Conference Schedule

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CONFERENCE SCHEDULE DAY 2 SEPTEMBER 12, TUESDAY EPIKA HALL HALL 10 WORKSHOP HALL 10:00 - 10:30 Welcome Coffee 10:30 - 11:30 Keynote: Alexis Bonte, eRepublik & Jorgen Larsson, Stillfront: Fireside Chat: Consolidation In The Games Industry, What Are The Drivers? 11:30 - 12:00 Mike Laidlaw, Bioware Building the Dragon Age Franchise 12:00 - 12:30 Stan Just, CD Projekt RED Dan Teodorescu, Gameloft What Can We Learn From Polish Gamedev Idle Hands, Active Brains Success Stories? 12:30 - 13:00 Shirley Lin, YoMob Ioan Palalau, Ubisoft Current Game Industry in China - The Next Intrapreneurship at Ubisoft Gen Pan-Entertainment 13:00 - 14:00 Lunch Break 14:00 - 14:30 Panel: The State Of The Eastern European Stefan Marinescu, Gameloft Seminar: Games Development Industry Acknowledge Your Flaws, Turn Them Into Zuzanna Kurek, Bucharest Stock Exchange with Stan Just, Adrian Djura, Cvetan Rusimov, Strenghts Gaming Studios On Stock Exchanges - Tanja Evdokimenko, Sebastien Delen How To Get Funding & Promotion You Need Moderated by Andreea Per Bozhidar Grozdanov, Big Blue Studios Design Tools And Best Practices to Streamline 14:30 - 15:00 Concept / Pre-production 15:00 - 15:30 Panel: Pitching Master Class: Lessons Diana Vasilescu, Electronic Arts Seminar: From The Other Side with Martine Spaans, Small Tricks from Big Players - Must Haves for Dragos Casian, AMC Pixel Factory Jeferson Valadares your Free to Play Business How to Create Great Art For Top Game Developers Moderated by Damir Durovic Constantine Ramenskiy, Gameloft 15:30 - 16:00 Game Operation & Transition: Hints & Tips 16:00 - 16:30 Alex Nucu, Riot Games Panel: The Path To The First Romanian Mega Four Things I’ve Learned From Video Games Hit Game With Mihai Sfrijan, Cristian (Number 7 Will Shock You!) Diaconescu, Nick Berbece, Dragos Hancu, George Lemnaru. Moderated by Andrei Istrate 16:30 - 17:00 Coffee Break 17:00 - 17:30 Dev.Play 2017 Awards Gala 17:30 - 18:00 Presented by Catalin Butnariu Track info SPOTLIGHT SESSIONS BUSINESS INDIE STORIES DESIGN & PRODUCTION INSIGHTS TECH TRACK WORKSHOPS & PANELS PITCHING SESSIONS.

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Toward a Deeper Understanding of Branching Dialogue Systems
TOWARD A DEEPER UNDERSTANDING OF BRANCHING DIALOGUE SYSTEMS LEANNE C. TAYLOR-GILES BFA (Creative Writing Production) Submitted in partial fulfilment of the requirements for the degree of Masters by Research. CREATIVE INDUSTRIES FACULTY QUEENSLAND UNIVERSITY OF TECHNOLOGY 2014 Leanne C. Taylor-Giles -- Understanding Branching Dialogue Systems Keywords Agency; branching dialogue systems; conversation architecture; creative writing; critical path; emergent narrative; emotional interface; immersion; interaction design; interactive narrative; literary criticism; narrative design; player character; practice-led; roleplaying video games; writing for video games. 2 – Creative Industries, QUT Understanding Branching Dialogue Systems – Leanne C. Taylor-Giles Abstract This exegesis addresses the concept of writing for video games, and specifically the branching dialogue systems available within contemporary roleplaying video games. It suggests a taxonomy for the critique of interactive narratives, and seeks to answer the question of whether branching dialogues may be separated from their medium in order to apply more traditional methods of literary criticism. The exegesis covers the critique of four contemporary roleplaying video games that are rated as the ‘best’ from among the offerings of the current video game development industry. It also examines the author’s personal works from both an internal and external standpoint, to further elucidate the aspects of writing for branching dialogues and interactive media that have yet to be discussed from a practitioner’s point of view within an academic context. As a conclusion, the exegesis presents a final project aimed at supporting the reflections and discoveries made throughout, providing a first-hand look at a game writer’s unedited creative process and the methods by which greater interactivity with non-player characters may be achieved.
