DOCSLIB.ORG

Bibliothèque Le Cube.Xlsx

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

titre de l'exposition artistes curateurs auteurs lieu de l'exposition éditeurs nombre de pages année langue exposition d'artistes marocains nombre d'exemplaires Fouad Bellamine, Mahi Binebine, Mustapha Boujemaoui, James Brown, Villa Delaporte / / Bernard Collet Villa Delaporte - Casablanca 48p 2009 français x 1 Safâa Erruas, Sâad Hassani, Aziz Lazrak art contemporains Villa Delaporte Après la pluie Pierre Gangloff / Bernard Collet Villa Delaporte - Casablanca 52p 2011 français 1 art contemporains Villa Delaporte Jacques Barry Angel For Ever / Bernard Collet Villa Delaporte - Casablanca 48p 2009 français 1 art contemporains Yusur-Puentes Programmation culturelle de la Emilia Hernández Pezzi, Joaquín Ibáñez Montoya, Ainhoa Díez de Pablo, espagnol - Paysage et architecture au Maroc et en Présidence espagnole de l’Union Madrid 62p 2010 x 1 El Montacir Bensaïd, Iman Benkirane. français Espagne européenne Chourouk Hriech, Fouad Bellamine, Azzedine Baddou, Hassan Darsi, Ymane Fakhir, Faisal Samra, Fatiha Zemmouri, Mohamed Arejdal, Mohamed El Baz, Philippe Délis, Saad Tazi, Younes Baba Ali, Amande In, Between Walls Abdelmalek Alaoui, Yasmina Naji Yasmina Naji Rabat Integral Editions 44p 2012 français x 1 Anna Raimondo, Mohammed Fettaka, Ymane Fakhir, Mustapha Akrim, Hassan Ajjaj, Hassan Slaoui, Mohamed Laouli, Mounat Charrat, Tarik Oualalou, Fadila El Gadi Mohamed Abdel Benyaich, Hassan Darsi, Mounir Fatmi, Younes Regards Nomades Anne Dary Frédéric Bouglé Musée des Beaux Arts de Dole - France Ville de Dole 42p 1999 français x 1 Rahmoun, Batoul S'Himi Mustapha Chafik, Hassan Darsi, Hassan Echair, Safâa Erruas, Jamila français Constellations / Rachid Slimi, Yasmine Chami Villa des arts - Casablanca Fondation ONA 28p 2004 x 1 Lamrani, Dounia Oualit, Younès Rahmoun arabe Mohamed Benaissa, Wilhelmina The National Museum of Women in the Embassy of the Kingdom of Three Painters from Morocco Malika Aguezenay, Chaibia Talal, Amina Benbouchta Richard Dana 26p 1996 anglais x 1 Holladay, Toni Maraini Arts - Washington Morocco, USA Fouad Bellamine, Amina Benbouchta, Mohamed Bennani, Mustapha Boujemaoui, Hassan Bourkia, Khalil El Gherib, Tibari Kantour, Miloud Leïla Tazi espace Actua de la Banque Commerciale du Banque Commerciale du français A la recherche de nos Atlas secrets Toni Maraini, Farid Zahi 48p 2003 x 1 Labied, Najia Mehadji, Abdelkrim Ouazzani, Hassan Slaoui, Abderrahim Ghitha Triki Maroc - Casablanca Maroc arabe Yamou Abdelkebir Rabi, Ahmed Cherkaoui, Amina Agueznay, Bouda, Chaïbia, Farid Belkahia, Fouad Bellamine, Hicham Benohoud, Hicham Lahlou, Jilali Gharbaoui, Karim Alaoui, Khadija Kabbaj, Miloud Labied, Charlotte Huygens, Farid Zahi, Wereldmuseum Rotterdam - arabe Morokko Kunst & Design 2005 Charlotte Huygens Wereldmuseum Rotterdam 98p 2005 x 1 Mohammed Kacimi, Mounir Fatmi, Mustapha Boujemaoui, Myriam Kitty Zijlmans, Mohamed Achaari Pays Bas hollandais Mihindou, Noureddine Amir, Saâd Hassani, Safâa Erruas, Soumiya Jalal Mikou Karim Alaoui, Souhaïl Ben Azzouz, Mohamed Bennani, Mahi Binebine Bouba, Mohammed Chabaa; Sahbi Chtioui, Mohamed Drissi, Hassan Echair, Khalil El Ghrib, Safâa Erruas, Miloud Labied, Meki