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Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long
MICHAEL MANTLER RECORDINGS COMMUNICATION FONTANA 881 011 THE JAZZ COMPOSER'S ORCHESTRA Steve Lacy (soprano saxophone) Jimmy Lyons (alto saxophone) Robin Kenyatta (alto saxophone) Ken Mcintyre (alto saxophone) Bob Carducci (tenor saxophone) Fred Pirtle (baritone saxophone) Mike Mantler (trumpet) Ray Codrington (trumpet) Roswell Rudd (trombone) Paul Bley (piano) Steve Swallow (bass) Kent Carter (bass) Barry Altschul (drums) recorded live, April 10, 1965, New York TITLES Day (Communications No.4) / Communications No.5 (album also includes Roast by Carla Bley) FROM THE ALBUM LINER NOTES The Jazz Composer's Orchestra was formed in the fall of 1964 in New York City as one of the eight groups of the Jazz Composer's Guild. Mike Mantler and Carla Bley, being the only two non-leader members of the Guild, had decided to organize an orchestra made up of musicians both inside and outside the Guild. This group, then known as the Jazz Composer's Guild Orchestra and consisting of eleven musicians, began rehearsals in the downtown loft of painter Mike Snow for its premiere performance at the Guild's Judson Hall series of concerts in December 1964. The orchestra, set up in a large circle in the center of the hall, played "Communications no.3" by Mike Mantler and "Roast" by Carla Bley. The concert was so successful musically that the leaders decided to continue to write for the group and to give performances at the Guild's new headquarters, a triangular studio on top of the Village Vanguard, called the Contemporary Center. In early March 1965 at the first of these concerts, which were presented in a workshop style, the group had been enlarged to fifteen musicians and the pieces played were "Radio" by Carla Bley and "Communications no.4" (subtitled "Day") by Mike Mantler. -
An Autocratic Approach to Music Copyright?: the Means Through Which Frank Zappa Translated and Adapted Both His Own and Other Composers’ Music
Performa ’09 – Conference on Performance Studies University of Aveiro, May 2009 An Autocratic Approach to Music Copyright?: The means through which Frank Zappa translated and adapted both his own and other composers’ music Paul Carr, University of Glamorgan [email protected] Aims In preparation for an examination of how and why such a diverse range of tribute bands and ensembles are so intent on continuing to experiment with Zappa’s music despite the threat of legal challenges, and an investigation into the various philosophical, legal and industrial factors behind why the ZFT are so intent on selectively prohibiting performances of his music, this paper will discuss the ironic means through which Zappa expressed himself consistently through both recorded and live performance during his 27 years in the public eye. Context Since the death of Frank Zappa in 1993, there has been an ongoing legal battle between the Zappa Family Trust (ZFT) and the so called ‘tribute bands’ that are determined to continue translating his music through live and recorded mediums. It could be argued that these ensembles effectively not only pay direct homage to Zappa’s legacy by interpreting his music in numerous innovative ways, but also keep his memory alive by interfacing with both his long standing audience, and with a younger generation who may not be aware of his music. The most famous of the rock-based ensembles is entitled Zappa Plays Zappa and has the unusual credit of being ‘legally’ sanctified to perform his music live. This legality is no coincidence, as the band is headed by Zappa's eldest son Dweezil and features the 'Vault Master' responsible for compiling the legal recordings heralding from the ZFT - Joe Travers on drums. -
The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr
