DOCSLIB.ORG

Szcc Annual Report 2016-2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Szcc Annual Report 2016-2017 ANNUAL ACTIVITY REPORT 2016-2017 The South Zone Cultural Centre at Thanjavur, Tamil Nadu was established as a Society under the Ministry of Culture, Government of India, came into existence on 31st January 1986 with the objective to integrate people of India through Culture, art and heritage. The Centre has jurisdiction over the states of Andhra Pradesh, Telangana, Karnataka, Kerala, Tamil Nadu and Union Territories of Andaman and Nicobar Islands, Lakshadweep and Puducherry. During the year 2016-17 SZCC, in association with the Member States, has arranged around 169 programmes. More than 10,414 artistes from various parts of the country have been paid for their participation in various programmes conducted during the year. These programmes could be conducted successfully with the active participation and support of each Member State. Some of the programmes organised are highlighted below: ANNUAL ACTIVITY REPORT AND REVIEW OF THE PROGRAMMES CONDUCTED DURING THE YEAR 2016-2017 During the Year 2016-17 the South Zone Cultural Centre, Thanjavur has conducted 169 Cultural Programmes in which 10414 artistes have participated. The following is a comparative statement of programmes conducted in various States/Union Territories during the last 7 years. Sl. 2010- 2011- 2012- 2013- 2014- 2015- 2016- State/UT No 11 12 13 14 15 2016 2017 01 Andaman &Nicobar Islands 1 1 1 5 2 01 01 02 Andhra Pradesh 1 3 3 7 4 07 07 03 Karnataka 1 4 4 9 20 09 17 04 Kerala 5 3 6 27 25 14 11 05 Lakshadweep 1 1 0 0 1 0 0 06 Puducherry 5 2 7 18 10 21 22 07 Tamil Nadu 26 51 71 70 86 110 92 08 Telangana 0 0 0 0 1 04 05 09 Other Zones 4 0 3 9 10 11 14 10 Programmes Abroad 0 0 0 5 1 0 0 Total 44 65 95 150 160 177 169 Further, the number of artistes from the Member States and also from other States performed in various programmes organised by SZCC during the past 7 years is shown below 175 Artistes from Member States performed during the years from 2010-2011 to 2016-2017 2015-2016 2016-2017 Sl. Artistes from 2010-11 2011-12 2012-13 2013-14 2014-15 3rd No. State/UT Male Female Total Male Female Total gender 1 Andaman 0 0 0 0 30 0 0 0 0 0 0 0 2 Andhra Pradesh 336 261 344 731 433 645 234 879 603 212 0 815 3 Karnataka 211 192 462 671 1013 466 205 671 684 276 0 960 4 Kerala 756 230 663 738 966 461 138 599 386 195 0 581 5 Lakshadweep 15 0 0 0 14 0 0 0 28 0 0 28 6 Puducherry 695 756 771 2005 622 1798 1068 2866 1174 439 0 1613 7 Tamil Nadu 1477 1901 1452 1685 2900 3454 1825 5279 2186 924 2 3112 8 Telangana 0 0 0 0 252 224 133 357 409 241 0 650 Total 3490 3340 3692 5830 6230 7048 3603 10651 5470 2287 2 7759 Artistes from Other States performed during the years from 2010-2011 to 2016-2017 1 Arunachal Pradesh 13 0 0 45 105 0 15 15 60 75 0 135 2 Assam 77 15 76 211 359 134 69 203 139 116 0 255 3 Bihar 0 0 15 46 0 0 0 0 25 11 0 36 4 Chhattisgarh 0 0 15 15 66 0 0 0 42 9 0 51 6 Goa 60 0 15 0 0 1 0 1 8 11 0 19 7 Gujarat 65 30 91 150 197 141 68 209 69 43 0 112 8 Haryana 0 15 60 15 90 141 68 209 49 32 0 81 9 Himachal Pradesh 15 0 0 0 32 10 5 15 33 12 0 45 10 Jammu & Kashmir 15 0 0 103 163 149 90 239 293 77 0 370 176 11 Jharkhand 0 0 0 0 0 0 0 0 29 0 0 29 12 Madhya Pradesh 77 105 105 126 155 144 107 251 