Megara, Société Générale marocaine des banques Edition de l'Espace d'Art de Sculpture plurielle Abderrahim Sijelmassi Rachid Tazi Abdelaziz Tazi 32p 2004 français x 1 Mohammed Melehi, Dounia Oualit, Abdelkrim Ouazzani, Abderrahman Casablanca Société Générale Rahoule, Abdelhaq Sijelmassi, Hassan Slaoui, Moussa Zekkani, Rabie Zamourou Amina Benbouchta, Hassan Darsi, Mohamed El Baz perf: Meryem Jazouli La source du Lion Lisières et débordements tables rondes: Mohamed Rachdi, Abdellah Karroum, Yvane Chapuis, Florence Renault-Darsi / Villa des arts - Casablanca Villa des arts 60p 2009 français x 1 Yassine Berrada, Catherine David, Taoufiq Izeddiou, Zahia Rahmani, Marion Renoud-Grappin Bernardo Montet, Bisi Silvia Faoutzi Laatiris, Batoul S'Himi, Hassan Darsi, Ben Benaouisse, Safâa Sylvia Belhassen, Jamal Kazza, An Ludo Helsen, Cultuurcentrum Mechelen français H+M=10 Erruas, Hicham Benohoud, Younès Rahmoun, Hassan Echair, Mounir Sijsmans, Sofie Vershueren, Wim Province d'Anvers 36p 2003 x 2 Jean-Louis Froment Turnhout - Belgique flamand Fatmi, Fatima Mazmouz Viaene Farid Belkahia, Fouad Bellamine, Amina Benbouchta, Karim Bennani, Regard Regart Hicham Benihoud, Mahi Binebine, Mustapha Boujemaoui, Hassan Ida Alaoui Jean-Christophe Deberre Lycée Descartes - Rabat / 34p 2003 français x 2 Art Contemporain Marocain Echair, Safâa Erruas, Mohamed Kacimi, Ilias Selfait, Hassan Slaoui, Fouad Bellamine Ida Bellamine Monnia Touiss Ilham Antar, Ismail Aït Toulda, Ismail Bel Kharchouf, Chayma Ejjakhch, Allô Marrakech / / Galerie HD - Marrakech Galerie HD 26p 2011 français x 1 Mouhamed Yassine Kadraoui Dina Naciri, Amina Benbouchta, Carte Blanche à Amina Benbouchta Dalila Alaoui, Zainab Andalibe, Myriam El Haïk, Soukaina Joual, Amina Benbouchta Amina Benbouchta Fondation CDG - Rabat Fondation CDG 52p 2015 français x 2 Kenza Amrouk Karim Alaoui, Rita Alaoui, Brahim Bachiri, Hicham Benohoud, Mustapha Boujemaoui, Mounat Charrat, Safâa Erruas, Hassan Echair, Ikram Abderrahim Kassou Les transculturelles des Abattoirs Metamorphose Khadija Kabbaj Les Abattoirs 40p 2009 français x 1 Kabbaj, Jamila Lamrani, Fouad Maazouz, Imad Mansour, Georges Khadija Kabbaj Casablanca Rousse, Ilias Selfati, Fatiha Zemmouri Istanbul Modern Celenk Bafra Oya Eczacibasi, Levent Calikoglu, Celenk Bafra, Su Basbugu, turque Istanbul Modern Zeren Göktan, Zeynep Kayan, Melisa Önel, Banu Cennetoglu, Silvia Bingaz, Cinar Eslek Meclis-i Mebusan Caddesi 102p 2011 1 Levent Calikoglu Celenk Bafra Esin Eskinat anglais Turquie Wachtang Bugadze, Catrin Bolt, Anna Jermolaewa, Markus Krottendorfer, Sonia Leimer, Giorgi Okropiridse, Edith Payer, Roland Catrin Bolt turque Symposium in Art-Villa Garikula Giorgi Okropiridse Akhalkalaki - Georgien Kulturschmiede 68p 2010 1 Rauschmeier, Nino Sekhniaschvili, Konstantin Sulaberidze, Nino Giorgi Okropiridse allemand Tsechilaschvili, Oleg Timtschenko, Petra Trenkel, Wato Tsereteli Nicole Callebaut, Liliane Cock, Jean Cotton, Michèle Delorme, Betsy Esprit des lieux / Sarah Gilsoul, Michèle Minne Villa des arts - Casablanca Fondation ONA 52p 2010 français 1 Eeckhout, Anne Gilsoul, Tibari Kantour, Cécile Massart, Claire Segers Dina Naciri, Rita Alaoui, Moulim Amina Agueznay, Fatiha Zammouri, Fatima Mazmouz, Lamia Naji, Rita