Do You Know What You Are? You Are What You Is; You Is
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
In Nomine Zappa, Zappatore: Sketch of an Hypothesis (S/Z2) + (Sv/Gw)
Document generated on 10/02/2021 1:56 p.m. Circuit Musiques contemporaines In nomine Zappa, Zappatore Sketch of an Hypothesis (S/Z2) + (sv/gw) In nomine Zappa, Zappatore Esquisse d’une hypothèse (S/Z2) + (sv/gw) John Rea Frank Zappa : 10 ans après Article abstract Volume 14, Number 3, 2004 A man's character is, as Heraclitus once observed, his destiny. Similarly, Frank Zappa noted that "You are what you is". In nomine Zappa, Zappatore proposes a URI: https://id.erudit.org/iderudit/902330ar philological as well as iconographic deconstruction of the Italian name/mask DOI: https://doi.org/10.7202/902330ar (persona), Zappa. The essay suggests that not only is a man's character his daimon but that, moreover, FZ was both an assiduous and subversive artistic See table of contents worker. Publisher(s) Les Presses de l'Université de Montréal ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Rea, J. (2004). In nomine Zappa, Zappatore: Sketch of an Hypothesis (S/Z2) + (sv/gw). Circuit, 14(3), 103–112. https://doi.org/10.7202/902330ar Tous droits réservés © Les Presses de l’Université de Montréal, 2004 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. -
Frank Zappa, Captain Beefheart and the Secret History of Maximalism
Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing. -
A Homage to Frank Zappa
Michael Kieran Harvey Collection A homage to Frank Zappa 48 fugues for Frank 48 Fugues For Frank A musical homage to the life and work of Frank Zappa, composed and performed by Michael Kieran Harvey, and complemented by Lingua Franka – concrete poetry by Arjun von Caemmerer, 48 Fugues for Frank premiered in 2010. A labor of love for Zappaphiles and anyone else with an interest in advanced music, innovative poetry and artistic vision. Each of the ten pieces uses four or five ideas inspired by, reacting to, 48 or developing some of Zappa’s signature techniques. Track listing (with obscure Zappa influences): 1. 48 Fugues For Frank #1 — (Greggery Peccary, Pentagon Afternoon) 7’50” 2. 48 Fugues For Frank #2 — (The Girl in The Magnesium Dress) 7’07” 3. 48 Fugues For Frank #3 — (Jazz From Hell) 7’18” 4. 48 Fugues For Frank #4 — (Tink Runs Amok) 6’20” Michael Kieran Harvey 5. 48 Fugues For Frank #5 — (Civilization Phaze III) 4’36” 6. 48 Fugues For Frank #6 — (G-Spot Tornado) 3’46” 7. 48 Fugues For Frank #7 — (St Etienne: guitar solo) 6’16” 8. 48 Fugues For Frank #8 — (Ruth is Sleeping) 4’58” 9. 48 Fugues For Frank #9 — (The Black Page) 5’13” 10. 48 Fugues For Frank #10 — (Baby Snakes) 6’02” P 2010 MOVE RECORDS … FOR MORE INFORMATION ON RECORDINGS BY MICHAEL KIERAN HARVEY VISIT www.move.com.au Jugalbandi 2: “Thirteen” for L. Shankar Jugalbandi 2: “Thirteen” for L. Shankar J Jugalbandi 2: “Thirteen” Jugalbandi 2: “Thirteen” for L. Shankar remain indebted forever to Ernest Rust who opened my mind to the J for L. -
Frank Zappa After 1968 Des Contre-Cultures Aux Cultures De Banlieue : Frank Zappa Après 1968
Volume ! La revue des musiques populaires 9 : 2 | 2012 Contre-cultures n°2 From Countercultures to Suburban Cultures: Frank Zappa after 1968 Des Contre-cultures aux cultures de banlieue : Frank Zappa après 1968 Benjamin Halligan Electronic version URL: http://journals.openedition.org/volume/3421 DOI: 10.4000/volume.3421 ISSN: 1950-568X Printed version Date of publication: 15 December 2012 ISBN: 978-2-913169-33-3 ISSN: 1634-5495 Electronic reference Benjamin Halligan, « From Countercultures to Suburban Cultures: Frank Zappa after 1968 », Volume ! [Online], 9 : 2 | 2012, Online since 01 September 