145 37 0 182 13 Maharashtra 0 40 75 76 117 15 20 35 54 8 0 62 14 Manipur 55 22 45 202 205 185 36 221 181 64 0 245 15 Meghalaya 0 0 0 30 90 0 0 0 42 18 0 60 16 Mizoram 30 15 15 16 102 18 17 35 8 7 0 15 17 Nagaland 0 0 0 46 75 0 13 13 16 46 0 62 18 New Delhi 6 0 0 54 16 1 0 1 19 23 0 42 19 Odisha 69 21 68 144 143 119 57 176 153 74 0 227 20 Punjab 60 15 105 103 73 45 0 45 98 9 0 107 21 Rajasthan 0 0 0 70 156 44 25 69 88 71 0 159 22 Sikkim 0 0 0 60 90 0 0 0 31 20 0 51 23 Dadra &Nagar Haveli 0 0 0 0 0 0 0 0 15 0 0 15 24 Tripura 0 0 15 45 135 38 31 69 44 31 0 75 25 Uttar Pradesh 0 15 15 0 31 27 18 45 50 18 0 68 26 Uttrakhand 30 0 15 12 173 76 39 115 36 26 0 62 27 West Bengal 47 15 60 49 243 102 29 131 75 0 0 75 28 Abroad Team 0 0 0 0 0 0 0 0 8 7 0 15 Total 619 308 790 1618 2816 1390 707 2097 1810 845 0 2655 The Abstract of artistes performed in various programmes conducted by SZCC are as below: 177 Sl. States 2010- 2011-12 2012-13 2013-14 2014-15 2015-2016 2016-2017 No. 11 M F Total M F 3rdgender Total 01. Member States 3490 3340 3692 5830 6230 7048 3603 10651 5470 2287 2 7759 02. Other States & 619 308 790 1618 2816 1390 707 2097 1810 845 0 2655 Abroad Team Total 4109 3648 4482 7448 9046 8438 4310 12748 7280 3132 2 10414 178 The Expenditure incurred for conducting programmes in member states during the years 2013-14, 2014-15, 2015-2016 and 2016-2017 are as below. 2013-14 2014-15 2015-16 2016-17 (Rs Lakhs Sl.No States/UT (Rs Lakhs ) (Rs Lakhs (Rs. Lakhs ) ) ) Approximate 1 Andaman 15.00 23.15 15.12 14.15 2 Andhra Pradesh 12.00 39.68 22.96 47.67 with With Telangana Telangana 3 Karnataka 30.00 103.52 68.34 116.67 4 Kerala 40.00 57.31 57.66 98.93 5 Lakshadweep 00.00 22.67 00.01 00.00 6 Puducherry 35.00 37.37 77.90 90.99 7 Tamil Nadu 100.00 195.82 224.51 240.81 8 Telangana with A.P with A.P 13.29 21.53 9 Other States 00.00 00.00 53.87 83.45 10 RSM, Bangalore 00.00 00.00 00.00 238.25 Total 232.00 479.52 533.66 952.45 179 Programmes Highlights April 2016 Simhastha Kala Utsav 2016 Under the direction of Ministry of Culture, Government of India South Zone Cultural Centre arranged troupes from its Member States for Simhastha Kala Utsav held at Bhoj Manch, Ujjain, Madhya Pradesh. Dummy Horse, Karagam & Kavadi and Periya Melam fromTamil Nadu, Mathuri, Lambadi & Dhimsa from Telangana, Garagalu from Andhra Pradesh, Kaaliyattam of Puducherry, Thiruvthirakali from Kerala, Veeragasi, from Karnataka were presented. May 2016 Programmes were presented in Summer Festival arranged in various parts of Tamil Nadu. Thudumbattam, Dollukunitha, Goravayulu, Mathuri & Bonalu, Thappattam, Kuchipudi and Mohiniyattam were performed. The Centre has also participated in the Mega Cultural Festival held at Jawahar Public School, Edava, Kerala. Artforms viz. Dummy Horse, Karagam, Kavadi, Bhangra, Sambalpuri, Veerakasi, Garagalu were performed during the festival. June 2016 SZCC has organized National Terracotta Workshop in the premises of SZCC. 27 Terracotta Crafts Artisans from various places from India participated. International Yoga Day SZCC has arranged the Yoga Training on the occasion of International Yoga Day at Thanjavur. SZCC also organized International Yoga Day at Madurai, Tamil Nadu and Davangere, Karnataka. Programmes were presented in Summer Festival held at Salem, Cuddalore and Elagiri, Tamil Nadu. Dollukunitha, Mathuri, Thappattam, Kalkol Attam, Kuchipudi and Bharathanatyam were performed. July 2016 SZCC participated in the Birth Anniversary Celebration of Poet Vanidasan held in Puducherry and in Book Festival held at Thanjavur. Art forms viz., Thappattam, Therukoothu, Thudumbattam, Devarattam, Karagam and Kavadi were presented during the festival. 