Jcci Singapore Foundation 2020年度 基金への寄付のお願い
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Exhibition Guide
ArTScience MuSeuM™ PreSenTS ceLeBrATinG SinGAPOre’S cOnTeMPOrArY ArT Exhibition GuidE Detail, And We Were Like Those Who Dreamed, Donna Ong Open 10am to 7pm daily | www.MarinaBaySands.com/ArtScienceMuseum Facebook.com/ArtScienceMuseum | Twitter.com/ArtSciMuseum WELCOME TO PRUDENTIAL SINGAPORE EYE Angela Chong Angela chong is an installation artist who Prudential Singapore Eye presents a with great conceptual confidence. uses light, sound, narrative and interactive comprehensive survey of Singapore’s Works range across media including media to blur the line between fiction and contemporary art scene through the painting, installation and photography. reality. She has shown work in Amsterdam Light Festival in the netherlands; Vivid works of some of the country’s most The line-up includes a number of Festival in Sydney; 100 Points of Light Festival innovative artists. The exhibiting artists who are gaining an international in Melbourne; cP international Biennale in artists were chosen from over 110 following, to artists who are just Jakarta, indonesia, and iLight Marina Bay in submissions and represent a selection beginning to be known. Like all the other Singapore. of the best contemporary art in Prudential Eye exhibitions, Prudential 3D Tic-Tac-Toe is an interactive light sculpture Singapore. Prudential Singapore Eye is Singapore Eye aims to bring to light which allows multiple players of all ages to the first major exhibition in a year of a new and exciting contemporary art play Tic-Tac-Toe with one another. cultural celebrations of the nation’s 50th scene and foster greater appreciation of anniversary. Singapore’s visual art scene both locally and internationally. 3D Tic-Tac-Toe, 2014 The works of the exhibiting artists demonstrate versatility, with many of the artists working experimentally Jeremy Sharma Jeremy Sharma works primarily as a conceptual painter. -
JEREMY SHARMA Born 1977, Singapore
JEREMY SHARMA Born 1977, Singapore EDUCATION 2006 Master of Art (Fine Art), LASALLE College of the Arts, Singapore 2003 Bachelor of Art (Fine Art) with High Distinction, LASALLE College of the Arts (RMIT), Singapore RESIDENCIES 2016 Stelva Artist in Residence, Italy 2015 NTU Centre for Contemporary Arts, Singapore 2014 Temenggong Artist in Residence with Fundación Sebastián, Mexico City 2008 Artist Residency & Exchange Program (REAP) by Artesan Gallery Singapore, Manila, The Philippines 2007 Royal Over-Seas League (ROSL), Travel Scholarship, Hospitalfield, Arbroath, Scotland, United Kingdom 2004 Studio 106, Former Residential-Studio of the late Cultural Medallion Dr. Ng Eng Teng, Joo Chiat Place, Managed by LASALLE-SIA College of the Arts, Singapore AWARDS AND PRIZES 2013 RPF Grant, LASALLE College of the Arts, Singapore 2013 Creation Grant, National Arts Council, Singapore 2007 Royal Over-Seas League (ROSL) Travel Scholarship 2005 LASALLE-SIA Scholarship 2005 JCCI Arts Award, Japanese Chamber of Commerce and Industry, Recipient (with KYTV) 2003 Phillip Morris Singapore Arts Award, Honorable Mention 2003 Studio 106, Residency Award 2002 The Lee Foundation Study Grant, Singapore 2000 Action for Aids Award, First Prize (Open Category), Singapore 1999 The Della Butcher Award, Presented by The Rotary Club of Singapore, winner COLLECTIONS Singapore Art Museum Ngee Ann Kongsi, Singapore SOCIÈTÉ GÉNÈRALE The Westin, Singapore One Farrer Private Limited NUS Business School, Singapore Prime Partners COMMISSIONS Slow Fury, Asian Film Archives, -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Artist Biography
Artist Donna ONG ⺩美清 Born Singapore Works Singapore Artist Biography __________________ ___________________________________________________________________________________ Year Education 2011 - 2012 MA Fine Arts, LASALLE College of the Arts, Singapore 2003 BA (Hons) Fine Art, Goldsmiths College, University of London, UK 1999 B.Sc. Architecture Bartlett Centre, University College London (UCL), UK __________________ ___________________________________________________________________________________ Year Selected Exhibitions 2017 Singapore: Inside Out Sydney, The Old Clare Hotel, Sydney, Australia After Utopia: Revisiting the Ideal in Asian Contemporary Art, Anne and Gordon Samstag Museum of Art, Adelaide, Australia The Tree as An Art Object, Wälderhaus Museum, Hamburg, Germany Art Stage Jakarta, FOST Gallery, Indonesia Art Stage Singapore, FOST Gallery, Singapore 2016 The Sharing Game: Exchange in Culture and Society, Kulturesymposium Weimar 2016, Galerie Eigenheim, Weimar, Germany For An Image, Faster Than Light, Yinchuan Biennale 2016, MoCA Yinchuan, China Five Trees Make A Forest, NUS Museum, Singapore* My Forest Has No Name, FOST Gallery, Singapore* 2015 After Utopia, Singapore Art Museum, Singapore The Mechanical Corps, Hartware MedienKunstVerein, Dortmund, Germany Prudential Eye Awards, ArtScience Museum, Singapore Prudential Singapore Eye, ArtScience Museum, Singapore 2014 Da Vinci: Shaping the Future, ArtScience Museum, Singapore Modern Love, Institute of Contemporary Arts Singapore, Singapore Bright S’pore(s), Primo Marella Gallery, -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
