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200Th Anniversary of the Greek War of Independence 1821-2021 18 1821-2021
Special Edition: 200th Anniversary of the Greek War of Independence 1821-2021 18 1821-2021 A publication of the Dean C. and Zoë S. Pappas Interdisciplinary March 2021 VOLUME 1 ISSUE NO. 3 Center for Hellenic Studies and the Friends of Hellenic Studies From the Director Dear Friends, On March 25, 1821, in the city of Kalamata in the southern Peloponnesos, the chieftains from the region of Mani convened the Messinian Senate of Kalamata to issue a revolutionary proclamation for “Liberty.” The commander Petrobey Mavromichalis then wrote the following appeal to the Americans: “Citizens of the United States of America!…Having formed the resolution to live or die for freedom, we are drawn toward you by a just sympathy; since it is in your land that Liberty has fixed her abode, and by you that she is prized as by our fathers.” He added, “It is for you, citizens of America, to crown this glory, in aiding us to purge Greece from the barbarians, who for four hundred years have polluted the soil.” The Greek revolutionaries understood themselves as part of a universal struggle for freedom. It is this universal struggle for freedom that the Pappas Center for Hellenic Studies and Stockton University raises up and celebrates on the occasion of the 200th anniversary of the beginning of the Greek Revolution in 1821. The Pappas Center IN THIS ISSUE for Hellenic Studies and the Friends of Hellenic Studies have prepared this Special Edition of the Hellenic Voice for you to enjoy. In this Special Edition, we feature the Pappas Center exhibition, The Greek Pg. -
“The Semiotics of the Imagery of the Greek War of Independence. from Delacroix to the Frieze in Otto’S Palace, the Current Hellenic Parliament”
American Research Journal of Humanities & Social Science (ARJHSS)R) 2020 American Research Journal of Humanities & Social Science (ARJHSS) E-ISSN: 2378-702X Volume-03, Issue-01, pp 36-41 January-2020 www.arjhss.com Research Paper Open Access “The Semiotics of the Imagery of the Greek War of Independence. From Delacroix to the Frieze in Otto’s Palace, The Current Hellenic Parliament”. Markella-Elpida Tsichla University of Patras *Corresponding Author: Markella-Elpida Tsichla ABSTRACT:- The iconography of the Greek War of Independence is quite broad and it includes both real and imaginary themes. Artists who were inspired by this particular and extremely important historical event originated from a variety of countries, some were already well-known, such as Eugène Delacroix, others were executing official commissions from kings of Western countries, and most of them were driven by the spirit of romanticism. This paper shall not so much focus on matters of art criticism, but rather explore the manner in which facts have been represented in specific works of art, referring to political, religious and cultural issues, which are still relevant to this day. In particular, I shall comment on The Massacre at Chios by Eugène Delacroix, painted in 1824, the 39 Scenes from the Greek War of Independence by Peter von Hess, painted in 1835 and commissioned by King Ludwig I of Bavaria, and the frieze in the Trophy Room (currently Eleftherios Venizelos Hall) in Otto’s palace in Athens, currently housing the Hellenic Parliament, themed around the Greek War of Independence and the subsequent events. This great work was designed by German sculptor Ludwig Michael Schantahaler in 1840 and “transferred” to the walls of the hall by a group of Greek and German artists. -
![ART CENTERS and PERIPHERAL ART [A LECTURE at the UNIVERSITY of HAMBURG, OCTOBER 15, 1982] Nicos Hadjinicolaou](https://docslib.b-cdn.net/cover/0140/art-centers-and-peripheral-art-a-lecture-at-the-university-of-hamburg-october-15-1982-nicos-hadjinicolaou-1190140.webp)
ART CENTERS and PERIPHERAL ART [A LECTURE at the UNIVERSITY of HAMBURG, OCTOBER 15, 1982] Nicos Hadjinicolaou