180 August 2016 SZCC presented Kuchipudi, Kalbelia and Bihu dances during the Independence Day celebrations held in Raj Bhavan, Chennai and also participated in World Folklore Day held at Bangalore, Karnataka and presented folk artfroms viz., Dummy Horse, Karagam, Kavadi, Kolkali and Lambadi. SZCC in collaboration with Film Division organized Film Festival in its premises. 14 Nos. of Short Films were screened during the Film Festival. More than 1000 school children witnessed and enjoyed the programmes. South Zone Cultural Centre actively participated in Fete-De-Puducherry a major cultural event of Puducherry organized by the Government of Puducherry. This festival was conducted at Puducherry (in 8 Rural Areas) Karaikal and Yanam from 14 th to 18th of August 2016 coinciding with the “De Jure Day” Celebrations. 4 troupes from Northern Zone and 1 troupe from North East, 9 troupes from Member States and 57 Folk, Music,Classical Dance and Drama troupes from Puducherry and Karaikal Areas have participated in this Mega Cultural Festival. September 2016 SZCC participated in the 93rd Birth Anniversary celebrations of Poet Tamil Oli at Puducherry.
Load more

Recommended publications
  • Indian Classical Dance Is a Relatively New Umbrella Term for Various Codified Art Forms Rooted in Natya, the Sacred Hindu Musica
    CLASSICAL AND FOLK DANCES IN INDIAN CULTURE Palkalai Chemmal Dr ANANDA BALAYOGI BHAVANANI Chairman: Yoganjali Natyalayam, Pondicherry. INTRODUCTION: Dance in India comprises the varied styles of dances and as with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country. These dance forms emerged from Indian traditions, epics and mythology. Sangeet Natak Akademi, the national academy for performing arts, recognizes eight distinctive traditional dances as Indian classical dances, which might have origin in religious activities of distant past. These are: Bharatanatyam- Tamil Nadu Kathak- Uttar Pradesh Kathakali- Kerala Kuchipudi- Andhra Pradesh Manipuri-Manipur Mohiniyattam-Kerala Odissi-Odisha Sattriya-Assam Folk dances are numerous in number and style, and vary according to the local tradition of the respective state, ethnic or geographic regions. Contemporary dances include refined and experimental fusions of classical, folk and Western forms. Dancing traditions of India have influence not only over the dances in the whole of South Asia, but on the dancing forms of South East Asia as well. In modern times, the presentation of Indian dance styles in films (Bollywood dancing) has exposed the range of dance in India to a global audience. In ancient India, dance was usually a functional activity dedicated to worship, entertainment or leisure. Dancers usually performed in temples, on festive occasions and seasonal harvests. Dance was performed on a regular basis before deities as a form of worship. Even in modern India, deities are invoked through religious folk dance forms from ancient times.
