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Electronic Press Kit Ike Willis & We Used to Cut the Grass Email: [email protected] Tel: 732-977-3157 Ike Willis Homepage W.U.T.C.T.G. Facebook // Twitter // Instagram Ike Willis, Frank Zappa’s lead vocalist and guitarist, appeared on over 30 albums and is most recognized for his performances on Zappa records such Joe's Garage (as the voice of Joe), Tinsel Town Rebellion, You Are What You is, and The Man from Utopia, and as the main character and narrator in Zappa's conceptual musical, “Thing-Fish.” As one of the longest playing members in any Zappa ensemble, Ike is still touring internationally and playing the music just as Frank had asked him to just before his untimely death in 1993. Watch Ike Willis perform “Outside Now” with Frank Zappa Ike Willis Homepage W.U.T.C.T.G. Facebook // Twitter // Instagram We Used to Cut the Grass is a unique brass-and-percussion-heavy ensemble performing music ranging from high energy afrobeat to difficult contemporary music; their audiences seamlessly shift from heavy grooving to staring with their mouths and ears wide open. Started as a duo between the neurotic multi-instrumentalist/arranger Cody McCorry and malnourished drummer Seamus Leonhardt, the ensemble has always had a lust for challenge and a taste for the bizarre. As the two quickly developed a following in Asbury Park, shows became crowded and hectic, and the group responded in kind by adding more melodic instruments with a heavy focus on brass (including trombonist and co-arranger Ian Gray) and a second drummer/percussionist, the cro-magnon Kevin Grossman, purported to be over seven feet tall on a good, sunny day. The group has since expanded to a ten piece ensemble, performing arrangements both meticulous and accessible with five horns, vibraphone, guitar, bass and two drummer/percussionists, and occasionally collaborating with other groups such as the Vanguard Strings for larger ensemble work. Watch We Used to Cut the Grass perform Igor Stravinsky's “Tango” Ike Willis Homepage W.U.T.C.T.G. Facebook // Twitter // Instagram Together, Ike Willis and We Used to Cut the Grass blend into a virtuosic Zappa ensemble like no other, dynamically mixing the band's contemporary/experimental chops with Willis' blues-infected approach. Selected Video: Promo Compilation “I'm the Slime/Pound for a Brown” “Echidna's Arf (Of You)/Don't You Ever Wash That Thing?” Selected Press: “5 Must-Catch Asbury Music in Film Festival Concerts” – Asbury Park Press, 2015 “We Used to Cut the Grass to bring Jazz & Funk to Asbury in April” – Speak Into My Good Eye, 2015 “Watch We Used to Cut the Grass Re-Arrange Stravinsky's 'Tango'” – Speak Into My Good Eye, 2014 Ike Willis Homepage W.U.T.C.T.G. Facebook // Twitter // Instagram Ike Willis Homepage W.U.T.C.T.G. Facebook // Twitter // Instagram Ike Willis Homepage W.U.T.C.T.G. Facebook // Twitter // Instagram.

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Do You Know What You Are? You Are What You Is; You Is
\\server05\productn\H\HBK\26-1\HBK104.txt unknown Seq: 1 17-MAY-10 10:17 DO YOU KNOW WHAT YOU ARE? YOU ARE WHAT YOU IS; YOU IS WHAT YOU AM:1 INDIAN STATUS FOR THE PURPOSE OF FEDERAL CRIMINAL JURISDICTION AND THE CURRENT SPLIT IN THE COURTS OF APPEALS Brian L. Lewis* INTRODUCTION Who is an Indian for purposes of criminal prosecution in the United States’ federal courts under the Major Crimes Act, 18 U.S.C. § 1153?2 The statute does not say. While seemingly straightforward, the answer to this question may be complicated and uncertain. Moreover, if one is in the Eighth Circuit or the Ninth Circuit, the answer may differ. Historically, the test from U.S. v. Rogers3 determined Indian status for federal criminal prosecution. However, over time, as political, institutional and demo- graphic conditions changed, so did the test. Congress’ enactment of the Major Crimes Act, which was based on alarmism and devoid of a doctrinal foundation, changed the test for In- dian status and how it is applied. In the aftermath of the Court’s decision 1. FRANK ZAPPA, YOU ARE WHAT YOU IS (Zappa Records 1981). * Brian L. Lewis is a Staff Attorney with the Navajo Nation Department of Justice in Window Rock, Arizona. He is an enrolled member of the Choctaw Nation of Oklahoma and a descendant of the Cherokee Nation of Oklahoma. He earned his Juris Doctor at the Sandra Day O’Connor College of Law at Arizona State University with an Indian Law Certificate and his Master’s Degree in International Relations and Political Economy at Washington State University with honors in both.
