DOCSLIB.ORG

F. NO. 9- 01/2014-S&F Government of India Ministry of Culture

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
F. NO. 9- 01/2014-S&F Government of India Ministry of Culture F. NO. 9- 01/2014-S&F Government of India Ministry of Culture ****** Puratatav Bhawan, D Block, GPO Complex, INA, New Delhi-110023 5th August, 2014 MINUTES OF THE TWENTY SEVENTH MEETING OF THE CULTURAL FUNCTIONS GRANT SCHEME (CFGS) HELD ON 30 th JUNE, 1st , 3rd , 4 th , 8th and 9 th JULY, 2014. A meeting of CFGS was held on 30 th June, 1 st , 3 rd , 4 th , 8 th and 9 th July, 2014 under the Chairmanship of Shri K.K.Mittal, Additional Secretary to consider the proposals for financial assistance by the Expert Committee. 2. The Expert Committee has considered 516 applications which were complete and supported with all documents as required under the Scheme and also considered 4 cases of enhancement. The Committee examined each and every proposal individually before taking a decision and recommended the following 338 proposals & 4 enhancement cases for financial assistance under the Scheme. The details of the approved, rejected, and incomplete proposals are as under:- Sl. Name of Organization & Address Subject of Time Amount No. Proposed /Duration of recommended Project the Project by Experts (Rs. in Lakhs) Andhra Pradesh 1. (TEACHES) Tagore Human Values 1st Feb 2014 0.50 Educational Agricultural, Through to 31 st March Cultural and Health Society, Burrakatha, 2014 ( 2 D.No.252/2, Pedapalli (VI & Harikatha, Months) PO) Via Gorantla, Kolatam, Katha Anantapuram (Dist.) Andhra Traditions in Pradesh - 515231 Rural Areas Page 1 2. Abhinaya Arts, 1-2-120/2, Celebration of 03.02.2015 5.00+2.00 Prakasam Road, Tirupati- 15 th to (After going through the 517501, Chittoor District, Anniversary 08.02.2015 profile and level Andhra Pradesh of past activities of the organization, the Expert Committee noted that the function is of a very high level and therefore recommended higher grant) 3. Adarsha Rural Development Technical 1st June 2014 0.50 and Training Society, Workshop for to 30 th July, Kodikonda – 515601, Youth on 2014 Anantapur Dist, Andhra Cheriyal Scroll Pradesh Painting and Dolls depicting Indian Culture 4. Annadaatha (A Society for Celebration of 5th April, 0.50 Sustainable Agriculture Lambadi 2014 to 14 th Development), H.No. 1-30, B. (Banjara) Folk April, 2014 Settypalli Village & Post, Dance Festival Chilmathur Mandal, Hindupur Taluk, Anantapur District- 515241, Andhra Pradesh 5. Arunodaya Rural Education “Telugu Drama 15 th to 25 th 0.75 Development Society, Festival” February Vinayaka Nagar, Near R.K. 2014 Theatre, Gorautia – 515231, Anantapur Dist, Andhra Pradesh 6. Bhadradri Kala Bharathi 12 th State Level 5th February 0.50 Cultural Society, H.No. 9-1- Cultural to 9 th 168/2B, Kothapeta, Festival February, Bhadrachalam (PO & Mand)- 2014 507111, Khammam Dist, Andhra Pradesh 7. Chowdeswary Natya Mandali, “Rejuvenation 1st April 1.00 Gollapali Village, De, of Folk 2014 to 30 th Alethepalli Post, Chilamathur Cultural Art June 2014 Mandal, Anantapur District, Form Andhra Pradesh – 515341 Veeranatyam” 8. Institute of Scientific Research Determining 01.04.2013 4.50 on Vedas (I –srve), #11-13- Cultural to 279, Road No.8, Alakpuri, Continuity 31.03.2014 Hyderabad – 500035, Andhra From Rigveda Pradesh to Mahabharat Page 2 9. Margadrshi Society for