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Dragon Age Inquisition Quest Recommended Level
Dragon Age Inquisition Quest Recommended Level creepsPoorly Armstronghis semicylinder cerebrated deistically. lousily Balked and deep, and spheralshe ravens Cliff her outcropped self-actualization almost impotently, dream awheel. though Monogamous Vassily partialises and obliged his eyot Abraham resonates. still This end of her, the years watched as strike official discord and corrections are based in several forms and etymologies, age dragon inquisition recommended level at that suits your Your original task instance will be to stale the northern trebuchet until pie is prepped to fire. This foe is to optional quests recommended armor or it, head to complete that i did receive this. Progress the silk to unlock. Blox Fruits Codes can give items, pets, gems, coins and more. DLC and value for money in generation paid DLC. The dragon age inquisition console commands without leveling for crafting. Equipment Slots Armor Minimum Enchantment Power 40 level 1 25. Return he will see what is a spotty history and a merchant in that leveling services and bring back when you want to. House is purely cosmetic for dragon age inquisition recommended level barrier where he now closed beta happening this arc, or is no time and where. Dragon Age Inquisition Minimum Level for Zones Guide Haven 1 1-4 Hinterlands 2 4-7 12 Val Royeaux 4 4-6 Storm Coast 5 7-. So i'm knew few hours into DAI's final DLC and female's been fun so far. Dragon Age Inquisition Walkthrough Side Quests USgamer. Become one giant, fly, coast through walls, spawn the item you want, though even become Santa Claus with Skyrim console commands.
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The Dalish Curse
THE DALISH CURSE Adventure Design & Writing: Steve Kenson Development: Jack Norris Editing: Evan Sass Art Direction and Graphic Design: Hal Mangold Cartography: Jared Blando Interior Art: Jacob Glaser, Mark Winter Publisher: Chris Pramas Green Ronin Staff: Joe Carriker, Steve Kenson, Jon Leitheusser, Nicole Lindroos, Hal Mangold, Jack Norris, Chris Pramas, Donna Prior, Evan Sass, Marc Schmalz, Owen K.C. Stephens, and Barry Wilson. Special thanks to Chris Bain, David Gaider, Ben Gelinas, Matthew Goldman, Cameron Harris, Mary Kirby, Mike Laidlaw, Cori May, and the team at BioWare. The Dalish Curse, Revised is © 2016 Green Ronin Publishing, LLC. All rights reserved. Reference to other copyrighted material in no way constitutes a challenge to the respective copyright holders of that material. © 2016 Electronic Arts Inc. EA and EA logo are trademarks of Electronic Arts Inc. BioWare, BioWare logo, and Dragon Age are trademarks of EA International (Studio and Publishing) Ltd. All other trademarks are the property of their respective owners. Green Ronin, Adventure Game Engine, and their associated logos are trademarks of Green Ronin Publishing. GREEN RONIN PUBLISHING 3815 S. Othello St. Suite 100, #304 Seattle, WA 98118 www.greenronin.com adventure The Dalish Curse he Dalish Curse is a Dragon Age adventure, designed Brecilian Forest. There they find the people of a nearby farm for a group of characters just starting to make their butchered by unknown attackers, and they find a wounded way in the land of Thedas. It originally apppeared in and exhausted Dalish elf named Eshara (Eh-SHA-ra). When the Dragon Age Set 1 boxed set, and we’re proud to they take Eshara to the village, however, they get a hostile Tpresent an update version of it here.
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Dragon-Age-Origins-Manuals
WARNING: PHOTOSENSITIVITY/EPILEPSY/SEIZURES A very small percentage of individuals may experience epileptic seizures or blackouts when exposed to certain light patterns or flashing lights. Exposure to certain patterns or backgrounds on a television screen or when playing video games may trigger epileptic seizures or blackouts in these individuals. These conditions may trigger previously undetected epileptic symptoms or seizures in persons who have no history of prior seizures or epilepsy. If you, or anyone in your family, has an epileptic condition or has had seizures of any kind, consult your physician before playing. IMMEDIATELY DISCONTINUE use and consult your physician before resuming gameplay if you or your child experience any of the following health problems or symptoms: dizziness eye or muscle twitches disorientation any involuntary movement altered vision loss of awareness seizures or convulsion. RESUME GAMEPLAY ONLY ON APPROVAL OF YOUR PHYSICIAN. Use anD hanDling OF viDeo gaMes to reDUCE the liKelihooD OF A seizure Use in a well-lit area and keep as far away as possible from the television screen. Avoid large screen televisions. Use the smallest television screen available. Avoid prolonged use of the PlayStation®3 system. Take a 15-minute break during each hour of play. Avoid playing when you are tired or need sleep. Stop using the system immediately if you experience any of the following symptoms: lightheadedness, nausea, or a sensation similar to motion sickness; discomfort or pain in the eyes, ears, hands, arms, or any other part of the body. If the condition persists, consult a doctor. NOTICE: Use caution when using the DUALSHOCK®3 wireless controller motion sensor function.
