Table of Contents

Total Page:16

File Type:pdf, Size:1020Kb

Table of Contents Table of Contents Frank Zappa/Mothers Of Invention Singles 23 How Could I Be Such A Fool? I Help, I'm A Rock, Third Movement: It Can't Happen Here 23 How Could I Be Such A Fool? I It Can't Happen Here 29 Trouble Comin' Every Day / Who Are The Brain Police? 31 Who Are The Brain Police? I Trouble Comin' Every Day 34 Big Leg Emma I Why Don't You Do Me Right? 36 Son Of Suzy Creamcheese I Big Leg Emma 46 Lonely Little Girl I Mother People 48 Motherly Love /1 Ain't Got No Heart 51 Ruben And The Jets: Deseri / Jelly Roll Gum Drop 52 Anyway The Wind Blows I Jelly Roll Gum Drop - USA Promo 56 My Guitar I Dog Breath 57 My Guitar Wants To Kill Your Mama / The Orange County Lumber Truck - Venezuela Promo 64 Peaches En Regalia / Peaches En Regalia - USA Picture Sleeve Only 64 WPLJ / My Guitar 65 Tell Me You Love Me / Will You Go All The Way For The U.S.A.? 68 Mi Guitarra (Quiere Matar A Tu Mama) / Desde Mi Corazon Hacia Ti 69 Tears Began To Fall [Mono] / Tears Began To Fall [Stereo] 71 Tears Began To Fall / Junier Mintz Boogie 72 Tears Began To Fall / Happy Together - France 83 Magic Fingers I Magic Fingers - USA Promo 85 Magic Fingers I Daddy, Daddy, Daddy 86 Daddy, Daddy, Daddy I Magic Fingers 88 What Will This Evening Bring Me This Morning?I Daddy, Daddy, Daddy 90 Cletus Awreetus-Awrightus [Stereo] / Cletus Awreetus-Awrightus [Mono] - USA Promo 93 Cletus Awreetus-Awrightus / Eat That Question 94 I'm The Slime / Montana 96 Cosmik Debris I Uncle Remus 101 Don't Eat The Yellow Snow [Stereo] I Don't Eat The Yellow Snow [Mono] Promo 103 Don't Eat The Yellow Snow I Cosmik Debris 104 Don't Eat The Yellow Snow / Camarillo Brillo 106 Du Bist Mein Sofa / Stinkfoot 107 Find Her Finer [Stereo] I Find Her Finer [Mono] - USA Promo 108 Find Her Finer I Zoot Allures - USA 109 Disco Boy [Stereo] I Disco Boy [Mono] - USA Promo 110 Disco Boy I Ms. Pinky - USA 111 Dancin' Fool [Stereo] I Dancin' Fool [Stereo] 111 Dancin' Fool / Baby Snakes 113 Bobby Brown / Baby Snakes 124 Bobby Brown I Stick It Out 126 Bobby Brown - Lebanon •• 130 Joe's Garage [Mono] / Joe's Garage [Stereo] - USA Promo 131 Joe's Garage / Central Scrutinizer 131 Joe's Garage / Catholic Girls 133 Stick It Out I Why Does It Hurt When I Pee? 141 I Don't Wanna Get Drafted [Stereo] /1 Don't Wanna Get Drafted [Mono] 144 I Don't Wanna Get Drafted / Ancient Armaments 145 Love Of My Life I For The Young Sophisticate 157 Harder Than Your Husband I Dumb All Over 160 You Are What You Is / Harder Than Your Husband 161 You Are What You Is I Pink Napkins 165 Goblin Girl I Pink Napkins - USA Promo 167 Valley Girl [Stereo] / Valley Girl [Stereo] - USA Promo 168 Valley Girl / Teenage Prostitute 169 Valley Girl / You Are What You Is 174 Valley Girl / No Not Now 177 The Man From Utopia Meets Mary Lou / The Man From Utopia Meets Mary Lou - UK Promo 178 http://d-nb.info/1037899148 The Man From Utopia Meets Mary Lou / Sex 178 Cocaine Decisions / Sex 181 Baby, Take Your Teeth Out / Stevie's Spanking 182 Bobby Brown Goes Down 11 Have Been In You 186 Singles With Frank Zappa's Involvement 189 The Masters: Sixteen Tons I Breaktime 189 The Hollywood Tornadoes: Moon Dawg / The Inebriated Surfer 189 The Penguins: Memories Of El Monte / Be