The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr. Joseph Klein" III. Social and Cultural Context" Cultural Context — 1940s & 50s: Post-War Period " Cultural Context — 1940s & 50s: Family and Lifestyle" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1950s: B Movies" Cultural Context — 1950s: B Movies" “Zombie Woof”! “Cheepnis”! “The Radio is Broken”! Overnite Sensation ! (1973)! ! Roxy & Elsewhere ! (1974)! The Man From Utopia ! (1983)! Cultural Context — 1960s: Civil Rights Movement" Cultural Context — 1960s: Great Society, Viet Nam War" Cultural Context — 1960s: Hippie Culture & Flower Power" Cultural Context — 1970s: Watergate, Recession" Cultural Context — 1970s: Disco Era" Cultural Context — 1990s: Collapse of the Soviet Union" Archetypes in the Project/Object" § Suzy Creamcheese" §! Hippies" §! Plastic People" §! Pachucos" §! Lonesome Cowboy Burt" §! Bobby Brown" §! Jewish American Princess" §! Catholic Girls" §! Valley Girl" §! Charlie (“kinda young, kinda wow…”)" §! Debbie" §! Thing-Fish (composite archetypes)" “Who Needs the Peace Corps?” (We’re Only In It for the Money, 1968)" I'll stay a week and get the crabs and! Take a bus back home! I'm really just a phony! But forgive me! 'Cause I'm stoned Every town must have a place! Where phony hippies meet! Psychedelic dungeons! Popping up on every street! GO TO SAN FRANCISCO . How I love ya, How I love ya! How I love ya, How I love ya Frisco!! How I love ya, How I love ya! What's there to live for?! How I love ya, How I love ya! Who needs the peace corps?! Oh, my hair is getting good in the back! Think I'll just DROP OUT! Every town must have a place! I'll go to Frisco! Where phony hippies meet! Buy a wig & sleep! Psychedelic dungeons! On Owsley's floor Popping up on every street ! Walked past the wig store! GO TO SAN FRANCISCO . -
A Spasso Con Frank
Giordano Montecchi A SPASSO CON FRANK Melologo underground intorno al grande Frank Zappa da Baltimora reinvenzioni zappiane di Giorgio Casadei e Emilio Galante 0 [SENZA MUSICA] A Mister Edgard Varèse, 188 Sullivan Street, New York. Agosto 1957 Gentile Signore, forse ricorderà la mia stupida telefonata dello scorso gennaio... Mi chiamo Frank Zappa e ho 16 anni. Le sembrerà strano ma è da quando ho 13 anni che mi interesso alla sua musica. All’epoca l’unica formazione musicale che avevo era qualche rudimento di tecnica del tamburo. Negli ultimi due anni però ho composto alcuni brani musicali utilizzando una rigorosa tecnica dei dodici suoni con risultati che ricordano Anton Webern. Ho scritto due brevi quartetti per fiati e una breve sinfonia per legni ottoni e percussioni. Ultimamente guadagno qualche soldo per mantenermi con la mia blues band, The Blackouts. Dopo il college conto di continuare a comporre e penso mi sarebbero veramente utili i consigli di un veterano come lei. Se mi permettesse di farle visita anche solo per poche ore gliene sarei molto grato. Le sembrerà strano ma penso proprio di avere qualche nuova idea da offrirle in materia di composizione. La prego di rispondermi il più presto possibile perché non resterò a lungo a questo indirizzo. La ringrazio per l’attenzione. Cordiali saluti Frank Zappa Jr. ................... 2 1 PEACHES EN REGALIA [VAMP] I duri del rock lo sentono come loro proprietà esclusiva, come profeta anti- establishment. Gli accademici lo tollerano in quanto compositore... un’eccezione! per il mondo del rock. Chi lo vuole un giullare simbolo della trasgressione più anarcoide..... -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Actes Intermédiaires De La Conférence ICE-Z 69