Alaoui Carte Blanche à Mehdi Qotbi Laaroussi, Bernard Collet, Fatima Fondation CDG - Rabat Fondation CDG 52p 2013 français x 1 Meryem El Alj, Safâa Erruas, Zineb Andress Arraki Mehdi Qotbi Mazmouz, Leila Belabbes Inmaculada Abarca, Carlos Domingo, Josep Ginestar, Javier Moreno, Alfonso Rus Terol Museo de l'Almodi Corpora i Natura Inmaculada Abarca Ayuntamiento de Xàtiva 62p 2007 espagnol 1 Evarist Navarro, Anna Perles, Dolores Castilla, Nieves Torralba Inmaculada Abarca Valencia - Espagne Maryse Joissains-Masini, Pascal Isa Barbier, Carolle Bénitah, Pierrette Bloch, Marie Ducaté, Aïcha Hamu, Pavillon Vendôme Tisser des liens / Neveux, Christel Roy, Caroline Pavillon de Vendôme 34p 2013 français 1 Anne-Marie Pécheur, Michèle Sylvander Aix-en-Provence - France Clement, Pascale Triol Antonio Alonso, Pablo Bellot, Gloriat Hernandez, Pablo Ruiz, Bibiana Sancher, Teresa Saracho, David Trujillo, Sara Vilar, Maria Zambrana, Fernando Castro Florez Fabiola Andreu, Angela Bassano, José Ramon Crespo, Concha Garcia, Esteban Gonzalez Pons, David espagnol Intervencions plastiques a la marina Francisco Leiro, Javi Moreno, Rocio Villalonga, Diego Arribas, Grup / Valencia - Espagne Concorci de Museus, Valencia 254p 2004 un 1 Serra Cervera, Tomas Ruiz anglais Cucuch, Choni Escudero, Josep Enric Grau, Julian Martinez, Rekip, Compagny, Grup de Reüll Equipo Anca, Cristina Ghetti, Miguel del Rev/Antonio Gallud, Imma Abarca, Manuel Adsuara, Safâa Erruas, Anna Perles, Bodo Rau Rafael Amoros/Joan Olivares, Jorge Bellver/Consuelo Cavete/Pablo Mohedano, Silvia Cerrolaza, Elena Font, Jaume Garcés, Alejandro Jimenez, Miguel Angel Santacreu, Michel Touma, Jiso Alemany, Xavier Fernando Castro Florez Arenos, Amparo Carbonell, Dolores Furio, Gema Hoyas, Domingo Esteban Gonzalez Pons, Consuelo espagnol Intervencions plastiques a la marina / Valencia - Espagne Concorci de Museus, Valencia 234p 2003 un 1 Sanchez Blanco, Vicente O. Sausor, Laura Silvestre, Rosalia Banet, Ciscar Casaban, Tomas Ruiz anglais Jaume Garcés, Tere Martinez, Sebastia Miralles, Mau Monleon, Yolanda Compagny, Grup de Reüll Spinola, Choni Escudero, Younès Rahmoun, Pablo Ruiz, J. Ramon Cardona , Maribel Doménech, Ginestar, J.P. Llaveria, Pamen Pereira Michele Emmer, Silvia Ferrari, Adel Abdessemed, Giovanni Anselmo, Kader Attia, Paolo Cavinato, Marco Pierini, Silvia Ferrari, Serena Goldoni, Vito Mancuso, Galleria Civica di Modena italien Lo spazio del sacro Chen Zhen, Vittorio Corsini, Anish Kapoor, Jospeh Ginestar, Richard Silvana Editoriale 170p 2010 1 Serena Goldoni Enzo Pace, Marco Pierini, Italie anglais Long, Roberti Paci Dalo, Jaume Plensa, Wael Shawky Vincenzo Vitiello Johannes Lerch, Akbar Akbarpour, Nino Barone, Arvinder Bawa, Angela Calella Benlupo, Marisol Cavia, Manuel Cecchinato Posadas, Francesca Cho, Camelia Cilianu, Iona Graciun Dobrescu, Camelia Deznan, Dorothea Fleiss, Gabriele Foissner-Weinländer, Michel Gautier, Natalia Botanischer Garten der Karl-Franzens Giacchetta, Lilliam Gonzalez-Rodriguez, Becky Guttin, Christian Lucian Enzo Marino, Christine Kertz, Fetzen im Wind II - Magie Enzo Marino Universität / 58p 2007 allemand 1 Hamsea, Cvetka Hojnik, Birgit Karacsonyi, Christine
Recommended publications
  • 0 0 0 0 Acasa Program Final For

