Zappa Ship Arriving Too Late to Save a Drowning Witch Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Zappa Ship Arriving Too Late to Save a Drowning Witch Mp3, Flac, Wma Zappa Ship Arriving Too Late To Save A Drowning Witch mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Ship Arriving Too Late To Save A Drowning Witch Country: Japan Released: 1991 Style: Avantgarde MP3 version RAR size: 1443 mb FLAC version RAR size: 1598 mb WMA version RAR size: 1625 mb Rating: 4.9 Votes: 628 Other Formats: MP3 MPC FLAC VOX VOC MOD DMF Tracklist Hide Credits 1 No Not Now 5:51 Valley Girl 2 4:50 Vocals – Moon ZappaWritten-By [Improvised Monologue] – Moon* 3 I Come From Nowhere 6:10 4 Drowning Witch 12:03 5 Envelopes 2:46 Teen-Age Prostitute 6 2:40 Vocals – Lisa Popeil Companies, etc. Copyright (c) – Barking Pumpkin Records Phonographic Copyright (p) – Barking Pumpkin Records Manufactured By – MSI (Music Scene Incorporated) Distributed By – MSI (Music Scene Incorporated) Licensed From – Barking Pumpkin Records Credits Bass – Arthur Barrow (tracks: 1, 3), Patrick O'Hearn (tracks: 3), Scott Thunes (tracks: 2, 4 to 6) Composed By, Arranged By, Producer – Frank Zappa Drums – Chad Wackerman Engineer [For Basics & Over-dubs] – Mark Pinske Engineer [For Over-dubs & Remix] – Bob Stone Guitar [Impossible Guitar Parts] – Steve Vai Illustration [Cover] – Roger Price Keyboards – Tommy Mars Keyboards, Saxophone, Vocals – Bobby Martin Lead Guitar, Vocals – Frank Zappa Liner Notes – Frank Zappa, Kohjitsu Ohyama Percussion – Ed Mann Photography By [1982] – John Livzey Photography By [1991] – Mollye Moore Remastered By – Bob Stone Rhythm Guitar, Vocals – Ray White Translated By – Mogi Takeshi Vocals – Ike Willis, Roy Estrada Notes Japanese pressing. Issued in a standard jewelcase with a 12-page foldout booklet with lyrics, photos and liner notes. Also comes with obi and foldout Japanese insert (with Japanese liner notes and song lyrics in English and Japanese.) From the Japanese liner notes: "This translation has been approved by Barking Pumpkin. Semantic Scrutinizer, by Appointment: Simon Prentis." (Roger Price illustration from "Droodles" publication). From booklet: This is album #35. ℗ & © 1982, 1991 Barking Pumpkin Records Barcode and Other Identifiers Matrix / Runout: 818-PUMPKIN MSI-80046 D 2262 C Rights Society: JASRAC Other (SPARS Code): AAD Other versions Category Artist Title (Format) Label Category Country Year Ship Arriving Too Late Barking Pumpkin FW 38066 Zappa* To Save A Drowning FW 38066 US 1982 Records Witch (LP, Album) Ship Arriving Too Late SBP 237809 Zappa* To Save A Drowning CBS Records SBP 237809 Australia 1982 Witch (LP, Album) Ship Arriving Too Late South ASF 2752 Zappa* To Save A Drowning CBS ASF 2752 1982 Africa Witch (LP, Album) Ship Arriving Too Late To Save A Drowning EMI-VALENTIM DE 2608141 Zappa* 2608141 Portugal 1986 Witch (LP, Album, RE, CARVALHO RM) Ship Arriving Too Late TC-EMC TC-EMC To Save A Drowning 3501, Zappa* EMI 3501, UK 1985 Witch (Cass, Album, RE, TCEMC 3501 TCEMC 3501 RM) Related Music albums to Ship Arriving Too Late To Save A Drowning Witch by Zappa Frank & Moon Zappa - Valley Girl Frank Zappa - Ship Arriving Too Late to Save a Drowning Witc Frank Zappa - Baby Snakes Zappa - The Man From Utopia - El Hombre De Utopia Frank Zappa - Ship Arriving Too Late To Save A Drowning Witch Zappa - The Man From Utopia Zappa - Them Or Us Frank Zappa - Valley Girl / You Are What You Is Francesco Zappa - The Barking Pumpkin Digital Gratification Consort, Frank Zappa - Francesco Zappa Frank Zappa - Orchestral Favorites.