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An Experiment in Multidisciplinary Teaching: the Musical Theatre of Frank Zappa
An Experiment in Interdisciplinary Teaching: The Music Theatre of Frank Zappa Paul Carr and Richard Hand, University of Glamorgan Project Report, June 2006 The global aim of this project was to investigate the viabilities of interdisciplinary teaching with undergraduates in the area of Drama and Popular Music: these are separate programs of study at the University of Glamorgan albeit within the same Department of Performing Arts. Popular Music is a relatively new degree scheme that commenced delivery in 2004, while Drama is well established, having been a single subject since the early 1990s. This report will examine the process of our multidisciplinary teaching experiment, and measure its effectiveness against the project aims set out below: • Enable staff and students from different disciplines to work together • Assist the assimilation and awareness of sister disciplines in order to discover commonality, and to learn from each other • Present a challenge for teaching staff who have extensive teaching experience in their own discipline but are new to academic investigation of colleague’s expertise • Begin the experimental and radical extension of the curriculum, with a view to develop other interdisciplinary modules and, ultimately, degree programmes The units chosen for this experiment were a final level module on the BA (Hons) Drama entitled American Theatre, and Ensemble Studies 3, drawn from the BA (Hons) Popular Music degree. The former module runs for a whole year and covers American theatre and live performance from the early twentieth century until the present day. A substantial and traditionally popular area of study within the module is the study of 1960-80s drama and performance which covers dramatists and theatre-makers like Sam Shepard, August Wilson and David Mamet and addresses topics such as the Vietnam war, the Civil Rights movement and AIDS.
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Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
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In Nomine Zappa, Zappatore: Sketch of an Hypothesis (S/Z2) + (Sv/Gw)
Document generated on 10/02/2021 1:56 p.m. Circuit Musiques contemporaines In nomine Zappa, Zappatore Sketch of an Hypothesis (S/Z2) + (sv/gw) In nomine Zappa, Zappatore Esquisse d’une hypothèse (S/Z2) + (sv/gw) John Rea Frank Zappa : 10 ans après Article abstract Volume 14, Number 3, 2004 A man's character is, as Heraclitus once observed, his destiny. Similarly, Frank Zappa noted that "You are what you is". In nomine Zappa, Zappatore proposes a URI: https://id.erudit.org/iderudit/902330ar philological as well as iconographic deconstruction of the Italian name/mask DOI: https://doi.org/10.7202/902330ar (persona), Zappa. The essay suggests that not only is a man's character his daimon but that, moreover, FZ was both an assiduous and subversive artistic See table of contents worker. Publisher(s) Les Presses de l'Université de Montréal ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Rea, J. (2004). In nomine Zappa, Zappatore: Sketch of an Hypothesis (S/Z2) + (sv/gw). Circuit, 14(3), 103–112. https://doi.org/10.7202/902330ar Tous droits réservés © Les Presses de l’Université de Montréal, 2004 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research.
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Frank Zappa, Captain Beefheart and the Secret History of Maximalism
Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identiﬁed as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing.
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The Rondo Hatton Report Vol Ix December 21, 2011
THE RONDO HATTON REPORT VOL IX DECEMBER 21, 2011 IN THIS ISSUE As the winter solstice marks the end of Zappadan , our ninth edition rolls out a selection of old friends and new prepared to confess all for your celebratory pleasure. Still not enough of you stepping up to the plate , but the intake is broad enough to prove that we're a catholic church . So if you like what you see here -- and even more if you don't -- take some time out over your holy-daze to let us know how it is where you come from. 'Cos that's the way we like it. As always, the texts are supplied as a single pdf file. Those wishing to fondle & fetish a paper version can download and print texts at their leisure; conservers of the carbon footprint can view online. Thanks to all who contributed this time. Content is alphabetic by author . Views are the opinion of the writer and the responsibility of the reader. You is what you am . Anyone wishing to correspond with a contributor may do so through the 'SUBMIT' page, and messages will be duly forwarded. You are encouraged to do so: please let the authors know that you appreciate their efforts - it will make them happy. Hopla! CONTENTS 1. HATS OFF TO DWEEZIL? / Jim BEUGH 2. LINGUA FRANKA PART V / Arjun von CAEMMERER 3. I AM A FRANK ZAPPA FAN / Joe CRAWFORD 4. VINYL HYGIENE DILEMMA / Andy HOLLINDEN 5. WHAM BAM THANK YOU SHAZAM / Simon PRENTIS 6. LARRY TAUGHT ME TO GO MERRY-GO-ROUND / John RILEY 7.