    0 0 0 0 Acasa Program Final For

    PROGRAM ABSTRACTS FOR THE 15TH TRIENNIAL SYMPOSIUM ON AFRICAN ART Africa and Its Diasporas in the Market Place: Cultural Resources and the Global Economy The core theme of the 2011 ACASA symposium, proposed by Pamela Allara, examines the current status of Africa’s cultural resources and the influence—for good or ill—of market forces both inside and outside the continent. As nation states decline in influence and power, and corporations, private patrons and foundations increasingly determine the kinds of cultural production that will be supported, how is African art being reinterpreted and by whom? Are artists and scholars able to successfully articulate their own intellectual and cultural values in this climate? Is there anything we can do to address the situation? WEDNESDAY, MARCH 23, 2O11, MUSEUM PROGRAM All Museum Program panels are in the Lenart Auditorium, Fowler Museum at UCLA Welcoming Remarks (8:30). Jean Borgatti, Steven Nelson, and Marla C. Berns PANEL I (8:45–10:45) Contemporary Art Sans Frontières. Chairs: Barbara Thompson, Stanford University, and Gemma Rodrigues, Fowler Museum at UCLA Contemporary African art is a phenomenon that transcends and complicates traditional curatorial categories and disciplinary boundaries. These overlaps have at times excluded contemporary African art from exhibitions and collections and, at other times, transformed its research and display into a contested terrain. At a moment when many museums with so‐called ethnographic collections are expanding their chronological reach by teasing out connections between traditional and contemporary artistic production, many museums of Euro‐American contemporary art are extending their geographic reach by globalizing their curatorial vision.
  • Exhibition Guide

    Exhibition Guide

    ArTScience MuSeuM™ PreSenTS ceLeBrATinG SinGAPOre’S cOnTeMPOrArY ArT Exhibition GuidE Detail, And We Were Like Those Who Dreamed, Donna Ong Open 10am to 7pm daily | www.MarinaBaySands.com/ArtScienceMuseum Facebook.com/ArtScienceMuseum | Twitter.com/ArtSciMuseum WELCOME TO PRUDENTIAL SINGAPORE EYE Angela Chong Angela chong is an installation artist who Prudential Singapore Eye presents a with great conceptual confidence. uses light, sound, narrative and interactive comprehensive survey of Singapore’s Works range across media including media to blur the line between fiction and contemporary art scene through the painting, installation and photography. reality. She has shown work in Amsterdam Light Festival in the netherlands; Vivid works of some of the country’s most The line-up includes a number of Festival in Sydney; 100 Points of Light Festival innovative artists. The exhibiting artists who are gaining an international in Melbourne; cP international Biennale in artists were chosen from over 110 following, to artists who are just Jakarta, indonesia, and iLight Marina Bay in submissions and represent a selection beginning to be known. Like all the other Singapore. of the best contemporary art in Prudential Eye exhibitions, Prudential 3D Tic-Tac-Toe is an interactive light sculpture Singapore. Prudential Singapore Eye is Singapore Eye aims to bring to light which allows multiple players of all ages to the first major exhibition in a year of a new and exciting contemporary art play Tic-Tac-Toe with one another. cultural celebrations of the nation’s 50th scene and foster greater appreciation of anniversary. Singapore’s visual art scene both locally and internationally. 3D Tic-Tac-Toe, 2014 The works of the exhibiting artists demonstrate versatility, with many of the artists working experimentally Jeremy Sharma Jeremy Sharma works primarily as a conceptual painter.
  • Bili Bidjocka. the Last Supper • Simon Njami, Bili Bidjocka

