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Bangladesh's Political Evolution As a Country Has Its Own Unique And
Defining the Frontiers of Identity: Balancing Language and Religion in Bangladesh Smruti S Pattanaik The question of identity is a social issue but behind its construction there are potent political forces at work. These forces seek to conceptualize and articulate socio- political grievances of a ‘community’ and convert these grievances into a political tool, which forms the basis of a separate nation state. Therefore, the issue of identity is the most volatile subject in multi-ethnic states. In a multicultural and plural state, the state- hegemonisation and definition of national identity inevitably creates fissiparous tendencies especially when the nature of the state often fails to take diversity into account. In the context of the creation of Pakistan and given the history of partition, the state hegemony in crafting a ‘nation’ was an effort to translate the ideological inspiration behind the state formation. At the same time, the Hindu dominated Congress opposition created a sort of insecurity regarding the viability of the nation-state. Therefore, the state, in its over-zealous attempt to promote and protect an Islamic identity the basis on which the state was founded, played the role of an ultimate arbitrator of the identity question. The problem with such an overarching authority of the state that defined the existence of ‘self’ within the geographical parameter persisted in conceiving a political identity that defined the citizenship and gave him an identity and a sense of belongingness to the territory. In the process, the state advanced “Islam” as the core of the national identity. In this context, Urdu became the defining factor of being a ‘Muslim’ in the new state of Pakistan. -
Literary Cultures in History Reconstructions from South Asia
Literary Cultures in History Reconstructions from South Asia EDITED BY Sheldon Pollock UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London 8 The Two Histories of Literary Culture in Bengal Sudipta Kaviraj INTRODUCTION A general reading of the history of a particular literature requires, first of all, a principle of organization. Histories of Bangla literature usually offer a narrative of continuity: they seek to show, quite legitimately, how the liter- ary culture develops through successive stages—how literary works of one period become the stock on which later stages carry out their productive op- erations. These studies are less interested in asking how literary mentalities come to be transformed or how a continuing tradition can be interrupted, or in speculating on possible reasons behind these significant literary turns. In an attempt to move away from these conventional histories, which record unproblematically the sequential narrative of the production of texts and their authors, this essay gives attention primarily to two questions. The first is: What were the major historical “literary cultures,” that is, the sensibilities or mentalities constructed around a common core of tastes, methods of tex- tual production, paratextual activities (like performance, recitation, or other use in religious, nonliterary contexts), reception, and the social composition of audiences? The second question, closely related to the first, is: How do literary cultures, especially deeply entrenched literary cultures, change? The treatment of Bangla literary history in this essay, therefore, focuses more on textualities or text types than on individual texts, and it offers hardly any literary-critical analysis of major canonical works. A figure like Rabin- dranath Tagore is treated with relative neglect, since he does not represent a phase of serious interpretative contention or rupture in literary production I thank Sheldon Pollock for detailed comments on this paper at different stages of its prepa- ration. -
Feminism in Bangladesh: 1971-2000 Voices from Women's Movement
Feminism in Bangladesh: 1971-2000 Voices from Women’s Movement ---------------------------------------------------------------------------------------------------------------- Thesis To obtain the degree of PhD from University of Dhaka Supervisor Dr. Najma Chowdhury Emeritus Professor, Founding Chair, Department of Women and Gender Studies University of Dhaka Co Supervisor Dr. Firdous Azim Professor, Chairperson of the Department of English and Humanities BRAC University, Dhaka Submitted by Ayesha Banu Associate Professor Department of Women and Gender Studies University of Dhaka Registration No and Session: 215 (2012-13) (re) Affiliated Hall: Bangladesh-Kuwait Maitri Hall, University of Dhaka Date of Submission PhD Committee Convenor Dr. Meghna Guhathakurta, Director, Research Initiative, Bangladesh (RIB), Dhaka. Members Dr. Najma Chowdhury, Supervisor, Emeritus Professor, Department of Women and Gender Studies, University of Dhaka, Dhaka. External Member: Dr. Maitrayee Chaudhuri, Professor, Jawaharlal Nehru University (JNU), New Delhi. ---------------------------------------------------------------------------------------------------------------- The PhD Programme was supported by the project entitled ―Institutionalising the Department of Women‘s Studies‖, funded by the Royal Netherlands Embassy and managed by the Department of Women and Gender Studies, University of Dhaka and Institute of Development Studies (ISS), The Hague. II Table of Content List of Figures ...................................................................................................................... -
