Gallery Calendar 2019 Exhibitions & Programmes*
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Performance Art
(hard cover) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Master of Arts Fine Arts 2006 LASALLE-SIA COLLEGE OF THE ARTS (blank page) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Submitted in Partial Fulfillment of the Degree Master of Arts (Fine Arts) LASALLE-SIA College of the Arts Faculty of Fine Arts Singapore May, 2006 ii Accepted by the Faculty of Fine Arts, LASALLE-SIA College of the Arts, In partial fulfillment of the requirements For the degree Master of Arts (Fine Arts). Vincent Leow Studio Supervisor Adeline Kueh Thesis Supervisor I certify that the thesis being submitted for examination is my own account of my own research, which has been conducted ethically. The data and the results presented are the genuine data and results actually obtained by me during the conduct of the research. Where I have drawn on the work, ideas and results of others this has been appropriately acknowledged in the thesis. The greater portion of the work described in the thesis has been undertaken subsequently to my registration for the degree for which I am submitting this document. Lee Wen In submitting this thesis to LASALLE-SIA College of the Arts, I understand that I am giving permission for it to be made available for use in accordance with the regulations and policies of the college. I also understand that the title and abstract will be published, and that a copy of the work may be made available and supplied to any bona fide library or research worker. This work is also subject to the college policy on intellectual property. -
Introducing the Museum Roundtable
P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore. -
INTRODUCTION the Story of Singapore and Her People Has Always Been One of Resilience Amid Change
Sungei Rd 1 INTRODUCTION The story of Singapore and her people has always been one of resilience amid change. From the early pioneers who came to make a living, to later generations who overcame the war and struggled to build a modern, sovereign nation, Singapore’s success over the past 50 years owes much to the indomitable spirit, fortitude and resourcefulness of her people. National Day Parade, 2015 This national resilience continues to be a hallmark of independent Singapore. It has allowed the nation to weather periods of crisis, defend and strengthen herself on all fronts, and for her people to work together to transform the island into a global hub for commerce and culture. Today, this same Singapore spirit is driving a new phase of development as the nation strives to create a liveable and sustainable city; a home like no other with ample room to grow and opportunities for different communities to flourish and build a better future together. This collective resilience, which defines Singapore’s journey from 14th century trading hub, to colonial port to independent nation and global city, is the theme of the Jubilee Walk. Created in 2015 to mark Singapore’s Golden Jubilee, the Jubilee Walk is a specially curated trail of iconic locations that recall Singapore’s historic beginnings, her path towards nationhood, and show the way forward to Singapore’s present and future as a global city. 2 In this 1570 map by Flemish cartographer Abraham Ortelius, the Malay Peninsula appears as an elongated extension of mainland Southeast Asia, and Singapore as an appendix, marked “Cincapura” 3 4 The Jubilee Walk celebrates how far we have arrived after 50 years of independence and looks back in time to situate the island’s current progress within a maritime legacy spanning over 700 years. -
Tour Description World Express Offers a Wide Choice of Sightseeing Tours, Which Offer Visitors an Interesting Experience of the Sights and Sounds of Singapore
TOUR DESCRIPTION WORLD EXPRESS OFFERS A WIDE CHOICE OF SIGHTSEEING TOURS, WHICH OFFER VISITORS AN INTERESTING EXPERIENCE OF THE SIGHTS AND SOUNDS OF SINGAPORE 1 CITY TOUR 1 PERANAKAN TRAIL (with food tasting) SIN-1 3 /2 hrs SIN-4 3 /2 hrs An orientation tour that showcases the history, multi racial culture and lifestyle that is Join us on a colourful journey into the history, lifestyle and unique character of the SINGAPORE Singapore. Peranakan Babas (the men) and Nonyas (the women)… A walk through a Spice Garden – the original site of the first Botanic Gardens will uncover See the city’s colonial heritage as we drive around the Civic District past the Padang, the the intricacies of spices and herbs that go into Peranakan cooking. Cricket Club, Parliament House, Supreme Court and City Hall. Stop at the Merlion Park for great views of Marina Bay and a picture-taking opportunity with the Merlion, a mythological A splendid display of Peranakan costume, embroidery, beadwork, jewellery, porcelain, creature that is part lion and part fish. The tour continues with a visit to the Thian Hock furniture, craftwork will provide a glimpse into the fascinating culture of the Nonyas Keng Temple, one of the oldest Buddhist-Taoist temples on the island, built with donation and Babas. from the early immigrants workers from China. Next drive past Chinatown to a local handicraft centre to watch Asian craftsmanship. From there we proceed to the National A visit to the bustling enclaves of Katong & Joo Chiat showcases the rich and baroque Orchid Garden, located within the Singapore Botanic Gardens, which boasts a sprawling Peranakan architecture. -