Rural Training the 1st June 2014 0.50 Development, Bangalore Artists in Sri to 31 st Ashwathappa, Kanganallore Krishna December, (Village), Yatawakile (Post), Paarijaatha 2014 Punganur (Mandal)-517247, Folk Cultural Chittor District, Andhra Art Form to Pradesh Familiarize in the Region 10. Mittapalli Youth Assocition, Festival cum Not 0.50 #2/260, Near Old Post Office, Seminar on mentioneded Gorantla-515231, Anantapur, Lambadi Folk Andhra Pradesh Dance 11 . Rayala Lalithakala Parishad, National Seminar 17 th January, 1.00 Kodikonda-515601, Anantapur Dist, on Telugu 2014 to 19 th Andhra Pradesh Literature and January, 2014 Focus on SRI SRI Writings 12 . Sir C.V. Raman Educational Society, Organize Cultural 8th April, 2014 0.50 Giddnagivaripalli Village & Post, Festival And to 10 th April, Vempally Mandal, Kadapa District, Seminar on 2014 and 12 th Andhra Pradesh-516350 Veeranatyam April to 16 th April, 2014 13. Sree Kala Niketan, 8-7-56/1 (PNR- Seminar on June to July, 0.50 43), Hastinapur Central Nagarjuna Telugu Dramatic 2014 Sagar Road, Hyderabad-500079, Literature Andhra Pradesh 14. Swetha Mahila Mandali Welfare Festival of 25 th -29 th 0.75 Sangam, D.No. 27/137, Tolubommalata August, 2014 Parakuvandlapalli-515571, Tankallu- (Puppet Theatre) Mandal, Anantapur Dist, Andhra Pradesh 15. Ushodaya Educational Society, In Memory of 5th – 9th July, 1.00 Beside Madeena Majied, Old Bellary Raghava 2014 (5 Days Navatha Road, Gorantla-515231, Leather Puppetry Program) Anantapur Dist, Andhra Pradesh Festival 16. Ventures Society for Rural (Stage Dramas), 1st June to 30 th 1.00 Development, Kodur Village and By Physically December, Post Chilamathur Mandal-515601, Handicapped 2014 Anantapur Dist-Andhra Pradesh persons Page 3 17 . Young Envovs International, 139- 1. 50 Day 1. 4th May 0.75 Kakatiyanagar, Hyderabad – Workship to 22 500008, Andhra Pradesh in Visual June, Arts for 2014 Rural youth and children 2. Fragrance 2. 14 th of Art Nov Buds The 2014 Sixth Internatio nal youth and Child art exhibition Total Amount = 21.75 Arunachal Pradesh 18. Donyi Ane Weaving Multi Indian Folk Jan., 2014 0.50 Purpose Society, Nyorchi Dance at Village. P.O. & P.S, Yupia Aurnachal Papumpare, District, Arunachal Pradesh Pradesh 19 . “Ham are” Hayang Memorial Nyokum Yullo ( 23.02.2014 to 0.50 Agro Industry and Education Nyokum 27.02.2014 Trust, Naharlagun C” Sector Festival) Near Forest Nursery District Papum Pare (Arunachal Pradesh) Pin- 791 109 20. Axis Welfare Society, Naharlagun Seminar on Tribal 5 Days 0.50 C” Sector District papumpare- Folk Song, Music 791110, Arunachal Pradesh and Traditional Art & Crafts 21. Bright Future Society, Ziro, M. G. Myoko Festival of 20.03.2014 and 0.50 Road, Hapoli, P.O. & P.S. Ziro, Apatani Tribes of Period of Post Box No. 44) Lower Subansiri Arunachal Pradesh execution: one District, Arunachal Pradesh- month 791120 22. Changkiu Bagang VFMC, PO Art & Craft 5 Days 0.50 C/Tajo Corresponding Office Seppa Bebo Colony, District East Kameng, Arunachal Pradesh 23. District Horticulture and Lungte Festival 05.04.2014 to 0.50 Agriculture Development 09.04.2014 Cooperative Society Ltd, Naharlagun C’ Sector Near Forest Nursery, District Papum Pare- 791110, Arunachal Pradesh Total Amount=3.00 Page 4 Assam 24. Aastha NGO (A Confidence), Preservation and 6 to 11 March 0.50 Beltola Survey, Ajamta Path, Promotion of 2014 Guwahati – 