    [Show full text]
  • Chapter- Iv Analysis and Interpretation
    CHAPTER- IV ANALYSIS AND INTERPRETATION 1. Foreign Exchange Earnings for the year 2014 is Rupees 6398.93 crores. During 2014, the domestic tourist arrival was 116, 95,411 (an increase of 7.71%) whereas Foreign Tourist Arrival was 9, 23, 366 (an increase of 7.60%) over the previous year’s figure. 2. Kerala, the Malayalam speaking region, has made valuable contributions to the world culture and one of them, is the institution of Kalari. Tacholi Othenan, the undisputed exponent and all time great of Kalarippayattu, was born in 1584. After his death at the age of thirty-two, the people of Malabar made a cult hero of him and eventually deified and worshipped him as a demi-god. 3. Irrespective of caste, community, sex, religion and social status, the people of Kerala learnt the art of payattu. 4. Nearly half of foreign tourists visit Kalari for Rejuvenation therapy. 28.57 per cent domestic tourists visit Kalari for Martial Arts and 31.97 per cent for Rejuvenation Therapy. Rejuvenation therapy helps for longevity, memory, intellect, positive health, youth, excellent complexion and strength of sensory organs. Main aim of this therapy is to maintain the youth of the individual along with the maintaining of his long life. It is a costly affair but the enjoyment derived is maximum. It is expected by the Tourism Department that in 2021, 30 Lakhs foreign tourists and 180 Lakhs domestic tourists visit Kerala. According to Kerala Tourism statistics, Foreign tourist arrivals to Kerala in 2014 showed an increase of 7.60% compared to the previous year.
    [Show full text]
  • List of Indian Folk Dances - State Wise
    STUDENT'S SENA ​ ​ New resolution for banking aspirants List of Indian Folk Dances - State Wise List of Folk dances, important for general awareness section of bank exams. Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma, Danga, Bidesia, Sohrai. Uttarakhand Garhwali, Pandav Nritya, Kumaoni, Kajari, Chancheri, Jhora, Raslila, Chhapeli. Andhra Kuchipudi (Classical), Ghanta mardala, Vilasini Pradesh Natyam, Andhra Natyam, Burrakatha, Veeranatyam, Butta bommalu, Tholu Bommalata, Dappu. Chhattisgarh Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Arunachal Mask dance (Mukhauta Nritya), War dance. Pradesh Himachal Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Pradesh Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance etc. Goa Mandi, Jhagor, Khol, Dakni etc. Assam Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. West Bengal Kathi, Gambhira, Dhali, Jatra, Baul, Marasia, Mahal, Keertan etc. Kerala Kathakali (Classical), Ottamthullal, Mohiniyattam, Kaikottikali, Tappeti Kali, Kali Attam. Meghalaya Laho, Baala etc. Manipur Manipuri (Classical), Rakhal, Nat Rash, Maha Rash, Raukhat etc. 1 STUDENT'S SENA ​ ​ New resolution for banking aspirants Nagaland Chong, Lim, Nuralim etc. Orissa Odissi (Classical), Savari, Ghumara, Painka, Munari, Chhau, Chadya Dandanata etc. Maharashtra Lavani, Nakata, Koli, Lezim, Gafa, Dahikala Dashavatar or Bohada, Tamasha, Mouni, Powara, Gauricha etc. Karnataka Yakshagana, huttar, Suggi, Kunitha, Karga, Lambi Gujarat Garba, Dandiya Raas, Tippani Juriun, Bhavai. Punjab Bhangra, Giddha, Daff, Dhaman etc. Rajasthan Ghumar, Chakri, Ganagor, Jhulan Leela, Jhuma, Suisini, Ghapal, Panihari, Ginad etc. Mizoram Khanatm, Pakhupila, Cherokan etc. Jammu Rauf, Hikat, Mandjas, kud Dandi nach, Damali. & Kashmir Tamil Nadu Bharatanatyam, Kummi, Kolattam, Kavadi. Uttar Pradesh Nautanki, Raslila, Kajri, Jhora, Chappeli, Jaita. Bihar Jata-Jatin,Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc.