YOUR DHAKA ART SUMMIT “Dhaka Art Summit Has Set the Gold Standard for the Visual Arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS
YOUR DHAKA ART SUMMIT “Dhaka art summit has set the gold standard for the visual arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS ABOUT DAS ........................................................................ 6 PROGRAMME ..................................................................... 8 SCHEDULE ........................................................................ 25 VENUE MAP ...................................................................... 54 DHAKA ............................................................................... 56 OUR PARTNERS ................................................................ 60 Front Cover: Louis Kahn, National Parliament Building, Dhaka. Image credit: Randhir Singh 2 3 The Missing One installation view. Photo courtesy of the Dhaka Art Summit and Samdani Art Foundation. Photo credit: Jenni Carter DHAKA ART SUMMIT 2018 “I have never experienced something as art focused, open and inclusive as I just did at Dhaka Art Summit. The calibre of the conversations was a rare happening in our region.¨ -Dayanita Singh, DAS 2016 Participating Artist 5 The Dhaka Art Summit (DAS) is an international, non-commercial research and exhibition platform for art and architecture connected to South Asia. With a core focus on Bangladesh, DAS re-examines how we think about these forms of art in both a regional and an international context. Founded in 2012 by the Samdani Art Foundation, DAS is held every two years in a public- private partnership with the Bangladesh Shilpakala Academy, with the support of the Ministry of Cultural Affairs and Ministry of Information of the People’s Republic of Bangladesh, the National Tourism Board, Bangladesh Investment Development Authority (BIDA), and in association with the Bangladesh National Museum. Rejecting the traditional biennale format to create a more generative space for art and exchange, DAS’s interdisciplinary programme concentrates its endeavours towards the advancement and promotion of South Asia’s contemporary and historic creative communities. -
Classic Contemporary Contemporary Southeast Asian Art from the Singapore Art Museum Collection
CLASSIC CONTEMPORARY CONTEMPORARY SOUTHEAST ASIAN ART FROM THE SINGAPORE ART MUSEUM COLLECTION 29 JANUARY TO 2 MAY 2010 ADVISORY: THIS PUBLICATION CONTAINS IMAGES OF A GRAPHIC NATURE ABOUT THE EXHIBITION Classic Contemporary shines the spotlight on Singapore Art Museum’s most iconic contemporary artworks in its collection. By playfully asking what makes a work of art “classic” or “contemporary” — or “classic contemporary” — this accessible and quirky exhibition aims to introduce new audiences to the ideas and art forms of contemporary art. A stellar cast of painting, sculpture, video, photography and performance art from across Southeast Asia are brought together and given the red-carpet treatment, and the whole of the SAM 8Q building is transformed into a dramatic stage for these stars and icons. Yet beneath the glamour, many of the artworks also probe and prod serious issues — often asking critical and challenging questions about society, nation and the history of art itself. Since its inception in 1996, SAM has focused on collecting the works of artists practicing in the region, and many of these once-emerging artists have since established notable achievements on regional and international platforms. This exhibition marks the start of SAM’s new contemporary art programming centred on enabling artistic development through the creation of exhibition and programming platforms, as well as growing audiences for contemporary art. Classic Contemporary offers an opportunity to revisit major works by Suzann Victor, Matthew Ngui, Simryn Gill, Redza Piyadasa, Jim Supangkat, Nindityo Adipurnomo, Agnes Arellano, Agus Suwage, and Montien Boonma, among others. A full programme of curatorial lectures, artist presentations, moving image screenings and performances complete the classic contemporary experience. -