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A Homage to Frank Zappa
Michael Kieran Harvey Collection A homage to Frank Zappa 48 fugues for Frank 48 Fugues For Frank A musical homage to the life and work of Frank Zappa, composed and performed by Michael Kieran Harvey, and complemented by Lingua Franka – concrete poetry by Arjun von Caemmerer, 48 Fugues for Frank premiered in 2010. A labor of love for Zappaphiles and anyone else with an interest in advanced music, innovative poetry and artistic vision. Each of the ten pieces uses four or five ideas inspired by, reacting to, 48 or developing some of Zappa’s signature techniques. Track listing (with obscure Zappa influences): 1. 48 Fugues For Frank #1 — (Greggery Peccary, Pentagon Afternoon) 7’50” 2. 48 Fugues For Frank #2 — (The Girl in The Magnesium Dress) 7’07” 3. 48 Fugues For Frank #3 — (Jazz From Hell) 7’18” 4. 48 Fugues For Frank #4 — (Tink Runs Amok) 6’20” Michael Kieran Harvey 5. 48 Fugues For Frank #5 — (Civilization Phaze III) 4’36” 6. 48 Fugues For Frank #6 — (G-Spot Tornado) 3’46” 7. 48 Fugues For Frank #7 — (St Etienne: guitar solo) 6’16” 8. 48 Fugues For Frank #8 — (Ruth is Sleeping) 4’58” 9. 48 Fugues For Frank #9 — (The Black Page) 5’13” 10. 48 Fugues For Frank #10 — (Baby Snakes) 6’02” P 2010 MOVE RECORDS … FOR MORE INFORMATION ON RECORDINGS BY MICHAEL KIERAN HARVEY VISIT www.move.com.au Jugalbandi 2: “Thirteen” for L. Shankar Jugalbandi 2: “Thirteen” for L. Shankar J Jugalbandi 2: “Thirteen” Jugalbandi 2: “Thirteen” for L. Shankar remain indebted forever to Ernest Rust who opened my mind to the J for L.
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Zappa-Bootlegs
MAJ du : 17/03/2008 Zappa-Bootlegs Lieux/Titres Concert du Qté Qualité Mount St Mary 19/05/1963 1 B == The Mothers Of Invention, Fall 1965 - Summer 1966 == FZ, Ray Collins, Elliot Ingber, Roy Estrada, Jimmy Carl Black Fillmore Auditorium, San Francisco, Ca (15 min) 24-25/06/1966 0,25 A- Fillmore Auditorium, San Francisco, CA (13,35 minutes) 24/06/1966 B+ == The Mothers Of Invention == Dec 1967 - Nov 1968 FZ, Ray Collins (quit somewhere between Apr and Aug 3 1968), Roy Estrada, Jimmy Carl Black, Arthur Dyer Tripp III, Ian Underwood, Don Preston, Bunk Gardner, Motorhead Sherwood. Olympen, Lund, Sweden 02/10/1967 1 B+ Lumpy Gravy Instrumental Acetate xx-xx-67 1 B+/A- We're Only In It For The Money Demo xx-xx-67 1 A- Fifth Dimension, Ann Arbor, Mi 03/12/1967 1 A-/B+ ==>Pigs & Repugnance Rare Meat Divers 1 American Pageant - Nullis Pretii - 67-68 / Studio 67 & 68 1 A (Mothermania) non-censored version The Grande Ballroom, Detroit, Mi (Mr. Green Genes==>Little House) 10/04/1968 1 B 03/05/68 Family Dog (!), Denver/ Concertgebouw, Amsterdam / Grugahalle, Essen 20/10/68 1 ==>Caress Me 28/09/68 Electric Aunt Jemima - Family Dog, Denver xx/01/1968 1 Family Dog, Denver, co xx/02/1968 1 A-/A The Grande Ballroom, Detroit, Mi 10/04/1968 1 B Fillmore East, NYC, NY - Early Show 20/04/1968 1 B- Fillmore East, NYC, NY - Late Show 20/04/1968 2 C+ Family Dog, Denver, co 03/05/1968 1 A- The Ark, Boston, Ma 18/07/1968 1 A- ==> Live In Boston Wollman Rink, Central Park, NYC, NY (source 1) 03/08/1968 1 B+ Wollman Rink, Central Park, NYC, NY (source 2) 03/08/1968
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Frank Zappa After 1968 Des Contre-Cultures Aux Cultures De Banlieue : Frank Zappa Après 1968