Mine 191 Five Discs: Never Let You Go I Penguins: Memories Of El Monte 196 The Penguins: Memories Of El Monte / Sonny Knight: Confidential 197 Ron Roman: Tell Me / Love Of My Life - USA 198 Baby Ray & The Ferns: How's Your Bird? I The World's Greatest Sinner 199 Paul Buff: Slow Bird I Blind Man's Buff 200 Brian Lord & The Midnighters: The Big Surfer I Not Another One! 201 Ned & Nelda: Hey Nelda / Surf Along 202 The Rhythm Surfers: "502" (Like Getting Pinched On A 502) I Big City Surfer 203 Woody Waggers: The Sahara Top I Frank And The Woody Waggers: Three Guns 204 The Hollywood Persuaders (Los Persuasivos de Hollywood): Tijuana / Grunion Run 204 The Persuaders (Los Persuaders/Los Persuasivos): Tijuana Surf / Grunion Run 212 The Hollywood Persuaders: Persuasion I Juarez 224 The Decades: Dance Forever More I Louie De Loop - USA 225 The Tornadoes: The Tornado I Moon Dawg - Italy 226 The Tornadoes: Phantom Surfer I Shootin' Beavers 226 Conrad And The Hurricanes: Hurricane I Sweet Love 228 The Heartbreakers: Everytime I See You / Cradle Rock 231 The Heartbreakers: Cradle Rock / The Gallahads: Lonely Guy - USA 232 Bob Guy: Dear Jeepers I Letter From Jeepers 233 Mr. Clean: Mr. Clean / Jessie Lee 235 The Rotations: Heavies I The Cruncher 236 The Hollywood Persuaders: Drums A-Go-Go / Agua Caliente 238 The Hollywood Persuaders: Drums I Yes, I Want To Dance 244 Bobby Jameson: Reconsider Baby / Lowdown Funky Blues - USA 245 Bobby Jameson: Gotta Find My Roogalator I Gotta Find My Roogalator - USA Promo 246 Bobby Jameson: Gotta Find My Roogalator / Lowdown Funky Blues 246 Burt Ward: Boy Wonder, I Love You I Orange Colored Sky 247 Eric Burdon & The Animals: The Other Side Of This Life I It's All Meat 249 Eric Burdon & The Animals: MGM Celebrity Scene - USA 5 Singles Promo Box 251 Henson Cargill: Skip A Rope - The Heartbreakers: Cradle Rock - USA 258 Barry Goldberg: Carry On / Ronnie Siegel From Avenue L 259 Tommy Flanders: Friday Night City I Reputation 260 The Knack: The Spell I Softly, Softy 260 Wild Man Fischer: The Circle / Merry Go Round 263 G.T.O.'s: Circular Circulation I Mercy's Tune - USA Promo 265 Captain Beefheart: Pachuco Cadaver / Wild Life - France 266 Ruben And The Jets: If I Could Be Your Love Again I Wedding Bells 267 Ruben And The Jets: Charlena / Mah Man Flash 267 Ruben And The Jets: All Nite Long I Spider Woman 269 Ruben And The Jets: All Nite Long / All Nite Long - Italy Promo 271 Grand Funk Railroad: Can You Do It [Mono] / Can You Do It [Stereo] 274 Grand Funk Railroad: Can You Do It /1976 276 Grand Funk Railroad: Just Couldn't Wait I Just Couldn't Wait - USA Promo 289 Grand Funk Railroad: Just Couldn't Wait I Out To Get You 290 Grand Funk Railroad: Pass It Around / Don't Let 'Em Take Your Gun 293 The Penguins: Memories Of El Monte I Heavenly Angel 298 Penguins: Memories of El Monte / Question Marks: Ballad of a Boy and a Girl 299 Dweezil Zappa: Let's Talk About It I Electric Hoedown 300 Bob Guy: Letter From Jeepers I John Trubee & The Ugly Janitors Of America: The Rain Keeps Falling 302 The Tornadoes: The Swag I Raw Hide - USA 304 7" EPs With Frank Zappa's Involvement 305 Los Persuaders: Tijuana - El Grunon I Ciudad Juarez - Persuasion 305 Persuaders A Go-Go: Baterias A Go-Go - Dias Sin Maiiana I Satisfaction - Hollywood