aller derzeit zugänglichen biblio- graphischen Bindmittel ?in Anspruch auf $ollst(ndigkeit 5(re vermessen bei einem Aom- ponisten 5ie 9averio Mercadante, der zu den scha"fensfreudigsten Meistern des *2 8ahrhunderts gehört hat Auch in :ukunft ist damit zu rechnen, da) 5eiter Abschriften oder bislang unbekannte Werke im Antiquariatshandel auftauchen oder im :uge der fortschreitenden Aata- logisierung kleinerer Bibliotheken aufgefunden 5erden. #leichwohl dürfte (mit Ausnahme des nicht vollst(ndig überlieferten Brüh5erks> mit dem Detzigen Borschungsstand der größte &eil seiner Werk greifbar sein. ,ie Begründung dieser Annahme ergibt sich aus den spezi"ischen #egebenheiten der Mercadante-Überlieferung4 abgesehen von der frühen Aonservatoriumszeit ist Mercdante sehr sorgfältig mit seinen Manuskripten umgegangen. -
In the World of Music and Musicians
In the World of Music and Musicians The Late Camille Saiiit-Saens And His Visit to United States Programs of the Week of German and Sunday Tuesday Missions French Coniposcrg; Strauss Acolian Hall, 3 p. m. Concert by the Aeolian Hall, 3 p. m. Song recital and Failure in lneidents of icw York Symphony Societ;, : Margueritc d'Alvarez, contralto: Propagandism; Saint- ¦'.. Dleu.A. Nleolau ymphony No. 3.Rrahmi .Glock Saens's Sojourn Here; His Genius and Career A Comefly Ovorture".Oardlnei chanta .Ramaau oncerto ln C mlnor., .i>. ;ms ,. .Easthope Martin Percy ()r»ingor. .Franic Hrl«»ro Ilghf. Ruaalan Folk songs.I.iadow i' ' .. .Q. Btratffefe M I'-1 H. E. Krehbicl legree upon him, and the trifles Carnegie Hall. 3 p. m. Song rccitai I.nd . Rraumon-. By | already >y Emma Calve: t. uuy .Tachalkowaky have been to mentioncd. The other numbors of the UsnCes ^n Kti le n -...,- .Dargomysaky y!e reccntly permitted Sapho.Gounod .1 .."' Nl'ltli Maiden .narK-.n.yzaW program were his "Le Rouet d'Om- 'hreo old French Song*.Anonymoua .Tschatkowaky look upon the greatest of Gcrmany's Echoos des montagnes idc .k Chaoaaon phalc," Gcorg Schumann's "Liebes- La Rol Kenaud. ia.B. I'timiamri living composers and one of thc fore- frilhling" and Beethoven's "Eroica." (Chanson de Geates de Troubadours) !.¦¦ Solr .C. Dabuaay I.a Llsotte. l ..H»tnn most reprcsentatives, if not the fore- At the repetition of the program on jamen/o d'Arlane.Montev. d Tus OJ08 '.. .Alvarfz riades haleines ¦.' ¦.- the next Mr. Damrosch (XV Century).. Carisalml '.. .' Toroa..Alvara -. -
La Actividad Concertística En El Palacio Real Durante El Período Isabelino
CUADERNOS DE MÚSICA IBEROAMERICANA. V ol. 22 julio-diciembre 2011, 07-50 ISSN : 1136-5536 Mª E VA GARCÍA FERNÁNDEZ Universidad de Oviedo La actividad concertística en el Palacio Real durante el período isabelino Durante el periodo isabelino se desarrolla en los años cuarenta una importante actividad con - certística en el Palacio Real que alcanza su punto culminante en el año 1846, iniciando su declive a lo largo de la década de los años cincuenta. El acceso a los expedientes de dichos conciertos en el Archivo General del Palacio Real, así como a las fuentes hemerográficas de la época nos permi - te conocer la evolución de este proceso y establecer una diferencia entre “grandes conciertos” de gala y “pequeños conciertos” o “conciertos de familia”, de carácter más íntimo en los que partici - paban los miembros de la Familia Real. Palabras clave: Música s. XIX, Madrid, Palacio Real, ópera, piano, conciertos, reinado isabelino. A significant number of concerts were given at the Madrid Royal Palace in the 1840s, during the reign of Isabella II, reaching a climax in the year 1846, and declining in the 1850s. Access to the records of these con - certs at the Archivo General del Palacio Real, as well as the press of the period, reveals the evolution of this process and allows a differentiation to be between “large-scale” gala concerts and “small-scale” or “family con - certs”, of a more intimate nature, with the participation of members of the Royal Family. Keywords: nineteenth-century music, Madrid, Royal Palace, opera, piano, concerts, reign of Isabella II of Spain. -