Nation and Imagination
CHAPTER 6 Nation and Imagination THIS CHAPTER moves out into three concentric circles. The innermost cir- cle tells the story of a certain literary debate in Bengal in the early part of the twentieth century. This was a debate about distinctions between prose, poetry, and the status of the real in either, and it centered on the writings of Rabindranath Tagore. Into these debatesÐand here is my second cir- cleÐI read a global history of the word ªimagination.º Benedict Ander- son's book Imagined Communities has made us all aware of how crucial the category ªimaginationº is to the analysis of nationalism.1 Yet, com- pared to the idea of community, imagination remains a curiously undis- cussed category in social science writings on nationalism. Anderson warns that the word should not be taken to mean ªfalse.º2 Beyond that, how- ever, its meaning is taken to be self-evident. One aim of this chapter is to open up the word for further interrogation and to make visible the heterogenous practices of seeing we often bring under the jurisdiction of this one European word, ªimagination.º My third and last move in the chapter is to build on this critique of the idea of imagination an argument regarding a nontotalizing conception of the political. To breathe heteroge- neity into the word ªimagination,º I suggest, is to allow for the possibility that the ®eld of the political is constitutively not singular. I begin, then, with the story of a literary debate. NATIONALISM AS WAYS OF SEEING It does not take much effort to see that a photographic realism or a dedi- cated naturalism could never answer all the needs of vision that modern nationalisms create. -
Curriculam Vitae
Page 1 of 10 CURRICULAM VITAE Dr. MOLOY RAKSHIT Associate Professor in Bengali Burdwan University Golapbag, P.O. RAJBATI, BURDWAN 713104 Residential Address : Flat 402, Purbayan Abasan 3 – Rifle Range Road P.O. Belgharia, Kolkata-700073 Contact No. (Mob) : 94329 38155 / 9477440219 E-mail ID : [email protected] Awards/Prizes obtained University Gold Medal (for the position First class First in M.A.) Kabi Kumud Ranjan Padak (for the position First class First in M.A.) Soudamini Choudhuri Medal (for highest marks in M.A) Dipti Sanyal Medal (for highest marks in M.A) Tripti Aich Memorial Medal (for highest marks in M.A) Sharatchandra Medha Puraskar by Sharat Samiti, Kolkata, (for the position First class First in M.A.) LIST OF PUBLICATIONS a. Published Books : 1. Raktakarabi Rupe, Rupantare (Collection of 10 mns. Of the play Raktakarabi) University of Burdwan, Jan 2009, Page- 1-455, ISBN : 81-87259-67-1 2. Raktakarabi : Path O Pathantarer Bhabnay Days Publishing, June 2009, pp. 151, ISBN 978-81-295-0945-1 Page 2 of 10 3. Rabindranath : Bikalpo Theatrer sandhan Parampara Prakashan, Aug 2011, pp. 265 ISBN 978-93-80869-40-1 (This book was highly admired by the critic of BOIER DESH On April-June 2012 issue ) 4. Muktadhara : Ekti Purnango Alochana-Grantha (Collected & Edited), Kalyani Publication, Aug 2011 pp. 335, ISBN 978-81-925662-0-7 (This book was positively reported by the critic of Boi-Poka of Anandabazar Patrika ) 5. Rabindranath Thakur : Nirbachito Natak Sangraha (Edited Book / Bhumika O Tathyapanji), Alakananda Publishers, Feb 2012, pp. 556, ISBN : 987-81-923637-1-4 6. -
E-Newsletter
bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb DELHI INAUGURATION OF AKADEMI EXHIBITION 2015 February 15, 2016, New Delhi Sahityotsav, Sahitya Akademi’s Annual Festival of Letters, began with the inauguration of Sahitya Akademi Exhibition 2015 at the Rabindra Bhawan Lawns on 15 February 2016. The exhibition was inaugurated by distinguished Odia writer and Fellow of Sahitya Akademi, Dr Manoj Das. The inaugural ceremony was attended by the President, Vice President and Secretary of Sahitya Akademi in addition to the members of the Executive Board and General Council of Sahitya Akademi and staff. In his welcome address, Dr K. Sreenivasarao, Dr. Manoj Das inaugurating the Akademi Exhibition Secretary, Sahitya Akademi, highlighted the achievements of Sahitya Akademi during the previous year. He informed the learned audience that in 2015 Sahitya Akademi organized 479 literary events, participated in 189 book exhibitions across India, published 426 books in 24 languages, inaugurated the Centers for Tribal and Oral Literature at Imphal and New Delhi, presented 117 Awards in 24 recognized languages in addition to the conferment of Bhasha Samman to 9 scholars and Fellowships to distinguished writers Prof S. L. Bhyrappa and Dr C. Narayana Reddy and Honorary Fellowship to Dr Jin Dinghan of China opened Metro Bookshops at Kashmere Gate and Vishwavidyalaya Metro Stations in New Delhi and sent 24 writers to Mauritius, Malaysia, Japan, China and Germany as part of delegations to Festivals of India Programme and Literary Exchange Programmes. The Akademi also hosted 3 Russian writers in addition to the literary delegations from Spain, Fiji, New Zealand and Thailand. Dr Vishwanath Prasad Tiwari, President, Sahitya Akademi, in his speech, reiterated the Akademi’s commitment to literary service across the country and highlighted that in the past year the Akademi organized one programme every 18 hours and published one book every 20 hours. -