Volume ! La revue des musiques populaires 9 : 2 | 2012 Contre-cultures n°2 From Countercultures to Suburban Cultures: Frank Zappa after 1968 Des Contre-cultures aux cultures de banlieue : Frank Zappa après 1968 Benjamin Halligan Electronic version URL: http://journals.openedition.org/volume/3421 DOI: 10.4000/volume.3421 ISSN: 1950-568X Printed version Date of publication: 15 December 2012 ISBN: 978-2-913169-33-3 ISSN: 1634-5495 Electronic reference Benjamin Halligan, « From Countercultures to Suburban Cultures: Frank Zappa after 1968 », Volume ! [Online], 9 : 2 | 2012, Online since 01 September 2016, connection on 10 December 2020. URL : http:// journals.openedition.org/volume/3421 ; DOI : https://doi.org/10.4000/volume.3421 This text was automatically generated on 10 December 2020. L'auteur & les Éd. Mélanie Seteun From Countercultures to Suburban Cultures: Frank Zappa after 1968 1 From Countercultures to Suburban Cultures: Frank Zappa after 1968 Des Contre-cultures aux cultures de banlieue : Frank Zappa après 1968 Benjamin Halligan EDITOR'S NOTE This text was published in Countercultures & Popular Music (Farnham, Ashgate, 2014), while its French translation appeared in this issue of Volume! in 2012. Volume !, 9 : 2 | 2012 From Countercultures to Suburban Cultures: Frank Zappa after 1968 2 1 SUBURBIA WOULD PROVE TO BE THE TERMINUS of Frank Zappa’s satirical project. In the final analysis, the ringmaster of freaks, a mother to the North American counterculture and champion of outsiders would find himself outnumbered and outmanoeuvred by the rising tide of ‘plastic people’. The nature and efficacy of Zappa’s last formal political stand at this juncture is the concern of this chapter.
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Frank Zappa Dans L'univers Des Musiques Sérieuses : Un Parfait Étranger? Réjean Beaucage
Document generated on 09/30/2021 9:12 a.m. Circuit Musiques contemporaines Frank Zappa dans l’univers des musiques sérieuses : un parfait étranger? Frank Zappa in the World of Serious Music: a Perfect Stranger? Réjean Beaucage Frank Zappa : 10 ans après Article abstract Volume 14, Number 3, 2004 Ten years after his death, Frank Zappa remains an enigma and a veritable mass of contradictions. Known by adolescents for his rock music with themes URI: https://id.erudit.org/iderudit/902324ar at times brazen and at times obscene, he is respected for his fierce social DOI: https://doi.org/10.7202/902324ar criticism as well as for his works of "serious" music—which were always overshadowed by his scandalous persona. In its shortsightedness, the media See table of contents unfortunately focused on Zappa's celebrity status, ignoring all other facets of his multidimensional oeuvre. In this paper, the author outlines Zappa's biography, focusing principally on his experiences in the vast domain of "serious" music; the author further reminds us that, from the discovery of Publisher(s) Varèse's music to his encounter with l'Ensemble Modern, Zappa's path crosses Les Presses de l'Université de Montréal those of Zubin Metha, Pierre Boulez and Kent Nagano. ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this article Beaucage, R. (2004). Frank Zappa dans l’univers des musiques sérieuses : un parfait étranger? Circuit, 14(3), 9–32. https://doi.org/10.7202/902324ar Tous droits réservés © Les Presses de l’Université de Montréal, 2004 This document is protected by copyright law.