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What has come before After escaping from the templars, Gleam, Agmo and Minderel sought refuge in the Deep Roads, the underground highway that extends through all of Ferelden. But the Deep Roads are filled with creatures of darkness, and Gleam and her companions barely escaped with their lives. Now, at the surface, bad goes to worse as Gleam comes face to face with the very brigands who murdered her adoptive family. ORSON SCOTT CARD with AARON JOHNSTON, writers ANTHONY J. TAN penciller JASON P. MARTIN and ANTHONY J. TAN inkers MOSSA ANDRESSample JOSE, file colorist RICHARD STARKINGS and COMICRAFT’S ALBERT DESCHESNE, lettering HUMBERTO RAMOS, cover art EDGAR DELGADO, cover color FOR EA COMICS: IDW Publishing Robert Simpson, Editor-in-Chief Operations: Ted Adams, CEO & Publisher FOR BIOWARE: Greg Goldstein, Chief Operating Officer Mike Laidlaw, Creative Director Matthew Ruzicka, CPA, Chief Financial Officer Mark Darrah, Executive Producer Alan Payne, VP of Sales Matthew Goldman, Art Director Lorelei Bunjes, Dir. of Digital Services David S. Silverman, Senior Product Manager AnnaMaria White, Dir. of Marketing and Public Relations Dirk Wood, Dir. of Retail Marketing Aaryn Flynn, Studio GM, BioWare Edmonton Marci Hubbard, Executive Assistant Ray Muzyka and Greg Zeschuk, BioWare Co-Founders Alonzo Simon, Shipping Manager Richard Iwaniuk, Director of Business Development Angela Loggins, Staff Accountant Cherrie Go, Assistant Web Designer dragonage.bioware.com Editorial: www.eacomics.com Chris Ryall, Chief Creative Officer & Editor-in-Chief Scott Dunbier, Senior Editor, Special Projects www.idwpublishing.com Andy Schmidt, Senior Editor Bob Schreck, Senior Editor Justin Eisinger, Senior Editor DRAGON AGE #6. NOVEMBER 2010.
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Uncharted 2: Among Thieves Breaks Away and Flees with 10 Awards During the 13Th Annual Interactive Achievement Awards
Contact: Debby Chen / Wendy Zaas Geri Gordon Miller Rogers & Cowan Academy of Interactive Arts and 310-854-8168 / 310-854-8148 Sciences [email protected] 818-876-0826 x202 [email protected] [email protected] UNCHARTED 2: AMONG THIEVES BREAKS AWAY AND FLEES WITH 10 AWARDS DURING THE 13TH ANNUAL INTERACTIVE ACHIEVEMENT AWARDS LAS VEGAS – February 18, 2010 – Escaping with10 outstanding awards, Uncharted 2: Among Thieves (Sony Computer Entertainment) ran over the competition at the 13th Annual Interactive Achievement Awards®. Hosted by stand-up comedian and video game enthusiast Jay Mohr at the Red Rock Resort in Las Vegas, the evening brought together renowned leaders from the gaming industry to recognize their outstanding achievements and contributions to the space. The 13th Annual Interactive Achievement Awards honored successful game designer and Activision co-founder, David Crane with the AIAS’ first Pioneer Award. Entertainment Software Association (ESA) founder, Douglas Lowenstein was honored with the Lifetime Achievement Award. Gaming legend behind successful titles, Crash Bandicoot and Spyro the Dragon, Mark Cerny, was inducted into the Hall of Fame, one of the organization’s highest honors. “The interactive world continues to grow and move forward every day. While we have seen tremendous advances in the community, I believe this is only the beginning,” said Joseph Olin, president, AIAS. “With the help of the tremendously talented men and women here tonight, we will continue to create games that inspire each other to continue pushing the envelope.” These peer-based awards recognize the outstanding products, talented individuals and development teams that have contributed to the advancement of the multi-billion dollar worldwide entertainment software industry.