    [Show full text]
  • Kalanidhi Kalakosa Janapada Sampada Kaladarsana
    ANNUAL REPORT April 1, 2014-March 31, 2015 Contents Page No, Introduction 3 Organisation 4 Formation of the Trust 5 Highlights 5 KALANIDHI 7 Programme : Reference Library 8 : Reprography Unit 9 : Slide Unit 9 : Cultural Archives 9 Conservation Unit 12 Media Centre 13 Cultural Informatics Lab 14 KALAKOSA 17 Programme A : Kalatattvakosa 17 Programme B : Kalamulasastra 18 Programme C : Kalasamalocana 19 Area Studies 20 JANAPADA SAMPADA 25 Programme A : Ethnographic Collection 26 Programme B : Adi Drishya 27 Programme C : Lifestyle Studies 29 North East Study Programme 34 KALADARSANA 37 Exhibitions 38 Seminars/Conferences/Workshops 39 Public Lectures 42 Performances 43 Other Events 46 REGIONAL CENTRES 50 Eastern Regional Centre, Varanasi 50 Southern Regional Centre, Bengaluru 52 SUTRADHARA 57 ANNEXURES I: The Indira Gandhi National Centre for the Arts Board of Trustees 58 (as on March 31, 2015) II: The Indira Gandhi National Centre for the Arts Members of the 59 Executive Committee (as on March 31, 2015) III: List of Exhibitions held in IGNCA from April 1, 2014 to March 31, 2015 60 IV: List of Lectures and other programmes held in IGNCA 62 from April 1, 2014 to March 31, 2015 V: List of IGNCA Publications from April 1, 2014 to March 31, 2015 76 VI: List of officers of IGNCA, including Senior /Junior Research 77 Fellows/Consultants in the IGNCA (as on March 31, 2015) INDIRA GANDHI NATIONAL CENTRE FOR THE ARTS Annual Report 2014-15 INTRODUCTION The Indira Gandhi National Centre for the Arts (IGNCA), established in the memory of Smt. Indira Gandhi in 1987, is visualised as an autonomous national institution encompassing the study and experience of all the arts - each form with its own integrity, yet within a dimension of mutual inter- dependence and inter-relatedness with nature, the social structure and cosmology.
    [Show full text]
  • National Testing Agency
    National Testing Agency Question Paper Name: N65 Performing Art Dance Drama Theatre 20th June S1 SET2 Subject Name: N65 Performing Art (Dance Drama Theatre) Creation Date: 2019-06-20 15:04:59 Duration: 180 Total Marks: 300 Display Marks: Yes Share Answer Key With Delivery Yes Engine: Actual Answer Key: Yes N65 Performing Art (Dance Drama Theatre) Group Number : 1 Group Id : 646350175 Group Maximum Duration : 0 Group Minimum Duration : 180 Revisit allowed for view? : No Revisit allowed for edit? : No Break time: 0 Group Marks: 300 PART I General Aptitude Section Id : 646350305 Section Number : 1 Section type : Online Mandatory or Optional: Mandatory Number of Questions: 42 Number of Questions to be attempted: 42 Section Marks: 100 Display Number Panel: Yes Group All Questions: No Sub-Section Number: 1 Sub-Section Id: 646350545 Question Shuffling Allowed : Yes Question Number : 1 Question Id : 64635011560 Question Type : MCQ Option Shuffling : No Display Question Number : Yes Single Line Question Option : No Option Orientation : Vertical Correct Marks : 2 Wrong Marks : 0 \Vhlch of the follo\vi:ng is a social characteristic of a learner'! (1) Power of sensory perception (2) Thinking ability (3) Power of .syn thetic imagination ( 4) Ability to relate oneselhvith othei-s Options : 64635045499. 1 64635045500. 2 Examrace www.examrace.com 64635045501. 3 64635045502. 4 Question Number : 1 Question Id : 64635011560 Question Type : MCQ Option Shuffling : No Display Question Number : Yes Single Line Question Option : No Option Orientation : Vertical Correct Marks : 2 Wrong Marks : 0 Rl-lf.tft!ia .'i ｾ＠ ｾ＠ mｾ＠ e/;t e,q,f-;iij, Riw ~? (1) ｾ＠ ｾｾ＠ e1;t oo (2) RRR ｾ＠ (3) ,,;~.:i-•11<'1if, ｾ＠ oo (4) m q;1 ¥fU it;~ <fPlr.1 eF.f.r e1;t <ihRrr Options : 64635045499.