"Actes intermédiaires" de la 3ème Conférence Internationale de Zappologie (ICE-Z 69) Nous sommes en attente de la retranscription des interventions de Jean-Christophe Rabut, Philippe Mérigot, Jonathan Pontier et Serge Maestracci. Tous les textes présentés ici sont susceptibles d'être corrigés par leurs auteurs avant publication définitive en édition bilingue anglais-français. 14 juillet 2008 p.3 — Marco Belluzi (I) Une présentation de "New Mother, Old Dust", une re-création de "200 Motels" p.10 — Andy Hollinden (USA) "Everything Is Now: How Frank Zappa Illustrates The Universe" p.17 — suivi de la traduction en français par Michel Sage p.23 — Simon Prentis (UK) "As Above, So Below : One Size Fits All" p.29 — Dr Richard Hemmings (UK) "Conceptual Wazoos : Kazoo Concepts : Whizzle-whizzle" p.34 — Paul Sutton (UK) “God bless America!”: Frank Sinatra and the Mothers of Invention p.43 — Pacôme Thiellement (F) "De la guerre : Continuité Conceptuelle, Freaks, Polices du cerveau et Mutations Unies" p.49 — suivi de la traduction en anglais par Michel Sage p.54 — Ben Watson (UK) "Anti-Zappa, Or, not getting the point : the "French problem" Marco Belluzi (I) Une présentation de "New Mother, Old Dust", une re-création de "200 Motels" NEW MOTHER, OLD DUST Musical Phantazie on Frank V. Zappa's '200 MOTELS’ Original Soundtrack (United Artists, 1971) A shameless description for the 3rd International Conference of Esemplastic Zappology (ICE_Z) Paris, 5th ‐ 6th July 2008 by Alessandro Tozzi & Marco Belluzzi ‐ ‐ ‐ INTRODUCTION In primis et ante omnia [first of all and before everything], let's give ourselves up to the ineffable pleasure to thank you all for having given two wandering musicians as we are, such a high‐level opportunity to introduce this specimen of our work. -
Zappa Et Le Cinéma Zappa and Film
Volume ! La revue des musiques populaires 3 : 0 | 2004 Rock et Cinéma Zappa et le cinéma Zappa and Film Sylvain Siclier Édition électronique URL : http://journals.openedition.org/volume/2181 DOI : 10.4000/volume.2181 ISSN : 1950-568X Édition imprimée Date de publication : 30 janvier 2004 Pagination : 123-132 ISBN : 1634-5495 ISSN : 1634-5495 Référence électronique Sylvain Siclier, « Zappa et le cinéma », Volume ! [En ligne], 3 : 0 | 2004, mis en ligne le 30 août 2006, consulté le 10 décembre 2020. URL : http://journals.openedition.org/volume/2181 ; DOI : https:// doi.org/10.4000/volume.2181 L'auteur & les Éd. Mélanie Seteun Sylvain SICLIER, « Zappa et le cinéma », Volume ! La revue des musiques populaires, hors-série n° 1, 2004, p. 123-132. Éditions Mélanie Seteun 123 Zappa et le cinéma par Sylvain SICLIER Journaliste Résumé. La figure de Zappa reste une référence pour de nombreux amateurs et artistes. Sylvain Siclier examine les liens du compositeur/guitariste avec le cinéma, les usages et les détournements qu’il en a fait. La conclusion est évidente : le dialogue n’a jamais cessé. Volume! Hors-Série I Volume! 124 Sylvain Siclier Zappa et le cinéma 125 ositeur, guitariste, parolier, chef d’orchestre et producteur, Frank Zappa, mort le Comp4 décembre 1993, a aussi été réalisateur ou initiateur d’une poignée de courts et moyens métrages – des documents sur son activité de musicien – et de trois longs métrages, dont deux, 200 Motels (1971) et Baby Snakes (1979) ont trouvé une exploitation en salles. Cette relation de Zappa au cinéma ne se contente toutefois pas de cette partie visible. -
The Mothers of Invention Uncle Meat Mp3, Flac, Wma
The Mothers Of Invention Uncle Meat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Uncle Meat Country: Canada Released: 1969 Style: Musique Concrète, Avantgarde, Fusion, Doo Wop, Experimental, Parody MP3 version RAR size: 1764 mb FLAC version RAR size: 1989 mb WMA version RAR size: 1822 mb Rating: 4.5 Votes: 329 Other Formats: APE AUD MMF VOC AC3 AHX WMA Tracklist A1 Uncle Meat: Main Title Theme 1:54 A2 The Voice Of Cheese 0:27 A3 400 Days Of The Year 5:56 A4 Zolar Czakl 0:57 A5 Dog Breath, In The Year Of The Plague 5:51 A6 The Legend Of The Golden Arches 1:24 A7 Louie