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I Give Permission for Public Access to My Honors Paper and for Any
I give permission for public access to my Honors paper and for any copying or digitization to be done at the discretion of the College Archivist and/or the College Librarian. Signed_____________________________________________ Ashton Murphy Date __________________________ Medea and New Media: Analyzing Euripides’ Tragedy through the Medium of Video Games Ashton Lacy Murphy Department of Greek and Roman Studies Rhodes College Memphis, Tennessee Submitted in partial fulfillment of the requirements for the Bachelor of Arts degree with Honors in Greek and Roman Studies 2016 ii This Honors paper by Ashton Lacy Murphy has been read and approved for Honors in Greek and Roman Studies. Dr. Geoff Bakewell Project Advisor ___________________________________ Dr. Kenneth S. Morrell Second Reader ____________________________________ Dr. David Mason Extra-Departmental Reader ______________________________________ Dr. David H. Sick Department Chair ________________________________________ iii CONTENTS Signature page ii Contents iii Abstract iv 1.1 Introduction 1 1.2 Videogames and Tragedy 5 1.3 Political Play 7 2.1 Witchy Woman 11 2.2 Medea the Clever Corinthian 15 2.3 Medea the Hero 20 2.4 Medea and the Gods 24 3.1 Dorothy Sayers 26 3.2 Grand Theft Auto V 28 3.3 Saints Row: the Third 38 4. Conclusion: Dragon Age II and Imperfect Binaries 45 Bibliography 50 iv ABSTRACT Medea and New Media: Analyzing Euripides’ Tragedy through the Medium of Video Games by Ashton Lacy Murphy Women play an astonishingly prominent role as characters in ancient Athenian tragedy; we have only one extant tragedy—Philoctetes—which does not feature at least one female character. The number, and perhaps more importantly the depiction, of these characters has given rise to a search for proto-feminism in tragedy, with Euripides as an especially prominent target.
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Dragon Age: Origins” E “Dragon Age Ii” Sob O Prisma Da Queer Temporality
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Dragon-Age-Origins-Manuals PC.Pdf
CLASS . 9 EPILEPSY WARNING WARRIOR . .9 Please read before using this game or allowing your children to use it. MAGE . .9 Some people are susceptible to epileptic seizures or loss of consciousness when exposed to certain flashing ROGUE . .9 lights or light patterns in everyday life. Such people may have a seizure while watching television images or playing certain video games. This may happen even if the person has no medical history of epilepsy or has CLASS BENEFITS . .9 never had any epileptic seizures. If you or anyone in your family has ever had symptoms related to epilepsy BACKGROUND . 10 (seizures or loss of consciousness) when exposed to flashing lights, consult your doctor prior to playing. HUMAN NOBLE . .10 We advise that parents should monitor the use of video games by their children. If you or your child MAGI . .10 experience any of the following symptoms: dizziness, blurred vision, eye or muscle twitches, loss of consciousness, disorientation, any involuntary movement or convulsion, while playing a video game, CITY ELF . .10 discontinue use IMMEDIATELY and consult your doctor. DALISH ELF . .10 DWARF COMMONER . .10 PRECAUTIONS TO TAKE DWARF NOBLE . .10 DURING USE BACKGROUND BENEFIT . .10 Do not stand too close to the screen. Sit a good distance away from the screen, as far away as the CUSTOMIZATION . 11 length of the cable allows. APPEARANCE . .11 Preferably play the game on a small screen. PORTRAIT . .11 Avoid playing if you are tired or have not had much sleep. VOICE . .11 Make sure that the room in which you are playing is well lit.
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AGI:951143 REV#:X PA:Comart Poolid:19081214 RED BAR DATE: 12/20/10
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Dragon-Age-Ii-Manuals Sony Playstation 3.Pdf
WARNING: PHOTOSENSITIVITY/ CONTENTS EPILEPSY/SEIZURES A very small percentage of individuals may experience epileptic seizures or blackouts when exposed to certain light patterns or flashing lights. Exposure to certain patterns or backgrounds on a television screen or when GETTING STARTED .......................................................................................... 2 playing video games may trigger epileptic seizures or blackouts in these individuals. These conditions may COMPLETE CONTROLS ................................................................................... 3 trigger previously undetected epileptic symptoms or seizures in persons who have no history of prior seizures or epilepsy. If you, or anyone in your family, has an epileptic condition or has had seizures of any kind, consult MAIN MENU ....................................................................................................... 4 your physician before playing. IMMEDIATELY DISCONTINUE use and consult your physician before resuming INTRODUCTION ............................................................................................... 5 gameplay if you or your child experience any of the following health problems or symptoms: dizziness eye or muscle twitches disorientation any involuntary movement CREATING HAWKE ........................................................................................... 5 altered vision loss of awareness seizures or convulsion. IMPORTING THE EVENTS OF DRAGON AGE: ORIGINS ........................... 6 RESUME GAMEPLAY
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Interview with Mike Laidlaw and David Gaider at Bioware
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