Recommended publications
  • An Experiment in Multidisciplinary Teaching: the Musical Theatre of Frank Zappa
    An Experiment in Interdisciplinary Teaching: The Music Theatre of Frank Zappa Paul Carr and Richard Hand, University of Glamorgan Project Report, June 2006 The global aim of this project was to investigate the viabilities of interdisciplinary teaching with undergraduates in the area of Drama and Popular Music: these are separate programs of study at the University of Glamorgan albeit within the same Department of Performing Arts. Popular Music is a relatively new degree scheme that commenced delivery in 2004, while Drama is well established, having been a single subject since the early 1990s. This report will examine the process of our multidisciplinary teaching experiment, and measure its effectiveness against the project aims set out below: • Enable staff and students from different disciplines to work together • Assist the assimilation and awareness of sister disciplines in order to discover commonality, and to learn from each other • Present a challenge for teaching staff who have extensive teaching experience in their own discipline but are new to academic investigation of colleague’s expertise • Begin the experimental and radical extension of the curriculum, with a view to develop other interdisciplinary modules and, ultimately, degree programmes The units chosen for this experiment were a final level module on the BA (Hons) Drama entitled American Theatre, and Ensemble Studies 3, drawn from the BA (Hons) Popular Music degree. The former module runs for a whole year and covers American theatre and live performance from the early twentieth century until the present day. A substantial and traditionally popular area of study within the module is the study of 1960-80s drama and performance which covers dramatists and theatre-makers like Sam Shepard, August Wilson and David Mamet and addresses topics such as the Vietnam war, the Civil Rights movement and AIDS.
    [Show full text]
  • Compositions-By-Frank-Zappa.Pdf
    Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
    [Show full text]
  • The Rondo Hatton Report Vol Ix December 21, 2011
    THE RONDO HATTON REPORT VOL IX DECEMBER 21, 2011 IN THIS ISSUE As the winter solstice marks the end of Zappadan , our ninth edition rolls out a selection of old friends and new prepared to confess all for your celebratory pleasure. Still not enough of you stepping up to the plate , but the intake is broad enough to prove that we're a catholic church . So if you like what you see here -- and even more if you don't -- take some time out over your holy-daze to let us know how it is where you come from. 'Cos that's the way we like it. As always, the texts are supplied as a single pdf file. Those wishing to fondle & fetish a paper version can download and print texts at their leisure; conservers of the carbon footprint can view online. Thanks to all who contributed this time. Content is alphabetic by author . Views are the opinion of the writer and the responsibility of the reader. You is what you am . Anyone wishing to correspond with a contributor may do so through the 'SUBMIT' page, and messages will be duly forwarded. You are encouraged to do so: please let the authors know that you appreciate their efforts - it will make them happy. Hopla! CONTENTS 1. HATS OFF TO DWEEZIL? / Jim BEUGH 2. LINGUA FRANKA PART V / Arjun von CAEMMERER 3. I AM A FRANK ZAPPA FAN / Joe CRAWFORD 4. VINYL HYGIENE DILEMMA / Andy HOLLINDEN 5. WHAM BAM THANK YOU SHAZAM / Simon PRENTIS 6. LARRY TAUGHT ME TO GO MERRY-GO-ROUND / John RILEY 7.