781028, Dist. Kamrup Ankiya Bhaona of (M), Assam Assam 25. Apcom Educational and Cultural Art Exhibition 4 Days 1.00 Devlopment Societies, First floor, Cum Art Fair Main Road, Hazarika, Morigaon, Assam – 782104 26 . Association of Kundigira Art & North East Deori 25 th to 31 st 2.00 Culture, P.O. Bordeori, Via: Tribal Cultural January, 2014 Dikrong (Narayanpur), Dist: Festival Lakhimpur-784164, Assam 27. Department of Persian, Gauhati Seminar Cum 20 – 22 1.00 University, Guwahati-781014, Cultural November, Assam Functions: Sufism 2014 & Sufi Music (Tentative) 28. Integrated Tribal Shining Society, All Tribes 21 st to 23 rd 0.50 Chotrong Majgaon, P.O.-Gohpur, Cultural Activities March, 2014 Dist-Sonitpur-784168, Assam and Research Programme 29. Kalpa, A Society for Promotion of 6th Pragjyoti 15 th -16 th 3.00 Literature Art Culture & Social International February, 2014 Harmony, House No. 4 Keteki Dance Festival Path, Saurabhnagar, Beltola, Guwahati-781028, Assam 30. Mime Academy, Hedayetpur, National Mime January, 2015 2.50 Guwahati-781003, Assam Festival, 2014-15 31. Nilanchal Unnayan Sanshkritika Cultural Functions 11.06.2014 to 0.50 Parishad, Head Office: Amlokhi- Grant Scheme 13.06.2014 P.O. Amoni, Dist: Nagaon (Assam)-782138 32. Surjya, C.K. Agarwala Road, Natya – In the middle 1.00 House no. 13, Near Kamrup Shraddhanjali, A of the year Academy Highschool, Guwahati – Theatre Festival as 2014 781001, Assam Tribute to Lakshminath Bezbarua Total Amount= 12.00 Bihar Page 5 33 . “Raaga” an association of art, 5th Shashi 04 to 10 4.50 education and social welfare, H/O, Bhushan Smriti October, 2014 A.K. Srivastava, Near Yashoda Natya Utsav & 4th Apartment, B.S.E.B. Colony Shashi Bhusha Shastri Nagar, Patna – 800023 , Smriti Natya Bihar Samman 34 . Akanksha Seva Sadan, New Police Seminars & 4 Days 0.50 Line, Ara-802301, Dist: Bhojpur, Festivals about Bihar development of Tradition Art of Bhojpuri Culture 35 . Ashirwad Rangmandal, Begusarai, 4th Ashirwad December 2013 4.00 Kalisthan Chowk, Near Rotary National Theatre Blood Bank, Begusarai, Bihar – Festival 2013 851101 36. Bihar Bal Bhawan ‘Kilkari’, Bihar Fourth National Not 3.00 Rashtrabhasha Parishad Parisar, Bal Rang mentioneded Saidpur, Rajendra Nagar, Patna- Mahotsav-2014 800004, Bihar 37. Bihar School of Music & Drama, “Three Day 31 st March 1.21 Maa Sarda Kuttir, H/o Smt. Bharti Cultural Festival” 2014 Sinha, Butler Road (Near Butler Seminar, Field) Muzaffarpur – 842001, Exhibitions, Bihar Competion, Culture programme Drama Wrokshop & Play 38. Binda Cultural Welfare & Seminars and 16.01.2014 to 2.00 Educational Society, M.O.+P.O. Festivals on Role 19.01.2014 Prof. Colony, Biharsarif, District: of Bhikari Thakur Nalanda, Bihar in the Bihar Tradition Cultural Bidesiya Drama & Dance 39 . Eagle Cultural Development Symposium on 28.05.2014 to 1.00 Society, Vill.-Aranda, PO- understanding the 31.05.2014 Gamhari, Dist.-Aurangabad, Bihar Bihar Tradition art form of Qawwali 40. Gramin Kala Sankalp, AT+PO- Seminars & 4 Days 0.50 Bhakhruaa Mode, Daud Nagar, Festivals about Dist: Aurangabad, Bihar Guru-Shisya Parmpara on cultural subjects 41. Kala Jagran, C/o Suman Kumar, 5th All India 17.02.2014 – 3.00 New Bengali Tola Devi Asthan Historical Drama 23.02.2014 Sundari – Bhawan, Patna – Festival – 2014 800001, Bihar (AIHDF) 42. Mahila Avam Bal Seva Manch, Masaudhi Yuva Three Days 0.50 C/o.