DOCUMENT Downloaded from http://direct.mit.edu/artm/article-pdf/9/2/119/1846574/artm_a_00267.pdf by guest on 24 September 2021 ART CENTERS AND PERIPHERAL ART [A LECTURE AT THE UNIVERSITY OF HAMBURG, OCTOBER 15, 1982] nicos hadjinicolaou The title of my talk is “Art Centers and Peripheral Art.” The subject to which I have assigned this title touches several aspects of our discipline. I would briefl y like to raise several questions which have led me to the discussion of this topic. 1. Naturally, the most important, most complicated question for us art historians, but I believe also for historians in general—a problem, by the way, which we shall never “solve,” but answer differently depend- ing on our points of view—is the following: how and why does form change?1 Which available tools or means make it possible for art histori- ans to capture these changes? I think that the point I am hinting at here with “art centers and peripheral art” touches on this question: in the relationship of center and periphery, in the effect of an art center, and in the dissemination of its production to the periphery. In inundating and overpowering the art production of the periphery, the history of art is also being made.2 1 This has been, no doubt, the central question at least of German-language art history since the end of the 19th century (Heinrich Wölffl in, August Schmarsow, Alois Riegl). 2 This, too, cannot be emphasized enough. The history of art is created from (among other factors) the (unequal) interrelationship of periphery and center. -
“Heroes” in Neo-Hellenic Art (19Th – 20Th Centuries) the New National Models and Their Development Panagiota Papanikolaou International Hellenic University
Volume 2, Issue 5, May 2015, PP 249-256 ISSN 2349-0373 (Print) & ISSN 2349-0381 (Online) www.arcjournals.org International Journal of Humanities Social Sciences and Education (IJHSSE) “Heroes” in Neo-Hellenic Art (19th – 20th Centuries) the New National Models and their Development Panagiota Papanikolaou International Hellenic University “Pity the country that needs heroes.” Bertolt Brecht Abstract The outbreak of the Greek Revolution in 1821 acted as a catalyst for the country and put in place the conditions for the occurrence of many new phenomena, such as the emergence of art, for example, which was influenced by Western mannerisms. This has been considered absolutely normal, because this is when the actual conditions for the development of art were met. The social, legal, moral and political conditions were completely overhauled and this enabled citizens to express themselves freely. (1) For Greeks, the Greek Revolution has been the great historical event out of which the new Greek state emerged. However, to achieve this, sacrifices and struggles have been necessary, which resulted in certain people standing out for their achievements, bringing back to the people’s memory the ancient myths about semi-gods and heroes as well as the saints of the Christian religion. The heroes and heroines of the new Hellenism leapt out of the Greek Revolution, lauded by poets and represented by artists. In general, there are many categories of “heroes”, as there are many definitions thereof. According to dictionaries, a “hero” is someone “who commits a valiant act, often to the point of sacrificing themselves”, a person who achieves something particularly difficult and who is admired by others. -
A Concise History of Greece
A Concise History of Greece richard clogg published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211,USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 1992 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1992 Reprinted 5 times Second edition 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Sabon 10/13 pt. System LATEX 2ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication Data Clogg, Richard, 1939– A concise history of Greece / Richard Clogg. p. cm. – (Cambridge concise histories) Includes bibliographical references and index. isbn 0 521 80872 3 – isbn 0 521 00479 9 (pbk) 1. Greece – History – 1821– i. Title ii. Series. df802.C57 1991 949.5-dc20 91–25872 CIP isbn 0 521 80872 3 hardback isbn 0 521 00479 9 paperback contents List of illustrations page viii Preface xv 1 Introduction 1 2 Ottoman rule and the emergence of the Greek state 1770–1831 7 3 Nation building, the ‘Great Idea’ and National Schism -