    [Show full text]
  • THE DEVELOPMENT TEAM Principal Investigator Prof. S. P. Bansal Vice
    Paper 11: Special Interest Tourism Module 34: Performing Arts of India: Classical Dances, Folk Dance & HistoricalFolk Culture Development of Tourism and Hospitality in the World THE DEVELOPMENT TEAM Principal Investigator Prof. S. P. Bansal Vice Chancellor, Indira Gandhi University, Rewari Co-Principal Investigator Dr. Prashant K. Gautam Director, UIHTM, Panjab University, Chandigarh Paper Coordinator Prof. Deepak Raj Gupta School of Hospitality & Tourism Management (SHTM), Jammu University Content Writer Dr. Arunesh parashar, Chief Coordinator Department Of Tourism Management, Dev Sanskriti University Content Reviewer Prof. Pariskhit Manhas Director , school of hospitality & tourism management Jammu university, Jammu ITEMS DESCRIPTION OF MODULE Subject Name Tourism and Hotel Management Paper Name Special Interest Tourism Module Title Performing Arts of India: Classical Dances, Folk Dances and Folk Culture Module Id 34 Pre- Requisites Basic knowledge about Performing Arts Objectives To develop a basic insight about the performing arts in India Keywords Classical, folks lore, folk dances and folk cultures QUADRANT-I Performing arts are divided into two dimensions of performance: Dance Music Classical dance Bharatnatyam Bharatnatyam originates in Tamil Nadu which is likewise alluded to as artistic yoga and Natya yoga. The name Bharatnatyam is gotten from the word "Bharata’s" and subsequently connected with the Natyashashtra. Though the style of Bharatnatyam is over two thousand years old, the freshness and lavishness of its embodiment has been held even today. The strategy of human development which Bharatnatyam takes after can be followed back to the fifth Century A.D. from sculptural proof. This established move has an entrancing impact as it inspires the artist and the spectator to a larger amount of profound cognizance.
    [Show full text]
  • The Role of Indian Dances on Indian Culture
    www.ijemr.net ISSN (ONLINE): 2250-0758, ISSN (PRINT): 2394-6962 Volume-7, Issue-2, March-April 2017 International Journal of Engineering and Management Research Page Number: 550-559 The Role of Indian Dances on Indian Culture Lavanya Rayapureddy1, Ramesh Rayapureddy2 1MBA, I year, Mallareddy Engineering College for WomenMaisammaguda, Dhulapally, Secunderabad, INDIA 2Civil Contractor, Shapoor Nagar, Hyderabad, INDIA ABSTRACT singers in arias. The dancer's gestures mirror the attitudes of Dances in traditional Indian culture permeated all life throughout the visible universe and the human soul. facets of life, but its outstanding function was to give symbolic expression to abstract religious ideas. The close relationship Keywords--Dance, Classical Dance, Indian Culture, between dance and religion began very early in Hindu Wisdom of Vedas, etc. thought, and numerous references to dance include descriptions of its performance in both secular and religious contexts. This combination of religious and secular art is reflected in the field of temple sculpture, where the strictly I. OVERVIEW OF INDIAN CULTURE iconographic representation of deities often appears side-by- AND IMPACT OF DANCES ON INDIAN side with the depiction of secular themes. Dancing, as CULTURE understood in India, is not a mere spectacle or entertainment, but a representation, by means of gestures, of stories of gods and heroes—thus displaying a theme, not the dancer. According to Hindu Mythology, dance is believed Classical dance and theater constituted the exoteric to be a creation of Brahma. It is said that Lord Brahma worldwide counterpart of the esoteric wisdom of the Vedas. inspired the sage Bharat Muni to write the Natyashastra – a The tradition of dance uses the technique of Sanskrit treatise on performing arts.
    [Show full text]
  • The Humanitarian Initiatives
    ® THE HUMANITARIAN INITIATIVES OF SRI MATA AMRITANANDAMAYI DEVI (MATA AMRITANANDAMAYI MATH) embracing the world ® is a global network of charitable projects conceived by the Mata Amritanandamayi Math (an NGO with Special Consultative Status to the United Nations) www.embracingtheworld.org © 2003 - 2013 Mata Amritanandamayi Mission Trust, Amritapuri, Kollam, 690525, India. All rights reserved. No part of this publication may be stored in a retrieval system, transmitted, reproduced, transcribed or translated into any language, in any form, by any means without prior agreement and written permission of the publisher. Edition 12, January 2013 Amma | 06 Disaster Relief | 15 Empowering Women | 34 Building Homes | 38 Community Outreach | 45 Care Homes for Children | 51 Public Health | 56 Education for Everyone | 59 Research for a Better World | 66 Healthcare | 73 Fighting Hunger | 82 Green Initiatives | 85 Amrita Institutions | 88 my religion Contacts | 95 is love Amma The world should know that a life dedicated to selfless love and service is possible. Amma Amma’s Life Amma was born in a remote coastal village in Amma was deeply affected by the profound Each of Embracing the World’s projects has Kerala, South India in 1953. Even as a small suffering she witnessed. According to Hindu- been initiated in response to the needs of girl, she drew attention with the many hours she ism, the suffering of the individual is due to the world’s poor who have come to unburden spent in deep meditation on the seashore. She his or her own karma — the results of actions their hearts to Amma and cry on her shoulder.