    [Show full text]
  • Zappa-Bootlegs
    MAJ du : 17/03/2008 Zappa-Bootlegs Lieux/Titres Concert du Qté Qualité Mount St Mary 19/05/1963 1 B == The Mothers Of Invention, Fall 1965 - Summer 1966 == FZ, Ray Collins, Elliot Ingber, Roy Estrada, Jimmy Carl Black Fillmore Auditorium, San Francisco, Ca (15 min) 24-25/06/1966 0,25 A- Fillmore Auditorium, San Francisco, CA (13,35 minutes) 24/06/1966 B+ == The Mothers Of Invention == Dec 1967 - Nov 1968 FZ, Ray Collins (quit somewhere between Apr and Aug 3 1968), Roy Estrada, Jimmy Carl Black, Arthur Dyer Tripp III, Ian Underwood, Don Preston, Bunk Gardner, Motorhead Sherwood. Olympen, Lund, Sweden 02/10/1967 1 B+ Lumpy Gravy Instrumental Acetate xx-xx-67 1 B+/A- We're Only In It For The Money Demo xx-xx-67 1 A- Fifth Dimension, Ann Arbor, Mi 03/12/1967 1 A-/B+ ==>Pigs & Repugnance Rare Meat Divers 1 American Pageant - Nullis Pretii - 67-68 / Studio 67 & 68 1 A (Mothermania) non-censored version The Grande Ballroom, Detroit, Mi (Mr. Green Genes==>Little House) 10/04/1968 1 B 03/05/68 Family Dog (!), Denver/ Concertgebouw, Amsterdam / Grugahalle, Essen 20/10/68 1 ==>Caress Me 28/09/68 Electric Aunt Jemima - Family Dog, Denver xx/01/1968 1 Family Dog, Denver, co xx/02/1968 1 A-/A The Grande Ballroom, Detroit, Mi 10/04/1968 1 B Fillmore East, NYC, NY - Early Show 20/04/1968 1 B- Fillmore East, NYC, NY - Late Show 20/04/1968 2 C+ Family Dog, Denver, co 03/05/1968 1 A- The Ark, Boston, Ma 18/07/1968 1 A- ==> Live In Boston Wollman Rink, Central Park, NYC, NY (source 1) 03/08/1968 1 B+ Wollman Rink, Central Park, NYC, NY (source 2) 03/08/1968
    [Show full text]
  • Frank Zappa Dans L'univers Des Musiques Sérieuses : Un Parfait Étranger? Réjean Beaucage
    Document generated on 09/30/2021 9:12 a.m. Circuit Musiques contemporaines Frank Zappa dans l’univers des musiques sérieuses : un parfait étranger? Frank Zappa in the World of Serious Music: a Perfect Stranger? Réjean Beaucage Frank Zappa : 10 ans après Article abstract Volume 14, Number 3, 2004 Ten years after his death, Frank Zappa remains an enigma and a veritable mass of contradictions. Known by adolescents for his rock music with themes URI: https://id.erudit.org/iderudit/902324ar at times brazen and at times obscene, he is respected for his fierce social DOI: https://doi.org/10.7202/902324ar criticism as well as for his works of "serious" music—which were always overshadowed by his scandalous persona. In its shortsightedness, the media See table of contents unfortunately focused on Zappa's celebrity status, ignoring all other facets of his multidimensional oeuvre. In this paper, the author outlines Zappa's biography, focusing principally on his experiences in the vast domain of "serious" music; the author further reminds us that, from the discovery of Publisher(s) Varèse's music to his encounter with l'Ensemble Modern, Zappa's path crosses Les Presses de l'Université de Montréal those of Zubin Metha, Pierre Boulez and Kent Nagano. ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this article Beaucage, R. (2004). Frank Zappa dans l’univers des musiques sérieuses : un parfait étranger? Circuit, 14(3), 9–32. https://doi.org/10.7202/902324ar Tous droits réservés © Les Presses de l’Université de Montréal, 2004 This document is protected by copyright law.