Must Visit Attractions in Singapore"
"Must Visit Attractions in Singapore" Created by: Cityseeker 16 Locations Bookmarked Merlion Park "Singapore's National Emblem" Standing guard at the mouth of the Singapore River is the Merlion, a mythical beast that is a cross between a fish and a lion. The fish symbolizes Singapore's close association with the sea while the lion head refers to the legendary sighting of a lion during the discovery of ancient Singapore. Created in 1972 as a tourism icon, the Merlion is especially by Graham-H attractive in the evenings when it is illuminated and spouts water from its mouth. Today, it has moved 120 meters (393 feet) away from its original spot, adjacent to One Fullerton. A stroll through Merlion Park yields great views of Singapore's colonial district. +65 6736 6622 1 Fullerton Road, Singapore Marina Bay Sands Skypark "Experience Singapore from New Heights" A true marvel of engineering designed by the famous architect Moshe Safdie, the Marina Bay Sands Skypark is an open-air viewing deck perched 200 meters (656.168 feet) atop the Marina Bay Sands Hotel. This deck, shaped like a ship, almost seems to go against the law of gravity as it stretches on the 57th story above the hotel tower. The panoramic views by Sarah_Ackerman from of Singapore are staggering, and on a clear day, far-off islands belonging New York, USA. to Malaysia and Indonesia can be seen. The Skypark is the size of three football fields and also contains lush tropical gardens, souvenir stands and gourmet restaurants. Its main attraction is a spectacular infinity pool that seems as if it meets thin air at one of its longer edges. -
Jurong East Int (Direction 2) MRT Station Bus Service Bus Stop Name Bus Stop No
Marina Centre Ter - Jurong East int (Direction 2) MRT Station Bus Service Bus Stop Name Bus Stop No. Dist(km) Street Bus Stop Name BuS stop No. Dist(km) Street Guide Marina Ctr Ter* 02099 0.0 Raffles Blvd NUH 18071 15.6 Buona Vista Flyover Aft S'pore Flyer 02101 0.4 Raffles Ave Opp SIT Dover 16091 16.3 AYE The Float @ Marina Bay 02051 0.8 Blk 610 17121 17.6 The Esplanade 02061 1.1 Clementi Flyover 17131 18.1 Suntec Convention Ctr 02151 1.9 Temasek Blvd Clementi Stadium 17141 18.5 97 Jurong East Int - Promenade Stn 02161 2.6 Temasek Ave Blk 506 20011 18.9 Marina Centre TER Opp The Ritz-Carlton 02171 2.9 NEWest 20021 19.4 Bayfront Stn Exit B/MBS 03509 3.8 Bayfront Ave The Infiniti 20031 19.9 bus Frequency Bayfront Stn Exit A 03519 4.1 Cycle & Carriage 20051 20.7 1-5mins 6-10mins 11-15mins 16-20mins Marina Bay Stn 03539 4.7 Central Blvd Opp German Ctr 20271 21.2 Jurong Town Hall Rd Jurong east int - Marina Centre TER Downtown Stn 03529 5.1 Opp Intl Business Pk 28221 21.5 Weekdays Saturdays Sundays & Public Holidays First Bus: 05:45 First Bus: 05:45 First Bus: 05:45 UIC Bldg 03129 5.7 Shenton Way Jurong East Int 28009 22.3 Jurong Gateway Rd Last Bus: 23:45 Last Bus: 23:45 Last Bus: 23:45 Opp AXA Twr 03217 6.0 05:45 09:00 16:11 18:16 23:45 Weekdays Opp Customs Port Br HQ 05649 6.9 Keppel Rd 06:51 05:45 23:45 Opp Former Railway Stn 14061 7.2 Saturdays Keppel Workshop 14071 7.7 07:15 Sundays 05:45 23:45 Tg Pagar DP Blk F5 14081 8.1 & Public Holidays Opp Keppel DP Blk 517 14101 8.5 HarbourFront Stn/Vivocity 14141 9.3 Telok Blangah Rd Marina Centre -
Exhibition Guide
ArTScience MuSeuM™ PreSenTS ceLeBrATinG SinGAPOre’S cOnTeMPOrArY ArT Exhibition GuidE Detail, And We Were Like Those Who Dreamed, Donna Ong Open 10am to 7pm daily | www.MarinaBaySands.com/ArtScienceMuseum Facebook.com/ArtScienceMuseum | Twitter.com/ArtSciMuseum WELCOME TO PRUDENTIAL SINGAPORE EYE Angela Chong Angela chong is an installation artist who Prudential Singapore Eye presents a with great conceptual confidence. uses light, sound, narrative and interactive comprehensive survey of Singapore’s Works range across media including media to blur the line between fiction and contemporary art scene through the painting, installation and photography. reality. She has shown work in Amsterdam Light Festival in the netherlands; Vivid works of some of the country’s most The line-up includes a number of Festival in Sydney; 100 Points of Light Festival innovative artists. The exhibiting artists who are gaining an international in Melbourne; cP international Biennale in artists were chosen from over 110 following, to artists who are just Jakarta, indonesia, and iLight Marina Bay in submissions and represent a selection beginning to be known. Like all the other Singapore. of the best contemporary art in Prudential Eye exhibitions, Prudential 3D Tic-Tac-Toe is an interactive light sculpture Singapore. Prudential Singapore Eye is Singapore Eye aims to bring to light which allows multiple players of all ages to the first major exhibition in a year of a new and exciting contemporary art play Tic-Tac-Toe with one another. cultural celebrations of the nation’s 50th scene and foster greater appreciation of anniversary. Singapore’s visual art scene both locally and internationally. 3D Tic-Tac-Toe, 2014 The works of the exhibiting artists demonstrate versatility, with many of the artists working experimentally Jeremy Sharma Jeremy Sharma works primarily as a conceptual painter. -