Load more

Recommended publications
  • Contents SEAGULL Theatre QUARTERLY
    S T Q Contents SEAGULL THeatRE QUARTERLY Issue 17 March 1998 2 EDITORIAL Editor 3 Anjum Katyal ‘UNPEELING THE LAYERS WITHIN YOURSELF ’ Editorial Consultant Neelam Man Singh Chowdhry Samik Bandyopadhyay 22 Project Co-ordinator A GATKA WORKSHOP : A PARTICIPANT ’S REPORT Paramita Banerjee Ramanjit Kaur Design 32 Naveen Kishore THE MYTH BEYOND REALITY : THE THEATRE OF NEELAM MAN SINGH CHOWDHRY Smita Nirula 34 THE NAQQALS : A NOTE 36 ‘THE PERFORMING ARTIST BELONGED TO THE COMMUNITY RATHER THAN THE RELIGION ’ Neelam Man Singh Chowdhry on the Naqqals 45 ‘YOU HAVE TO CHANGE WITH THE CHANGING WORLD ’ The Naqqals of Punjab 58 REVIVING BHADRAK ’S MOGAL TAMSA Sachidananda and Sanatan Mohanty 63 AALKAAP : A POPULAR RURAL PERFORMANCE FORM Arup Biswas Acknowledgements We thank all contributors and interviewees for their photographs. 71 Where not otherwise credited, A DIALOGUE WITH ENGLAND photographs of Neelam Man Singh An interview with Jatinder Verma Chowdhry, The Company and the Naqqals are by Naveen Kishore. 81 THE CHALLENGE OF BINGLISH : ANALYSING Published by Naveen Kishore for MULTICULTURAL PRODUCTIONS The Seagull Foundation for the Arts, Jatinder Verma 26 Circus Avenue, Calcutta 700017 86 MEETING GHOSTS IN ORISSA DOWN GOAN ROADS Printed at Vinayaka Naik Laurens & Co 9 Crooked Lane, Calcutta 700 069 S T Q SEAGULL THeatRE QUARTERLY Dear friend, Four years ago, we started a theatre journal. It was an experiment. Lots of questions. Would a journal in English work? Who would our readers be? What kind of material would they want?Was there enough interesting and diverse work being done in theatre to sustain a journal, to feed it on an ongoing basis with enough material? Who would write for the journal? How would we collect material that suited the indepth attention we wanted to give the subjects we covered? Alongside the questions were some convictions.
    [Show full text]
  • Sombhu Mitra 1914-1997
    In Memory ±ombhu Mitra 1914²1997 Spoken-word 45 rpm gramophone records were once a prized possession in many Bengali middle- class households of Calcutta that dabbled in high cul- ture. There were a handful of elocutionists who released albums of poetry quite regularly. Among the many albums in our record collection was one that featured baritone artists reciting some of the best specimens of Bengali poetry. But there was one voice among them whose timbre was of a different sort. To my adolescent ears it was not particularly pleasurable to hear, but singular in its tenored nu- ances, in its intensity of expression and clarity of pronunciation. It was ±ombhu Mitra’s rendition of a poem by the Bengali pantheist poet, J }ban nda D s. There was something in Mitra’s vocalization that stirred my adolescent spirit. I had never known me- chanically reproduced spoken words to engender such intense emotions. My elders told me I was un- fortunate to have missed seeing Mitra in action onstage. He had retired just a few years before I was of age to see and make sense of a play. Then, a few years later, there was news that Mitra was coming out of retirement to play the title role in Bertolt Brecht’s Life of Galileo under the direction of the East German director Fritz Benevitz. I stood in line for a whole night to get tickets. The experience of seeing Mitra live was indescrib- able. This was my first Brecht play and was it a grand introduction! Mitra’s depiction of Galileo from late youth to senility was a display of such amazing dexterity in vocal as well as physical acting, such richness of characterization, replete with details and subtleties, that I simply had to see the play again the next night.
    [Show full text]
  • Good Practices in DAESI Implementation
    Good Practices in DAESI Implementation Editors Mahantesh Shirur Naveen Kumar G Srikanth Mekala Manisha Ohlan Sreenu Banoth Shabbir Patel Anjani T Kanchan Bhagwat Madhavi K NATIONAL INSTITUTE OF AGRICULTURAL EXTENSION MANAGEMENT (MANAGE) (An autonomous organization of Ministry of Agriculture and Farmers Welfare, Government of India) Rajendranagar, Hyderabad-500 030, Telangana State, INDIA. i Good Practices in DAESI Implementation Good Practices in DAESI Implementation Citation: Mahantesh Shirur, et al. (2021). Good Practices in DAESI Implementation. Hyderabad: National Institute of Agricultural Extension Management (MANAGE). Copyright © National Institute of Agricultural Extension Management (MANAGE), Hyderabad, India. Edition: August 2021. All rights reserved. ISBN No: 978-93-91668-01-3 Editors: Mahantesh Shirur, Naveen Kumar G, Srikanth Mekala, Manisha Ohlan, Sreenu Banoth, Shabbir Patel, Anjani T, Kanchan Bhagwat and Madhavi K. This book is a compilation of information on good practices on DAESI implementation compiled from various subject experts of MANAGE, SAMETIs and NTIs implementing DAESI program. This book is designed to educate stakeholders, extension officers, research scholars, academicians and policy makers on effective implementation of DAESI program. Neither the publisher nor the contributors, authors and editors assume any liability for any damage or injury to persons or property from any use of methods, instructions, or ideas contained in the book. No part of this publication may be reproduced or transmitted without prior permission of the publisher/editors. Publisher and editors do not give warranty for any error or omissions regarding the materials in this book. Published for Dr.P.Chandra Shekara, Director General, National Institute of Agricultural Extension Management (MANAGE), Hyderabad, India by Dr.