Louie (At The Royal Albert Hall In London) 2:28 A8 The Dog Breath Variations 1:36 B1 Sleeping In A Jar 0:49 B2 Our Bizarre Relationship 1:05 B3 The Uncle Meat Variations 4:40 B4 Electric Aunt Jemima 1:53 B5 Prelude To King Kong 3:24 B6 God Bless America (Live At The Whisky A Go Go) 1:22 B7 A Pound For A Brown On The Bus 1:29 B8 Ian Underwood Whips It Out (Live On Stage In Copenhagen) 5:08 C1 Mr. Green Genes 3:10 C2 We Can Shoot You 1:48 C3 "If We'd All Been Living In California . " 1:29 C4 The Air 2:57 C5 Project X 4:47 C6 Cruising For Burgers 2:19 D1 King Kong Itself (As Played By The Mothers In A Studio) 0:53 D2 King Kong (Its Magnificence As Interpreted By Dom DeWild) 1:15 D3 King Kong (As Motorhead Explains It) 1:44 D4 King Kong (The Gardner Varieties) 6:17 D5 King Kong (As Played By 3 Deranged Good Humor Trucks) 0:29 King Kong (Live On A Flat Bed Diesel In The Middle Of A Race Track At A Miami Pop D6 7:25 Festival . -
Daren Burns Curriculum Vitae
DAREN BURNS USA: 818.693.1734 [email protected] China: +8613011221792 http://www.darenburns.com Education 2008 MFA, California Institute of the Arts Valencia, CA Performer/Composer African-American Improvisational Studies 1997 BFA, California Institute of the Arts Valencia, CA Jazz Performance, Electric bass 1990 Certificate, Musicians Institute Hollywood, CA Electric Bass Performance 1994 Fullerton College Fullerton, CA Transferred Teaching Experience 2017- Full-time Music Instructor, Chaoyang Kaiwen Academy Beijing, China ● Founding faculty member ● Taught: Cambridge and DP music ● Developed and implemented curriculum ● Prepared syllabus outlining clear class expectations ● Actively recruited students to music department ● Arts department head from 2019 overseeing all disciplines ● Participated in various faculty committees and departmental meetings 2015-16 Full-time Assistant Professor of Music, Imperial Valley College Imperial, CA ● Taught: Music Foundations, Classroom Piano, Classroom Guitar, Recording Class, Music Appreciation, Applied Music Bass, Guitar, Composition ● Developed curriculum ● Prepared syllabus outlining clear class expectations ● Actively recruited students to music department ● Organized performances on and off campus ● Conducted guitar and jazz ensembles ● Participated in various faculty committees and departmental meetings ● Supervised and maintained computer recording lab 2014-15 Full-time Music Instructor, Squaw Valley Academy Olympic Valley, CA ● Taught: music fundamentals, music skills, performance techniques, -
501 Grammar & Writing Questions 3Rd Edition
501 GRAMMAR AND WRITING QUESTIONS 501 GRAMMAR AND WRITING QUESTIONS 3rd Edition ® NEW YORK Copyright © 2006 LearningExpress, LLC. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by LearningExpress, LLC, New York. Library of Congress Cataloging-in-Publication Data 501 grammar & writing questions.—3rd ed. p. cm. ISBN 1-57685-539-2 1. English language—Grammar—Examinations, questions, etc. 2. English language— Rhetoric—Examinations, questions, etc. 3. Report writing—Examinations, questions, etc. I. Title: 501 grammar and writing questions. II. Title: Five hundred one grammar and writing questions. III. Title: Five hundred and one grammar and writing questions. PE1112.A15 2006 428.2'076—dc22 2005035266 Printed in the United States of America 9 8 7 6 5 4 3 2 1 Third Edition ISBN 1-57685-539-2 For more information or to place an order, contact LearningExpress at: 55 Broadway 8th Floor New York, NY 10006 Or visit us at: www.learnatest.com Contents INTRODUCTION vii SECTION 1 Mechanics: Capitalization and Punctuation 1 SECTION 2 Sentence Structure 11 SECTION 3 Agreement 29 SECTION 4 Modifiers 43 SECTION 5 Paragraph Development 49 SECTION 6 Essay Questions 95 ANSWERS 103 v Introduction his book—which can be used alone, along with another writing-skills text of your choice, or in com- bination with the LearningExpress publication, Writing Skills Success in 20 Minutes a Day—will give Tyou practice dealing with capitalization, punctuation, basic grammar, sentence structure, organiza- tion, paragraph development, and essay writing. It is designed to be used by individuals working on their own and for teachers or tutors helping students learn or review basic writing skills. -