2016, connection on 10 December 2020. URL : http:// journals.openedition.org/volume/3421 ; DOI : https://doi.org/10.4000/volume.3421 This text was automatically generated on 10 December 2020. L'auteur & les Éd. Mélanie Seteun From Countercultures to Suburban Cultures: Frank Zappa after 1968 1 From Countercultures to Suburban Cultures: Frank Zappa after 1968 Des Contre-cultures aux cultures de banlieue : Frank Zappa après 1968 Benjamin Halligan EDITOR'S NOTE This text was published in Countercultures & Popular Music (Farnham, Ashgate, 2014), while its French translation appeared in this issue of Volume! in 2012. Volume !, 9 : 2 | 2012 From Countercultures to Suburban Cultures: Frank Zappa after 1968 2 1 SUBURBIA WOULD PROVE TO BE THE TERMINUS of Frank Zappa’s satirical project. In the final analysis, the ringmaster of freaks, a mother to the North American counterculture and champion of outsiders would find himself outnumbered and outmanoeuvred by the rising tide of ‘plastic people’. The nature and efficacy of Zappa’s last formal political stand at this juncture is the concern of this chapter. -
Table of Contents
Table of Contents Frank Zappa/Mothers Of Invention Singles 23 How Could I Be Such A Fool? I Help, I'm A Rock, Third Movement: It Can't Happen Here 23 How Could I Be Such A Fool? I It Can't Happen Here 29 Trouble Comin' Every Day / Who Are The Brain Police? 31 Who Are The Brain Police? I Trouble Comin' Every Day 34 Big Leg Emma I Why Don't You Do Me Right? 36 Son Of Suzy Creamcheese I Big Leg Emma 46 Lonely Little Girl I Mother People 48 Motherly Love /1 Ain't Got No Heart 51 Ruben And The Jets: Deseri / Jelly Roll Gum Drop 52 Anyway The Wind Blows I Jelly Roll Gum Drop - USA Promo 56 My Guitar I Dog Breath 57 My Guitar Wants To Kill Your Mama / The Orange County Lumber Truck - Venezuela Promo 64 Peaches En Regalia / Peaches En Regalia - USA Picture Sleeve Only 64 WPLJ / My Guitar 65 Tell Me You Love Me / Will You Go All The Way For The U.S.A.? 68 Mi Guitarra (Quiere Matar A Tu Mama) / Desde Mi Corazon Hacia Ti 69 Tears Began To Fall [Mono] / Tears Began To Fall [Stereo] 71 Tears Began To Fall / Junier Mintz Boogie 72 Tears Began To Fall / Happy Together - France 83 Magic Fingers I Magic Fingers - USA Promo 85 Magic Fingers I Daddy, Daddy, Daddy 86 Daddy, Daddy, Daddy I Magic Fingers 88 What Will This Evening Bring Me This Morning?I Daddy, Daddy, Daddy 90 Cletus Awreetus-Awrightus [Stereo] / Cletus Awreetus-Awrightus [Mono] - USA Promo 93 Cletus Awreetus-Awrightus / Eat That Question 94 I'm The Slime / Montana 96 Cosmik Debris I Uncle Remus 101 Don't Eat The Yellow Snow [Stereo] I Don't Eat The Yellow Snow [Mono] Promo 103 Don't Eat The Yellow Snow I Cosmik Debris 104 Don't Eat The Yellow Snow / Camarillo Brillo 106 Du Bist Mein Sofa / Stinkfoot 107 Find Her Finer [Stereo] I Find Her Finer [Mono] - USA Promo 108 Find Her Finer I Zoot Allures - USA 109 Disco Boy [Stereo] I Disco Boy [Mono] - USA Promo 110 Disco Boy I Ms. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Frank Zappa and Musical Theatre: Ugly Ugly O’Phan Annie and Really Deep, Intense, Thought-Provoking Broadway Symbolism
Frank Zappa and musical theatre: ugly ugly o’phan Annie and really deep, intense, thought-provoking Broadway symbolism. Paul Carr and Richard J. Hand, University of Glamorgan At first glance it probably seems implausible if not preposterous to associate Frank Zappa (1940-93) with Musical Theatre. However, although he is generally recognised as a significant figure in the broad history of Rock music, his idiosyncrasy makes his output genuinely unique in comparison to conventional Rock oeuvres. Specifically, not only was Zappa renowned for being a highly theatrical performer