Περιεχομενα - B΄ Ημερα Κυριακή 29 Μαρτίου 2015 - Ώρα 12:00΄
ΠΕΡΙΕΧΟΜΕΝΑ - B΄ ΗΜΕΡΑ Κυριακή 29 Μαρτίου 2015 - Ώρα 12:00΄ 38. Τοπικά 1322-1661 Αττική Πελοπόννησος Στερεά Ελλάδα Θεσσαλία Ήπειρος Μακεδονία / Θράκη Νησιά Αιγαίου & Αργοσαρωνικού Επτάνησα Δωδεκάνησα Κρήτη Άγιον Όρος Κύπρος Πόντο ς / Μικρά Ασία Λοιπές Χώρες Εξω Ελληνισμός 39. Έγγραφα - Ντοκουμέντα 1662-1710 40. Φωτογραφίες 1711-1761 41. Χάρτες 1762-1794 42. Μετοχές 1795-1798 43. Διπλώματα & Μετάλλια 1799-1827 44. Ολυμπιακά & Αθλητικά 1828-1851 45. ΕΛΠΑ, Αυτοκίνητο, Τραίνο 1852-1867 46. Πλοία & Αεροπλάνα 1868-1896 47. Πολιτικά Θέματα 1897-1899 48. Διαφημίσεις 1900-1940 49. Λιθόγραφα 1941-1975 50. Χαρακτικά 1976-2015 51. Έργα Τέχνης 2016-2079 52. Γλυπτά 2080-2083 53. Ακροκέραμα 2084-2112 54. Κεραμικά 2113-2190 55. Αντίκες 2191-2305 56. Κόμιξ 2306-2342 57. Παιχνίδια 2343-2367 58. Καπνοσυλλεκτικά 2368-2425 59. Καραγκιόζης 2426-2437 ΜΟΛΙΣ ΚΥΚΛΟΦΟΡΗΣΕ Η πρώτη μας εκδοτική προσπάθεια έχει να δώσει ένα ιστορικό ντοκουμέντο, που είδε μετά από 90 χρόνια το φως της δημοσιότητας. Ο Κωνσταντίνος Πολυχρονιάδης - γραμματέας του Ελ. Βενιζέλου και του πρωθυπουργού Σωτ. Κροκιδά - περιγράφει τα γεγονότα της δίκης και καταδίκης των Έξι, αντλώντας στοιχεία από το ημερολόγιο του αείμνηστου πολιτικού. Διατίθεται στα βιβλίοπωλεία. Ζητείστε να σας το στείλουμε. 38. Τοπικά 1322 1323 1324 1325 1326 ΑΤΤΙΚΗ 1322 ΜΕΓΑΣ ΟΔΗΓΟΣ ΠΕΙΡΑΙΩΣ 1929-1930. Πειραιάς, "Άρτια", [1930]. 8ο, σ. 344. Βιομηχανικό δέσιμο (χαλαρωμένες οι συνδέσεις, φθορές). 30-40 1323 ΠΑΛΗΑ ΑΘΗΝΑ. Η Αθήνα όπως ήταν επί Τουρκοκρατίας μέχρι ανεξαρτησίας. Όπως τα είδαν οι ξένοι περιηγηταί του 18ου και 19ου αιώνα. Άθήνα, Έκδοση Ασύλου Λέσχης, 1931. Folio, σ. XVII+(18)-235. Αρχικά εξώφυλλα. 70-100 1324 LE TOUR DU MONDE NOUVEAU JOURNAL DES VOYAGES. -
L'avènement Et L'évolution De La Bande Dessinée En Grèce : Adaptations
Université de Poitiers Ecole Européenne Supérieure de l’Image Master I Recherche : Bande Dessinée Directeurs de la recherche : Lambert Barthélémy, Thierry Smolderen Etudiant : Nikolaos Kampasele Année universitaire 2011-2012 Session de Septembre 2012 L’Amérique et la Grèce, au carrefour de la bande dessinée. Adaptations de grands classiques littéraires durant la période 1950-1970. 0 Table de matières Remerciements…………………………………………………………………………………….p.3 Introduction Présentation du sujet………………………………………………………………………………..p.4 Méthodologie……………………………………………………………………………………….p.5 Chapitre I -Cadre historique de l’éclosion de la bande dessinée en Grèce. La Grèce après la Deuxième Guerre Mondiale : Passage par la Guerre Froide à la Guerre Civile pour arriver à la Dictature Militaire.………………………………………………………………..p.7 Chapitre II-Point de départ : Les copies grecques des bandes dessinées américaines. Origines de la série Classics Illustrated…………………………………………………………..p.10 Les éditions Πεχλιβανίδη (Pechlivanidi)………………………………………………………….p.11 Entretien avec les éditeurs………………………………………………………………………...p.12 Commentaires de l’entretien…………………………………………………………………........p.18 Chapitre III-Typologie de la série Klassika Ikonografimena. Partie extérieure. Le logo de la série…………………………………………………………………………………p.20 Autres logos et informations présents sur les couvertures……………………………………..…p.22 Les dessins des couvertures……………………………………………………………………….p.24 La numérotation…………………………………..……………………………………………….p.32 Le dos des titres……………………………………………………………….…………………..p.33 1 Partie intérieure. -
Cuadernos CIEM