A Go-Go - Spain 310 Los Persuaders: Preludio A La Destrucion - Tambores A Go Go I Satisfaccion - Thunderbird - Mexico EP 311 Los Persuaders: Tijuana - El Surf Del Califa / Ciudad Juarez - A Ritmo De Surf 312 Mothers of Invention: Mi Guitarra (My Guitar) / Nancy Sinatra: El Baterista - Mexico Advance Copy 314 Mi Guitarra - Aliento Canino / Mr. Green Genes - The Mothers Tocan Louie Louie En Vivo En El Royal Albert Hall De Londres - Mexico 315 United Artist Records EP - Italy Promo 316 Frank Zappa: Daddy, Daddy, Daddy / Spinach: Action Man - Italy 317 The Mothers I Jethro Tull - Argentina Promo EP 40.018 318 Jethro Tull I The Mothers Of Invention - Argentina Promo EP MH 183 318 The Doors / Frank Zappa - Argentina Promo EP 319 Frank Zappa: Disco Boy I Herbie Mann: Bird Walk - Italy Promo 320 Grand Funk Railroad I Brotherhood Of Man I John Handy EP - Thailand 321 Grand Funk Railroad I J. Geils Band I Chicago I Derringer EP - Thailand 322 Grand Funk Railroad: Pass It Around / Cliff Richard: My Kinda Life - Italy Juke Box 323 Bionic Boogie: Dance Little Dreamer I Ruben And The Jets: All Nite Long - Italy Promo 323 Summer In The City - Germany Promo 324 Frank Zappa: I Don't Wanna Get Drafted I Bob Dylan: Saved - Italy Split Single 325 Frank Zappa I Rolling Stones / Fox EP 326 The Frank Zappa E.P. 327 Radio Broadcast Singles With Frank Zappa 329 Uncle Meat Radio Spots - USA 329 Hot Rats Radio Spots - USA Promo PRO 347 329 Hot Rats Radio Spots - USA Promo PRO 366 330 Weasels Ripped My Flesh Radio Spots - USA 331 Chunga's Revenge Radio Spots - USA Promo 331 200 Motels Special Radio Spot Commercial - USA Promo 332 200 Motels Radio Spots - USA Promo 333 What's It All About? Frank Zappa / David Bowie Order No. MA-2903 - USA Promo 333 What's It All About? David Bowie / Frank Zappa Order No. MA-1824 - USA Promo 334 What's It All About? Firefall I Frank Zappa - USA Promo 335 What's It All About? Frank Zappa I Dolly Parton - USA Promo 335 ADA Public Service Radio Campaign Spring/Summer 1981 - USA 336 ADA Public Service Radio Campaign Autumn/Winter 1981 - USA 337 ADA Public Service Radio Campaign Spring/Summer 1982 - USA 339 Do It Now Foundation Public Service Anti-Drug Abuse Spots - USA 340 Earth News Radio Show Spots - USA Promo 342 Zappa Cover Versions And Tributes on Singles 343 The Prophets Of Old: Just Couldn't Wait I Go Cry On Somebody Elses Shoulder 343 The Basooties: I'm So Proud I You Didn't Try To Call Me 343 The Rockin' Rebellions: Don't Let Go I Any Way The Wind Blows 344 The Sonics: Any Way The Wind Blows / Any Way The Wind Blows 345 The Sonics: Any Way The Wind Blows / Lost Love 347 Teddy And His Patches: Suzy Creamcheese I From Day To Day 349 The West Coast Pop Art Experimental Band: Help, I'm A Rock / Transparent Day 350 The Plaster Caster Blues Band: Lanoola Goes Limp I You Didn't Try To Ball Me 351 The Underdogs: There Will Come A Time / Fine Jung Thing 352 The Spotnicks: Diamonds / Lumpy Gravy 352 The Delltones: Tears Began To Fall / Birmingham 353 Stackwaddy: You Really Got Me I Willie The Pimp 354 Amber Hue: The Last Blues Song / Road Ladies 355 Muirlands
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Frank Zappa and His Conception of Civilization Phaze Iii
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17.