and artist but one of the key distinguishing features in his work is a preoccupation with narrative and it is through the consideration of narrative that we are most able to conceptualise his work as Musical Theatre. On a microcosmic level, a sense of dramatic narrative informs many of Zappa’s songs; but on a macrocosmic level, too, his oeuvre as a whole can be interpreted as containing a narrative continuity. Moreover, the concept structure of Zappa’s albums – quintessentially in Joe’s Garage, Acts 1, 2 and 3 (1979) and Thing-Fish (1984) – creates an extended (and again dramatic) narrative that is more akin to the structure of Musical Theatre than conventional pop and rock album structuring. In addition, Zappa demonstrates an acute awareness of performance traditions and genres outside of those which, obviously, appertain to popular music and classical music: for example, Thing- Fish is an explicit exploration of Broadway Musical Theatre. This essay will propose that the work of Frank Zappa should be considered as Musical Theatre through a detailed critical investigation of the artist and the oeuvre. -
Music, Mind and the Serious Zappa the Passions of a Virtual Listener
Music, Mind and the Serious Zappa The Passions of a Virtual Listener Ulrik Volgsten Stockholm University • Studies in Musicology 9 1999/2009 Akademisk avhandling för filosofie doktorsexamen Musikvetenskapliga institutionen Stockholms universitet www.music.su.se © Ulrik Volgsten ISBN 91-7265-020-6 Preamble ’This is a hard one to play’, Frank Zappa once remarked about one of his pieces. The piece in question, the Be-bop Tango, is a rhythmically complex miniature to which he brought people from the audience up on stage to (try to) dance. Of course they failed, which Zappa was soon to point out in the same wry manner that he publicly blamed his musicians when they did not play ’all the right notes’. However, Zappa’s music was hard to pull off for another reason as well. More often than not he would juxtapose musical material and stylistic patterns that according to normal standards doesn’t blend very well. Zappa’s music was (and still is) something of a stylistic chaos. Perhaps one can say something similar about this thesis. On the one hand, the particular themes that are dealt with are rather complex, and on the other, the way they are brought together is unconventional. In other words, this is a “multidisciplinary” work. Now, in contrast to Zappa, I am not a specialist in all the fields that I deal with, which means that a professional philosopher, psychologist or ethnomusicologist is quite likely to find some “wrong notes” here and there. For instance, it may in the end turn out that the argument in part one about the role of language for music fails because I have failed to pay attention to some crucial aspects of the theories, which I call upon as support. -
Absolutely Free the Mothers of Invention
Absolutely Free The Mothers Of Invention original release Verve V/V6 5013 (LP), June 1967 current release Zappa ZR 3835 (CD), July 2012 This album was recorded at TTG Studios it came time to do the second album they spent a in Los Angeles in November 1966. At that grand total of $11,000. We had one day with 15 time, the Mothers consisted of Jimmy Carl minutes per song to do the vocals.2 Black (drums, vocals), Ray Collins (vocals), Roy Estrada (bass, vocals), Jim Fielder On the other hand, Absolutely Free had a (twelve-string guitar), Bunk Gardner (wood- higher promotion budget — $25,000 — and winds), Billy Mundi (drums), Don Preston reached #41 on the album chart. (keyboards), and FZ (guitar, vocals). Jim The cover art is by FZ himself. Fielder quit the band in February 1967, so I am doing the