Cuadernos C I E M III Certamen de Ensayo Masónico Centro Ibérico de Estudios Masónicos (CIEM) Madrid – 2015 ISSN: 2254 - 7711 The founding of Greek Free Masonry 1º Premio © 2015 Centro Ibérico de Estudios Masónicos (CIEM) Apartado 24 28891 – Velilla de San Antonio - Madrid (España) The founding of Greek Free Masonry Should we be puzzled by the fact that there are lodges operating in the Helladic area at the beginning of the 18th cent. when it is still under the Ottoman and Venetian rule? Different Masonic rites are indeed created and coexist in a tiny geographical area, far from the European kernel of developments. This means that the background was appropriate for new ideas to take root and to survive; these ideas did not arrive as novel on foreign grounds, but they became more complex in a creative way, through a fruitful dialogue with an older local tradition with which they shared many common memories. The very same Western Esotericism as an academic concept – whose fruit Freemasonry is – has its roots in the Alexandrian period and in the writings of Plotinus and of the Neoplatonists, who were based in Alexandria, as well as in Athens and in Syria, that is to say generally speaking on the Eastern costs of the Mediterranean Sea. These ideas participated and contributed to the syncretism of the ancient Greek spirit with various worldviews and religious beliefs (Christianity, Arab world, kabala, etc.). They spread in the East and the West thanks to the Greek language which was then the lingua franca, helped by the fact that, apart from their civilization, the Greeks had already developed, since early times before Alexander the Great, close trade links with the northern coast of Africa, Asia and the Mediterranean coast of Europe. -
![Greece (Greek: ????Da, Elláda [E'laða] ( Listen)), Officially](https://docslib.b-cdn.net/cover/6036/greece-greek-da-ell%C3%A1da-ela%C3%B0a-listen-officially-4286036.webp)
Greece (Greek: ????Da, Elláda [E'laða] ( Listen)), Officially
Greece (Greek: ????da, Elláda [e'laða] ( listen)), officially the Hellenic Republic (Greek: ???????? ??µ???at?a Elliniki´ Dimokratía [elini'ci ðimokra'ti.a]), also known si nce ancient times as Hellas (Ancient Greek: ????? Ellás ['h?l?s])[8][9][10][11][12 ][13][14][15] is a country located in southeastern Europe. According to the 2011 census, Greece's population is around 10.8 million. Athens is the nation's capi tal and largest city, followed by Thessaloniki, which is commonly referred to as the co-capital. Greece is strategically located at the crossroads of Europe, Asia, and Africa. S ituated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north a nd Turkey to the northeast. Greece consists of nine geographic regions: Macedoni a, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands (includ ing the Dodecanese and Cyclades), Thrace, Crete, and the Ionian Islands. The Aeg ean Sea lies to the east of the mainland, the Ionian Sea to the west, and the Me diterranean Sea to the south. Greece has the longest coastline on the Mediterran ean Basin and the 11th longest coastline in the world at 13,676 km (8,498 mi) in length, featuring a vast number of islands, of which 227 are inhabited. Eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2 ,918 metres (9,573 ft). Greece has one of the longest histories of any country, and is considered the cr adle of Western civilization, having been the birthplace of democracy, Western p hilosophy, the Olympic Games, Western literature,[16] historiography, political science, major scientific and mathematical principles, and Western drama, includ ing both tragedy and comedy. -
Between, Against, Beyond: Challenging National Identities in Contemporary Greek Theatre Dissertation Zur Erlangung Des Grades E
Between, Against, Beyond: Challenging National Identities in Contemporary Greek Theatre Dissertation zur Erlangung des Grades eines Doktors der Philosophie am Fachbereich Philosophie und Geisteswissenschaften der Freien Universität Berlin vorgelegt von Ariadni Lignou Tsamantani Berlin 2020 Erstgutachter: Prof. Dr. Matthias Warstat Zweitgutachter: Prof. Dr. Miltos Pechlivanos Tag der Disputation: 9. Juli 2020 TABLE OF CONTENTS Acknowledgments ..................................................................................................................... 3 Preface ....................................................................................................................................... 4 Introduction ............................................................................................................................... 6 1. Framing this study: concepts, contexts, histories ............................................................. 