    [Show full text]
  • The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr
    The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr. Joseph Klein" III. Social and Cultural Context" Cultural Context — 1940s & 50s: Post-War Period " Cultural Context — 1940s & 50s: Family and Lifestyle" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1950s: B Movies" Cultural Context — 1950s: B Movies" “Zombie Woof”! “Cheepnis”! “The Radio is Broken”! Overnite Sensation ! (1973)! ! Roxy & Elsewhere ! (1974)! The Man From Utopia ! (1983)! Cultural Context — 1960s: Civil Rights Movement" Cultural Context — 1960s: Great Society, Viet Nam War" Cultural Context — 1960s: Hippie Culture & Flower Power" Cultural Context — 1970s: Watergate, Recession" Cultural Context — 1970s: Disco Era" Cultural Context — 1990s: Collapse of the Soviet Union" Archetypes in the Project/Object" § Suzy Creamcheese" §! Hippies" §! Plastic People" §! Pachucos" §! Lonesome Cowboy Burt" §! Bobby Brown" §! Jewish American Princess" §! Catholic Girls" §! Valley Girl" §! Charlie (“kinda young, kinda wow…”)" §! Debbie" §! Thing-Fish (composite archetypes)" “Who Needs the Peace Corps?” (We’re Only In It for the Money, 1968)" I'll stay a week and get the crabs and! Take a bus back home! I'm really just a phony! But forgive me! 'Cause I'm stoned Every town must have a place! Where phony hippies meet! Psychedelic dungeons! Popping up on every street! GO TO SAN FRANCISCO . How I love ya, How I love ya! How I love ya, How I love ya Frisco!! How I love ya, How I love ya! What's there to live for?! How I love ya, How I love ya! Who needs the peace corps?! Oh, my hair is getting good in the back! Think I'll just DROP OUT! Every town must have a place! I'll go to Frisco! Where phony hippies meet! Buy a wig & sleep! Psychedelic dungeons! On Owsley's floor Popping up on every street ! Walked past the wig store! GO TO SAN FRANCISCO .
    [Show full text]
  • A Spasso Con Frank
    Giordano Montecchi A SPASSO CON FRANK Melologo underground intorno al grande Frank Zappa da Baltimora reinvenzioni zappiane di Giorgio Casadei e Emilio Galante 0 [SENZA MUSICA] A Mister Edgard Varèse, 188 Sullivan Street, New York. Agosto 1957 Gentile Signore, forse ricorderà la mia stupida telefonata dello scorso gennaio... Mi chiamo Frank Zappa e ho 16 anni. Le sembrerà strano ma è da quando ho 13 anni che mi interesso alla sua musica. All’epoca l’unica formazione musicale che avevo era qualche rudimento di tecnica del tamburo. Negli ultimi due anni però ho composto alcuni brani musicali utilizzando una rigorosa tecnica dei dodici suoni con risultati che ricordano Anton Webern. Ho scritto due brevi quartetti per fiati e una breve sinfonia per legni ottoni e percussioni. Ultimamente guadagno qualche soldo per mantenermi con la mia blues band, The Blackouts. Dopo il college conto di continuare a comporre e penso mi sarebbero veramente utili i consigli di un veterano come lei. Se mi permettesse di farle visita anche solo per poche ore gliene sarei molto grato. Le sembrerà strano ma penso proprio di avere qualche nuova idea da offrirle in materia di composizione. La prego di rispondermi il più presto possibile perché non resterò a lungo a questo indirizzo. La ringrazio per l’attenzione. Cordiali saluti Frank Zappa Jr. ................... 2 1 PEACHES EN REGALIA [VAMP] I duri del rock lo sentono come loro proprietà esclusiva, come profeta anti- establishment. Gli accademici lo tollerano in quanto compositore... un’eccezione! per il mondo del rock. Chi lo vuole un giullare simbolo della trasgressione più anarcoide.....