January 11, 2021 in Accordance with Section 2Ofthe Confirmation Act
MURIEL BOWSER MAYOR January 11, 2021 The Honorable Phil Mendelson Chairman Council of the District of Columbia John A. Wilson Building 1350 Pennsylvania Avenue, NW, Suite 504 Washington, DC 20004 Dear Chairman Mendelson: In accordance with section 2 of the Confirmation Act of 1978, effective March 3, 1979 (D.C. Law 2-142; D.C. Official Code § 1-523.01), and pursuant to section 305 of the Fiscal Year 2002 Budget Support Act of 2001, effective October 3, 2001 (D.C. Law 14-28; D.C. Official Code § 2-1374), which established the Commission on Asian and Pacific Islander Community Development (“Commission”), I am pleased to nominate the following person: Mr. John Tinpe 7th Street, NW Washington, DC 20001 (Ward 2) for reappointment as a public voting member of the Commission, fora term to end April 17, 2022. Enclosed, you will find biographical information detailing the experience of the above-mentioned nominee, together with a proposed resolution to assist the Council during the confirmation process. 1 would appreciate the Council’s earliest consideration of this nomination for confirmation. Please do not hesitate to contact me, or Steven Walker, Director, Mayor's Office of Talent and Appointments, should the Council require additional information. Sincerely, Mutiel Bolyser fle Hreee— Chairman Phil Mendelson at the request of the Mayor A PROPOSED RESOLUTION IN THE COUNCIL OF THE DISTRICT OF COLUMBIA To confirm the reappointment of Mr. John Tinpe to the Commission on Asian and Pacific Islander Community Development. RESOLVED, BY THE COUNCIL OF THE DISTRICT OF COLUMBIA, That this resolution may be cited as the “Commission on Asian and Pacific Islander Community Development John Tinpe Confirmation Resolution of 2021”. -
Jahresbericht 2014 Richard Wagner Verband Regensburg E.V
Richard Wagner Verband Regensburg e.V. ************************************************************************* Emil Kerzdörfer, 1. Vorsitzender Kaiser - Friedrich - Allee 46 D - 93051 Regensburg Tel: (+49)-941-95582 Fax: (+49)-941-92655 www.Richard-Wagner-Verband -Regensburg.de **************************************************************************************** Motto: „… der Komponist offenbart das innerste Wesen der Welt und spricht die tiefste Weisheit aus, in einer Sprache, die seine Vernunft nicht versteht“. Artur Schopenhauer (1788 -1860) ****************************************************************************************** Jahresbericht 2014 gewidmet unserem Ehrenmitglied Frau Verena Lafferentz-Wagner 1. Vorsitzender: Emil Kerzdörfer Mitgliederzahl: 463 01. Januar: Opernbesuch im Theater Regensburg Richard Wagner: Die Feen, Premiere Romantische Oper in drei Akten Regensburger Erstaufführung Inszenierung: Florian Lutz Dirigent: Tetsuro Ban 05. Februar: Jour Fixe im Kolpinghaus Multimediavortrag: Emil Kerzdörfer: „Giuseppe Verdis Requiem“ 07. Februar: Konzertfahrt nach München in die Philharmonie Giuseppe Verdi: „Messa da Requiem“ Solisten: Anja Harteros (Sopran) Daniela Barcellona (Alt ) Woukyung Kim (Tenor) Georg Zeppenfeld (Bass) Münchner Philharmoniker Philharmonischer Chor München Dirigent: Lorin Maazel 26. Februar: Konzertfahrt nach München in die Philharmonie Jean Sibelius: Valse Triste, op. 44 Sergej Prokofieff: Konzert für Klavier und Orchester, Nr. 3, C-Dur, op. 26 Robert Schumann: Symphonie Nr. 4, d-moll, op. -