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Table of Contents
Table of Contents Frank Zappa/Mothers Of Invention Singles 23 How Could I Be Such A Fool? I Help, I'm A Rock, Third Movement: It Can't Happen Here 23 How Could I Be Such A Fool? I It Can't Happen Here 29 Trouble Comin' Every Day / Who Are The Brain Police? 31 Who Are The Brain Police? I Trouble Comin' Every Day 34 Big Leg Emma I Why Don't You Do Me Right? 36 Son Of Suzy Creamcheese I Big Leg Emma 46 Lonely Little Girl I Mother People 48 Motherly Love /1 Ain't Got No Heart 51 Ruben And The Jets: Deseri / Jelly Roll Gum Drop 52 Anyway The Wind Blows I Jelly Roll Gum Drop - USA Promo 56 My Guitar I Dog Breath 57 My Guitar Wants To Kill Your Mama / The Orange County Lumber Truck - Venezuela Promo 64 Peaches En Regalia / Peaches En Regalia - USA Picture Sleeve Only 64 WPLJ / My Guitar 65 Tell Me You Love Me / Will You Go All The Way For The U.S.A.? 68 Mi Guitarra (Quiere Matar A Tu Mama) / Desde Mi Corazon Hacia Ti 69 Tears Began To Fall [Mono] / Tears Began To Fall [Stereo] 71 Tears Began To Fall / Junier Mintz Boogie 72 Tears Began To Fall / Happy Together - France 83 Magic Fingers I Magic Fingers - USA Promo 85 Magic Fingers I Daddy, Daddy, Daddy 86 Daddy, Daddy, Daddy I Magic Fingers 88 What Will This Evening Bring Me This Morning?I Daddy, Daddy, Daddy 90 Cletus Awreetus-Awrightus [Stereo] / Cletus Awreetus-Awrightus [Mono] - USA Promo 93 Cletus Awreetus-Awrightus / Eat That Question 94 I'm The Slime / Montana 96 Cosmik Debris I Uncle Remus 101 Don't Eat The Yellow Snow [Stereo] I Don't Eat The Yellow Snow [Mono] Promo 103 Don't Eat The Yellow Snow I Cosmik Debris 104 Don't Eat The Yellow Snow / Camarillo Brillo 106 Du Bist Mein Sofa / Stinkfoot 107 Find Her Finer [Stereo] I Find Her Finer [Mono] - USA Promo 108 Find Her Finer I Zoot Allures - USA 109 Disco Boy [Stereo] I Disco Boy [Mono] - USA Promo 110 Disco Boy I Ms.
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The Rondo Hatton Report Vol Xii
THE RONDO HATTON REPORT VOL XII SEPTEMBER 21, 2012 IN THIS ISSUE This our twelfth issue now makes up a round dozen, marking a cycle of three years since our organ first exposed itself to the world. Not bad, not bad , though we do say so ourselves. Whether lurker, shirker or smirker , we hope y'all have enjoyed the show. This edition continues to bring you poetry and polemic from the usual suspects and more, ranging from a heartfelt plea for digital insertionism to another fine opportunity to ruin your life , dispensing essential insights into the counting of tuplets along the way. And lest ye forget: this is an open trans-continental platform for the riding of hobby horses , mechanical or otherwise. Bring yours to the races, why don'chya ? CONTENTS 1. LINGUA FRANKA PART VIII / Arjun von CAEMMERER 2. THE POVERTY OF COMPLETISM / Mimi GABIN-KHAN 3. WATERMELON IN EASTER HEY / Madge IMMANEY 4. ZAPPA SURVIVOR / Scott SCHROEN 5. WHEN COMPOSERS DECOMPOSE / Larry TESHMOW 6. ZAPPA: HEGEL, OR, NOT AGAIN (AGAIN) / Ben WATSON 1 1. LINGUA FRANKA PART VIII: An Office With A Foyer Arjun von Caemmerer Elvis may have left the building but it is Frank Zappa who has infiltrated the establishment. From each sidewall of my consulting room, off-centre and central, Zappa looks in, witness to the vagaries of each doctor-patient interaction. What’s a man like him doing in a place like this? Nothing. And everything: It is far more important to know what person the disease has than what disease the person has.
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