    Bili Bidjocka. the Last Supper • Simon Njami, Bili Bidjocka

    SOMMAIRE OFF DE DAPPER Christiane Falgayrettes-Leveau ............................................................................. 6 SOLY CISSÉ. Lecture d’œuvre/Salimata Diop ................................................................................... 13 ERNEST BRELEUR. Nos pas cherchent encore l’heure rouge/Michael Roch ...................................................... 19 Exposition : OFF de Dapper Fondation Dapper 5 mai - 3 juin 2018 JOËL MPAH DOOH. Commissaire : Christiane Falgayrettes-Leveau Transparences/Simon Njami ....................................................................................... 25 Commissaire associée : Marème Malong Ouvrage édité sous la direction de Christiane Falgayrettes-Leveau BILI BIDJOCKA. Contribution éditoriale : Nathalie Meyer The Last Supper/Simon Njami ................................................................................... 29 Conception graphique : Anne-Cécile Bobin JOANA CHOUMALI. Série « Nappy ! »/Olympe Lemut ................................................................................. 33 BEAUGRAFF & GUISO. L’art de peindre les maux de la société/Ibrahima Aliou Sow .......................................... 39 GABRIEL KEMZO MALOU. Le talent engagé d’un homme libre/Rose Samb ............................................................... 45 BIOGRAPHIES DES ARTISTES...................................................................... 50 BIOGRAPHIES DES AUTEURS...................................................................... 64 CAHIER PHOTOGRAPHIQUE. MONTAGE
  • Contemporary Asian Art and Exhibitions Connectivities and World-Making

    Contemporary Asian Art and Exhibitions Connectivities and World-Making

    Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern .
  • Jcci Singapore Foundation 2020年度 基金への寄付のお願い