    [Show full text]
  • The Rondo Hatton Report Vol Xii
    THE RONDO HATTON REPORT VOL XII SEPTEMBER 21, 2012 IN THIS ISSUE This our twelfth issue now makes up a round dozen, marking a cycle of three years since our organ first exposed itself to the world. Not bad, not bad , though we do say so ourselves. Whether lurker, shirker or smirker , we hope y'all have enjoyed the show. This edition continues to bring you poetry and polemic from the usual suspects and more, ranging from a heartfelt plea for digital insertionism to another fine opportunity to ruin your life , dispensing essential insights into the counting of tuplets along the way. And lest ye forget: this is an open trans-continental platform for the riding of hobby horses , mechanical or otherwise. Bring yours to the races, why don'chya ? CONTENTS 1. LINGUA FRANKA PART VIII / Arjun von CAEMMERER 2. THE POVERTY OF COMPLETISM / Mimi GABIN-KHAN 3. WATERMELON IN EASTER HEY / Madge IMMANEY 4. ZAPPA SURVIVOR / Scott SCHROEN 5. WHEN COMPOSERS DECOMPOSE / Larry TESHMOW 6. ZAPPA: HEGEL, OR, NOT AGAIN (AGAIN) / Ben WATSON 1 1. LINGUA FRANKA PART VIII: An Office With A Foyer Arjun von Caemmerer Elvis may have left the building but it is Frank Zappa who has infiltrated the establishment. From each sidewall of my consulting room, off-centre and central, Zappa looks in, witness to the vagaries of each doctor-patient interaction. What’s a man like him doing in a place like this? Nothing. And everything: It is far more important to know what person the disease has than what disease the person has.
    [Show full text]
  • Frank Zappa and the Orchestra Question: Dissonant Clatter Or Well-Crafted Design?
    FRANK ZAPPA AND THE ORCHESTRA QUESTION: DISSONANT CLATTER OR WELL-CRAFTED DESIGN? CHANAN HANSPAL Thesis submitted in partial fulfilment of the requirements of the University of South Wales for the degree of Doctor in Philosophy. 2016 ABSTRACT This study offers an insight into the orchestral music of Frank Zappa and his unique approach to composition. In Chapter 1, The Fieldwork So Far, I present an extensive annotated bibliography of selected Zappa research to illustrate the multiple forms of discourse generated by the composer’s work. While this chapter examines various books and articles written about Zappa, it also illustrates the imbalance between critical theory and musicology. Chapter 2, Structure, Concepts and the Analytical Approach, describes analytical methods used as a rationale to determine modes of consistency across the studied pieces herein. As well as describing the analytical approach, I offer to align the conceptuality and design of the Calder Mobile with Zappa’s theory of weights, balances, measured tensions and releases by providing specific extracts of compositions where these concepts can be seen to exist. In chapter 3, I present the first analysis in this study of “Pedro’s Dowry”, a highly dissonant piece of music that builds on the idea of thematic and fragmental repetition. Chapter 4 is an analysis of “The Perfect Stranger”, a piece that demonstrates extensive use of Zappa’s Chord Bible. The chords are dense scalar derived structures exploiting both the octatonic and Minor Lydian scales, yet retaining fragmental and sectional repetition techniques. The analysis of “Bob in Dacron” in chapter 5 illuminates the process of intervallic manipulation and confirms the importance of recurrent ideas dispersed throughout.