    [Show full text]
  • UPSC Daily Current Affairs | Prelim Bits 25-08-2020
    UPSC Daily Current Affairs | Prelim Bits 25-08-2020 National Strategy for Financial Education (NSFE) RBI has released the National Strategy for Financial Education (NSFE): 2020-2025 document for creating a financially aware and empowered India. It is the second NSFE, the first one being released in 2013. It aims to strengthen the ecosystem for various modes of digital financial services in all Tier-II to Tier VI centers to create the necessary infrastructure to move towards a less-cash society by March 2022. NSFE has been prepared by the National Centre for Financial Education (NCFE), under the aegis of the Technical Group on Financial Inclusion and Financial Literacy (TGFIFL). NCFE is a Section 8 (Not for Profit) Company under the Companies Act, 2013 promoted by RBI, SEBI, IRDAI and PFRDA. It has recommended a ‘5 C’ approach for dissemination of financial education in the country: 1. Content - Financial Literacy content for various sections of population. 2. Capacity - Develop the capacity and ‘Code of Conduct’ for financial education providers. 3. Community - Evolve community led approaches for disseminating financial literacy in a sustainable manner. 4. Communication - Use technology, media and innovative ways of communication for dissemination of financial education messages. 5. Collaboration - Streamline efforts of other stakeholders for financial literacy. TGFIFL Technical Group on Financial Inclusion and Financial Literacy (TGFIFL) was set up in November 2011 by the FSDC. It is responsible for periodic monitoring and implementation of NSFE under the oversight of Financial Stability and Development Council (FSDC). Nuakhai Juhar Nuakhai Juhar is an agricultural festival, also called Nuakhai Parab or Nuakahi Bhetghat.
    [Show full text]
  • 10/11/2011 Government of Karnataka Page: 1 Department of Pre University Education List of Students for Whom I Renewal Scholarship of 2009 Released in November 2011
    10/11/2011 GOVERNMENT OF KARNATAKA PAGE: 1 DEPARTMENT OF PRE UNIVERSITY EDUCATION LIST OF STUDENTS FOR WHOM I RENEWAL SCHOLARSHIP OF 2009 RELEASED IN NOVEMBER 2011 COMBINATION: COMMERCE CD - 3 SENDER ACCOUNT NO: 113901011001963 DATE :11/11/2011 ************************************************************************************* SLNO NAME OF THE BENEFICIARY AMOUNT BANK ACC NO - IFSC CODE BENEFICIARY ADDRESS REG NO BANK NAME - MOBILE NO ************************************************************************************* 1 VISHAL S 10000.00 SB01030323 117 17TH MAIN BSK 1ST STAGE CORP0000215 2ND BLOCK ANGALORE 560050 604742 CORP BANK BANGALORE STUD NO:20092002 77953536467 ------------------------------------------------------------------------------------- 2 VIVEK V SHARMA 10000.00 4259000100504769 1390 SREEPADMA 3RD CRS 1ST PUNB0425900 STG VINOBHANAGAR SHIMOGA 404533 PNB KANNUR KERALA 577202 STUD NO:20092003 9742863260 ------------------------------------------------------------------------------------- 3 GOKUL K S 10000.00 0612108105614 KESHVA KS SRI KRISHNA 9-71/2 CNRB0000612 NEAR VASUKI NAGAR BAJAL PO 410919 CAN BANK MANGALORE KANAKANADY VILL M'LORE 027 STUD NO:20092004 8123788416 ------------------------------------------------------------------------------------- 4 ANISHKRISHNA B 10000.00 64032263241 SOWRABHA NR RAGHAVENDRA MUTT SBMY0040152 KALLARE PUTTUR DK 404580 SBM PUTTUR 574201 STUD NO:20092005 9611800709 ------------------------------------------------------------------------------------- 5 KAUSHIK RAJ K 10000.00 20034934862
    [Show full text]
  • List of Indian Folk Dances - State Wise