    Jcci Singapore Foundation 2020年度 基金への寄付のお願い

    JCCI SINGAPORE FOUNDATION ２０２０年度 基金への寄付のお願い FUNDRAISING APPEAL JCCI SINGAPORE FOUNDATION LIMITED C/O JAPANESE CHAMBER OF COMMERCE & INDUSTRY, SINGAPORE 2020年度 基金への寄付のお願い FUNDRAISING APPEAL 目次 CONTENTS 1. 寄付のお願い Fundraising Appeal 1 2. 基金の使途についての基本的な考え方 Purpose of Fundraising 3 3. 2020 年度募金要領・IPC ステータスの利用について Fundraising Details & About Donating to Institution of Public Character (IPC) 5 4. 2019 年収支決算および 2020 年収支予算 Summary of 2019 Year End Statement & 2020 Budget 7 5. 2020 年度組織図 Organisational Chart of Year 2020 9 6. 2019 年度 寄付・奨学金 結果報告 Sponsorships & Scholarships Report of Year 2019 12 7. 寄付実績一覧（1990 年～2019 年） List of Sponsorships and Awards 16 8. 奨学金実績一覧（1996 年～2019 年） List of JCCI Scholars 26 9. 2019 年度募金 結果報告 Fundraising Results of Year 2019 28 2020 年 8 月 会員各位 シンガポール日本商工会議所 会 頭 石垣 吉彦 副会頭・基金募金委員長 宇野 幹彦 シンガポール日本商工会議所基金 寄付のお願い 拝啓 時下ますますご清祥の段お慶び申し上げます。 平素より、弊商工会議所の事業活動に格別のご高配を賜り、厚く御礼を申し上げます。 ご高承の通り弊所の基金は、1990 年 5 月に在外商工会議所としては初めて設立され、以来 30 年間に亘りシンガポールの文化、芸術、スポーツ、教育分野の団体・個人に対し計 968 万Ｓドル の寄付を行って参りました。こうした功績はシンガポール政府や各種機関からも高く評価されて いるところです。 昨年度、当基金では、会員企業の皆様より約 27 万 4 千 S ドルの浄財を頂戴し、積立金からの拠 出を含めて約 37 万 5 千Ｓドルを、シンガポール社会への寄付やシンガポール人学生の日本留学の ための奨学金として活用させて頂きました。 2020 年度の募金目標については、基金管理委員会及び募金委員会で慎重に検討し、28 万 S ドル に設定いたしました。併せて、本年度も幅広い会員の皆様からのご協力をお願いしたく、寄付金 額を損金算入することができる「IPC ステータス」をご活用頂ければと存じます。また、拠出先 の選定等にあたりましても、一人でも多くのシンガポールの方々に喜んで頂けるような支援とな るよう、従来以上に真摯に考えて参りたいと存じます。 本所基金活動の趣旨をご理解賜り、引き続き 2020 年の募金におきましても、何卒、特段のご協 力をお願い申し上げます。 敬 具 ※本件担当・お問い合わせ先：シンガポール日本商工会議所基金 事務局（清水・リンゴ: [email protected]） 募金締切日：2020 年 11 月 30 日（当方入金確認時点）とさせて頂いております。 1 August 2020 Japanese Chamber of Commerce & Industry, Singapore President, Yoshihiko Ishigaki Vice President / Chairman of JCCI Singapore Foundation Fundraising Committee, Motohiko Uno JCCI SINGAPORE FOUNDATION FUNDRAISING APPEAL First and foremost, thank you for your continued support to the fundraising campaigns of JCCI Singapore Foundation c/o Japanese Chamber of Commerce & Industry, Singapore for the past years.
  • Royaume Du Maroc Ministère De La Culture

    Royaume Du Maroc Ministère De La Culture

    Royaume du Maroc Ministère de la Culture 995L - 581 - 43 - 8 Itinéraire Nuit des 2 1 Galeries 2012 3 N° sur le Nom de la Galerie plan 1 Mohammed El Fassi 2 Théâtre Med V 4 3 Bank Al-Maghrib 5 Institut français 7 4 6 5 Marsam 6 Caisse de Dépôt et de Gestion (Espace CDG) 7 Abou Inane (Groupe Crédit Agricole) 8 Bab Rouah 9 Bibliothèque Nationale du Royaume du Maroc (BNRM). 8 Participent à la Septième Edition de la Nuit des Galeries : Agadir rAtelier Arenciel Av 29 février N°55 Talborjt, Agadir . Tél. 0661 73 16 55, [email protected] rLe Sous Sol Art Gallery Imm, achar angle Av. 29 février, Av. Kennedy, Talborjt – Agadir. Tél.0528 84 48 49/ 0661 13 29 47, [email protected] Assilah rAplanos Gallery 89 rue Tijara, Assilah (Medina). Tél. 0666 99 80 30, [email protected] rGalerie du Centre Hassan II des Rencontres Internationales- forum Assilah Centre Hassan II des Rencontres Internationales. Tél. 05 37 70 37 07 / 05 37 70 38 09, [email protected] rGalerie les Amis de Hakim Place Sidi Benaissa, n°14, ancienne ville, Assilah. Tél. 0661 79 95 35, [email protected] rMaison de l’Art Contemporain d’Assilah Plage de Akwas Briech Assilah. Tél. 06 61 46 06 48, [email protected] Azemmour rMaison de l’art contemporain Mazagan d’Azemmour Ancienne Medina, Azemmour. Tél. 06 61 46 06 48, [email protected] Casablanca rAlif Ba 46, rue Omar Slaoui 20140 – Casablanca. Tel.: +212 5 22 20 97 63 - Fax: +212 5 22 27 39 12.
  • Contemporary Asian Art and Exhibitions Connectivities and World-Making

    Contemporary Asian Art and Exhibitions Connectivities and World-Making

    Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern .
  • Document De Présentation Exitour