Every 23 Days
CONTENTS 11 Foreword 13 Introduction 15 Essay: Every 23 days... 17-21 Asialink Visual Arts Touring Exhibitions 1990-2010 23-86 Venue List 89-91 Index 92-93 Acknowledgements 94 FOREWORD 13 Asialink celebrates twenty years as a leader in Australia-Asia engagement through business, government, philanthropic and cultural partnerships. Part of the celebration is the publication of this booklet to commemorate the Touring Visual Arts Exhibitions Program which has been a central focus of Asialink’s work over this whole period. Artistic practice encourages dialogue between different cultures, with visual arts particularly able to transcend language barriers and create immediate and exciting rapport. Asialink has presented some of the best art of our time to large audiences in eighteen countries across Asia through exhibition and special projects, celebrating the strength and creativity on offer in Australia and throughout the region. The Australian Government, through the Visual Arts Board of the Australia Council and the Department of Foreign Affairs and Trade, is pleased to provide support to Asialink as it continues to present the talents of artists of today to an ever increasing international audience. The Hon Stephen Smith MP Minister for Foreign Affairs INTRODUCTION 15 Every 23 Days: 20 Years Touring Asia documents the journey of nearly 80 Australian-based contemporary exhibitions’ history that have toured primarily through Asia as a part of the Asialink Touring Exhibition Program. This publication provides a chronological and in-depth overview of these exhibitions including special country focused projects and an introductory essay reflecting on the Program’s history. Since its inception in 1990, Asialink has toured contemporary architecture, ceramics, glass, installation, jewellery, painting, photography, textiles, video, works on paper to over 200 venues in Asia. -
Parsis and Zoroastrianism in Singapore Text by Ernest K.W
NO. 42 VOLUME 13 ISSUE 02 THE INTANGIBLE CULTURAL HERITAGE ISSUE Explore Singapore through NHB’s self-guided heritage trails! Booklets and maps are downloadable at www.roots.gov.sg/nhb/trails. FOREWORD elcome to the second and final edition of the Intangible Cultural PUBLISHER Heritage (ICH) series of MUSE SG, which explores Singapore’s multi-faceted range of ICH practices. In this issue, we continue toW uncover seven more ICH practices through the efforts of students from the National University of Singapore’s History Society and Nanyang Technological University. National Heritage Board 61 Stamford Road, #03-08, Stamford Court, We examine the craft of traditional Indian goldsmithing in Singapore, long Singapore 178892 associated with jewellery shops and ateliers in the Little India area. We uncover some of its many connections to religion, culture and social practices. Another CHIEF EXECUTIVE OFFICER Chang Hwee Nee link to India and its long, intersecting history with Singapore and Southeast Asia can be found in our article on Parsis and Zoroastrianism. Adherents of DEPUTY CHIEF EXECUTIVE one of the oldest monotheistic religions in the world, the Zoroastrian Parsi Alvin Tan (Policy & Community) community in Singapore is flourishing. MUSE SG TEAM Director, Education & Community Outreach The theme of diverse cultures and their meeting points continues with articles Wai Yin Pryke on celebrations of the Jewish Passover in Singapore, reimagining traditional Chinese music in Singapore, and the Peranakan community’s love and Editors Norsaleen Salleh adoption of the Malay performing art of dondang sayang. Tan Jeng Woon Royston Lin Food is never far from discussions of heritage in Singapore, and the classic Nanyang breakfast of kaya toast and kopi is well-loved by a wide cross-section DESIGN & LAYOUT Oneplusone of people from across multiple cultures here. -
Art, Capital, Futures 12 – 15 Jan 2017