Come Enjoy the Music! 6 North Coast Voice Magazine | Northcoastvoice.Com • (440) 415-0999 | November 4 - 18, 2015
Live Music Weekends OPEN Sun-Thurs 12-6 ALL Winery Open daily at Noon YEAR! Year Round Visit us for your next Vacation or Get-Away! Four Rooms Complete with Private Hot Tubs 4573 Rt. 307 East, Harpersfi eld, Ohio Three Rooms at $80 & Outdoor Patios 440.415.0661 One Suite at $120 www.bucciavineyard.com JOIN US FOR LIVE ENTERTAINMENT ALL Live Entertainment Fridays & Saturdays! WEEKEND! Appetizers & Full Entree www.debonne.com Menu See Back Cover See Back Cover For Full Info For Full Info www.grandrivercellars.com 2 North Coast Voice Magazine | northcoastvoice.com • (440) 415-0999 | November 4 - 18, 2015 Ohio Wines Trunk Program Ferrante Winery & Ristorante November 9, 7-8:30pm Join the Ferrante staff and Donniella Winchell of the Ohio Wine Producers for an evening of fun and education. The ‘Ohio Wines Trunk’ program is patterned after a very popular California Women for Winesense project. You will discover a bit about the history of our industry, understand why wine glasses’ shapes make a difference, learn why bottles are shaped and colored differently, realize why some wines have ‘real’ corks and others screwcaps, see an Fall/Winter Tasting Room hours: actual grapevine and understand why great wines are born in the vineyard and much much more. Closed Mondays Connect 534 This 90 minute program will conclude with a tasting of a selection of fi ne Ferrante wines. You’ll Open Tuesday-Sunday 11-6 was designed around take home recipes to match the wines you tasted and lots of other little ‘goodies.’ Please join JOIN US FOR LUNCH! creating and marketing us at 7 pm on November 9 for a fun fi lled and informative evening at their lovely Grand River Tuesday-Saturday 11-4pm Valley winery. -
Zappa-Bootlegs
MAJ du : 17/03/2008 Zappa-Bootlegs Lieux/Titres Concert du Qté Qualité Mount St Mary 19/05/1963 1 B == The Mothers Of Invention, Fall 1965 - Summer 1966 == FZ, Ray Collins, Elliot Ingber, Roy Estrada, Jimmy Carl Black Fillmore Auditorium, San Francisco, Ca (15 min) 24-25/06/1966 0,25 A- Fillmore Auditorium, San Francisco, CA (13,35 minutes) 24/06/1966 B+ == The Mothers Of Invention == Dec 1967 - Nov 1968 FZ, Ray Collins (quit somewhere between Apr and Aug 3 1968), Roy Estrada, Jimmy Carl Black, Arthur Dyer Tripp III, Ian Underwood, Don Preston, Bunk Gardner, Motorhead Sherwood. Olympen, Lund, Sweden 02/10/1967 1 B+ Lumpy Gravy Instrumental Acetate xx-xx-67 1 B+/A- We're Only In It For The Money Demo xx-xx-67 1 A- Fifth Dimension, Ann Arbor, Mi 03/12/1967 1 A-/B+ ==>Pigs & Repugnance Rare Meat Divers 1 American Pageant - Nullis Pretii - 67-68 / Studio 67 & 68 1 A (Mothermania) non-censored version The Grande Ballroom, Detroit, Mi (Mr. Green Genes==>Little House) 10/04/1968 1 B 03/05/68 Family Dog (!), Denver/ Concertgebouw, Amsterdam / Grugahalle, Essen 20/10/68 1 ==>Caress Me 28/09/68 Electric Aunt Jemima - Family Dog, Denver xx/01/1968 1 Family Dog, Denver, co xx/02/1968 1 A-/A The Grande Ballroom, Detroit, Mi 10/04/1968 1 B Fillmore East, NYC, NY - Early Show 20/04/1968 1 B- Fillmore East, NYC, NY - Late Show 20/04/1968 2 C+ Family Dog, Denver, co 03/05/1968 1 A- The Ark, Boston, Ma 18/07/1968 1 A- ==> Live In Boston Wollman Rink, Central Park, NYC, NY (source 1) 03/08/1968 1 B+ Wollman Rink, Central Park, NYC, NY (source 2) 03/08/1968