    STUDENT'S SENA ​ ​ New resolution for banking aspirants List of Indian Folk Dances - State Wise List of Folk dances, important for general awareness section of bank exams. Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma, Danga, Bidesia, Sohrai. Uttarakhand Garhwali, Pandav Nritya, Kumaoni, Kajari, Chancheri, Jhora, Raslila, Chhapeli. Andhra Kuchipudi (Classical), Ghanta mardala, Vilasini Pradesh Natyam, Andhra Natyam, Burrakatha, Veeranatyam, Butta bommalu, Tholu Bommalata, Dappu. Chhattisgarh Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Arunachal Mask dance (Mukhauta Nritya), War dance. Pradesh Himachal Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Pradesh Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance etc. Goa Mandi, Jhagor, Khol, Dakni etc. Assam Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. West Bengal Kathi, Gambhira, Dhali, Jatra, Baul, Marasia, Mahal, Keertan etc. Kerala Kathakali (Classical), Ottamthullal, Mohiniyattam, Kaikottikali, Tappeti Kali, Kali Attam. Meghalaya Laho, Baala etc. Manipur Manipuri (Classical), Rakhal, Nat Rash, Maha Rash, Raukhat etc. 1 STUDENT'S SENA ​ ​ New resolution for banking aspirants Nagaland Chong, Lim, Nuralim etc. Orissa Odissi (Classical), Savari, Ghumara, Painka, Munari, Chhau, Chadya Dandanata etc. Maharashtra Lavani, Nakata, Koli, Lezim, Gafa, Dahikala Dashavatar or Bohada, Tamasha, Mouni, Powara, Gauricha etc. Karnataka Yakshagana, huttar, Suggi, Kunitha, Karga, Lambi Gujarat Garba, Dandiya Raas, Tippani Juriun, Bhavai. Punjab Bhangra, Giddha, Daff, Dhaman etc. Rajasthan Ghumar, Chakri, Ganagor, Jhulan Leela, Jhuma, Suisini, Ghapal, Panihari, Ginad etc. Mizoram Khanatm, Pakhupila, Cherokan etc. Jammu Rauf, Hikat, Mandjas, kud Dandi nach, Damali. & Kashmir Tamil Nadu Bharatanatyam, Kummi, Kolattam, Kavadi. Uttar Pradesh Nautanki, Raslila, Kajri, Jhora, Chappeli, Jaita. Bihar Jata-Jatin,Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc.
    [Show full text]
  • National Testing Agency
    National Testing Agency Question Paper Name: N65 Performing Art Dance Drama Theatre 20th June S1 SET2 Subject Name: N65 Performing Art (Dance Drama Theatre) Creation Date: 2019-06-20 15:04:59 Duration: 180 Total Marks: 300 Display Marks: Yes Share Answer Key With Delivery Yes Engine: Actual Answer Key: Yes N65 Performing Art (Dance Drama Theatre) Group Number : 1 Group Id : 646350175 Group Maximum Duration : 0 Group Minimum Duration : 180 Revisit allowed for view? : No Revisit allowed for edit? : No Break time: 0 Group Marks: 300 PART I General Aptitude Section Id : 646350305 Section Number : 1 Section type : Online Mandatory or Optional: Mandatory Number of Questions: 42 Number of Questions to be attempted: 42 Section Marks: 100 Display Number Panel: Yes Group All Questions: No Sub-Section Number: 1 Sub-Section Id: 646350545 Question Shuffling Allowed : Yes Question Number : 1 Question Id : 64635011560 Question Type : MCQ Option Shuffling : No Display Question Number : Yes Single Line Question Option : No Option Orientation : Vertical Correct Marks : 2 Wrong Marks : 0 \Vhlch of the follo\vi:ng is a social characteristic of a learner'! (1) Power of sensory perception (2) Thinking ability (3) Power of .syn thetic imagination ( 4) Ability to relate oneselhvith othei-s Options : 64635045499. 1 64635045500. 2 Examrace www.examrace.com 64635045501. 3 64635045502. 4 Question Number : 1 Question Id : 64635011560 Question Type : MCQ Option Shuffling : No Display Question Number : Yes Single Line Question Option : No Option Orientation : Vertical Correct Marks : 2 Wrong Marks : 0 Rl-lf.tft!ia .'i ｾ＠ ｾ＠ mｾ＠ e/;t e,q,f-;iij, Riw ~? (1) ｾ＠ ｾｾ＠ e1;t oo (2) RRR ｾ＠ (3) ,,;~.:i-•11<'1if, ｾ＠ oo (4) m q;1 ¥fU it;~ <fPlr.1 eF.f.r e1;t <ihRrr Options : 64635045499.