    Document De Présentation Exitour

    Exit Tour EXITOUR EXITOUR est un projet itinérant qui a duré 2 mois entre les différentes capitales d’Afrique de l’Ouest réalisé en transport public par un groupe d’artistes contemporains camerounais. Le but de ce projet était celui de rencontrer les différentes scènes artistiques de l’Afrique de l’Ouest et d’initier un dialogue avec ses membres rencontrés. La Biennale de Dakar était supposée être la dernière étape de ce voyage après les différentes étapes des capitales : Cotonou, Lomé, Accra, Ouagadogou, Bamako, etc… Goddy Leye (artiste et manageur du projet) et deux jeunes artistes (Justine Gaga et LucFosther Diop) de Douala ont conçu ce projet qui est né du sentiment d’isolation dans lequel les artistes se sentaient dans leurs pays respectifs et du désir de rencontrer leurs homologues qui vivent dans des conditions socio-culturelles similaires et d’initier un réseau d’artistes de Afrique de l’Ouest. L’un des objectifs de Goddy Leye était celui de mettre en contact les artistes de l’Afrique de l’Est entre eux afin de conscientiser les jeunes artistes de l’importance que l’art peut avoir dans un contexte local, que ils ne ce concentrent pas trop ou seulement sur le marche en Europe. Il était également important pour eux de découvrir et de comprendre les différentes politiques culturelles de chaque pays, en essayant de donner une idée de la situation de l’art contemporain en Afrique de l’Ouest. Afin de faciliter la mise en contact au cours de son itinérance, EXITOUR a organisé des symposiums, des ateliers et des expositions dans chaque capitale et ses membres ont chaque fois pris le temps de visiter des institution et projet culturel.
  • JGI V. 14, N. 2

    JGI V. 14, N. 2

    Journal of Global Initiatives: Policy, Pedagogy, Perspective Volume 14 Number 2 Multicultural Morocco Article 1 11-15-2019 Full Issue - JGI v. 14, n. 2 Follow this and additional works at: https://digitalcommons.kennesaw.edu/jgi Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation (2019) "Full Issue - JGI v. 14, n. 2," Journal of Global Initiatives: Policy, Pedagogy, Perspective: Vol. 14 : No. 2 , Article 1. Available at: https://digitalcommons.kennesaw.edu/jgi/vol14/iss2/1 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Journal of Global Initiatives: Policy, Pedagogy, Perspective by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Multicultural Morocco JOURNAL of GLOBAL INITIATIVES POLICY, PEDAGOGY, PERSPECTIVE 2019 VOLUME 14 NUMBER 2 Journal of global Initiatives Vol. 14, No. 2, 2019, pp.1-28. The Year of Morocco: An Introduction Dan Paracka Marking the 35th anniversary of Kennesaw State University’s award-winning Annual Country Study Program, the 2018-19 academic year focused on Morocco and consisted of 22 distinct educational events, with over 1,700 people in attendance. It also featured an interdisciplinary team-taught Year of Morocco (YoM) course that included a study abroad experience to Morocco (March 28-April 7, 2019), an academic conference on “Gender, Identity, and Youth Empowerment in Morocco” (March 15-16, 2019), and this dedicated special issue of the Journal of Global Initiatives. Most events were organized through six different College Spotlights titled: The Taste of Morocco; Experiencing Moroccan Visual Arts; Multiple Literacies in Morocco; Conflict Management, Peacebuilding, and Development Challenges in Morocco, Moroccan Cultural Festival; and Moroccan Solar Tree.
  • DAK'art 2016 BIENNALE of DAKAR May, 3