Rabindranath Tagore's Eco-Consciousness in 20 Century
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 23, Issue 12, Ver. 4 (December. 2018) 12-18 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Rabindranath Tagore’s Eco-consciousness in 20th Century Bengali Literature Md. Zillur Rahman1, Md. Akhtar Hossain2, Md. Sadekul Islam3 1Associate Professor, Department of Language and Communication, Patuakhali Science and Technology University, Bangladesh. 2Associate Professor, Department of Language, Sher-E-Bangla Agricultural University, Bangladesh. 3 Assistant Professor, Department of English, Saidpur Government Technical College, Nilphamary, Bangladesh. Corresponding Author: Md. Zillur Rahman Abstract: Ecological or environmental consideration of the 20th century development has been attracting attention of the whole world‟s intellectuals for more than half a century. From early 20th century onwards a large number of writings that pointed out the danger of self-destructing nature of growth of the modern society. Thus the Ecological or environmental repercussions of all spheres of the world led the people to think about the new route of living process that can be continued over time. A thorough going visit to the literary world of Rabindranath Tagore presents ample evidences of his deep concern about nature and the self-defeating activities of the human race that have enormous bearing on environmental health. This paper attempts to focus on Tagore‟s consciousness and thought on environment and the lessons as is found in his many writings for ecological co-existence. Keywords: Eco-consciousness, 20th century, Bengali Literature --------------------------------------------------------------------------------------------------------------------------------------- Date of Submission: 05-12-2018 Date of acceptance: 22-12-2018 --------------------------------------------------------------------------------------------------------------------------------------- I. INTRODUCTION Rabindranath Tagore (1861-1941) the first Noble laureate from Asia in literature has made a profound impact on eco-poetry. -
Bengal's Contribution to Islamic Studies During the 18Th Century
BENGAL'S CONTRIBUTION TO ISLAMIC STUDIES DURING THE 18TH CENTURY ABSTRACT THESIS SUBMITTED FOR THE I^GREE OF Sottor of Miloiop^p IN ISLAMIC STUDIES BY SHABNAM BEGUM UNDER THE SUPERVISION OF r4537 PROP. M. SALIM KIDWAI DEPARTMENT OF ISLAMIC STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1994 BENGAL'S CONTRIBUTION TO ISLAMIC STUDIES DURING THE 18TH CENTURY ABSTRACT THESIS SUBMITTED FOR THE DEGREE OF Bottor of $l)tlQ£(opI|p IN ISLAMIC STUDIES BY SHABNAM BEGUM UNDER THE SUPERVISION OF PROP. M. SALIM KIDWAI DEPARTMENT OF ISLAMIC STUDIES ALIGARH MUSLIM UNIVERSITY ALiGARH (iNDiA) 1994 ABSTRACT In the long annals of the history of Bengal the eighteenth century occupies a unique position. In this century Muslim regime came to an end and British dominion was firmly established in Bengal. Many scholars have done commendable research on various aspects and brought out many valuable works on this century. But aspects like Contribution of Bengal to Islamic Studies during eighteenth century have not been properly explored. The purpose of this study is to find out the nature and roots of Islamic learning in Bengal, the institutions and scholars of Bengal. The thesis has been divided into five chapters and an Introduction and a Conclusion. The chapters are as given below :- Chapter I Section I - Early Muslim Contact with Bengal. Section II - Socio-political Contact of Muslims with Bengal. Chapter II - Religious Institutions of Bengal in the eighteenth century. • Chapter III- The Sufis of the eighteenth century. Chapter IV - Arabic and Persian Literature in Bengal during eighteenth century. Chapter V - Contribution of Muslims to Bengali Literature during eighteenth century. -
SFU Library Thesis Template
Television Journalism, Market-orientation, and Media Democratization in Bangladesh by Anis Rahman MA, Goldsmiths University of London, 2008 MSS, University of Rajshahi, 2007 BSS, University of Rajshahi, 2005 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Anis Rahman SIMON FRASER UNIVERSITY Fall 2017 . Approval Name: Anis Rahman Degree: Doctor of Philosophy Title: Television Journalism, Market-orientation, and Media Democratization in Bangladesh Examining Committee: Chair: Gary McCarron Associate Professor Yuezhi Zhao Senior Supervisor Professor Robert Hackett Supervisor Professor Robert Anderson Supervisor Professor Stuart Poyntz Internal Examiner Associate Professor Stephen McDowell External Examiner Professor College of Communication and Information Florida State University Date Defended/Approved: December 15, 2017 ii Ethics Statement iii Abstract This dissertation critically examines the emergence of a neoliberal market-oriented media system in Bangladesh and its impact on news production in both television channels and broadcast policymaking. The dissertation dissects the ownership structure and politics of licensing private television channels by successive governments between 1995 and 2017. It surveys the trends in the commercialization of television news to assess the symbolic and economic influence of advertising on journalism. It argues that the politically concentrated ownership of television and the practices of market-oriented television journalism in Bangladesh are symbiotically embedded with the political and social transformation of the nation-state, a postcolonial quest for nation-building, as well as an asymmetrical integration with the processes of neoliberal globalization. The analysis draws insights from critical and transcultural approaches to political economy of communication. -