    [Show full text]
  • Frank Zappa and Musical Theatre: Ugly Ugly O’Phan Annie and Really Deep, Intense, Thought-Provoking Broadway Symbolism
    Frank Zappa and musical theatre: ugly ugly o’phan Annie and really deep, intense, thought-provoking Broadway symbolism. Paul Carr and Richard J. Hand, University of Glamorgan At first glance it probably seems implausible if not preposterous to associate Frank Zappa (1940-93) with Musical Theatre. However, although he is generally recognised as a significant figure in the broad history of Rock music, his idiosyncrasy makes his output genuinely unique in comparison to conventional Rock oeuvres. Specifically, not only was Zappa renowned for being a highly theatrical performer and artist but one of the key distinguishing features in his work is a preoccupation with narrative and it is through the consideration of narrative that we are most able to conceptualise his work as Musical Theatre. On a microcosmic level, a sense of dramatic narrative informs many of Zappa’s songs; but on a macrocosmic level, too, his oeuvre as a whole can be interpreted as containing a narrative continuity. Moreover, the concept structure of Zappa’s albums – quintessentially in Joe’s Garage, Acts 1, 2 and 3 (1979) and Thing-Fish (1984) – creates an extended (and again dramatic) narrative that is more akin to the structure of Musical Theatre than conventional pop and rock album structuring. In addition, Zappa demonstrates an acute awareness of performance traditions and genres outside of those which, obviously, appertain to popular music and classical music: for example, Thing- Fish is an explicit exploration of Broadway Musical Theatre. This essay will propose that the work of Frank Zappa should be considered as Musical Theatre through a detailed critical investigation of the artist and the oeuvre.
    [Show full text]
  • 1 PAUL CARR Le Zappa Family Trust
    ! PAUL CARR Le Zappa Family Trust : Exemple de gestion autocratique des droits d’auteur musicaux ? À la mort de Frank Zappa, une bataille juridique s’est engagée entre le Zappa Family Trust (ZFT) et les groupes musicaux appelés « tribute bands » qui, en hommage au compositeur, œuvrent à faire connaître sa musique à travers des concerts et des enregistrements. Créé par l’épouse de Frank Zappa, Gail, peu après la disparition de celui-ci, le « ZFT » détient à ce jour les droits d’auteur et d’exploitation commerciale de tous ses enregistrements « officiels », et l’obstination farouche avec laquelle cette institution protège la propriété intellectuelle dont elle a la garde a suscité un nombre incalculable d’injonctions « de cessation et d'abstention », adressées essentiellement aux « tribute artists », propagateurs de l’œuvre de Zappa aux États-Unis et en Europe. Jusqu’à une date récente, le conflit le plus ancien était celui opposant le ZFT au « Zappanale Festival » de Bad Doberan, en Allemagne, hommage le plus important rendu au musicien dans le monde. Suivant une procédure engagée par le ZFT à l’encontre des organisateurs (l’Arf Society) début 2008 pour usurpation de marques commerciales, la justice allemande trancha en faveur du festival en juin 2010, statuant que le ZFT n’avait pas apporté la preuve que le festival se soit livré à une exploitation active desdites marques en Allemagne. Outre les problématiques d’usurpation de marques commerciales, le Zappa Family Trust s’oppose, pour l’essentiel, au droit des musiciens, propriétaires de salles et autres organisateurs de festivals à interpréter les œuvres musicales de Zappa, une arme juridique qu’il continue de brandir à ce jour.
    [Show full text]
  • [PDF] Free Zappa the Hard
    Register Free To Download Files | File Name : Zappa The Hard Way PDF ZAPPA THE HARD WAY Kindle Edition Author : Andrew Greenaway 'Zappa The Hard Way' is the story of Frank Zappa's last ever world tour that ended in mutiny. In 1988 Frank Zappa toured with a twelve-piece band that had rehearsed for months, learned a repertoire of over 100 songs and played an entirely different set each night. The first live album compiled from various performances on Frank Zappa's 1988 world tour (his final outing), Broadway the Hard Way is composed mostly of new, vocal-oriented material. The tone throughout is highly political, with Zappa taking potshots at such targets as Elvis Presley, Michael Jackson, Richard Nixon, Ronald Reagan, Pat Robertson and other televangelists, Jesse Jackson, C ... Zappa The Hard Way Books In 1988, Frank Zappa toured with a twelve-piece band that had rehearsed for months, learned a repertoire of over 100 songs and played an entirely different set each night. It is why, in Zappa's own words, it was 'the best band you never heard in your life' - a reference to West Coast American audiences who never got the chance to see this particular touring ensemble ... Broadway the Hard Way. Broadway the Hard Way is a live album by American musician Frank Zappa recorded at various performances along his 1988 world tour. It was first released as a 9- track vinyl album through Zappa's label Barking Pumpkin Records in October 1988, and subsequently as a 17-track CD through Rykodisc in 1989. Zappa Mailing List.