NET PRESENT VALUE: ART, CAPITAL, FUTURES 12 – 15 JAN 2017 A programme by Art Stage Singapore SOUTHEAST ASIA FORUM 2017 NET PRESENT VALUE: ART, CAPITAL, FUTURES By Nadia Ng The late Joseph Beuys (1921–1986) believed in the imaginative potential in each individual and in the power of art to radically transform everyday society. He saw capital as “human dignity and creativity” and championed the importance of developing “a concept of money that allows creativity, or art, so to speak, to be capital.” Thirty years after Beuys’ death, in the age of finance, we reflect on what ‘capital’ means today in relationship to art, society and the present future. ‘Net Present Value’ is a method commonly used to forecast the profitability of future returns on investments made today. Simply put, it is a future value expressed in today’s terms. The second Southeast Asia Forum seeks to explore the values of art, imagination and progress, and, the price of doing business as usual in the global capitalist system. It examines relationships between money, ideals and some of the fault lines in the present financial age, including the Forum’s immediate sphere of influence — the art market and the value of creativity. The Forum’s exhibition surveys impacts of economic development on governance, cultures, beliefs, social relations and daily life, focusing on the milieu of Southeast Asia, as countries race to establish their place in the league of global economies. Through the works of socially engaged artists, most of whom are from the region, the exhibition emphasises the importance of cultivating alternative forms of capital and conditions for the evolution of societies in an increasingly complex global environment. -
Vertical Submarine CV
! 垂直潛⽔艇 Vertical Submarine An independent art group based in Singapore with three members - Joshua Yang, Justin Loke and Fiona Koh Formed in 2003 Live and work in Singapore ♧⦐⟃倞⸈㗗捀㛇㖒涸谁遯㕰넓歋♲⡙䧭㆞穉䧭:Joshua Yang, Justin Loke and Fiona Kohխխ 䧭用倴䎃խխխխխխ 植㹁㾀莅ⶾ⡲倴倞⸈㗗 獎項Awards 2011 Celeste Prize (Installation), organized by Celeste Foundation, New York Nominated for Signature Art Prize (Asia Pacific) 2011 2009 President’s Young Talents 2009 Credit Suisse Art Residency Award 2005 Singapore Art Show 2005: New works, Judge’s Choice 展覽紀錄Selected Exhibitions 2015 John Martin: the Butcher and the Surgeon, NUNU Fine Art, Taipei, Taiwan John Martin: The Butcher and The Surgeon, dialogic, Singapore Residency and Research at Foundation La Roche Jacquelin, Singapour en France – le festival, Anjou, France A View with a Room, Musee d' art Contemporain (MAC) Lyon,Singapore in France Festival, Organized by The National Heritage Board (NHB), France. Singapore: Inside Out , Singapore Tourism Board (STB), SG50 celebrations, Beijing, London, New York, Singapore. Collective Form, screening of short films that explore themes of space and identity, Objectifs, Singapore 2014 The Roving Eye: Contemporary Art from SE Asia, ARTER (Vehbi Koc Foundation), Istanbul Objects and Narrations for Project Lava 2014, co-organised by The National Arts Council and People’s Association, Singapore Mirrors and Copulation, Arter, Istanbul Eville, part of the Singapore Night Festival 2014, artspace@222, Singapore Where have all the Tempinis gone?, Part of Coming Home, Passion Arts Month 2014, A Collaboration with Tampines GRC Fool’s Gold for Urban Redevelopment Authority (URA), part of iLight at Marina Bay, Singapore 2013 Sun Tzu’s Art of War, Southeast Asia Pavilion, Beirut Art Fair, Beirut, Lebanon Hokkien Rhymes, Esplanade, Singapore ! ! Wallflowers (Gardens by the Bay Station), Thomson Line Art in Transit, Land Transport Authority, Singapore The Logbook of Public Ideas Vol. -
PSG Enrichment Programmes
• For enquiries, contact the respective course provider(s) as listed in the Course Listing Table (overleaf) • Complete the registration form(s) attached (end of this prospectus) • Whatsapp to the vendor(s) or to Nick (9018 9413) to receive details for payment via phone/internet banking Tentative commencement dates for Sat & Sun classes will be 16th & 17th Jan 2021 respectively General Enquires Nick 9018 9413 For Semester 1, 2021 Programme Provider A / Course Name & Fees Contacts Lesson Timing Chinese Enrichment (code* : 01) Best Mandarin Enrichment P1 Sat 1200 – 1330 Centre P2 Sat 0900 – 1030 Fee (for 18 lessons): $240 P3 Sat 1200 – 1330 Ms Zhao 9295 2536 P4 Sat 1030 – 1200 P5 Sat 0900 1030 Ms Chen 9487 3258 – P6 Sat 1030 – 1200 English Enrichment (code: 02) Yap Poh Hua P1 Sat 0900 – 1030 P2 Sat 1030 – 1200 Fee (for 18 lessons): $240 P3 Sat 0900 – 1030 Ms Yap 9836 6485 P4 Sat 1200 – 1330 P5 Sat 1030 – 1200 P6 Sat 1200 – 1330 Math Enrichment (code: 03) ARC Centre P1 Sat 1030 – 1200 P2 Sat 0900 – 1030 Fee (for 18 lessons): $250 Ms Marissa 8511 3135 P3 Sat 1030 – 1200 P4 Sat 0900 – 1030 P2 Sun 0830 – 1000 Math Olympiad (code: 04) RECMEL - Resource Centre for P3 Sun 1130 – 1300 Math Educators and Learners P4 Sun 1000 – 1130 Fee (for 18 lessons): $260 P5 Sun 0830 – 1000 Mr Michael Gan 9787 1523 P6 Sun 1000 – 1130 P3 Sun 1000 – 1130 Science Enrichment (code: 05) P4 Sun 0830 – 1000 P5 Sun 1000 – 1130 Fee (for 18 lessons): $250 Ms Marissa 8511 3135 P6 Sun 0830 – 1000 Children Art Class (code: 06) Zhuole Art Studio Beginner Sat 1030 – 1200 (P1