Reading the Metaphors in Baul Songs
READING THE METAPHORS IN BAUL SONGS: SOME REFLECTIONS ON THE SOCIAL HISTORY OF RURAL COLONIAL BENGAL Manjita Mukharji (nee Palit) School of Oriental and African Studies (SOAS) University of London Thesis Submitted for the Degree of Doctor of Philosophy 2009 1 ProQuest Number: 10672931 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672931 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT This thesis breaks with existing scholarship on the Banls by moving away from an exclusive interrogation of their esoteric beliefs and practices. Instead, we forestage the socio-historical dimensions of metaphors found in Baul songs. Rather than using these metaphors as keys to unlock the esoteric registers of Baul praxis, we see how the metaphors themselves are drawn from and mediated by the Baul singer-composers’ locations in history and society. In the Introduction of the thesis, we sensitise the reader to the history and politics of the particular frames used by song-collectors through which the songs—our primary material—have become available to us. -
Niyogi Books Welcomes You to the Wonderful World of Books—Which Are Rich and Varied in Content and World-Class in Design and Production
Niyogi Books welcomes you to the wonderful world of books—which are rich and varied in content and world-class in design and production. Established in 2004, Niyogi Books is an internationally reputed publishing house with over 600 titles—and the list continues to grow. Our focus is on producing illustrated books on art, architecture, history, culture, spirituality, memoirs and every other aspect connected with culture and heritage. We always strive to give equal emphasis on the textual content and visuals as well within our illustrated books. In 2018, Niyogi Books launched three imprints: Olive Turtle (English fiction), Thornbird (English translation) and Paper Missile (English nonfiction). With the introduction of the three imprints, Niyogi Books strives to enrich the categories of books ranging from social science, self-help books, works of fiction, as well as English translations of modern classics from different Indian languages, thus exploring the many genres of the literary world. In January 2019, Niyogi Books launched its Hindi imprint, Bahuvachan, dedicated to our Hindi titles, thereby celebrating the state language, Hindi, which is also one of the most spoken languages in the world. It also upholds the banner for the multilingual nation that India is. In spite of using the latest technological innovations in production and design, Niyogi Books lays great emphasis on human values and human capital. Our mission—Fine publishing within reach is based on our commitment to excellence and our belief in inclusive growth. This is reflected in the close relationship we have with our authors, our readers and our partners in book selling and distribution. -
An Assessment of Red Oleanders Basudeb Chakraborti University of Kalyani, India
The Unrecognized Work of Tagore as Translator: An Assessment of Red Oleanders Basudeb Chakraborti University of Kalyani, India Abstract In the vast volume of Tagore criticism, only a few sentences are devoted to the translational linguistics Tagore has followed in translating his Bengali Rakta Karabi into English Red Oleanders. Tagore journeyed from Rakta Karabi to Red Oleanders, and was constantly careful of the fact that he was not only transferring a system of linguistic symbols, often arbitrary in nature, into another but also conveying and delivering the cultural significance of one language community to the other, which is culturally different. This journey from Rakta Karabi to Red Oleanders, i.e., transtexting the cultural significance of one text into another is a difficult job. This paper explains how Tagore’s work as a translator of Red Oleanders has remained unrecognized still today. [Keywords: Red Oleanders, translation, criticism, western media; politics] Raja Rao on one occasion said it was very difficult for him to translate the rhythm of Indian life and society into the medium which was not his own. He was a novelist who articulated his experience of Indianness in English in which he was more comfortable than in his mother tongue for communication. In spite of his ease in English, he was very much aware of its obvious limitations. He felt natural handicaps in creating the right texture of Indianness in an alien language, English. The problem of mismatch between the content, his Indianness, and his expression in English is finally resolved by the successful harmony he brings about between the two and by establishing the Indian English as an independent variant of Standard British English.