    [Show full text]
  • 20 Years of Frank Zappa „Silver Edition“
    20 Years Of Frank Zappa „Silver Edition“ 20 Years Of Frank Zappa These informations come from Hot Wacks Quarterly, 1983, Vol. 4, No. 1, Issue 13. Hot Wacks is an under- ground magazine that has been in circulation since 1980, featuring reviews of bootleg music releases. Reviews include information such as source, quality, track listing and packaging. It is commonly referred to as the 'Bootleg Bible' by bootleg collectors: Many sources and styles and hundreds of musicians complement this 12 record package – the most ambitious and the last of the Mud Shark series. Twelve albums, each with its own number, title and personality were packaged in a one-inch box with a 16-page guide booklet (except 25, the “Silver Edition”, but more on that later). This package is the largest underground multi-record set made to date. The initial pressing was 1000 copies, but as most of you may already know, over half of them (565) were confiscated in Mud Shark´s bust. The limited, numbered Silver Edition had each LP packaged individually in its own silver jacket. Rumor has it that the special packages were to be presented to dealers who sold large quantities of the box. They disappeared without trace although sources indicate they were not confiscated, just lost or tucked away in the depths of the packaging plant. Perhaps they will surface one day. The Basic Primer Z to A (MZ 4801) A1 Return of Your Mama B1 Titties & Beer A2 Keep it Greasey B2 What Kind of Group Do You Think We Are? A3 Village of the Sun B3 All the Way Down to the Tonsils A4 I Do a Bunch of Other Things B4 Rollo B5 Saint Alfonzo's Pancake Breakfast B6 Zappa's Lecture This LP and the 12th album are the “border” LPs in that they surround the set´s inner material – the material that goes in sequence.
    [Show full text]
  • Multilingual Metal Music EMERALD STUDIES in METAL MUSIC and CULTURE
    Multilingual Metal Music EMERALD STUDIES IN METAL MUSIC AND CULTURE Series Editors: Rosemary Lucy Hill and Keith Kahn-Harris International Editorial Advisory Board: Andy R. Brown, Bath Spa University, UK; Amber Clifford-Napleone, University of Central Missouri, USA; Kevin Fellezs, Columbia University, USA; Cynthia Grund, University of Southern Denmark, Denmark Gérôme Guibert, Université Sorbonne Nouvelle, France; Catherine Hoad, Macquarie University, Australia; Rosemary Overell, Otago University, New Zealand; Niall Scott, University of Central Lancashire, UK; Karl Sprack- len, Leeds Beckett University, UK; Heather Savigny, De Montfort University, UK; Nelson Varas-Diaz, Florida International University, USA; Deena Wein- stein, DePaul University, USA Metal Music Studies has grown enormously over the last 8 years from a hand- ful of scholars within Sociology and Popular Music Studies, to hundreds of active scholars working across a diverse range of disciplines. The rise of interest in heavy metal academically reflects the growth of the genre as a normal or con- tested part of everyday lives around the globe. The aim of this series is to provide a home and focus for the growing number of monographs and edited collections that analyse heavy metal and other heavy music; to publish work that fits within the emergent subject field of metal music studies; that is, work that is critical and inter-disciplinary across the social sciences and humanities; to publish work that is of interest to and enhances wider disciplines and subject fields across social sciences and the humanities; and to support the development of early career researchers through providing opportunities to convert their doctoral theses into research monographs.
    [Show full text]