    [Show full text]
  • Indian Red Cross Society, D.K District Branch Life Members Details As on 02.10.2015
    Indian Red Cross Society, D.K District Branch Life Members details as on 02.10.2015 Sri. J.R. Lobo, Sri. RTN. P.H.F William M.L.A, D'Souza, Globe Travels, Deputy Commissioner Jency, Near Ramakrishna 1 2 3 G06, Souza Arcade, Balmatta D.K District Tennis Court, 1st cross, Shiva Road, Mangalore-2 Bagh, Kadri, M’lore – 2 Ph: 9845080597 Ph: 9448375245 Sri. RTN. Nithin Shetty, Rtn. Sathish Pai B. Rtn. Ramdas Pai, 301, Diana APTS, S.C.S 4 5 Bharath Carriers, N.G Road 6 Pais Gen Agencies Port Road, Hospital Road, Balmatta, Attavar, Mangalore - 1 Bunder, Mangalore -1 Mangalore - 2 Sri. Vijaya Kumar K, Rtn. Ganesh Nayak, Rtn. S.M Nayak, "Srishti", Kadri Kaibattalu, Nayak & Pai Associates, C-3 Dukes Manor Apts., 7 8 9 D.No. 3-19-1691/14, Ward Ganesh Kripa Building, Matadakani Road, No. 3 (E), Kadri, Mangalore Carstreet, Mangalore 575001 Urva, Mangalore- 575006 9844042837 Rtn. Narasimha Prabhu RTN. Ashwin Nayak Sujir RTN. Padmanabha N. Sujir Vijaya Auto Stores "Varamahalaxmi" 10 "Sri Ganesh", Sturrock Road, 11 12 New Ganesh Mahal, 4-5-496, Karangalpady Cross Falnir, Mangalore - 575001 Alake, Mangalore -3 Road, Mangalore - 03 RTN. Rajendra Shenoy Rtn. Arun Shetty RTN. Rajesh Kini 4-6-615, Shivam Block, Excel Engineers, 21, Minar 13 14 "Annapoorna", Britto Lane, 15 Cellar, Saimahal APTS, Complex New Balmatta Road, Falnir, Mangalore - 575001 Karangalpady, Mangalore - 03 Mangalore - 1 Sri. N.G MOHAN Ravindranath K RTN. P.L Upadhya C/o. Beta Agencies & Project 803, Hat Hill Palms, Behind "Sithara", Behind K.M.C Private Ltd., 15-12-676, Mel Indian Airlines, Hat Hill Bejai, 16 17 18 Hospital, Attavar, Nivas Compound, Kadri, Mangalore – 575004 Mangalore - 575001 Mangalore – 02.
    [Show full text]
  • Notes and References
    Notes and References 1 General Influences on Bangladesh’s Foreign Policy 1. The South Asian region is usually defined as consisting of seven states: Bangla- desh, India, Pakistan, Sri Lanka, Nepal, Bhutan and the Maldives. 2. For an analysis of east-wing subordination see W.H. Morris-Jones, ‘Pakistan Post Mortem and the Roots of Bangladesh’, in M.M. Khan and H.M. Zafarullah, Polit- ics and Bureaucracy in a New Nation: Bangladesh, Dacca, 1980, pp. 26–34. 3. B. Sen Gupta, Regional Cooperation and Development in South Asia, Vol. 1, New Delhi, 1986, p.19. 4. Ainslee Embree points out that this partial borrowing also can be coloured with admiration for the values and attitudes of the former rulers. A.T. Embree, Imagin- ing India, Delhi, 1989, p. 188. 5. In pre-British times, Bengal enjoyed relative autonomy. Although Bengal became part of the Mughal empire in 1576, it was ruled independently of the central government virtually until the death of Aurangzeb (1707), the last signi- ficant Mughal ruler. See D.A. Wright, Bangladesh: Origins and Indian Ocean Rela- tions (1971–1975), New Delhi, 1988, p. 17. 6. P. Ghosh applies to the South Asian states the notion that differing stages of political development lead to conflicting strategic and diplomatic positions. P.S. Ghosh, Cooperation and Conflict in South Asia, New Delhi, 1989, pp. 3, 14 and 229. 7. C. Clapham, and W. Wallace (eds), Foreign Policy Making in Developing States, Westmead, 1977, p. 174. 8. B. Buzan, ‘Peace, Power and Security: Contending Concepts in the Study of International Relations’, Journal of Peace Research, vol.