    [Show full text]
  • Ritual Music and Hindu Rituals of Kerala by Rolf Killius
    Ritual Music And Hindu Rituals Of Kerala By Rolf Killius Ritual Music And Hindu Rituals Of Kerala By Rolf Killius.PDF - Are you searching for by Rolf Killius Ritual Music And Hindu Rituals Of Kerala Books? Now, you will be happy that at this time Ritual Music And Hindu Rituals Of Kerala By Rolf Killius PDF is available at our online library. With our complete resources, you could find by Rolf Killius Ritual Music And Hindu Rituals Of Kerala PDF or just found any kind of Books for your readings everyday. You could find and download any books you like and save it into your disk without any problem at all. There is a lot of books, user manual, or guidebook that related to Ritual Music And Hindu Rituals Of Kerala By Rolf Killius PDF, such as : Hindu wedding - wikipedia, the free encyclopedia The rituals and process in a Hindu wedding vary often in the form of a formal procession with dancing and music. Weddings by religion; Marriage in Hinduism [PDF] Repairing Bridge Substructures: Report.pdf Theyyam - wikipedia, the free encyclopedia Different branches of mainstream Hindu religion such as Shaktism, Killius, Rolf (2006), Ritual Music and Hindu Rituals of Theyyam A Ritual Dance of Kerala [PDF] Smile When You're Lying: Confessions Of A Rogue Travel Writer.pdf Smithsonian folkways - ritual music of kerala Kerala ritual music as represented here is from the Thrissur district of These combine rituals performed in the temple as well as Rolf Killius - Recorder; [PDF] INFP: Understanding & Relating With The Healer.pdf 9788188827077 - ritual music and hindu rituals of Ritual Music and Hindu Rituals of Kerala de Rolf Killius y una selecci n similar de libros antiguos, raros y agotados disponibles ahora en Iberlibro.com.
    [Show full text]
  • Songs in Circles: Gujaratis in America
    Songs in Circles: Gujaratis in America by Gordon Thompson Gordon Thompson has conducted research The state of Gujarat, on India's western shoreline, is historically in Gujarat under grants from the American known for its textiles and merchants. Gujaratis have also been among Institute ofIndian Studies and the Wenner­ Gren Foundation for Anthropological Re­ South Asia's most skillful seafarers and were the guides for the first search. He is a doctoral candidate in eth­ Europeans arriving in India's ports. They have plied the waters of the nomusicology at the University of Indian Ocean for more than a millenium and have established settle­ California, Los Angeles, and is a lecturer in music at California State University, Long ments in such diverse places as Fiji, Hong Kong and South Africa. Beach. Today, Gujaratis are one of the largest South Asian ethnic groups in the United States. Against a seemingly incongruous southern Califor­ nia backdrop of fast-food restaurants, gas stations and freeways, one night every month as well as once each autumn for nine consecutive nights, Gujarati-Americans congregate in their temples, in high school auditoriums and in community centers to perform songs and circle dances that have survived and flourished wherever Gujaratis have settled. Performances of garba and ras- circle dances accompanied by sing­ ing- figure prominently in Gujarati communal worship. Through these forms Gujaratis worship, socialize and reaffirm their heritage. In the United States, despite the variety of their geographic backgrounds, all Gujaratis can participate in these dances which provide, among other things, an opportunity for adolescents and young adults to meet and to discuss common problems and concerns.