complete layout on the album his name does not appear in the credits. Jim cover this time . I went out and charged $130 [Motorhead] Sherwood’s name appears in worth of art supplies to MGM, which gives me smaller type than the others; he had been like a complete studio up there in this dingy little promoted from roadie to band member hotel room that I’m staying in. Yesterday I sat in between the time the album was recorded my chair for thirteen and a half hours. I’m doing and the time it was released. Other musi- the mechanicals, the whole bullshit for putting cians heard on the album are John Balkin this thing together. -
Charles Ulrich a Guide to the Recorded Works of Frank Zappa
A Guide To The The Recorded Works Big Of Frank Note Zappa Charles Ulrich vancouver :: new star books :: 2018 New Star Books Ltd. 107 – 3477 Commercial Street 1517 – 1574 Gulf Road Vancouver, BC V5N 4E8 canada Point Roberts, WA 98281 usa www.NewStarBooks.com Copyright Charles Ulrich 2018. All rights reserved. No part of this work may be repro- duced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written consent of the publisher or a licence from the Canadian Copyright Licensing Agency (Access Copyright). The publisher acknowledges the financial support of the Canada Council for the Arts and the British Columbia Arts Council. Cataloguing information for this book is available from Library and Archives Canada, www.collectionscanada.gc.ca. Cover design & illustration by Rayola Creative Printed and bound in Canada by Friesens Printing Published Mother’s Day 2018 :: Second printing, with corrections, August 2018 . Contents introduction: Frank Zappa’s jeff simmons 86 Project/Object ix Civilization Phaze III 89 The Touring Chronology xxviii working version 90 Acknowledgments xli ali n. askin 99 Conceptual Continuity 719 Absolutely Free 1 ‘Congress Shall Make No Law . .’ 104 igor stravinsky 4 Cruising With Ruben & The Jets 108 jim fielder 7 ray collins 110 Ahead Of Their Time 12 Dance Me This 118 jim ‘motorhead’ sherwood 14 tuvan throat singing 119 Anyway The Wind Blows 712 kaigal-ool khovalyg, anatolii Apostrophe(’) 18 kuular, kongar-ool ondar 122 ralph humphrey 20 Disconnected Synapses 720 ruben -
It Pains Me to Admit It Since My Father Is a Big Zappa Fan and I Hate To
THE RONDO HATTON REPORT VOL VII, JUNE 21, 2011 Creeping back up now in the contribution stakes even if the ratio of readers to writers remains disappointing: with visitors from every continent there's potential for a rich variety of shrub'ry. Y'all have to be the change you hope to see -- fact of the matter, it's not made for you, it's made by you. First time visitors are encouraged to dive into the archive: now in our seventh edition, there's enough material there to satisfy your linguistic needs for weeks. But each one of us brings a different insight to the party, and there's always more to be said. It's not a competition. We're always looking for someone with a new angle. Why maybe it's you, and you don't even know it. Feel free to step up to the plate. As always, the texts are supplied as a single pdf file. Those wishing to fondle & fetish a paper version can download and print texts at their leisure; conservers of the carbon footprint can view online. Thanks to all who contributed this time. Content is alphabetic by author. Views are the opinion of the writer and the responsibility of the reader. You is what you am. Anyone wishing to correspond with a contributor may do so through the 'SUBMIT' page, and messages will be duly forwarded. You are encouraged to do so: please let the authors know that you appreciate their efforts - it will make them happy. Hopla! CONTENTS 1. LINGUA FRANKA PART III / Arjun von CAEMMERER 2.