    [Show full text]
  • Bangladesh's Political Evolution As a Country Has Its Own Unique And
    Defining the Frontiers of Identity: Balancing Language and Religion in Bangladesh Smruti S Pattanaik The question of identity is a social issue but behind its construction there are potent political forces at work. These forces seek to conceptualize and articulate socio- political grievances of a ‘community’ and convert these grievances into a political tool, which forms the basis of a separate nation state. Therefore, the issue of identity is the most volatile subject in multi-ethnic states. In a multicultural and plural state, the state- hegemonisation and definition of national identity inevitably creates fissiparous tendencies especially when the nature of the state often fails to take diversity into account. In the context of the creation of Pakistan and given the history of partition, the state hegemony in crafting a ‘nation’ was an effort to translate the ideological inspiration behind the state formation. At the same time, the Hindu dominated Congress opposition created a sort of insecurity regarding the viability of the nation-state. Therefore, the state, in its over-zealous attempt to promote and protect an Islamic identity the basis on which the state was founded, played the role of an ultimate arbitrator of the identity question. The problem with such an overarching authority of the state that defined the existence of ‘self’ within the geographical parameter persisted in conceiving a political identity that defined the citizenship and gave him an identity and a sense of belongingness to the territory. In the process, the state advanced “Islam” as the core of the national identity. In this context, Urdu became the defining factor of being a ‘Muslim’ in the new state of Pakistan.
    [Show full text]
  • Current Affairs 40  40 MCQ of Computer 52
    MONTHLY ISSUE - MAY - 2015 CurrVanik’s ent Affairs Banking | Railway | Insurance | SSC | UPSC | OPSC | PSU A Complete Magazine for all Competitive ExaNEmsW SECTIONS BLUE ECONOMY Vanik’s Page Events of the month 200 Updated MCQs 100 One Liners 40 MCQs on Computers 100 GK for SSC & Railway Leading Institute for Banking, Railway & SSC New P u b l i c a t i o n s Vanik’s Knowledge Garden VANIK'S PAGE Cultural Dances In India Andhra Pradesh Ÿ Ghumra Ÿ Kuchipudi Ÿ Karma Naach Ÿ Kolattam Ÿ Keisabadi Arunachal Pradesh Puducherry Ÿ Bardo Chham Ÿ Garadi Assam Punjab Ÿ Bihu dance Ÿ Bhangra Ÿ Jumur Nach Ÿ Giddha Ÿ Bagurumba Ÿ Malwai Giddha Ÿ Ali Ai Ligang Ÿ Jhumar Chhattisgarh Ÿ Karthi Ÿ Panthi Ÿ Kikkli Ÿ Raut Nacha Ÿ Sammi Ÿ Gaur Maria Dance Ÿ Dandass Gujarat Ÿ Ludi Ÿ Garba Ÿ Jindua Ÿ Padhar Rajasthan Ÿ Raas Ÿ Ghoomar Ÿ Tippani Dance Ÿ Kalbelia Himachal Pradesh Ÿ Bhavai Ÿ Kinnauri Nati Ÿ Tera tali Ÿ Namgen Ÿ Chirami Karnataka Ÿ Gair Ÿ Yakshagana Sikkim Ÿ Bayalata Ÿ Singhi Chham Ÿ Dollu Kunitha Tamil Nadu Ÿ Veeragaase dance Ÿ Bharatanatya Kashmir Ÿ Kamandi or Kaman Pandigai Ÿ Dumhal Ÿ Devarattam Lakshadweep Ÿ Kummi Ÿ Lava Ÿ Kolattam Madhya Pradesh Ÿ Karagattam or Karagam Ÿ Tertal Ÿ Mayil Attam or Peacock dance Ÿ Charkula Ÿ Paampu attam or Snake Dance Ÿ Jawara Ÿ Oyilattam Ÿ Matki Dance Ÿ Puliyattam Ÿ Phulpati Dance Ÿ Poikal Kudirai Attam Ÿ Grida Dance Ÿ Bommalattam Ÿ Maanch Ÿ Theru Koothu Maharashtra Tripura Ÿ Pavri Nach Ÿ Hojagiri Ÿ Lavani West Bengal Manipur Ÿ Gambhira Ÿ Thang Ta Ÿ Kalikapatadi Ÿ Dhol cholom Ÿ Nacnī Mizoram Ÿ Alkap Ÿ Cheraw Dance Ÿ Domni Nagaland Others Ÿ Chang Lo or Sua Lua Ÿ Ghoomar (Rajasthan, Haryana) Odisha Ÿ Koli (Maharashtra and Goa) Ÿ Ghumura Dance Ÿ Padayani (Kerala) Ÿ Ruk Mar Nacha (& Chhau dance) North India Ÿ Goti Pua Ÿ Kathak Ÿ Nacnī Ÿ Odissi Ÿ Danda Nacha Ÿ Baagh Naach or Tiger Dance Ÿ Dalkhai Ÿ Dhap MAGAZINE FOR THE MONTH OF MAY - 2015 VANIK’S MAGAZINE FOR THE MONTH OF MAY - 2015 B – 61 A & B, Saheed Nagar & Plot-1441, Opp.
    [Show full text]
  • Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
    No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations.
    [Show full text]