Media Release out of Class and Into the Museums For
MEDIA RELEASE OUT OF CLASS AND INTO THE MUSEUMS FOR SOME HOLIDAY FUN Children’s Season 2015 returns with a slew of exciting programmes to cultivate an appreciation for Singapore’s heritage amongst the next generation Singapore, 28 May 2015 – If you know your ABCs, like listening to stories, and enjoy playing make-believe with costumes and other objects, please raise your hand as the National Heritage Board (NHB) wants you! 2. Parents – haven’t planned that June holiday get-away? Book a staycation and pop into any of the 19 museums that are participating in Children’s Season 2015. Presented by NHB and the Museum Roundtable (MR), the eighth Children’s Season runs from 30 May to 28 June 2015, and will feature over 50 fun-filled yet educational programmes and activities. 3. From a dedicated children’s gallery at the National Museum of Singapore, to interactive and child-friendly displays in exhibitions, and specially-developed education programmes and workshops, NHB is going all out to engage audiences from as young as four years of age. Through a combination of heritage education and outreach programmes, such as the popular Children’s Season, NHB seeks to cultivate a love for museums, and develop an early interest in the arts and heritage in children. Children’s Season 2015 – A Myriad of Exciting Programmes for the Young and Young at Heart 4. National Museum of Singapore’s flagship Children’s Season event, Masak Masak 2015, returns with a variety of interactive and engaging activities to bring families to the museum. Pick up a copy of Baby Block's Day Out, an easy-to-follow storybook exhibition guide, and your day is set! There are lots to do, from bouncy playgrounds reminiscent of our familiar neighbourhood mosaic playground, crafts such as traditional woodblock prints, to a massive maze and up-close giant illustrations! 5. -
Singapore River
No tour of Singapore is complete without a leisurely trip along the Singapore River. More than any other waterway, the river has defined the island’s history as well as played a significant role in its commercial success. SKYSCRAPERS SEEN FROM SINGAPORE RIVER singapore river VICTORIA THEATRE & CONCERT HALL SUPREME COURT PADANG SINGAPORE RIVER SIR STAMFORD RAFFLES central 5 9 A great way to see the sights is to Kim, Robertson, Alkaff, book a river tour with the Clemenceau, Ord, Read, Singapore Explorer (Tel: 6339- Coleman, Elgin, Cavenagh, 6833). Begin your tour at Jiak Anderson and Esplanade — and Kim Jetty, just off Kim Seng in the process, pass through a Road, on either a bumboat (for significant slice of Singapore’s authenticity) or a glass-top boat history and a great many (for comfort). From here, you landmarks. will pass under 11 bridges — Jiak Robertson Quay is a quiet residential enclave that, in recent years, has seen the beginnings of a dining hub, with excellent restaurants and gourmet shops like La Stella, Saint Pierre, Coriander Leaf, Tamade and Epicurious, all within striking distance of each other. Close to the leafy coolness of Fort Canning as well as the jumping disco-stretch of Mohamed Sultan Road , the area offers a CLARKE QUAY more relaxed setting compared to its busier neighbour, Clarke Quay, downstream. With its vibrant and bustling concentration of pubs, seafood restaurants, street bazaars, live jazz bands, weekend flea markets and entertainment complexes, Clarke ROBERTSON QUAY Quay remains a magnet for tourists and locals. Restored in 1993, the sprawling village is open till late at night, filling the air with the warmth from the ROBERTSON QUAY CLARKE QUAY ROBERTSON QUAY/CLARKE QUAY charcoal braziers of the satay stalls (collectively called The Satay Club), the loud thump of discos and the general convivial air of relaxed bonhomie. -
Art of Tang Da Wu