    [Show full text]
  • Compositions-By-Frank-Zappa.Pdf
    Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
    [Show full text]
  • The Big List of Who Hates Guns » Print
    The Daily Caller » The Big List of Who Hates Guns » Print http://dailycaller.com/2012/03/01/the-big-list-of-who-hates-guns/?print=1 - The Daily Caller - http://dailycaller.com - The Big List of Who Hates Guns Posted By Mike Piccione On 2:25 PM 03/01/2012 @ 2:25 PM In Featured,Gun Laws & Legislation,Guns and Gear | 6 Comments I was cruising the web reading gun articles and then I started wondering about writing an article on anti-gun organizations and people. Since anti-gunners are always saying “no one wants to take your guns away” or they want me to live under their take of “sensible gun laws” (neither of which I believe to be prudent, sensible or anything remotely truthful) I figured I would go to the NRA’s Institute of Legislative Action to find out who are the people that want to be sure that I can’t defend my home or go shooting my .22 in the woods (both heinous acts of human behavior to be sure). So, hats off the the NRA-ILA team for compiling this list. Here is what the NRA-ILA team had to say. The following organizations have lent monetary, grassroots or some other type of direct support to anti-gun organizations. In many instances, these organizations lent their name in support of specific campaigns to pass anti-gun legislation such as the March 1995 HCI “Campaign to Protect Sane Gun Laws.” Many of these organizations were listed as “Campaign Partners,” for having pledged to fight any efforts to repeal the Brady Act and the Clinton “assault weapons” ban.
    [Show full text]
  • Actes Intermédiaires De La Conférence ICE-Z 69
    "Actes intermédiaires" de la 3ème Conférence Internationale de Zappologie (ICE-Z 69) Nous sommes en attente de la retranscription des interventions de Jean-Christophe Rabut, Philippe Mérigot, Jonathan Pontier et Serge Maestracci. Tous les textes présentés ici sont susceptibles d'être corrigés par leurs auteurs avant publication définitive en édition bilingue anglais-français. 14 juillet 2008 p.3 — Marco Belluzi (I) Une présentation de "New Mother, Old Dust", une re-création de "200 Motels" p.10 — Andy Hollinden (USA) "Everything Is Now: How Frank Zappa Illustrates The Universe" p.17 — suivi de la traduction en français par Michel Sage p.23 — Simon Prentis (UK) "As Above, So Below : One Size Fits All" p.29 — Dr Richard Hemmings (UK) "Conceptual Wazoos : Kazoo Concepts : Whizzle-whizzle" p.34 — Paul Sutton (UK) “God bless America!”: Frank Sinatra and the Mothers of Invention p.43 — Pacôme Thiellement (F) "De la guerre : Continuité Conceptuelle, Freaks, Polices du cerveau et Mutations Unies" p.49 — suivi de la traduction en anglais par Michel Sage p.54 — Ben Watson (UK) "Anti-Zappa, Or, not getting the point : the "French problem" Marco Belluzi (I) Une présentation de "New Mother, Old Dust", une re-création de "200 Motels" NEW MOTHER, OLD DUST Musical Phantazie on Frank V. Zappa's '200 MOTELS’ Original Soundtrack (United Artists, 1971) A shameless description for the 3rd International Conference of Esemplastic Zappology (ICE_Z) Paris, 5th ‐ 6th July 2008 by Alessandro Tozzi & Marco Belluzzi ‐ ‐ ‐ INTRODUCTION In primis et ante omnia [first of all and before everything], let's give ourselves up to the ineffable pleasure to thank you all for having given two wandering musicians as we are, such a high‐level opportunity to introduce this specimen of our work.