N OTES on CONTRIBUTORS Yearbook and in the Early Drama
N OTES ON CONTRIBUTORS Debra Barrett-Graves is Assistant Professor of English at California State University-Hayward. Her articles have appeared in Shakespeare Yearbook and in The Early Drama, Art, and Music Review. She collabo rated with Levin and Carney on an essay collection, Elizabeth 1: Always Her Own Free Woman (Ashgate, 2003) and she, Carney, and Levin were among the coauthors of Extraordinary Women 0/ the Medieval and Renaissance World (Greenwood Publishers, 2000). Jo Eldridge Carney is Associate Professor of English at The College of New Jersey. She is the editor of Renaissance and Reformation, 1500-1620 (Greenwood Publishers, 2000), which was chosen by CHOICE as an Outstanding Academic Book. Carney, Barrett-Graves, and Levin were among the authors of Extraordinary Women 0/ the Medieval and Renaissance World (Greenwood Publishers, 2000). She also collaborated with Levin and Barrett-Graves on an essay collection, Elizabeth L Always Her Own Free Woman (Ashgate, 2003). Joy Currie is completing her Ph.D. in Renaissance and Romanticism at the University of Nebraska where she received the Maud Hammond Fling Fellowship. She has twice received the John Robinson Prize for best paper from the English Department and recently published an article in Medievalia. Susan Dunn-Hensley teaches at the University of Kansas where she is completing her Ph.D. in English Renaissance literature; her dissertation is on women healers and witches in early modern drama. Timothy G. Elston is completing his Ph.D. in History at the University ofNebraska where he has received the Barnes Fellowship to support his dissertation research on Catherine of Aragon. -
Section 2 Stage Works Operas Ballets Teil 2 Bühnenwerke
SECTION 2 STAGE WORKS OPERAS BALLETS TEIL 2 BÜHNENWERKE BALLETTE 267 268 Bergh d’Albert, Eugen (1864–1932) Amram, David (b. 1930) Mister Wu The Final Ingredient Oper in drei Akten. Text von M. Karlev nach dem gleichnamigen Drama Opera in One Act, adapted from the play by Reginald Rose. Libretto by von Harry M. Vernon und Harald Owen. (Deutsch) Arnold Weinstein. (English) Opera in Three Acts. Text by M. Karlev based on the play of the same 12 Solo Voices—SATB Chorus—2.2.2.2—4.2.3.0—Timp—2Perc—Str / name by Harry M. Vernon and Harald Owen. (German) 57' Voices—3.3(III=Ca).2(II=ClEb).B-cl(Cl).3—4.3.3.1—Timp—Perc— C F Peters Corporation Hp/Cel—Str—Off-stage: 1.0.Ca.0.1—0.0.0.0—Perc(Tamb)—2Gtr—Vc / 150' Twelfth Night Heinrichshofen Opera. Text adapted from Shakespeare’s play by Joseph Papp. (English) _________________________________________________________ 13 Solo Voices—SATB Chorus—1.1.1.1—2.1.1.0—Timp—2Perc—Str C F Peters Corporation [Vocal Score/Klavierauszug EP 6691] Alberga, Eleanor (b. 1949) _________________________________________________________ Roald Dahl’s Snow White and the Seven Dwarfs Text by Roald Dahl (English) Becker, John (1886–1961) Narrator(s)—2(II=Picc).2.2(II=B-cl).1.Cbsn—4.2.2.B-tbn.1—5Perc— A Marriage with Space (Stagework No. 3) Hp—Pf—Str / 37' A Drama in colour, light and sound for solo and mass dramatisation, Peters Edition/Hinrichsen [Score/Partitur EP 7566] solo and dance group and orchestra.