    [Show full text]
  • Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018
    Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018 List of participants For Team Manager ( Ernakulam ) Festival: HS General School Code: 25002 School Name: Vidyadhiraja Vidya Bhavan E. M. H. S. Aluva Sl.No Item Name Reg No. Adm.No. B/G Class Cluster Stage No Date 607 - Kathakali Sangeetham Stage 18 1 ACHYUTH UNNI 4588 7046 B 10 1 06 Jan 2018 (Boys) Neelakadambu Stage 18 2 615 - Violin - Paurasthyam SAINANDAN P V 4589 7226 B 9 1 08 Jan 2018 Neelakadambu Stage 7 3 625 - Ottanthullal NIRUPAMA VENUGOPAL 4591 7353 G 8 2 08 Jan 2018 Neermaruthu Stage 10 4 656 - Aksharaslokam PRANAV S 4594 7064 B 10 1 06 Jan 2018 Manchadi Stage 23 5 663 - Parichamuttu (Boys) ARJUN O B 4610 7130 B 9 5 09 Jan 2018 Chandanam 6 663 - Parichamuttu (Boys) MOHAMMED ADHNAN 4608 7191 B 9 7 663 - Parichamuttu (Boys) ATHUL K L 4609 7249 B 9 8 663 - Parichamuttu (Boys) DEEPAK UNNIKRISHNAN 4611 8374 B 9 9 663 - Parichamuttu (Boys) ASWAL ASOKAN 4612 7966 B 9 10 663 - Parichamuttu (Boys) HARIKRISHNAN E V 4613 7159 B 9 11 663 - Parichamuttu (Boys) FAHSAN MIRZA M A 4614 8575 B 9 12 663 - Parichamuttu (Boys) PRITHVIN RAYMAND 4615 8561 B 9 Stage 16 13 664 - Poorakkali (Boys) FARIS P A 4607 8608 B 9 1 09 Jan 2018 Rajamalli 14 664 - Poorakkali (Boys) AADHIL IBRAHIM 4596 7752 B 9 15 664 - Poorakkali (Boys) VISHNU SUBHASH 4597 7163 B 9 16 664 - Poorakkali (Boys) ASWIN SURESHBABU 4598 7164 B 9 17 664 - Poorakkali (Boys) BIJAI BATIN 4599 7161 B 9 18 664 - Poorakkali (Boys) HARIKRISHNAN R 4600 7436 B 9 19 664 - Poorakkali (Boys) AROMAL VIJAYAKUMAR 4601 7312 B 9 20
    [Show full text]
  • Newsletter Dec2019-Cover.Qxp 2019 11/26/19 16:30 Page 5
    December 2019 Šri Mahã Ganapati THE HINDU TEMPLE SOCIETY OF NORTH AMERICA, NY Šri Mahã Vallabha Ganapati Devasthãnam 45­57 Bowne Street, Flushing, New York 11355­2202 (: (718) 460­8484 ext. 112 ● Fax: (718) 461­8055 https://nyganeshtemple.org ● email: [email protected] December 2019 ● Vol 42­19 ● No. 1N ● 2 Issues per Year AA LetterLetter FromFrom thethe PresidentPresident Dear Fellow Devotees, Happy Holidays and best wishes for the New Year. The year 2019 marked another year of growth and progress and we proudly celebrated 42nd Anniversary on a grand scale. Ganesh Chaturthi Celebrations were once again grand with thousands of people participating in all the functions and especially the Ratha Yãtra on the last day. Devi Navarãtri and Deepãvali Celebrations were just as grand. Several cultural programs were conducted in the last 6 months. Some of the highlights included ‘Dance Showcase’ presented by senior students of five dance teachers in the Auditorium. This was a grand and a successful program and funds raised were credited towards Kumbhãbhishekam 2020. Among a few others included celebrations of ‘Swami Vivekananda’s Legacy, Life and Influence’ on August 11th, 2019. Devi Navarãtri celebrations with Ras Garba on October 4th thru October 6th, 2019, Deepavãli celebrations for the Pãtašãla students in the Senior Center on October 19th and the celebrations at the Queens Museum on October 26th, and Anniversary celebrations of the Senior Program on October 12th with variety entertainment. All these celebrations were grand and very well participated. Annual Health Fair was conducted on July 14th and Mini Health Fair was organized on November 10th, 2019.
    [Show full text]