    [Show full text]
  • Frankly, It's Dweezil
    AI Z BON R. M Frankly, It’s Dweezil By mr. Bonzai he year 2006 has shaped up to be a big one for Dweezil Zappa. He’s releasing his first solo album since 2000’s Automatic (Favored Nations), he completely remodeled the control room T of the renowned Zappa studio—the Utility Muffin Research Kitchen—and he launched a full-scale tour of entirely Frank Zappa compositions, called “Zappa Plays Zappa” (aka the Zappa the “Tour de Frank”). Joining the touring band are Frank Zappa alumni Steve Vai, Terry Bozzio, and Napoleon Murphy Brock (see Fig. 1). younger on Dweezil and I met in the studio as he was finishing two months of rehearsals and putting the final touches on the album,Go with What You Know (Zappa Records, 2006; see Fig. 2), which engineering his comprises Dweezil’s compositions as well as Frank Zappa’s “Peaches en Regalia,” a tune origi- nally recorded in 1969 and altered in 2006 with the Dweezil touch. The album will be released new CD, revamp- during the final leg of the tour, which stretches throughout Europe and America. ing his dad’s I was listening to you playing a part that Frank wrote. Is that in preparation for your tour? studio, and the Yes, we are preparing for the “Zappa Plays Zappa” tour. It’s the first official event that we’ve been able to put together where we’re actually going to go out and play Frank’s “Tour de Frank.” music. We’ll have other elements as well. The 25-minute opening of the concert will include excerpts from a documentary film about Frank’s work as a composer as well as some rare FZ concert footage.
    [Show full text]
  • Frank Zappa, Captain Beefheart and the Secret History of Maximalism
    Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing.
    [Show full text]
  • Frank Zappa –
    Frank Zappa – Halloween 81 (67:53 + 63:56 + 58:13 + 73:26 + 76:51 +76:52, 6 CDs,Zappa Family Trust, 2020) He’s back to thrill and chill you! Die legendären Zappashows zu Halloween in New York gehen in die nächste Runde. Nachdem bereits die Jahre 1973 und 1977 gewürdigt wurden, sind nun die drei Shows vom 31.10. bzw. 1.11.1981 an der Reihe. Die Auftritte vom 31.10. wurde damals sogar bei MTV (!) ausgestrahlt, während das Material teilweise später auf diversen Alben und Veröffentlichungen Verwendung fand. Die zweite Show kursiert durch die zeitgleiche Live- Übertragung im Radio seit einigen Jahren ebenfalls als Bootleg („Nasty Rats – Live At The Palladium New York 1981“). Die ersten beiden Shows (8 P.M./12 P.M.) entstanden übrigens an einem Abend mit komplett unterschiedlichem Songmaterial und dokumentieren jeweils über zwei Stunden lang die präzise und mitreißende Spielfreude der damaligen Bandbesetzung. Ende der 70er / Anfang der 80er warZappa zwar gewohnt produktiv wie immer, veröffentlichte stilistisch unterschiedliche Alben von modernen Orchesterwerken („London Symphony Orchestra“), Rockoper („Joe’s Garage“) bis hin zu jede Menge Rockalben. Doch trotz des gewaltigen Outputs erreichte er leider nicht mehr die Qualität seiner essentiellen Meisterwerke der 70er, während er und seine wechselnden Mitstreiter auf der Bühne immer noch grandiose Performances boten. So steht bei „Halloween 81“ in erster Linie das konzeptionell geprägte 81er Doppelalbum „You Are What You Is“ im Fokus, wobei bei jedem der drei Konzerte der musikalische Schwerpunkt neben diesem Album und weiterem 80er Jahre Material etwas anders gewählt wurde. CD1+2 greifen vor allem auf „Sheik Yerbouti“ zurück (logischerweise auch mit ‚Bobby Brown‘), CD3+4 bieten diverse Songs von „Zappa In New York“ / „Joe’s Garage“, während CD5+6 zu Beginn sehr tief mit sound- und spieltechnisch modifizierten Klassikern aus den 70ern (u.a.
    [Show full text]