20 1.1 On nation, nationalism and identity ............................................................................ 20 1.2 On nation and theatre .................................................................................................. 28 1.3 Greek (theatre) histories: pasts and presents .............................................................. 36 1.3.1 Nation-state and theatre stage ............................................................................. 37 1.3.2 Performing nation on/as “national stage” .......................................................... -
Cambridge Concise Histories
Cambridge University Press 978-1-107-03289-7 - A Concise History of Greece: Third Edition Richard Clogg Frontmatter More information cambridge concise histories A Concise History of Greece Now reissued in a third, updated edition, this book provides a concise, illustrated introduction to the modern history of Greece, from the first stirrings of the national movement in the late eighteenth century to the present day. The current economic crisis has marked a turning point in the country’s history. This third edition includes a new final chapter, which analyses con- temporary political, economic and social developments. It includes additional illustrations together with updated tables and suggestions for further reading. Designed to provide a basic introduction, the first edition of this hugely successful Concise History won the Runciman Award for the best book on an Hellenic topic published in 1992 and has been translated into twelve languages. richard clogg has been Lecturer in Modern Greek History at the School of Slavonic and East European Studies and King’s College, University of London; Reader in Modern Greek History at King’s College; and Professor of Modern Balkan History in the University of London. From 1990 to 2005 he was a Fellow of St Antony’s College, Oxford, and is now an Emeritus Fellow of the College. He has written extensively on Greek history and politics from the eighteenth century to the present. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03289-7 - A Concise History of Greece: Third Edition Richard Clogg Frontmatter More information cambridge concise histories This is a new series of illustrated ‘concise histories’ of selected individual countries, intended both as university and college textbooks and as general historical introductions for general readers, travellers and members of the business community. -
Politismos, Vol. 1, Issue 1, March 2021
1821 200th Anniversary of the Greek War of Independence 2021 Πολιτισμός Politismos Ελευθερία ή θάνατος VOLUME 1/ISSUE 1 MARCH 2021 Cultural Committee Holy Trinity Greek Orthodox church 250 Gallows Hill Road Westfield, NJ 07090 contents Πολιτισμός Politismos Archiepiscopal and synodal encyclical for the feast of “Civilization” - “Culture” the annunciation and the 200th anniversary of the Greek revolution iii from the Greek word polis (city state) as related to politis Welcome 1 (citizen) Peter Tarhanidis, PhD Tribute to Barbara Manos 2 Helen Constantinides Bruno Ζήτω η Ελλάς ! A Timeline of the struggle for Greek Independence 3 Peter Tarhanidis, PhD Athonite academy — modern Greek enlightenment 5 Helen Constantinides Bruno Listing of the heroes and heroines of the war for Greek independence 6 The contribution of patriarch Gregory E’ to the struggle for Greek independence 7 Celia Kapsomera Rigas Feraios 10 Helen Constantinides Bruno Theodoros Kolokotronis 11 “When we revolted, we said first for Helen Constantinides Bruno our Christian Faith and then for the Laskarina bouboulina - Georgios karaiskakis 12 Nation.” Theodoros Kolokotronis Helen Constantinides Bruno the Hellenic national anthem 13 Yμνος εἰς τὴν Ἐλευθερίαν peter Tarhanidis , PhD 1821 celebratory events 14 Hellas— by Percy Shelley Ht cultural committee 15 did you know Helen Constantinides Bruno https://www.youtube.com/watch?v=W2KUxkA9JFw Aς κρατήσουν οι χοροί - Let the Dances Last - Dionysis Savopoulos Grateful Ellas Official video commemorating the 200th anniversary for the fight