    DAK'art 2016 BIENNALE of DAKAR May, 3

    DAK’ART 2016 BIENNALE of DAKAR May, 3 – June, 2 — 2016 12th Edition of the Dakar Biennale « The City in the Blue Daylight » Simon Njami, Artistic Director PRESS RELEASE CONTENT 1. What Is Dak’art 2. The City In The Blue Daylight 3. Who’s Simon Njami 4. The Program of Dak’art 2016 5. Participating artists 6. Contact 1. WHAT IS DAK’ART Dak’Art, The Dakar Biennale, is the first and the major international Art event dedicated to the Contemporary African creation. Initiated in 1996 by the Republic of Senegal, the biennale is organized by the Ministry of Culture and Communication. Its 12th edition will take place from May 3, to July 11, 2016. The aims of Dak’Art are to offer the African artists a chance to show their work to a large and international audience, and to elaborate a dis- course in esthetic, by participating to the conceptualization of theorical tools for analyse and appropriation of the global art world. Mahmadou Rassoul Seydi is the General Secretary of Dak’Art. Simon Njami, writer and independant curator, is the Artistic Director of the 12th Edition of the Dakar Biennale. As a departure for Dak’Art 2016, with the title « The City in the Blue Daylight », Simon Njami chose an extract from a poem written by Leopold Sedar Senghor : « Your voice tells us about the Republic that we shall erect the City in the Blue Daylight In the equality of sister nations. And we, we answer: Presents, Ô Guélowâr ! » Those verses inspire Simon Njami’s ambition for the Biennale : to make Dak’Art a « new Bandung for Culture ».
  • Critique D'art, 53

    Critique D'art, 53

    Critique d’art Actualité internationale de la littérature critique sur l’art contemporain 53 | Automne/hiver CRITIQUE D'ART 53 The Landscape of African Art: Transformations at the Venice Biennale Dagara Dakin Translator: Phoebe Clarke Electronic version URL: http://journals.openedition.org/critiquedart/53747 DOI: 10.4000/critiquedart.53747 ISBN: 2265-9404 ISSN: 2265-9404 Publisher Groupement d'intérêt scientifique (GIS) Archives de la critique d’art Printed version Date of publication: 26 November 2019 Number of pages: 43-53 ISBN: 1246-8258 ISSN: 1246-8258 Electronic reference Dagara Dakin, « The Landscape of African Art: Transformations at the Venice Biennale », Critique d’art [Online], 53 | Automne/hiver, Online since 26 November 2020, connection on 01 December 2020. URL : http://journals.openedition.org/critiquedart/53747 ; DOI : https://doi.org/10.4000/critiquedart.53747 This text was automatically generated on 1 December 2020. EN The Landscape of African Art: Transformations at the Venice Biennale 1 The Landscape of African Art: Transformations at the Venice Biennale Dagara Dakin Translation : Phoebe Clarke “Although I try and put things into perspective, I believe that the reason I have become so spiritually foreign to my native country, while remaining preoccupied by it – while it remains a preoccupation –, is for a great part its refusal to acknowledge the existence of this skull.”1 1 The Venice Biennale, to a greater extent than any other international event, offers a summary of the current global art scene, which could opportunely be re-questioned regarding the visibility of contemporary African art. Throughout the 1990s, the scant participation of African artists in the ritual art gathering was interpreted as the sign of the Western scene’s lack of open-mindedness.
  • The Changing Roles of Female Visual Artists in Morocco

    The Changing Roles of Female Visual Artists in Morocco

    Journal of Global Initiatives: Policy, Pedagogy, Perspective Volume 14 Number 2 Multicultural Morocco Article 6 11-15-2019 The Changing Roles of Female Visual Artists in Morocco Samir El Azhar Faculty of Letters and Humanities, Hassan 2 University, Casablanca, Morocco, [email protected] Follow this and additional works at: https://digitalcommons.kennesaw.edu/jgi Part of the Arts and Humanities Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation El Azhar, Samir (2019) "The Changing Roles of Female Visual Artists in Morocco," Journal of Global Initiatives: Policy, Pedagogy, Perspective: Vol. 14 : No. 2 , Article 6. Available at: https://digitalcommons.kennesaw.edu/jgi/vol14/iss2/6 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Journal of Global Initiatives: Policy, Pedagogy, Perspective by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Journal of Global Initiatives Vol. 14, No. 2, 2019, pp. 65-84. The Changing Roles of Female Visual Artists in Morocco Samir El Azhar Abstract Female artists are actively participating in the development and growth of visual arts in Morocco. This article seeks to highlight their important contribution in the Moroccan visual arts. It deals with the access of women to the field of visual art, delineates successive categories for understanding the types of work female artists have engaged in since the independence of the country in 1956, and the challenges that these artists have been facing. It focuses on the artistic experiences of specific artists, believed to be, representative of some historical era or artistic trend.