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Body and communication : the ‘ordinary’ art of Tang Da Wu Wee, C. J. Wan‑Ling 2018 Wee, C. J. W.‑L. (2018). Body and communication : the ‘ordinary’ artof Tang Da Wu. Theatre Research International, 42(3), 286‑306. doi:10.1017/S0307883317000591 https://hdl.handle.net/10356/144518 https://doi.org/10.1017/S0307883317000591 © 2018 International Federation for Theatre Research. All rights reserved. This paper was published by Cambridge University Press in Theatre Research International and is made available with permission of International Federation for Theatre Research. Downloaded on 27 Sep 2021 10:02:22 SGT Accepted and finalized version of: Wee, C. J. W.-L. (2018). ‘Body and communication: The “Ordinary” Art of Tang Da Wu’. Theatre Research International, 42(3), 286-306. C. J. W.-L. Wee [email protected] Body and Communication: The ‘Ordinary’ Art of Tang Da Wu Abstract What might the contemporary performing body look like when it seeks to communicate and to cultivate the need to live well within the natural environment, whether the context of that living well is framed and set upon either by longstanding cultural traditions or by diverse modernizing forces over some time? The Singapore performance and visual artist Tang Da Wu has engaged with a present and a region fractured by the predations of unacceptable cultural norms – the consequences of colonial modernity or the modern nation-state taking on imperial pretensions – and the subsumption of Singapore society under capitalist modernization. Tang’s performing body both refuses the diminution of time to the present, as is the wont of the forces he engages with, and undertakes interventions by sometimes elusive and ironic means – unlike some overdetermined contemporary performance art – that reject the image of the modernist ‘artist as hero’. -
From Orphanage to Entertainment Venue: Colonial and Post-Colonial Singapore Reflected in the Convent of the Holy Infant Jesus
From Orphanage to Entertainment Venue: Colonial and post-colonial Singapore reflected in the Convent of the Holy Infant Jesus by Sandra Hudd, B.A., B. Soc. Admin. School of Humanities Submitted in fulfilment of the requirements of the qualification of Doctor of Philosophy University of Tasmania, September 2015 ii Declaration of Originality This thesis contains no material which has been accepted for a degree or diploma by the Universityor any other institution, except by way of backgroundi nformationand duly acknowledged in the thesis, andto the best ofmy knowledgea nd beliefno material previously published or written by another person except where due acknowledgement is made in the text oft he thesis, nor does the thesis contain any material that infringes copyright. �s &>-pt· � r � 111 Authority of Access This thesis is not to be made available for loan or copying fortwo years followingthe date this statement was signed. Following that time the thesis may be made available forloan and limited copying and communication in accordance with the Copyright Act 1968. :3 £.12_pt- l� �-- IV Abstract By tracing the transformation of the site of the former Convent of the Holy Infant Jesus, this thesis connects key issues and developments in the history of colonial and postcolonial Singapore. The convent, established in 1854 in central Singapore, is now the ‗premier lifestyle destination‘, CHIJMES. I show that the Sisters were early providers of social services and girls‘ education, with an orphanage, women‘s refuge and schools for girls. They survived the turbulent years of the Japanese Occupation of Singapore and adapted to the priorities of the new government after independence, expanding to become the largest cloistered convent in Southeast Asia. -
After Utopia Premises the Idea of Utopia on Four Prospects
1 May – 18 Oct 2015 Organised by Supported by In celebration of © 2015 Singapore Art Museum © 2015 Individual contributors All artworks are © the artists unless otherwise stated. Information correct at the time of the publication. Exhibition Curators: Tan Siuli Louis Ho Artwork captions by: Joyce Toh (JT) 1 May – 18 Oct 2015 Tan Siuli (TSL) Louis Ho (LH) All rights reserved. Apart from any fair dealing for purposes of private study, research, criticism, or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior consent from the Publisher. Printer: AlsOdoMinie, Singapore Cover Image: H. Eichhorn, Tropic Woods (detail), issued by Meyers, lithographed by Bibliographisches Institut Leipzig, 1900, as featured in Donna Ong, The Forest Speaks Back (I), 2014. Photograph by John Yuen. Image courtesy of the Artist. Inside Cover Image: Maryanto, Pandora’s Box (detail), 2013, 2015. Image courtesy of the Artist. n naming his fictional island ‘Utopia’, writer Thomas More conjoined the Greek words for ‘good place’ and ‘no place’ – a reminder that the idealised society he conjured was fundamentally phantasmal. And yet, the search and yearning for utopia is a ceaseless humanist endeavour. Predicated on possibility and hope, utopian principles and models of worlds better than our own have been perpetually re-imagined, and through the centuries, continue to haunt our consciousness. Where have we located our utopias? How have we tried to bring into being the utopias we have aspired to? How do these manifestations serve as mirrors to both our innermost yearnings as well as to our contemporary realities – that gnawing sense that this world is not enough? Drawing largely from SAM’s permanent collection, as well as artists’ collections and new commissions, After Utopia premises the idea of Utopia on four prospects.